Being the leader of the pack is not a role everyone relishes, especially if you are that shy kid who never kicks a goal or that odd sounding, looking kid whose school lunches never quite fit the norm. However it is often the most reluctant heroes that make the biggest impact and save the day. Being at odds with yourself and your perceived persona is the theme of these books, so beautifully summarised in their paradoxical titles. What I love about these two authors is their inherent ability to commentate messages of significant social weight with supreme wit and humor. It’s like feeding kids sausage rolls made of brussel sprouts.
Raymond is stuck in a school with a reputation grubbier than a two-year-old’s left hand and choked with bullies. The best way he knows of fighting these realities is not to fight at all. Raymond is king of fading into the background especially when it comes to his friendship with best mate, Zain Afrani.
Zain is a soccer nut and self-confessed extrovert whom has a deep affinity for Raymond. He likes to flash his brash approach to bullying about much to the consternation of Raymond who happily gives up the spotlight to Zain whenever he’s around. Constant self-depreciation just about convinces Raymond that he’ll never amount to anything of much significance, which he is sort of all right with until their new principal blows his social-circumvention cover by appointing him as one of the new school prefects.
Raymond is as shocked as the rest of the school but reluctantly assumes the role along with a kooky cast of radically differing kids. Under the calm, consistent leadership of Raymond, this eclectic team not only manages to drag Barryjong Primary School out of its bad-rep quagmire by winning the hearts and minds of the students and faculty alike but while doing so, raises enough money for new air conditioners for every classroom.
You’re most welcome and thanks so much for having me.
What is your background and where are you based?
I’m based in Melbourne. I lived in Greece as a child but came to Australia as a non-English speaking migrant at around eight years old.
My work background is mostly journalism. I was a reporter at various newspapers (five years at the Herald Sun) and then a communications strategist for the union movement for five years. Since having kids I have had to take a step back from that sort of high-octane work.
How involved in the YA literary community are you?
I first became aware of the LoveOZYA community through author Nicole Hayes. I was a member of her writing group and as my manuscript progressed she spoke to me about where she thought it might fit and how wonderful and supportive people were.
I love reading YA, especially Australian YA, and following other writer’s journey on social media. I’ve found the LoveOZYA community inspiring and vibrant. I love being a part of it. There’s a real effort to support each other and this makes the sometimes insecure life of a writer easier. We celebrate each other’s wins and commiserate with difficulties.
Stone Girl (Penguin Random House) is a searing, unforgettable story. Could you tell us about the protagonist Sophie and the symbol of a ‘stone girl’?
As I write my second novel I realize that I’m interested in the triggers and experiences in life that change as. What needs to happen to transform a person from one thing to another? As a journalist, reporting straight news, I would be stunned by the things people did and wonder how they grew from a kid into this adult. What forms their decision making and choices?
Stone Girl follows Sophie’s life from 12 to 16 years old as she becomes someone society typically judges, despises and ultimately dismisses. The persona of Stone Girl is her survival mechanism in a world where there’s no one to rely upon but herself. Sophie soon comprehends her place and makes a number of decisions about who and how she must be in response. It’s about resilience. She toughens up, she becomes Stone Girl, and this is both positive and negative.
Hardening herself, especially against adults, serves to both protect her and isolate her because stony self-preservation cuts both ways. She doesn’t trust anyone. Doesn’t ask for help even though she often desperately needs it. Her Stone Girl persona is what she uses to hide her vulnerability. When she lifts her chin against the world then she can shut out the things that have happened to her. She uses her anger to protect her. But in the end, it’s what she does with the Stone Girl facade that makes this a story of redemption.
Most of us have a mask we wear in order to fit in and protect ourselves. It just happens that Sophie has to wear hers 24 hours a day.
Could you tell us about some significant other characters?
Gwen is one of my favourites. Girlfriends have been the backbone to my life. They’ve saved me many times over, from my sister to the besties I’ve known over the years. I love the closeness and trust that grows between some women. The friendships in the homes Sophie moves through are formed as fast as they must be abandoned but in Gwen, Sophie finds a true ally. It’s a friendship that underscores everything else. It doesn’t just disappear because there’s a love interest.
I think of it like an old western when there’s a shoot-out and friends protect themselves by standing back to back. Gwen and Sophie bond in the knowledge that, despite appearances, adults actually have no idea what they’re doing.
Spiral came to me when I was at the Varuna’s Writer’s House. I knew Sophie needed someone, possibly a love interest, but I couldn’t figure out who would be strong enough break through to her.
Then, as I strolled through Katoomba, Spiral’s form became clear. I saw what he looked like, his motivations and that, like Sophie, in a world of broken promises, he too needed someone to trust.
Writing about Spiral was fun, especially at first. He’s gorgeous! A fiery and enigmatic character that I was drawn to completely – his name serving as prophesy.
I’ve always loved books with gritty honest characters that both shock and charm and I try to write this way.
