2018 CBCA Shortlisted Books for Older Readers: ‘Take Three Girls’, ‘The Secret Science of Magic’ & ‘Because of You’

The remaining CBCA shortlisted books for Older Readers are Take Three Girls by Cath Crowley, Simmone Howell and Fiona Wood; The Secret Science of Magic by Melissa Keil and Because of You by Pip Harry.

– some ideas on sharing them with readers –

Take Three Girls by Cath Crowley, Simmone Howell and Fiona Wood (Pan Macmillan)

Take Three Girls has been shortlisted for the Indies awards; and longlisted for the ABIAs & Inkies awards.

I reviewed it for the Weekend Australian and interviewed the authors for  the blog here.

More information on this and the other shortlisted books will be available soon on an online CBCA platform.

Ideas for the English Classroom

Four types of writing are used in the novel 1. Writing in the voice of each protagonist 2. Wellness Journal entries (italics) (Students could analyse differences in voice from both these types of writing) 3. Wellness Worksheets 4. PSST – the source of cyber bullying

Wellness Journals give further insight into the three protagonists as they describe how they’re feeling; as well as what they think about the other girls. This gives another perspective. Read a selection of these entries.

Students write three journal entries from the point of view of Iris, Clem’s twin sister, or another character.

Wellness Worksheets Complete one of these e.g. self-esteem scale, page 147; Lou Reed’s song Perfect Day page 218; letter to future self, page 428.

Read other novels by these authors.

The Secret Science of Magic by Melissa Keil (Hardie Grant Egmont)

The Secret Science of Magic was longlisted for the Indies awards. I reviewed it for the Weekend Australian.

This novel has an equally strong male and female voice.

Ideas for the Classroom or Library

Magic Joshua is a magician who is trying to grain Sophia’s attention. Sleight of hand and, particularly, timing are the magician’s most important tools.

Students could try to replicate some of Joshua’s magic tricks in reality or using technology.

  • Playing-card optical illusions, pages 30, 40
  • Igniting a paper rose, page 82
  • Showing a Doctor Who Christmas special on a vintage movie projector, page 110

These tricks culminate in an illusion at school, where Joshua makes the school disappear.

Use Plotagraph (which creates a moving image from a single still graphic image) in Adobe Photoshop or other tools to demonstrate this or another magic trick.

Drama  Sophia is forced to take Drama. The class studies All’s Well that Ends Well, page 74 – a prescient play title for this novel. Read the play.

Read other novels by Melissa Keil: Life in Outer Space and The Incredible Adventures of Cinnamon Girl

Because of You by Pip Harry (UQP)

I interviewed Pip Harry for the blog here.

Several places are mentioned to show that this novel is set in Sydney, including ‘Sydney eats’, page 106, a group that feed the homeless. Meredith also helps them by running a Street Library, pages 69,121,222.

Meredith believes: ‘Books can save anyone. If they’re the right ones.’ page 164

Ideas for the Classroom or Library

Poems for each other Nola gives a poem to Tiny and vice versa. Read Nola’s poem for Tiny, page 97, and Tiny’s poem for Nola, page 133. In pairs, students write poems to give each other.

Writing Group The writing group at the homeless shelter tries the following activities, which students could do also.

  • Writing a group story using the Dada, Surrealist technique where each person writes a line and passes it on to the next person to write the next line to see where the story goes, page 108.
  • Use a ‘real-life media story you pick out to start your own story … Write it as a sequel, action adventure, poem, dialogue’, page 110. Only allow 20 minutes max.
  • Open Mic Night: Eddie performs his poem ‘Clean’ about his father’s death, pages 171,177. Students could write and perform their work, including poems, at an open mic night or similar event. (Read The Poet X by Elizabeth Acevedo about a girl who writes heartfelt poetry and performs at a poetry slam.) 

Read other novels by Pip Harry.

Homeless in Australia: ‘Because of You’ by Pip Harry

Pip Harry is the author of three Australian YA novels, I’ll Tell You Mine; Head of the River, an unflinching look at elite school rowing, and now, Because of You which gives insight into people living on the streets.

Where are you based and what is your current role, Pip?

Currently I am based in steamy Singapore, where my family has been living for the past 18 months on an expat adventure. I had an earlier stint here when I was six years old … it’s changed a bit since then! I love the warm weather, the proximity to Asia for quick trips to exotic destinations and the food is so good. Satay, noodles, chilli crab, dumplings, I could go on!

