Novelists use the art of suspension of disbelief in an attempt to encourage readers to surrender logic and sacrifice realism for the sake of enjoyment. Children are naturally more susceptible to stories that defy belief purely because their imaginative acceptance is less eroded than ours is. What I admire about these two middle grade novels is their easy ability to captivate the imagination and suspend disbelief, pressuring readers to levels of discomfiture whilst retraining a sense of irrefutable realism. At the end of both, you walk away loving the characters just a little bit more and happily consider risking life, limb and sanity to walk with them all over again.
Words flow like silken cream from Russon’s pen in this entrancing tale of ghosts, family disintegration and returning to ones roots. Told in alternating points of view from each family member and a couple of resident ghosts, this story heaves readers from the gumtree-clad hills of Australia to the history-rich, leafy suburbs of inner London with mysterious charm and grace.