On My Bedside Table – # 3

Bedside Table books-lamp-diyBack by popular demand, the bedside table revelations of our literary heroes and heroines or as some of us like to address the towers of teetering titles yet to be tackled, the TBR List – To Be Read List. Be it on the bookshelf, coffee table, lounge room floor or humble little bedside cube like mine; where ever you stash your next-in-line-to-read reads, have a look through these. You might just have to make another pile.

Today we ask the burning question: Do illustrators make time to read? If so, who is it that these arty types curl up with and why…the answers are illuminating.

Sarah Davis SARAH DAVIS Multiple award winning children’s book illustrator who is as much at home drawing ghosts as bulldogs and is half the creative heart of the divine Violet Mackerel. A multitasking legend!

 Goldfinch by Donna Tartt, which is gripping – I can’t quite work out what her magic trick is for making her characters and situations so vivid and immediate.

Middlemarch by George Eliot for the third time, because I’d been thinking a lot about Mr Casaubon and Dorothea recently and wanted to go visit them again.

 Hiding in Plain Sight – Confessions of a Sociopath by M. E. Thomas, because I’m interested in abnormal psychology.Confessions of a sociopath

 Shriek by Jeff Vandermeer – set in the freaky crumbling surreal city of Ambergris beneath which lurk sentient fungi. (My upstairs book for when I take lunchbreaks)

I’m reading a chapter of To Kill A Mockingbird aloud to the kids every night, and usually listening to Mikhail Bulgakov’s The Master and Margarita on audio book while I work, although I’ll occasionally take a break to listen to podcasts.

I’ve got a story by Isobelle Carmody all lined up to listen to while I paint tomorrow.

And am dipping in and out of Pablo Neruda’s Residence on Earth.

When I’m stuck on the train or in a queue with nothing to read, I’m getting through The Count of Monte Cristo on my iPhone.

I don’t know what I’ll read after all that… I’ll just see what jumps off the shelf at me, I suppose. Whatever it is, hopefully it doesn’t hit me on the head.

James Foley  JAMES FOLEY Writer, illustrator, cartoonist, and part time Viking. A man with multiple awards to his name as well and a disparaging multiple-pile problem.

More Than This by Patrick Ness. Like the Chaos Walking Trilogy and A Monster Calls, this is incredibly suspenseful storytelling. Mr Ness strings you along, throwing questions at you but only giving the barest slivers of answers each chapter. The ending felt unfinished and under defined, but I guess that’s par for the course in a book about the (possible) afterlife.

I got some great left-field comics for my birthday, both from Nobrow Comics: Adventures of A Japanese Businessman by Jose Domingo and Dockwood by Jon McNaught.Adventures of a Japanese Businessman

I also topped up my Hellboy collection with a new trade paperback, The Midnight Circus by Mike Mignola, Duncan Fegredo and Dave Stewart – there’s some insanely good pen and wash technique in there.

One Soul by Ray Fawkes – The best graphic novel I’ve read this year – 18 separate characters living in different time periods have their life stories told in parallel. Each double page spread is arranged into 18 panels (6×3), with each character having their own panel.

But wait, there’s more! My recent picture book acquisitions: My Two Blankets by Irena Kobald and Freya Blackwood; I am Cow Hear Me Moo by Jill Esbaum and Gus Gordon.

Skullduggery Pleasant: Dying of the Light by Derek Landy; my current read.

There, done! Ooh! Ooh! On one of my bedside reading piles is Deb Fitzpatrick’s new one, The Break – it just came out last week

Christina Booth CHRISTINA BOOTH Enviable author illustrator whose latest picture book Welcome Home has just picked up the 2014 Environment Award for Children’s Literature. She hails from a small island to the south of Australia known as Tasmania and has a larger pile problem than James.

Christian explains: Well, to start with there are none on my table, you see, the pile became so large that I moved a big bookcase into my bedroom and that is where they now reside; my reading-to-do-pile, ever increasing,  those read and those in progress.

The Guernsey Literary and Potato Peel Society Mary Ann Shaffer & Annie Barrows highly recommended. As an author, I loved the banter between author and publisher and fans, and I learnt a lot about Guernsey, especially how they were occupied by the Germans during the Second World War.

My Place Nadia Wheatley & Donna Rawlins This picture book is part of my apprenticeship in writing a time line PB.The People Smuggler

The People Smuggler by Robin de Crespigny, following the life and journey of a man accused in Australia as a People Smuggler and how he was used as an example in the courts at great cost to the country only to be found innocent. Robin is an award winning script writer and this book is her first written as a biography but using the first person approach. It is a good read, though it is emotionally charged.

I have attempted to read Rohan Wilson’s The Roving Party, which seems to be a great story set in my home state of Tasmania. Alas, what does my head in is the lack of speech marks in the text. It requires more concentration to sort out who is saying what for my tired brain to deal with at present. It sits there, waiting….

