Illustrator Extraordinaire – Interview with Anil Tortop

With her superlative illustrative talents and ultra-impressive list of publications, it’s impossible not to be in awe of the skill, imagination, dedication and charisma of Anil Tortop. The Turkish-born artist, designer and animation-expert is here today to discuss her books, processes and latest ventures. 🙂

You’ve had huge success as an illustrator of many amazing books, some including Digby’s Moon Mission, Digby and the Yodelayhee…Who? (Renee Price), My Perfect Pup (Sue Walker), Where’s Dad Hiding? (Ed Allen), I Want to Be a Rock Star (Mary Anastasiou), and more recently The Leaky Story (Devon Sillett), The Great Zoo Hullabaloo (Mark Carthew) and junior fiction series 6 Minute Stories for Six Year Olds and 7 Minute Stories for Seven Year Olds (Meredith Costain and Paul Collins). And these have all been published in the last two years! How do you manage your hectic illustrating schedule? Do you complete one project at a time or work simultaneously on a few?

😀 I wanted to start with a big smile. It’s been hectic indeed!
I work simultaneously on a few projects. In fact, when I have only one project I can’t focus on it well. Two is still not enough. My favourite is 3-4 projects at a time. Otherwise I just feel lazy and find myself doing nothing until the deadline gets closer. But not all these projects are books. I usually have something with a short deadline aside. Books take much more time and sometimes having a break and working on another project feels refreshing.

I have a home-made calendar; each month is an A4 paper with a magnet at the back and it covers the whole left side of my fridge. I put all my deadlines there and see everything in a glance. Having it in the kitchen, my panic starts at breakfast. Other than that, I don’t have a particular method to manage. I just work when I should, which is most of the time. I have been trying to be a well-organised person with dedicated working hours but it never works for more than two days. I still have hope!

Have there been any particular stories that you felt a stronger connection with or any that challenged you in unexpected ways?

Mmm… Hard question. I’m trying to give an answer to myself but I guess I don’t feel that kind of things for stories. That doesn’t mean I don’t like them but couldn’t label any of them with “stronger connection” either. But I do feel connected with the characters in the stories. Recently my favourite is the octopus in The Leaky Story and her connection with the father. It reminds me of my dad, although I don’t know why.

Challenge… Yes! One of the most challenging stories was in a picture book I illustrated last year. Because there was no story when I was asked to illustrate it! Of course, the editor had a clear idea of how they wanted it and made lots of suggestions. But in the end, the words came after the illustrations. I had huge room to create a visual story. I panicked a lot! I wanted to make it really good. Then I panicked even more! But eventually, it was fun.

If you could walk a day in the life of one of your illustrated characters which would you choose and why?

I guess that would be Digby. Because he’s so clever and talented and knows how to have fun. And I like his pyjamas. 😊

Since launching your current books, what has the audience response been like? Any stand-out moments?

The reviews have been really nice. Facebook also shows me a lot of “likes” and nice comments, if that means anything at all. But I have never come across a “real audience”. I mean, children. I really wonder what they think and would love to hear that directly from them.

The latest release, The Leaky Story has been reviewed a lot lately. I was even interviewed live on ABC Brisbane. I think the moment I probably won’t forget for a while is that. It took only 3 minutes but I was way out of my comfort zone. Phew!

You often record your progress through fascinating time lapse videos. Can you explain a little about your preferred media and method to your illustrating genius.

Except for the initial warm-up sketches and storyboards, I almost always work digitally. I use Photoshop. My favourite Photoshop brush that I use for outlines is “Pencil”. It feels a little bit like a pencil. I recently upgraded from Wacom Intous to Cintiq (drawing tablets).

My process differs from one project to another but it’s usually like that: I make several storyboards first. It takes some time to get satisfied. Then I do the roughs. Then the clean drawings and finally colouring. And I do all these for all of the illustrations in a book simultaneously. I mean, I don’t start and finish one illustration and go to the next. I start and finish all the illustrations at the same time.
You can watch all my videos on my Vimeo channel.

You have a remarkable working relationship with your husband, Ozan, at Tadaa Book. Please tell us about your roles and how you collaborate on a daily basis. What does Tadaa Book offer its clients?

Tadaa Book basically offers illustration and design services, especially to self-publishers. Then if our authors need, we help them with printing and publishing and creating marketing materials too.

Ozan and I started working together back in Turkey. He was the art director of a traditional publishing house and I was the in-house illustrator. After coming to Australia we worked with a lot of self-publishers, collaborating again. Then we wanted to take it a step forward and founded Tadaa.

