What I’m reading this Christmas: Galina Marinov, Leading Edge Books

Three StoriesThanks for talking to Boomerang Books, Galina Marinov.

Thanks for having me.

You’re the buyer and marketing manager at Leading Edge Books and you’re going to share your Christmas picks with us. But first let’s find out about you and your work.

Leading Edge Books has a national profile. What does LEB do? 

Leading Edge Books is a marketing and buying group behind more than 170 independent booksellers from all over Australia. We are part of a wider Leading Edge Group – an organisation providing vital services for small independent retailers – from Books, Music and Video stores, to Electronics, Computers, Appliances, to Jewellery shops. Leading Edge Group also operates in Telecommunication and Technology services.

Members of Leading Edge Books have access to improved trading terms with all the major Australian publishers through group buying and variety of backlist and other promotional offers. In addition, bookstores have access to marketing materials in the form of print and online catalogues, newsletters, POS and merchandise services.

We run a dedicated promotional website under the brand of Australian Independent Booksellers (www.indies.com.au) and its associated social media channels, promoting new publications as well as serving as a gateway to member-bookstores own websites.Galina

In addition to buying and marketing services, Leading Edge Books serves as an entity uniting independent booksellers in Australia and provides opportunities to its membership to exchange ideas, expertise and innovation. We work closely with the Australian Bookseller Association and for the past few years have run conjoined conferences – forums packed full of sessions on topics pertinent to Australian book trade and bookselling – from industry-wide developments and challenges, to small business essentials, and opportunities to hear from authors about their new publications.

All our activities and programs are centered on providing support to the booksellers in our group – from offering marketing support and improved profit margins, to ability to share expertise with likeminded people and businesses. We’d like to think of Leading Edge Books as an organisation that contributes to keeping Australian independent booksellers thriving and prospering in changing market conditions.

SpringtimeWhat is different/special about Leading Edge Books? 

Leading Edge booksellers share a strong commitment to maintaining the highest standard in terms of depth of range, customer service and expert advice on the best books for adults, young adults and children.

Independents are well recognised by the publishing community as the biggest supporters of Australian writing and are instrumental in nurturing and promoting new Australian writing. In recognition of this role, in 2008 we established the Indie Book Awards – awards recognising the best in Australian writing in the category of fiction, non-fiction, children’s & YA and debut fiction, as selected by independent booksellers.

Announced early in the year, the Indie Book Awards are now considered the front runner of Australian literary awards. We are proud to have had as our Book of the Year some of the best Australian books of the past few years – Breath by Tim Winton, Jasper Jones by Craig Silvey, The Happiest Refugee by Anh Do, All That I Am by Anna Funder, The Light Between Oceans by L.M. Stedman and The Narrow Road to the Deep North by Richard Flanagan which went on to win this year’s Man Booker Prize.

We are currently in the process of collating the nominations for the 2015 Indie Book Awards and it is heartening to see so many young and debut Australian authors being nominated.

Why  are independent bookshops  so important and what do you see as the way forward in the book industry?A Strange Library

Independent booksellers are renowned for their passion for books. They know their books and their customers and often serve as hubs to their local communities, encouraging love of literature, literacy and education. As such, they are much more than commercial enterprises; they are indispensable to our society cultural institutions.

We are proud to have in our group some of the best independent booksellers in Australia – from Readings in Melbourne, to Boffins in Perth, to Avid Reader and Riverbend Books in Brisbane, to Abbey’s, Gleebooks and Pages & Pages in Sydney.

Far from the “doom and gloom’’ often portrayed in the media when it comes to the current state of the book industry, these booksellers offer brilliant examples of successful businesses which thrive on change and innovation. Maintaining the core independent bookselling ethos of serving and working closely with their local communities, they are also very active on social media, reach wider audience through strong online presence and view new formats such as ebooks as a way of enriching services to their customers rather than as a threat.

You’re the buyer and marketing manager at LEB – what do these roles involve?

We are a very small team of only four staff members working exclusively for the Books group and as such we all work together across the entire range of services we offer to our member stores.

Absolutely Beautiful ThingsMy main responsibilities lie in the areas of group buying – I work closely with representatives from all the major Australian publishers in offering the best titles for independent bookstores at best possible terms – and I also manage the production of marketing materials for the group. I love being able to see what’s being published across all publishers and imprints, and across genres – from fiction, to non-fiction, biographies, illustrated books to children’s and YA. We work 3 to 4 months in advance, so more often than not I read books that will be published in the future. Love of reading and knowledge of authors and publications are essential to this role, in order to being able to offer titles suitable for independent booksellers and to produce marketing materials and promotions of relevance to our bookstores.