How involved are you in Australia’s YA community?

I’m actively and passionately involved in Australia’s YA community, even from my Singapore outpost! Through the #LoveOzYA movement – which aims to promote local content to local readers – I’ve been swept up in support and love for Aussie YA. Wherever possible I review or promote other #LoveOzYA releases. We are one big YA family.

Could you tell us about your earlier books?

In 2012, I released my debut novel, I’ll Tell You Mine, about a goth teenager sent to a strict girl’s boarding school. In 2014, I followed up with Head of the River, about siblings competing in the high stakes annual school rowing race and putting it all on the line to win. 

Why is your new novel Because of You (UQP) important?

It’s important because it offers younger readers the opportunity to understand and emphasise with the daily struggles of street people. Many teenagers have little or no contact with the homeless community, except perhaps walking past them on the street, but this book tells their stories, reminds readers that it could happen to any one of us, and offers hope for change.

Could you tell us about your major characters, Tiny and Nola?

Tiny, 18, is sleeping rough and has fled her rural town for the city. Nola, 17, is drifting through her final year at school, unsure of her path in life or her friendships. When Nola is assigned to do 20 days of mandatory community service at a homeless shelter’s creative writing program, the girls meet and form a friendship that will change both their lives.

You have a cast of minor characters who help create the community setting. Who most pulls at your heart and why?

One of the things I loved most about writing Because of You was the supporting cast of characters. The one who captured my heart was Meredith, who runs the Street Library. I love her belief that “books can save anyone, if they’re the right ones,” and her passion to bring stories to the streets.

My son cooks burgers for the homeless in Sydney. What would you suggest ordinary Australians do for the homeless?

Does he? That’s so fantastic! There is so much ordinary Australian’s can do to lend a hand in the homeless community, from serving food in soup kitchens to supporting creative workshops or offering your time and skills in other ways. Check out govolunteer.com.au for opportunities in your area.

What hope do you see for Australia’s homeless in the near future?

It’s easy to get discouraged about the homeless crisis when tent cities are being dismantled and figures for homelessness are rising. But my hope is that we can take national action to end homelessness in this country through supporting our homeless organisations and investing in affordable, stable and permanent public housing.

Why have you incorporated Marcus Zusak’s The Book Thief and Cath Crowley’s Graffiti Moon into Because of You?

Those books are incredible and they’re written by Australian authors I admire, so I wanted my characters to read and adore them too!

What have you been reading recently?

I’ve been reading the chilling, ghostly Ballad for a Mad Girl by the brilliant Vikki Wakefield and I’m in awe of the backwards narrative in Everything is Changed by Nova Weetman. I really liked the passion and rawness of Milk and Honey by Rupi Kaur. 

Thanks very much, Pip, and all the best with Because of You.

Thanks for having me!

Australian YA Fiction: Meet Nova Weetman, author of Frankie and Joely

 

Frankie and JoelyMy upcoming YA column for the Weekend Australian profiles four new novels by Australian women. One of the books I selected for the column is Frankie and Joely (UQP) by Nova Weetman. Nova gives some fascinating insights into her work in the following interview.

What’s your background in books, Nova?

My first YA novel The Haunting of Lily Frost came out last year. I also published two books in the Choose Your Own Ever After series last year. Before I started writing YA and middle grade, I published lots of short stories for adults and worked as a children’s television writer.

Your new novel Frankie and Joely is about both the city and country. Have you lived in both and where are you based now?Nova

I grew up in Wonga Park, a tiny spot of a town up the Yarra from Warrandyte. My childhood was all about riding horses, catching yabbies in the dam and canoeing. Of course I fled that life when I turned 18 and moved to the heart of Melbourne. Now I live in Brunswick, a busy inner-city suburb with my kids and partner. But I still go camping a lot because I love the Australian bush.

Are you more like Frankie or Joely? Tell us why.

That’s a hard one. I think maybe I started out like Joely as a teenager. I was a bit insecure and emotionally needy, and possibly I’ve become more like Frankie as I’ve got older – less competitive, kinder, more loyal. But I’ll always have Joely’s pale, sunburn-prone skin!

What would your ideal friend be like?

A lot like Frankie. She’s loyal, loving, generous, kind and Joely is the centre of her world. Occasionally she loses herself around boys, but she is very emotionally insightful and I like how thoughtful she is about other people.

I love how Frankie carries her novel around and how she re-reads it ‘studying each sentence so that she can try to understand the author. Sometimes she imagines how the story would read if she wrote it.’ Is this what you do as a reader?