Every night I (also) read my Bible, so much to contemplate along with words of wisdom from C.S. Lewis, and some other writers who refer to the passages I read. This is the most read of my books.

Maus is always close by as well by Art Spiegelman. Re-visited, browsed and remembered. One of the books that has changed me…. (Wonderfully tactile in hard cover with fabric spine).

There is a manuscript in varying stages in a folder that I review and reread, it’s almost there now; I’m starting to dream it instead.

On my ‘to get to ASAP’ list is Morris Gleitzman’s Loyal CreaturesJohn Green’s The Fault In Our Stars, The Immortal Life of Henrietta Lacks by Rebecca Skloot is next for book club. The Roald Dahl Biography and also one on Michael Morpurgo await my attention. They are so patient with me, I want to read them all right now but alas, time isn’t my friend.

Phew! Is there anything they are NOT reading?! So it turns out, illustrators are just as voracious readers as the next bibliophile. Makes my pile of seventeen or so pale in comparison under the amber glow of my bedside lamp. Do any of these feature on your bedside table? So many books, not enough nights to get through them all…

Be further inspired. More great titles you may not have thought about adding to you pile from more great authors and illustrators.

Visit here and here.

 

 

 

 

REVIEW – VIOLET MACKEREL’S BRILLIANT PLOT

VIOLET MACKEREL  thinks she would QUITE LIKE to own the blue china bird at the Saturday markets.

This is not just a SILLY WISH.

It is instead the start of a VERY IMPORTANT idea.

But what she needs is a PLOT.

A BRILLIANT plot.

I wasn’t surprised to see Violet Mackerel’s Brilliant Plot win an honour book at this year’s CBCA awards.

Written by Anna Branford and illustrated by Sarah Davis, this book is one that I can see kids keeping on their bookshelves and handing down to future generations. (Yes I have faith that print books will be around for many years to come).

Violet Mackerel, the central character has a small goal, to own a small china blue bird she has seen at the market where her mother has a knitting stall on a Saturday morning.

But this blue bird is special and it’s going to take a brilliant plot to make it hers.

Violet believes that collecting small things can lead to something big, even brilliant. In fact she has a Theory of finding small things and hopes that this will help her get her blue china bird.

Anna Branford really gets inside the head of a small child in this endearing story. I remember being Violet’s age and wanting a horse. There was one I particularly liked and I used to plan and dream about how I could get it to follow me home.

I think that every small child had goals and dreams that even their parents don’t know about and this is depicted so authentically in Violet Mackerel’s Brilliant Plot.

Violet is very endearing in that she is fiesty, determined, but honest in her goals and how she goes about achieving them. And just as small children do, she becomes totally distracted by another project and forgets about her original goal.

In the end it’s through her kind nature and generosity of spirit that Violet gets what she wants in the story.

Violet Mackerel’s Brilliant Plot is a sensitively told tale that kids will enjoy reading or having read to them.

Sarah Davis’s beautiful black and white illustrations bring Violet’s story to life, showing her character and the emotions and turmoil she is going through. They are lively and sensitive illustrations with a touch of humour and bring the reality of Violet’s emotions closer to the reader.

There are even instructions at the end of the book showing the reader how to make their very own Box of Small Things.

Check out Violet’s website, violetmackerel.com.au to find out more about her adventures.

Violet Mackerel’s Brilliant Plot is published by Walker Books.

 

ANNA BRANFORD HAS A BRILLIANT PLOT

Today I’m pleased to welcome Anna Branford to Kids’ Book Capers. Anna is the author of the highly acclaimed, Violet Mackerel’s Brilliant Plot. This beautiful book, written by Anna and illustrated by Sarah Davis was an Honour Book in this year’s CBCA awards.

How did you become a writer?

I suppose I’ve always been writing something or other ever since I first learned to write, but I started writing children’s stories right after I finished my Ph.D thesis. Maybe doing all that disciplined, analytical writing made me crave the opportunity to write something more creative and colourful. Also, as part of my Ph.D research I read lots and lots of children’s books, so my mind was brimming with stories and ideas.

What do you enjoy most about being a writer?

One of the most exciting parts is seeing the illustrations. There is something really magical about dreaming up characters and places in the privacy of your own imagination and then getting to see what they look in the imagination of another person – especially if that other person is someone like Sarah Davis, who is already a bit magical to begin with, I think.

What is the hardest thing about being a writer?

For me the hardest thing about being a writer is trying to be other things at the same time. As well as being a writer I am also a full-time lecturer at a university. So sometimes I’m right with Violet, figuring out one of her theories, and then the phone rings and I need to snap out of her world and into the world my students are in, of tricky questions and lost essays. At other times I’m in the middle of explaining a complex idea in a lecture and suddenly a good idea pops into my head for a story I’m working on. I love both of my jobs, but I don’t always love trying to do them at the same time.