Ozan is my personal art director at home. But on a daily basis, he does much more than that. Although our roles are a bit mixed up from time to time, I usually illustrate only. He does the rest. He deals with new authors and other illustrators from different parts of the world, does the art direction of projects, keeps our website and social media accounts updated, goes to the post office to send Storyboard Notebooks, learns new things, deals with my computer problems, etc.

What is the best part of what you do?

Smelling a freshly (offset) printed book. I love that! I love to see the happiness of the authors too. It’s really rewarding.

Have you done anything lately that was out of your comfort zone? What was it and how did it go?

It was definitely the radio interview that I mentioned! It wasn’t terrible I guess but I can’t say it went well either. I at least give 10 points to myself for the bravery. Questions were unexpected and it was too quick. I’m glad I didn’t freeze. I actually kind of did but Emma Griffiths handled it really well. Afterwards, listening to myself was even harder than the 3 minutes I spent there! I won’t listen again.

We would love to learn more about what you’re currently working on! Do you have any sneak peeks or details that you can share?

A new book is coming out on 1st of May! The Great Zoo Hullaballoo by Mark Carthew (New Frontier Publishing). You can watch the trailer here: https://vimeo.com/211773518

Currently, I’m working on two picture books. One is Meeka by Suzanne Barton (Tadaa Book), the second one is Scaredy Cat by Heather Gallagher (New Frontier Publishing). I probably will share some sneak peeks soon on social media, but not now, unfortunately.

Meanwhile at Tadaa, we are working on the Book Week publication of Ipswich District Teacher-Librarian Network. Here are the cover and details: http://idtl.net.au/book-week.php

And two other picture books are contracted for the rest of the year.
Besides the books, I’m regularly illustrating for a Turkish children’s magazine, doing illustrations and animations for a web-based science platform for children in the US, and designing characters for a couple animated TV shows in Turkey.
Will be a hectic year again!

Wow! You sure are a busy lady! Thank you so much, Anil, for participating in this interview! 🙂

Thank you for having me here!

Stay tuned for some special reviews of Anil’s latest picture books!

#ByAustralianBuyAustralian

Mission Accomplished! Renee Price Launches ‘Digby’s Moon Mission’

New and local indie author, Renee Price, has recently released the growingly popular Digby’s Moon Mission, just in time for Christmas. Fostering children’s natural curiosity and their young imaginations are key elements to creating a successful picture book, and ones that Renee elicits in her picture book.

Bza6SorCYAAMLHqDigby Fixit is a curious boy with a keen interest in a ‘banana-thin’ moon. With his dishevelled appearance and abundance of energy, Digby enlists the help of his friends; creating havoc in his poor mum’s kitchen, to embark on a mission to solve the mystery of the slivered moon. It takes a whole week to concoct the clever plan with a delicious array of gourmet meals, which most surprisingly, are catapulted into the vast atmosphere that is space.
Day after night, Digby measures the moon’s illumination, from starving to full to exploding, until it is a perfectly plump ball bursting with light. But it is also bursting with food! How will the moon react?  

Renee Price’s text delightfully integrates a mix of fun, age-appropriate vocabulary and dialogue with whimsical rhyming prose. Illustrations by Anil Tortop are colourful, humorous and expressive; perfectly suiting the action and wit in the storyline. The smoothness and softness of the drawings and colour palette are also a fine fit with the lush feel of the pages. Digby’s Moon Mission is a ‘super-duper’, charming and imaginative story; exploring teamwork, diversity and plenty of teachable concepts. Children from two years old will enjoy this adventure all the way to the moon and back again, and again, and again!  

renee price head shotI’m excited to talk to Renee Price about her journey to publishing her new book.  

Congratulations on the release of your first picture book, Digby’s Moon Mission!
Thank you, Romi! Wow. “The release of your first picture book.” I think it’s still sinking in! J  

Where did you get your inspiration for this story?
My eldest child. He is always enlightening me with his take on the world. One night, we were looking up at the sky and he noticed that the moon was only a “little” moon. We talked about why the moon may appear this way, and his theories had me fascinated. So, I wrote them down and turned them into a book. I have a long list of notes taken from our wonderful conversations.  

Digby’s Moon Mission contains a beautiful mixture of whimsical phrasing and rollicking rhyme. Is this your preferred style of writing?
Well, it certainly is now after hearing you describe it like that. Thank you! I originally wrote the entire story in rhyme. (I’m a huge fan of Dr Seuss and Julia Donaldson). Although the story worked and the characters and themes were great, the rhyme and rhythm wasn’t (kind of ironic, being a musician!). With the help of my awesome editor, it was re-worked to contain both prose and rhyme. I didn’t want to lose the rhyme element completely, so we structured the story in a way that it felt like it has stylistic sections – like verses and a chorus, perhaps!    