How did you get this job?

I’ve been with Leading Edge Books for over six years now. The sum of all my previous experience (and of course love of books) led me to this role.

I was lucky my first job in Australia over twenty years ago was with a library and educational supplier. They were also an agent for a number of overseas publishers. That period of my early career was a crash course on who’s who of Australian publishing and the relationships between publishers, booksellers, libraries and agents.

After finishing a post graduate Diploma in Library and Information Sciences, I could have well gone down the road of Twelve Days of Christmasbecome a reference librarian (my dream at the time) but ended up taking up a position with Doubleday Book Clubs, first as an editorial assistant, then as a product manager within the new member recruitment team and later as a product manager/club director for some of their specialty book clubs. Product selection, buying, creative, marketing, editorial was all part of the job. I met and worked with some incredible people, read widely both fiction and non-fiction, and loved every minute of it. Unfortunately by mid-2000 the book club concept was on the way out and the clubs failed to re-position themselves in the new online selling environment.

I went on to work as a senior product manager for Random House – a role that gave me the opportunity to work within a publishing company. The learning curve was steep but extremely rewarding – I was responsible for the product management of the Random House UK list and for local reprints – and I absolutely loved the idea of working for the publisher of some of my favourite authors, both local (Peter Carey, Matthew Condon and Christopher Koch were all published by Random House at the time) and UK literary giants such as Ian McEwan, Salman Rushdie, Julian Barnes and Louis de Bernieres, just to mention a few.

Then the offer for this job came and I could not resist the opportunity to see it all from the bookseller side of the industry…

The Rosie EffectI enjoy seeing you at writers’ festivals and know how passionate you are about the books you come across, but could you tell us about some that you particularly love.

Like anyone who works in the book industry I read a lot and I buy a lot of books. My library is full of ‘my favourites’ – way too many to list here, and the moment I finish writing this I know there will be dozens more that will come to mind, but here are a few offerings.

Anything Jane Austen – I’m a huge Jane Austen fan – and especially Pride and Prejudice.

Then in no particular order – from modern classics to more recently published, some of my favourite books are:

84 Charing Cross Road by Helene Hanff
Atonement by Ian McEwan
Lovesong by Alex Miller
The Tiger Wife by Thea Obreht
I Capture the Castle by Dodie Smith
A Moveable Feast by Ernest Hemingway
Educating Alice by Alice SteinbachMuseum of Innocence
Wanting by Richard Flanagan
Questions of Travel by Michelle de Kretser
The Sense of an Ending by Julian Barnes
People’s Act of Love by James Meak
The Crimson Petal and the White by Michel Faber
Fingersmith by Sarha Waters
The Shadow of the Wind by Carlos Ruiz Zafon
The Museum of Innocence by Orhan Pamuk
etc, etc

Which authors have you been especially thrilled to meet?

Meeting authors and listening to author talks at writers’ festivals, bookseller and publisher events, is one of the most rewarding aspects of working in the book industry. I’ve met some remarkable writers and again the list would be too long but if I have to choose just a few, I would mention listening for the first time to Alex Miller at the Sydney Writers Festival, Alain de Botton at the Sydney Opera House, Simon Winchester at an event at Pages & Pages, Hilary Mantel in conversation with Michael Cathcart via video link at the SWF, Richard Flanagan’s speech at the Leading Edge conference in Adelaide in 2013. More recently I was absolutely thrilled and star-stuck meeting George R.R. Martin at HarperCollins Publishers and in September this year I went to an event with Salman Rushdie at the Melbourne Writers Festival.

What are some must-reads over Christmas?

There are so many wonderful books being published this Christmas season; there is truly something for everyone.Amnesia

For fiction lovers, there are new books by some of Australia’s most loved writers – Amnesia by Peter Carey is a satirical exploration of the big issues of our time and our recent history. There is the follow up to the bestselling The Rosie ProjectThe Rosie Effect by Graeme Simsion, short stories by Christos Tsiolkas, Merciless Gods, and J.M Coetzee’s Three Stories, a jewel-like novella by Michelle de Kretser, Springtime, to mention a few. And for everyone who hasn’t read it yet, there is the remarkable The Narrow Road to the Deep North by Richard Flanagan.

International fiction offers a wealth of books to choose from – from Colm Toibin’s Nora Webster and Marilynne Robinson’s Lila, to new offerings by Michel Faber (The Book of Strange New Things), Alexander McCall Smith’s latest in the Mma Ramotswe’s adventures The Handsome Man’s Deluxe Cafe and a re-imagining of Emma, Haruki Murakami’s The Strange Library, and short story collections by Hilary Mantel and Margaret Atwood.

