Australia Day (Text Publishing) by Melanie Cheng is worth highlighting as the 26th January draws near. The celebration of Australia Day is currently under fire and this work explores life in Australian society and on Australia Day itself from the viewpoints of characters from a range of backgrounds and beliefs. It is perhaps shaped more as a commentary than a criticism of Australia and Australia Day, although its smooth yet sharp edges niggle the reader to ponder about the diverse lives of those who live in Australia and what Australia Day may mean to those of non-Anglo (particularly Asian-Australian) heritage.
This book of short stories was the Winner of the Victorian Premier’s Literary Award for an Unpublished Manuscript. It was then shortlisted for the Victorian Premier’s Literary Awards for Fiction in 2017 and is currently longlisted for the Indie Book Award for Debut Fiction. Australia Day is Chinese-Australian Melanie Cheng’s debut literary publication. She lives in Melbourne where she works as a general practitioner.
The first story is ‘Australia Day’, a sweltering account of Stanley Chu’s uncomfortable visit to fellow medical student Jess’s family home. Hong Kong-born Stanley is out of place amongst the family’s form of celebration, epitomised by Jess’s father’s ignorant racism.
Syrian au pair, Leila, visits the Northern Territory in ‘Big Problems’. South African woman, Ellen, repeats that there are “big problems” caused by non-White races, without seeming to notice or recognise Leila’s heritage.
Tania carries capsicum spray, expecting abuse as she works at the car registry in ‘Ticket-Holders Number 5’ and Deepak, a doctor, is victimised in ‘Fracture’, giving another side to this issue.
My favourite story is ‘Muse’, about old Evan whose wife Lola has died, and his bossy daughter Bea who keeps an eye on him. Evan’s life changes when Bea brings her partner, Edwina, to dinner. Edwina is an artist who was “highly commended in the Archibald” art awards. Edwina introduces Evan to life-drawing and he becomes obsessed with the model. As the narrative moves forward, the author also offers glimpses into Evan’s past, particularly his affair with Ana from the milk bar, who wasn’t beautiful like Lola, but “didn’t slip out of my hands like silk when I held her”. A grandson completes Evan’s transformation.
‘Mrs Chan’ encapsulates the book with a tender portrayal of an old woman from Hong Kong cooking for her grandson’s twentieth birthday on Australia Day. This completes a thought-provoking cycle.