What were you in a past life (if anything) before you became a writer?

For two very long weeks I was a truly dreadful waitress. Then for a little while I worked in an aged care facility, mainly delivering people’s lunches and making them cups of tea and cleaning, which I was a bit better at. Then for many years I worked in crèches and childcare centres and as a nanny, which I loved. And for the last few years, as well as my university job, I have been a maker of dolls and other things.

What is your greatest writing achievement?

Well, it was very, very exciting to be nominated in the CBCA awards and even better to find out that Violet Mackerel’s Brilliant Plot was an honour book. But I have also had two kind messages from people saying that the book was the first story their child read independently and that they had made it all the way through and enjoyed it. I vividly remember the satisfaction of the first book I read independently and I am very honoured that someone experienced something similar with Violet. I think that might be the achievement I’m most excited about so far.

What are you working on at the moment?

I have a few different projects I’m working on. One is a fairy book, which is a brand new genre for me, and another is a new installment in the Violet Mackerel series.

Do you have any tips for new writers?

Yes –read, read, read absolutely everything in the genre you’re working in. I think its good to read a balance of your own childhood favourites but also brand new books, to keep you in touch both with what you love in a story but also what others are loving.

Do your books have any consistent themes/symbols/locations. If so, what are they?

I didn’t notice while I was writing them, but I think in retrospect that all my main characters share quite an important characteristic. They’re all people who think very hard and very resourcefully about the problems they need to solve and are brave enough to put their plans into action. Those sorts of people (whether child or adult) are my own favourite sort, so I suppose it’s natural enough that they should find their way into my books!

How many books have you had published?

So far I’ve had four books published – Sophie’s Salon, Violet Mackerel’s Brilliant Plot, Violet Mackerel’s Remarkable Recovery and Neville No-Phone. The next book in the Violet Mackerel series, Violet Mackerel’s Natural Habitat, will be out in October.

Anything else of interest you might like to tell our blog readers?

Perhaps just that I have a blog of my own at http://annabranford.com which, in addition to all sorts of random thoughts and ideas and updates, has a few detailed posts on how I came to have my stories published that I hope other new writers might find helpful.

VIOLET MACKEREL’S BRILLIANT PLOT

What inspired you to write Violet Mackerel’s Brilliant Plot?

I first had the idea of the Mackerel family when I was at an early morning market selling dolls I make. It’s quite a special market just beside the Yarra Ranges in Victoria called St Andrews, and it feels particularly magical there very early in the morning when it’s still dark and everyone is unpacking and setting up. Some families who work there have children with them who I got to meet and chat to a little bit. They were lovely and they gave me all the ideas I needed for the characters in the book.

What’s it about?

The book is about a girl called Violet whose family works at a morning market. She has spotted something there that she really wants. It’s a blue china bird, just the right size to fit in the palm of her hand. But it costs ten dollars and she doesn’t have any money, so she goes about devising a plot.

What age groups is it for?

I wrote it with seven-year-olds I knew in mind, but it could certainly be read aloud to smaller children and I’ve been lucky enough to have lovely emails from adults who enjoyed it too.

Why will kids like it?

I think children will like it because Violet is the sort of character who helps you to think differently about things, because she has an interesting sort of family who are fun to meet, because her plot takes all kinds of unexpected twists and turns and because Sarah’s illustrations are so utterly exquisite.

Can you tell me about the main character and what you like/dislike about him/her?

I don’t think there is anything I dislike about Violet! She is exactly my favourite sort of person – a deep thinker, a noticer of small things, someone who acts bravely even when she is nervous or disappointed and someone who has excellent ideas.

Is there something that sets this book apart from others?

In some ways I hope not. I would love it to slip in among the sorts of books I read as a child and carry children some of the way along the same journey I was lucky enough to travel. But I do think the Mackerels are quite a unique family and that Violet in particular has an unusual and special way of viewing the world. So I hope perhaps the book might offer something new in that respect.

What did you enjoy most about writing Violet Mackerel’s Brilliant Plot?

I especially enjoyed sharing it with my Granny who lives in England and is nearly a hundred years old. Violet Mackerel’s Brilliant Plot is dedicated to her. Sending her new drafts as I wrote them, then copies of new illustrations as Sarah drew them, then a copy I bound together myself and finally the real thing – perhaps that was the best part of all.

What was the hardest thing about writing Violet Mackerel’s Brilliant Plot?

I think it was just that I kept having to stop – to go to work, to feed the cat, to make the dinner, to answer the phone. There was nothing hard about the project itself. I loved every part of it.