Skye Melki-Wegner‘s new series is ‘Agent Nomad’ (Penguin Random House Australia).
Thanks for speaking to Boomerang Blog, Skye.
Where are you based and how are you involved in the Australian children’s and YA literary community?
I’m based in Melbourne. I write fantasy/ adventure novels for young readers (and the young at heart). I also regularly visit schools and teach writing workshops. It’s such a joy to work with students and to encourage their creativity.
Your writing has a singular, imaginative style. It’s also thrilling and unexpected.
How do you think your creative brain works differently from the brains of other people?
Thanks Joy, that means a lot to me.
I’ve always had an urge to tell stories and to ‘make believe’. My parents have countless videos from my early childhood, full of me babbling about fairies or dragons or making up alternative endings to fairy tales.
Having said that, I believe everyone has the potential to be creative. When we are children, all it takes is a plastic toy or a pile of sand to craft a wildly imaginative universe from scratch.
Many people lose touch with their childhood creativity as they grow older. However, I think the potential for wild imagination still lurks within all of us, whether we are authors or accountants! All we need is a chance to express it.
Have you had any particularly memorable feedback about The Hush?
I recently received an email from a young reader who used The Hush as inspiration when playing her various musical instruments. She said that she liked to pretend she was conjuring sorcery through her music, just like the characters in The Hush.
I loved this idea, since it reminded me of my own childhood. When I was a kid, I used to pretend to be various literary characters to inspire myself during daily tasks. (When we did fitness tests in PE, I secretly pretended I was training for a quidditch match!)
It was incredibly touching to hear that my own book could have a similar effect for a reader.
After such a powerful novel, why are you now writing a series?
In a fantasy novel, it often takes a while to establish how the magic and society function. This can sometimes take up a significant chunk of the book. By writing a series, I can cover most of this ‘world building’ in the first book. Then, in later installments, I get to have fun exploring the characters and world more deeply.
I also love the fun of plotting out a series in advance and hiding secret clues about future titles. In the Agent Nomad series, there are moments in Book One and Two with hidden significance that won’t be revealed until later… but of course, my lips are sealed!
Could you tell us about The Eleventh Hour, the first in the Agent Nomad series?
It’s about spies and sorcery — and unlike my previous books, it’s set in the modern world.
The protagonist is a 15-year-old called Natalie. When the book begins, she’s an ordinary Aussie teenager, worried about homework and Maths tests.
One night, however, it all changes. A pair of deadly strangers invade Natalie’s home and she barely escapes with her life. In the aftermath, she is recruited by a sorcerous spy agency called HELIX.
As a HELIX cadet, Natalie must train to use her own magical abilities. She adopts the codename ‘Nomad’ and prepares to fight against a cabal of ruthless sorcerers called the Inductors.
Before her training is complete, however, Nomad and her fellow cadets are sent to London, risking their lives to thwart a ruthless Inductor plot before time runs out.
Could you describe each of the three main protagonists, Nomad, Riff and Phoenix, in a phrase or sentence?
Nomad is an artist and a born traveller, who yearns for adventure and to explore the world.
Riff is a jokester with a love of fun, food and rock music – but he also has real talent and a deep love for his friends and family.
Phoenix is a talented fighter, who hides the trauma of her past behind the façade of an emotionless warrior.
I liked both the Australian and London settings. How do you create a sense of place without excessive description?
I think a few carefully chosen sensory details can be more effective than overloaded paragraphs of description.
In the school assembly scene, for example, I needed to describe an Aussie high school gym on a scorching February day. I snuck in snippets of sensory detail: the stink of sweat and cheap perfume sprays, the buzz of a blowfly, the whispering students and glaring teachers etc.
A few of these little details should be enough. If they’re strategically placed throughout a scene, they should prompt the reader to subconsciously fill in the rest of the setting with their own experience and memories.
The pace moves quickly. What’s a favourite scene or ‘inventiveness’ you’ve created?
For personal reasons, I’m quite fond of the chase scene on the train into Melbourne. I’ve spent countless hours sitting on Melbourne’s public transport, daydreaming about magic and excitement. It was fun to incorporate a mundane location like Caulfield Station into a fantasy book. I felt a bit cheeky doing it, actually!
(In reality, I associate Caulfield Station with travelling to university exams. Not quite as thrilling as a magical chase scene!)
Your writing style is a highlight. How would you describe it?
It varies a bit from book to book. In Agent Nomad, I’m speaking through Natalie (a teenage first person narrator). It’s an interesting balancing act to weave in descriptive detail without losing the flavour of her narrative voice.
Danika, my narrator in Chasing the Valley, has a slightly different voice. She’s more cynical and hardened at the start of the series, so her style of self-expression is different. Also, since she’s from a fictional dystopian world, she narrates with different vocabulary and colloquialisms.
By contrast, The Hush is written in third person. I had fun incorporating fancier descriptions (and more complex figurative language) into this book, since I didn’t have to worry about a first person narrator’s style or vocabulary!
Science or magic? Magic or science?
Science in the real world, magic in fiction.
What have you enjoyed reading recently?
In SFF, I’ve really enjoyed Illuminae and Gemina by Amie Kaufman and Jay Kristoff – it’s such a brilliant idea to write SciFi in an epistolary format.
Are you writing something else at the moment? If so, could you tell us about it?
I must confess I’m writing too many things! Needless to say, they’re all fantasy projects. Every time I finish a manuscript, a new idea starts itching at me… and before I know it, I’m halfway through another one! Oops.
All the best with ‘Agent Nomad’, Skye. It should create a unique niche in the market.
Thanks so much, Joy!