How did you create such authentic experiences in the homes Sophie had to live in and her spiral into such terrible situations?
This is fictional novel but I have borrowed heavily from my time as a teen growing up in group homes.
I tried to write the real story but felt unable to. Fiction freed me up and images and events appeared quite clearly to me; the rooms, the feelings, the flavor of being of being someone who lived that way. I put myself easily into Sophie’s shoes.
When I lived in the homes there were many younger kids and I’ve thought about them so often since. Sophie is how I imagined one life.
You’ve made drug-taking very appealing at times, e.g. chapter 22? How did you weigh up the risk of including this?
The truth is that before drugs destroy you, they feel good. That’s the trick. That’s why people keep taking them. If I pretended they were terrible all the way though then this would not be the realistic trajectory of addiction. It could be dismissed and then this would not be a true cautionary tale. Protectionism is not helpful for most teens, especially when you consider the type of world we live in right now.
How important is Sophie’s racial background to the story?
Her racial background and her estrangement from her Greek family contribute to her feeling of dislocation. She doesn’t belong there. She has no family here. She must let go of the past and carve her own way through the world.
Like Sophie, I grew up in Greece and left family behind. My Greek heritage and the memories of leaving my first home have significantly contributed to who I am today and I found it quite cathartic to include this in Sophie’s life.
What does she learn about family and others?
When she first goes into the homes Sophie is hopeful that she will once again find family, either with a social worker or with her Baba. However this is not to be. Sophie soon understands that in a world where the only constant is change, she can only rely on herself.
With the kids in the homes there’s a unique bond that makes them a kind of family – albeit temporary.
Could you explain what turned her situation around towards the end of the novel – and why have you chosen this form of redemption?
The fight to survive that carried Sophie through is her saving grace. I actually didn’t know how it was going to end until three or four drafts in. I just kept thinking, this is not the story of a victim. And finally I realized what had to happen.
Kids in care, people with addictions and the homeless are either viewed with pity or fear and I wanted to show how we should never underestimate anyone. People are amazing! They want to survive and many can achieve much given a chance.
You thank God in the Acknowledgements. Why have you done this?
Doing something you love, answering a calling to the self, which is what writing feels like to me, can mean many sacrifices in other areas of life. Financial, physical, mental; you turn yourself inside out. I found myself praying more. Especially after writing I feel quite close to ‘God’. This isn’t in a religious way but more a universal spiritual one.
Who would you particularly like to see read your novel?
Everyone. I need to fund my next novel.
But seriously, I guess if I was choosing readers based on getting the message across then I’d hope people from the world that deals with kids like these. Social workers, kids in care, etc.
I’ve also loved the responses I’ve received from those who are surprised about this world. I would like there to be a common understanding about the fact that hundreds, if not thousands of kids live this way right now in Australia. A public conversation about kids in care could finally bring change to this difficult, misunderstood and largely ignored section of Australian society. That, for me, would be a dream come true. I’d love to know that others wouldn’t feel the way I did when I was living in government care in the early 1990s.
Have you already had any memorable responses from readers to Stone Girl?
A redit post my husband put up went viral and I was shocked and amazed by the response. Social workers, lawyers, ex homes and foster kids from around the world commented and it solidified what I had always suspected. Despite the fact we don’t often acknowledge the plight of kids without parents, the situation matters to many. It’s a private pain. Or a job they really care about. Or they don’t know how to help someone… Some of them contacted me after reading Stone Girl, sending quite heartfelt messages. As an author, this is the best feeling in the world.
Putting aside the issue of kids in care, I wrote this book because gritty subjects, love at ‘the edge of a cliff’, characters living dangerously is what I find interesting to read. I’ve been floored by the generous reviews so far, especially those where people say they couldn’t stop reading. The number one reason for writing a fictional book has to be entertainment, doesn’t it?
This was the first review I received and I remember the relief I felt. Rob at Lamont Books really got what Stone Girl was about.
Wow! This is a must read novel for older teens, but a word of caution – it is definitely a YA title aimed at teens 15 years and older.
It took me back to my school days reading Go Ask Alice, which I found totally confronting, but at the same time an educational and inspirational cautionary tale. Stone Girl is certainly that as it takes us on Sophie’s downhill journey through institutional care as a ward of the state from when she is 12 until she is 16.
It is written with a real understanding and depth of character, as it is inspired by the real life experiences of the debut author, journalist Eleni Hale. Many dark topics are covered including death, poverty, heartbreak and substance dependence. But shining through the story is identity, survival, resilience and ultimately a coming of age empowerment.
I will not give the story away but suffice to say you cannot help but be swept along by the incredible Sophie, as the world continues serving up crap to her. She often stumbles and is so very nearly broken, but we continue to hold out hope for her throughout the story.
Stone Girl will change the way you look at the homeless, and hopefully enlighten young minds as to the plight of wards of the state.
This is a brilliant debut, but as it does contain extreme language, mature themes and substance abuse, it is suited to older teens, 15 years and up.
