Poetry here and on the way

Subject of feelingAustralian readers overlook poetry to our loss. Fortunately there are a number of excellent publishers who publish poetry either exclusively or as part of their list.

Many of our literary awards have poetry sections and these remind us that poetry deserves attention. The Queensland Literary Awards shortlist, for example, will be announced this Friday, 11th September.

Australian publisher Puncher & Wattman has a fantastic crop of poetry appearing between August and the end of the year. Highlights are John Tranter’s twenty-fourth collection, Heart Starter (August). This showcases old and new poems, some of which speak harshly about the nature of ‘poetic insight’. Philip Hammial, who has twice been shortlisted for the Kenneth Slessor Prize, had Asylum Nerves published in August. Anna Kerdijk-Nicholson’s very topical Everyday Epic about asylum seekers and reconciliation will be launched in Sydney in September. CLOUDLESS_Front_grande

UWA published The Subject of Feeling by Peter Rose (ABR Editor who appeared at last week’s Brisbane Writers Festival), and Happiness by Martin Harrison in August and will publish Cloudless, a verse novel by Christine Evans in September.

UWA Publishing and creative writing journal Trove are also co-hosting quarterly Sturmfrei poetry nights. “Sturmfrei” is a German word for “being without your supervisors or guardians and therefore being able to do as you wish.” The idea is that UWAP and Trove have fled the UWA campus for the wider Perth community for nights of poetry, conversation and ideas.

On BunyahOn Bunyah, follows Les Murray’s recent Waiting for the Past (both Black Inc) in October. Les has lived in Bunyah all his life. We were fortunate to host Les Murray in our home when he spoke at our inaugural ‘Be Inspired’ series, which aims, as the name implies, to inspire our friends and family. Our other presenters have generally been from the arts, including singer Kate Miller-Heidke; theatre company, Crossbow Productions; and authors Nick Earls and Shaun Tan. Our other poet/author inspirer was the esteemed David Malouf.

Best Aust Poems

Black Inc’s Best of Australian Poems 2015, edited by Geoff Page is also eagerly anticipated in October, as is Falling and Flying: Poems of Aging, edited by Judith Beveridge and Susan Ogle and Idle Talk – Gwen Harwood Letters 1960-1964. (both Brandl & Schlesinger).

My husband received Judith Beveridge’s Devadatta’s Poems (Giramondo) for Fathers’ Day, as well as former PM Poetry award-winner John Kinsella’s Sack (Fremantle Press).Devadatta's poems

Giramondo will publish The Fox Petition by award-winning Jennifer Maiden in November. “The fox” emblemises xenophobia and Maiden’s signature dialogues between notable people reappear. She also used this powerful structure in Drones and Phantoms and Liquid Nitrogen.

In case you missed them, UQP recently published Eating My Grandmother by Krissy Kneen and The Hazards by Sarah Holland-Batt. These writers also appeared at the recent Brisbane Writers Festival and both have won awards.

Robert Adamson was another popular figure at the BWF. He discovered poetry in gaol as a young man and his most recent publication is Net Needle (Black Inc). Just goes to show the power of poetry.Net Needle

A Pantheon of Poets: Geoffrey Lehmann

Geoffrey LehmannA pantheon of eminent Australian poets descended onto a marquee slated on a grassy tennis court in leafy Sydney. The canapés, wine and congenial company were to celebrate the launch of esteemed poet, Geoffrey Lehmann’s new book, Poems 1957-2013 (UWA Publishing).

Geoffrey and his vivacious wife, Gail Pearson, hosted a large but attentive group of poets, family and colleagues under a rain-threatening sky. Poems was launched by John Edwards, who read the final poem in the book, ‘Why I Write Poetry’, a fitting résumé of Geoffrey’s poetic life, which he wrote for his old English master.

… Poetry is our love of metaphor.

We see one thing and think of something else.

A green wool-dress becomes the woman we love.

Poetry is non-local causality.

We are bathed in a mysterious glow.

That’s why I write poetry.

The collection includes previously published poems, some revised with original lines restored and removed. More than seventy pages of poems are new publications.

It’s always interesting to see how a poetry collection is structured. Here the sections are ‘Simple Sonnets’, ‘Earlier Poems’, ‘Nero’s Poems’, ‘Spring Forest’ and ‘Later Poems’. Ancient history is prominent, featuring poems about the Emperor Claudius, ‘Fall of a Greek City’ and ‘Colosseum’. There is also a poem for poet Les Murray, ‘The Trip to Bunyah: A Letter for Les Murray’. Aptly, Geoffrey’s first book of poetry, The Ilex Tree, was shared with Les and won the Grace Levin Prize.

Another of Geoffrey’s collaborations, and one for which he is recently known, is with Robert Gray. These two poets have edited some formidable anthologies of Australian poetry, the last published in 2011 by UNSW Press – Australian Poetry Since 1788.

Geoffrey read several poems, including the very funny, ‘Thirteen Reviews of the New Babylon Inn’, based on TripAdvisor reviews of a hotel in New York; ‘An Image’, a poem written when he was 17; ‘Water from My Face’ from ‘Spring Forest’ and ‘The World’ from the ‘Simple Sonnets’ sequence.

Frank MoorhouseA character in his own right, Geoffrey was part of the Sydney Push with Germaine Greer, Clive James, Robert Hughes and Frank Moorhouse. The Push was predominately a left-wing intellectual subculture in the mid 1900s. Geoffrey broke the mould by working for global accountancy firm, PriceWaterhouseCoopers

Some poets at the launch were David Malouf, Robert Adamson, Martin Langford, Vivian Smith, Carol Jenkins, Jamie Grant, Judith Beveridge, Stephen Edgar, Rhyll McMaster, Robert Gray and Alan Wearne. Judith Beveridge