Carolyn Denman was a horse-loving child who grew up in the eastern suburbs of Melbourne, inventing all sorts of fantasy worlds in her mind. She completed a Bachelor of Science and worked in finance before realising her love of writing, which very soon became an addiction.
Carolyn’s debut The Sentinels of Eden speculative fiction series grounds a refreshing blend of Australian and Aboriginal heart with biblical roots in a thrilling and transcendent fantasy allegory, with elements of real life compromise and sacrifice. In Book One: Songlines, the journey to Eden is marked with the discovery of secrets and supernatural powers that begin a changing fate for a cast of complex characters; navigating the prosperity and protection of two sacred, opposing worlds. Denman explores the symbolism of Eden and the realities of adolescence, identity and lust through her fictional fantasy in a sensitive, tasteful way. These engaging page-turners and nail-biter endings will leave their young adult readers wanting more.
Carolyn has generously answered some questions about the series for Boomerang Books readers. 😊
How did you come to be a writer?
Where most writers say that they’ve been writing since the day they could hold a pen, that’s not my story. I wrote one awesome short story in Year 7 that my teacher hated and that was the end of that, at least until that day a few years ago when I told my daughter I’d help her write a story. She got bored after the first couple of chapters. I got addicted. Seriously, I started pulling books from my shelf to remind me when you were supposed to do things like start the next line when writing dialogue. I’ve always been an avid reader, but never taken much notice of technique. Thank God I have some really gentle beta-readers. Some of them are even teachers, which is handy, and they’re nice teachers.
What is the significance of your series’ title; The Sentinels of Eden?
As you’ll see from the third book, the series isn’t just about Lainie. It’s about the long history of the Cherubim who have made sacrifices for Eden. This series is about the ones who stand guard over the land. Who hold it sacred and are born to serve it. Yeah, there’s a metaphor there, but I have no right to tell those stories. I can only try to honour them with my little allegory. That’s what makes the series title significant.
Lainie has become a great friend, and I’ve really enjoyed seeing the world through her eyes. She’s really made me explore what it would be like to live in a world with no tears. Sure, paradise sounds great, but what would it really mean for someone who has grown up in our world? Throughout the course of the series, Lainie has grown up and yet in some ways has also become more child-like. The duality of her journey has been a wild ride, and one that everyone should think through. Growing up shouldn’t mean becoming boring. There should always be room for whimsy, and I wish I could be more like her.
All of the Sentinels books in the series deal with navigating adolescence and identity, loss, truth and protecting the environment. What other themes / issues underpin these books?
I feel that there is an underlying exploration of the nature of free will in each story. Some people don’t believe in the concept at all, which is fine, but whether we are the sum of our free choices or the inevitable product of our previous choices, we must still grapple with decisions. Especially when we’re faced with completely unexpected situations. If you want to delve even deeper, I could discuss the concept of shame. That ‘unsolvable problem’ that goes beyond guilt and underpins so many mental health issues (although I’m certainly not implying there’s a simplistic cause for any of those). There is no room for shame in Eden. In fact, it’s the one corruption that the Tree of Life can’t simply heal, which is why ‘tainted’ humans aren’t allowed in. Shame is a complex issue, and I’ve only brushed across the surface of it as a theme, really.
How do each of the covers reveal a snippet of the magic inside the books?
Each of the covers has an image which symbolises an important concept in that story. The Tree of Life, the eagle, the shell – all these hold meaning to the main characters and represent their journeys. The illustrator also gave the covers an opalescent feel. Opals are the perfect mix of earth and hidden fantasy, don’t you think?
Barramundi emerged from a throw-away line near the start of Songlines. Lainie mentioned that she’d always been a little bit afraid of the police sergeant, ever since ‘that incident with Noah and the ride-on mower’. I couldn’t help it. I had to find out what insane situation Noah had got them both into that involved a mower and the police.
Also, as a debut author I felt it wasn’t fair to expect people to take a risk on buying my book if they hadn’t read anything I’d written, so I wrote something for them to nibble on first.
Odyssey Books, 2016 – 2018.