I am also looking forward to reading Mr Mac and Me by Esther Freud, Miss Carter’s War by Sheila Hancock and First Impression by Charlie Lovett, which as the title suggests promises to delight all Austen fans.

As usual non-fiction covers a variety of subjects and genres – from biographies on the lives of politicians (My Story by Julia Gillard and The Menzies Era by John Howard) and artists (Bill: The Life of William Dobell by Scott Bevan and John Olsen by Darleen Bungey), remarkable true life stories (Walking Free by Dr Munjed Al Muderis and A Bone of Fact by the creator of Mona in Hobart, David Walsh) to TV and sports personality books.

Once Upon an AlphabetA stand out for me is What Days are For by Robert Dessaix – a small but profound book on what makes a meaningful life.

There are also beautiful illustrated books on offer – from gorgeously produced cookbooks (my pick is A Food Lover’s Pilgrimage to France by Dee Nolan) to books on art, gardening and interior design – a must-have is Absolutely Beautiful Things by Anna Spiros.

And of course, for children there is plenty of fantastic picture books – my favourites are Once Upon an Alphabet by Oliver Jeffers, In My Heart: A Book of Feelings by Jo Witek, illustrated by Christine Roussey and a gorgeous edition of The Twelve Days of Christmas by Alison Jay. Withering-by-Sea by Judith Rossell is my pick in junior fiction and Laurinda by Alice Pung is my choice for teen readers.

What is your secret reading pleasure?

I love historical fiction – from literary masterpieces such as Hilary Mantel’s Wolf Hall, to the genre-busting A Game of Thrones series by George R.R. Martin (which strictly speaking are fantasy books of course), to historical sagas. I’ve been reading one particular series – The Morland Dynasty books by Cynthia Harold-Eagles since the late 1990’s. It follows the life of an English aristocratic family from the Middle Ages until recent days. I’m looking forward to reading the latest volume #35 over the summer holidays.

I also love reading poetry.

… And did I mention, Jane Austen – there is always a different edition of Pride and Prejudice to re-read.

Thanks very much for speaking with us, Galina.Bill

You are very welcome. Thanks for the opportunity!

 

Alex Field’s ‘Mr Darcy and the Christmas Pudding’ is a Real Treat

1330-20120419211614-sophiaAlex Field‘s talents as an author, publisher and speaker, her love of Christmas pudding, and her overt enthusiasm for Jane Austen all cleverly amalgamate in the latest of her series, Mr Darcy and the Christmas Pudding. Having previously featured her beloved Pride and Prejudice characters in Mr Darcy and Mr Darcy the Dancing Duck, Alex Field, together with the ingenuity of illustrator Peter Carnavas, bring back the haughty but loveable duck in this Christmas tale about love and goodwill.

You may have already read Dimity Powell‘s fabulous review! Here’s some further promotion of this endearing book!

Mr Collins makes his debut appearance by pouncing on an innocent Maria, intended as a delicious ‘mousy’ feast. As punishment, Mr Darcy snatches her away and leaves poor Mr Collins out in the cold. It is Mr Darcy’s charitable friends that, after enjoying their pudding-bake time together on Stir-up Sunday, show concern for the cat’s wellbeing. Sweet Lizzy’s compassionate nature is finally rewarded on Christmas Day when she gets her wish under the mistletoe.

In true, delectable style, Peter Carnavas creates expression, a sense of warmth and focus with the perfect variation of colour, plain backgrounds and page layouts.

Mr Darcy and the Christmas Pudding is a fun and charming story about friendship and kindness, is a seasonable reminder that Christmas is a time of giving, with a beautiful sentiment of family traditions.

New Frontier Publishing November 2014.  

856-20141023120845-Cover_Mr-Darcy-and-the-Christmas-Pudding_R Alex Field shares her Yuletide joys and her inspiration behind ‘Mr Darcy and the Christmas Pudding’ in this engaging interview. Thank you, Alex!  

Your books in the Mr Darcy series are all based on Jane Austen’s Pride and Prejudice characters. What do you love about Austen’s stories?
The first Austen book I read as a teenager was Northanger Abbey. It is her one title that has a dark, gothic twist, something all teenagers gravitate towards. From there I was hooked. I read every one of her books and go back to them often. It is her characters I adore. In two lines she tells us everything we need to know about Mr Collins. “Mr. Collins had only to change from Jane to Elizabeth — and it was soon done — done while Mrs. Bennet was stirring the fire.” I was very keen to include Mr Collins in one of the Mr Darcy picture books. At last he makes an appearance in Mr Darcy and the Christmas Pudding!  