What are the main teaching elements and / or message you would like your readers to gain from reading Digby’s Moon Mission?
I’d like readers to be able to take a variety of messages and themes away with them after reading the story. The importance of working together, diversity, and nurturing one’s imagination are big ones for me. Then there’s the food and science (phases of the moon) elements, the days of the week, plus the introduction of rhyming words.  

What was your favourite part of the story to create?
The ending. I’m such a kid at heart, and humour is how I roll so yes, definitely the ending.  

digby-18-19 The illustrations by Anil Tortop are so humorous, and just adorable. How did you find working with Anil? How much input did you have in the design process?
Anil is brilliant! She is also kind, witty, open-minded and incredibly fun to work with. I remember opening the file of her first sketches and crying because she nailed every single illustration. It’s like she’d stepped into my mind and made detailed notes of how I’d envisaged the story to be shown in picture. I had a lot of input into the design process, but I didn’t really need to ‘input’ much. Anil and Ozan (book designer – Tadaa Book) are both so creative, clever and professional, that most of the time, I was just giving the “A-OK!”  

You funded the publication of this book yourself through a crowdfunding campaign. How did you find organising this process and gaining all the support? What were the biggest challenges?
Crowdfunding was such an amazing experience. It was a creation in itself and I enjoyed every part of the process from uploading my campaign video and profile, to promoting my project far and wide. I was (still am!) completely blown away with the support I received. Everyone really rallied for Digby and I am endlessly grateful to everyone that showed their support. The biggest challenge would definitely be marketing the campaign. Not only promoting it, but how it is promoted. I always ensured positivity in my approach and never wanted to come across ‘over-bearing’ or that I was pestering people for pledges (although it felt like it at times!)  

You’ve recently celebrated your first book launch! What did you have planned for your supporters?
I did! It was a wonderful day. The launch was held as part of a local children’s/family market here, in Newcastle, so there were lots of lovely families stopping by to say hello and learn more about Digby. I had my stall set up with a kids’ activity station where children made Digby placemats, there were two book readings throughout the day and signings too, and I held a raffle for book purchasers where the prize was a gorgeous framed illustration from Digby’s Moon Mission, signed by Anil.  

How have you found people’s responses to Digby’s Moon Mission so far? Have you had any funny or memorable reactions from children (or adults)?
The response has been incredible! It is extremely humbling to hear that children are requesting Digby to be read over and over (sorry parents!). I’ve had three mothers tell me their children can recite the story from memory (one young boy ‘read’ the entire story to his grandmother at a family dinner!) Parents have told me that they love the ‘unexpected’ plot and the best physical reaction I’ve seen from children (and adults) is the final page of the book… it gets lots of giggles. I won’t spoil the ending though!  

Have you always wanted to be a children’s picture book author? What do you love about writing stories for children?
I’ve always wanted to write, but the desire to write for children came about when my youngest brother was born. I’m the eldest of five, so when he entered the world, I was in my final year of school and through my involvement with him, the desire to create, educate and foster children’s development grew. After I enrolled at uni to study early childhood teaching, I began writing stories and songs for children with the hope of one day, being a published author (or the next Justine Clarke!). Since becoming a parent, my writing has become my joy and motivator because I’m writing for them. I love that there are no limits to story-writing. Take an idea, and let it soar. Be the child!  

digby-cover01What’s in store for ‘Digby’ fans in 2015? What can we see from author, Renee Price, in the near future?
I have so many plans. Let’s hope some of them shine through! I’m working on the sequel to Digby’s Moon Mission, which is exciting! I have a couple of other non-Digby stories in the works, and I have written a Digby Fixit theme song so, I’ll try and find somewhere for that to fit… TV series, perhaps?  

Besides celebrating your new book, do you have plans for the holiday season?
Yes, I do. I plan for family time, and loads of it!  

Thank you so much for answering my questions for Boomerang Books, Renee! I hope you and your family have a very special Christmas, and Congratulations again!
It is my absolute pleasure. Thank you, Romi! Many happy returns to you and yours, too!

Digby’s Moon Mission is published with Renee’s brand name, Create It Kids, and can be found at:
Website: www.createitkids.com.au
Facebook: www.facebook.com/DigbyFixit 
Email: [email protected]  

Review and interview by Romi Sharp
www.romisharp.wordpress.com
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