When I was fifteen, the same age as Frankie, all I wanted was to be an author. I used to rewrite my favourite Agatha Christie novels on an old black typewriter. I had a suitcase of props – a horseshoe, a deck of cards, and a piece of green velvet. All the things I imagined Agatha Christie would have in her arsenal. She was such a mystery that I wanted to understand her.

Picnic at Hanging RockFrankie’s obsession with Picnic at Hanging Rock is borrowed from my own. It was, and still is, one of my favourite novels. But I never wanted to be the author of it; I wanted to be one of the girls in it. My grandparents lived near Hanging Rock and I grew up thinking the story was true. I still remember the day I found out that it wasn’t. It was worse than being told Santa didn’t exist.

I think now as a reader I love losing myself in other people’s books. Sometimes, if they are completely brilliant, then I wish I’d written them myself.

Which other literary friendships have made an impression on you?

I’ve always liked unlikely literary friendships, like the one between Miranda and Sara in Picnic at Hanging Rock because Sara is so waifish and lost. The tragic friendship between Nick Carraway and Jay Gatsby in The Great Gatsby still intrigues me. And a great contemporary female friendship is the one between Skylark Martin and Nancy in Simmone Howell’s book, Girl Defective.Girl Defective

(I reviewed Girl Defective  in the Weekend Australian here.)

What other books have you enjoyed reading?

I love reading, and I enjoy a really wide range of books. I read a lot of Australian YA. Authors like Pip Harry, Claire Zorn, Simmone Howell, Melissa Keil and Ellie Marney to name a few. But I also enjoy reading adult fiction, particularly anything written by AM Homes. One of my favourite adult novels I read last year was John Williams’ book Stoner.

Lily FrostI really enjoyed your 2014 YA novel, The Haunting of Lily Frost. It’s contemporary realism tinged with a ghost story. Could you tell us why you wrote it like that?

My mum was very ill when I wrote Lily Frost, and I think looking back, I was trying to grapple with the prospect of her dying, but in a very removed way. Ghosts let you talk about death, and let you examine it from a distance. The book starts with Lily recounting the time she almost died as a child and this sense of her imminent death is then played out through the narrative. Lily has to imagine how it feels to die and that’s what I was doing around that time.

All the best with your new book and thanks very much, Nova.

Thanks for the interview Joy!

5Q Interview with Pip Harry, author of I’ll Tell You Mine

0002846Pip Harry is a freelance journalist who has worked on magazines for many years, including chasing celebrities as Entertainment Editor for NW and Deputy Editor for TV Week before turning herself into a yoga-loving frequent flyer as Health & Travel Editor for Woman’s Day. She’s the co-founder of relationships website, realitychick.com.au and has had short stories published in the UTS Writer’s Anthology and Wet Ink. She became a published author with her debut YA novel I’ll Tell You Mine. Her second YA novel, Head of the River is arriving in 2014, along with a non-fiction ebook about relationships, co-written by Rachel Smith. Pip lives in Sydney with her partner and their gorgeous daughter, Sophie. When not at a keyboard, she can be found searching for the perfect flat white and competing in ocean swimming

Can you remember the first story you ever wrote and, if so, what was it?

It was a fantasy picture book about faeries and magical lands.  Lots of world building and illustration.  I was seven when it was self published and distributed amongst my friends and family. Reviews were glowing.

9780702239380How many novels did you write before your ‘first novel’ was published?

Four. One adult, two YA and a middle grade. All not quite there, but great practice.

What sorts of books do you love to read?

Contemporary YA and adult fiction. Real, funny, gritty and relatable writing always grabs me. My writing buddy Pam Newton also turned me onto smart crime fiction like Crooked Letter, Crooked Letter.

If you were forced to co-write a novel with someone (as we’re not presuming that you’d want to co-write with anyone necessarily) who would it be?

Is John Green available? We could write a YA love story set in the US & Australia. I’ll have to give him a call and set that up. I’d also love to co-write with my brother Michael, who is a brilliant young writer and editor. We just need to get less busy!

What are you working on now and next?

Now I am putting the finishing touches on a contemporary YA set in the world of competitive school rowing called Head of the River.  It’s out in 2014 with UQP. Next I have co-authored a relationship non fiction ebook with Rachel Smith for Xoum publishing.

Author website: http://www.pipharry.com/

Twitter: @piphaz