How did this inspiration turn into the development of your own picture books?
One of my friends named her family duck Mr Darcy. Sadly, much to the distress of the children, he died soon after he arrived in the family garden. I started thinking about the possibility of creating a character for children based on Pride and Prejudice. Romantically I thought I could put this character on the page and the children in the family, who had lost their beloved duck, would see he lived on in a book. Of course by the time the book was published the children were all too old for picture books!  

What challenges have you found referencing Pride and Prejudice in your Mr Darcy books when considering suitability for children?
The language was a little tricky. I wanted to ensure that Mr Darcy’s pompous manner came across in the story. He is a very polite duck.
The challenge I set myself for Mr Darcy and the Christmas Pudding was to create a Christmas scene true to the Regency era. This meant doing away with the usual trappings of Christmas such as a Christmas tree and Santa. However the Christmas pudding was around in Regency times as was mistletoe so both these make an appearance.  

Congratulations on your latest book ‘Mr Darcy and the Christmas Pudding’! How did you celebrate its’ release?
Thank you! I was in London at the time visiting my daughter who is currently studying there. We went to Selfridges, looked at the gorgeous Paddington Bear windows and indulged ourselves in the Food Hall. As Paddington was a favourite growing up I couldn’t resist also buying a jar of marmalade.  

What did you find the most rewarding part of creating ‘Mr Darcy and the Christmas Pudding’?
I enjoyed the research leading up to writing the book. It was fascinating to discover more about the Christmas traditions we all take for granted today.  

The story includes the characters coming together to celebrate the tradition of Stir-up Sunday. How is this event meaningful to you?
My sister and I always used to celebrate Stir-up Sunday with our nan. She lived in the countryside in Hampshire, very close to Jane Austen’s home. Every year we made the puddings with Nan and she then used to give them out to all the family to share on Christmas Day.  

mr darcy and the christmas pudding_page The illustrations have been consistently adorable throughout the Mr Darcy series by the talented Peter Carnavas. How do you find working with him? With ‘Mr Darcy and the Christmas Pudding’, how much of the illustrative detail did you specify and how much is left to Peter’s imagination?
I love working with Peter. Early on when he was creating Mr Darcy he watched the BBC adaptation with Colin Firth lots of times to ensure he got the hat right. When he was creating Mr Collins he sent me a few rough sketches before finalising the character. Most of it is left up to Peter. He is a genius.  

Besides understanding the meaning of Stir-up Sunday, what special message do you want your readers to gain from reading ‘Mr Darcy and the Christmas Pudding’?
When I was doing my research I discovered that charity was at the heart of a Regency Christmas. I hope this comes across in the book. I still think it is an important part of Christmas.  

What can all your ‘Mr Darcy’ fans look forward to seeing from him (and you) in the near future?
I have a few ideas for upcoming books in the series. Jane Austen has given me a wonderful array of characters to work with.
For the moment I am going to enjoy the festive season with my children. This weekend we begin making the puddings!  
(Stir-up Sunday falls on November 23rd).

Thank you so much for answering my questions for Boomerang Books, Alex! Wishing you and your family a safe and enjoyable Christmas!
My pleasure. I wish you and all your readers a Happy Christmas.  

Follow Alex Field via her facebook page:  
www.facebook.com/pages/Alex-Field

Interview by Romi Sharp
www.romisharp.wordpress.com
www.facebook.com/mylittlestorycorner
www.twitter.com/mylilstorycrner

Review – Mr Darcy the Dancing Duck

The first time I met the acquaintance of Mr Darcy, I was much enamoured by his unassuming good looks, impeccable manners and sophisticated demeanour. If his reserved gentility left both Lizzy and me a little wanting and him rather lonely in the beginning, then it was only a question of time and persistence on behalf of Lizzy’s friends, to eventually secure his friendship and affection.

He is after all the stuff of classic novels. Imagine how I swooned with delight when Mr Darcy re-entered my world, this time with a new tribulation to overcome.

Mr Darcy the Dancing DuckMr Darcy the Dancing Duck is the second release by the impressive new picture book teaming of Alex Field and Peter Carnavas. Loosely observing the characters and circumstances of Jane Austen’s Pride and Prejudice, this delightful tale reintroduces us to Mr Darcy, a duck contentedly residing in Pemberley Park until it dawns on him that spring is in the air and therefore ‘it’s dancing season again.’

Mr Darcy cordially greets his erstwhile friends; merry Maria, dignified Mr Bingley and the comely Caroline but as always feels a little awkward and shy around Lizzy and her sisters. His hurried refusal to dance with Lizzy intimates a weakness in our dashing hero – he cannot dance.

He is very much disheartened by his inability; so much so, he can no longer even acknowledge the presence of his friends. Fortunately they recognise his inadequacy and quickly give him a ‘helping hand’. Before long, Mr Darcy is dancing rather splendidly and even taking a few turns about the makeshift maypole. But will he be able to demonstrate his new found talent in front of those he is so eager to impress without making a fool of himself? Amidst a blaze of colour and twirling of ribbons, he does. Mr Darcy and Lizzy couldn’t be happier, dancing together in Pemberley Park. Ahh.

Alex Field (Sophia Whitfield)You need not be an Austen addict to appreciate the subtle references to the characters of Pemberley Park or to fall in abject adoration of Mr Darcy, a duck of ineffable character and appeal as I did. The crisp, clever narrative of Alex Field (pen name for one Sophia Whitfield) effectively draws the reader into Mr Darcy’s world and his largely self-imposed, perplexing social situations. It is not difficult to care about this be-speckled little duck. Younger readers will adore his bright bow tie and the way he tries to contain his hapless clumsiness. Older ones, like me, will be attracted to the very attributes and humour that make all Mr Darcys so alluring; restrained humility, beguiling vulnerability and brooding charm.

Peter CarnavasAnd who isn’t spellbound by the illustrations of Peter Carnavas? Free of any human form, Carnavas’ marvellous paintings encapsulate all the sensitivity, sophistication and elegance of the era in the most charismatically cheerful, contemporary way.

It may be 200 years on, but thanks to the passion and talent of authors and illustrators like Field and Carnavas, the celebration of love and friendship and top hats lives on.

Pride and Prejudice CoverAnd as Professor Todd mentions on the celebration of 200 years of Pride and Prejudice, “I don’t think she (Jane Austen) wanted to write a book that is simply borrowed from the library and then taken back or a paperback that’s thrown away. She wanted to write books that people valued, kept and read.”

Mr Darcy the Dancing Duck and its predecessor, Mr Darcy, are two such books. Value them, keep them and read them, often.

Perfect for primary aged children and Pride and Prejudice officiados.

New Frontier Publishing April 2013

 

 

 

The Severus Snape Guide to Literature’s Bad Boys (cont.)

It must have begun at a young age for me, though I can’t remember my first ‘bad boy’ book character. Was there an evil male character in One Fish, Two Fish? Doubt it.
The first memorable one was Colin, from The Secret Garden. Forget Dickon, Colin’s where it’s at, with his petulance and consistent weeping and general hysteria when his authority is questioned. Mary was the only girl who knew how to handle him…how I wished I was Mary!

And in highschool, when I was introduced to Ol’ Willy Shakespeare, I wasn’t so much taken with Romeo and Juliet’s love for each other as I was infatuated with Macbeth’s ambition and his romantic willingness to do whatever Lady Macbeth said! Dreamy.

When I was started on Anne Rice a little later, Lestat was perhaps the most conventionally dashing element of my book character fetish. It didn’t matter to me whether or not he sucked people’s blood, sometimes to the fatal point. What mattered most was that he made sure he looked his best every time he was on the prowl – he was like the century’s first ever metrosexual, and darn proud of it!

But before you judge, cast your mind back to your book crushes. Even the best of girls have trouble resisting Mr Darcy’s charms from Pride and Prejudice. I preferred Captain Wentworth meself. And those fans of Jane Eyre’s Mr Rochester? Go read Wide Sargasso Sea and get back to me on that one. It’s like everything I thought about him when I read the original text, but even juicier and more damning to his character.

It seems that the one thing I cannot stand as my tastes in fictional characters have “matured”, is a male lead being rude to his fellow females (Colin was the early departure from the rule but I have remedied that with my later bad boy choices). Give me a character who wants world domination, who sells his soul for three wishes, who creates an alter ego of himself so he can do evil things without suffering the consequences, rather than a gentleman who treats his lady with disdain. Mr Darcy, it’s just not on!

Draco Malfoy has managed to escape my lusty bookgirl advances because he’s under 18 years of age. Whenever I take a Harry Potter quiz, I’m a Ravenclaw girl (the bookish group), with one point away from being Slytherin (the “evil” group). My guess? Slytherin guys and gals are just misunderstood. They don’t REALLY want to be bad…it’s just that the GOOD guys are so, infuriatingly…well, good. And that would annoy just about anyone, wouldn’t you agree?

So I figure the thing that all my bad boys have in common, perhaps, is that they’re really good boys at heart.
Or at least, that‘s what helps me sleep at night. Heehee!