How can we protect young people and help if we encounter someone in a situation like Sophie’s or someone at risk?
From memory and for reasons I can’t really explain, kids in care seemed to be treated differently, like no-hopers. I don’t know if it was the way we dressed or looked. Maybe we were too loud or other times we seemed too quiet and uncommunicative. I just know that people changed towards you once they knew you were a kid who lived like that. From cops, to teachers, to people on the street, I was often hyper-aware of being a ‘lesser other’.
So in terms of talking to them in an encounter, simply show respect even if you don’t understand them, hold your judgment before you really know them (perhaps after as well) and don’t assume the worst.
Also important is to support the organizations set up to help them such as the ‘Make It 21’ campaign that seeks to extend support from 18 years old to 21. This could lessen the shocking number of government kids who end up homeless, drug addicted and/or mentally ill.
It’s really hard to get through to someone like Sophie once they hardened up. They guard strictly against pity and judgment. The communication channels are nearly closed. Improving their experiences in the ‘system’ is obviously an important way to avoid their slide into the margins of society.
I don’t have all the answers for this – I don’t think anyone does – but talking about it publically is a good start. Don’t let their lives be our society’s dirty secret any longer. Let their issues matter the same way that other’s kid’s problems are discussed regularly in public forums.
What are you writing now?
I’m writing the sequel to Stone Girl. What happens after you leave the home system and your support is cut off? What will Sophie do now that she is out in the world and responsible for herself in every way? She has no family and must scrape together the money she needs to live. Where will this new fight for survival lead her?
One of the reasons I always had my head thrust deep into a book as a child was because I just could not get out. Stories take you places. Great stories make you want to stay there. This trio of junior to middle grade novels allows children to slip effortlessly into other worlds to live, dare, survive and marvel at places and people far different from the ones they already know. Enjoy.
Dave Lowe’s relaxed narrative style earns plenty of laughs, guaranteeing it to win the attention of adventure-loving primary schoolers. The Spectacular Holly-Day follows on from The Incredible Dadventure and The Mumbelievable Challenge and is more fun than a barrel of monkeys. Despite the almost travelogue introduction, the story revs up once adventure seeking Holly Day sets out on her own in a strange new country, Malaysia and manages to foil the destruction of a local environmentally rich island by ruthless developers. The comical comic-style illustrations add an atmosphere of fun, yet Holly and the people she meets during her Malay stay feel real and purposeful. Conservation balances easily with themes of friendship, perseverance, habitat destruction and family. Lowe also manages to create a thick air of authenticity with the use of plenty of Malay lingo and food that will appeal to readers from seven years of age and above.
I hope it is the beginning of a trend but there are a couple of excellent Australian YA psychological thrillers around. It reminds me of former glory days when Victor Kelleher’s inimitable Del Del was published.
Margot McGovern’s Neverland (Penguin Random House Australia) is an invigorating, assured debut which blends fascinating, yet threatening, fantasy tropes; and elements from Peter Pan, into the risk-taking activities of Kit and some of her fellow ‘Lost Ones’.
Thank you for speaking with Boomerang Books Blog, Margot.
My absolute pleasure. Thank you for having me.
Where are you based and what is your background?
I’m from Adelaide and recently moved back after living in Melbourne and Perth for a number of years. I always wanted to be a writer and was accepted into the BCA writing program at Flinders University after finishing school, then continued on to do a creative writing PhD. I moved to Melbourne while finishing my thesis and worked for a (now defunct) cycling magazine. After graduating, I went part-time at the magazine to try my hand at freelancing and start work on Neverland. When my husband’s job then took us to Perth, I switched to writing full-time and also joined the book blogging community (although my blog’s been a tad neglected since my daughter was born last year).
What is the significance of the title Neverland?
My protagonist, Kit, is seeking a way back to the magical childhood of her memory; however, the harder she tries to relive that time, the more distorted and nightmarish her memories become. So with the title, I wanted to evoke the sense of a dream-like place that may or may not be real and remains just beyond reach. The story pays homage to J. M. Barrie’s Peter and Wendy and I was very taken with the way Barrie describes his Never Neverland as a place we forever yearn for but can never return to: ‘On these magic shores children at play are forever beaching their coracles. We too have been there; we can still hear the sound of the surf, though we shall land no more.’
How does the cover hint at the treasures inside?
I’m still pinching myself over the cover! It was designed by Chista Moffitt and the beautiful illustrations are by Eveline Tarunadjaja. Kit’s romanticised childhood memories are based on the stories and myths her dad invented about the island where she grew up and the illustrations represent key symbols in those stories.
Why have you set the story on an island?
There were a few reasons. I wanted to reference to Barrie’s Never Neverland and to give my characters a place where they could take a time out from the wider world. But I also wanted to isolate Kit within a specific geography imprinted with layers of memory and story. And then, because the narrative is about a girl renegotiating her relationship with her past, I wanted a landscape where I could mix in some of my own nostalgia, and being a beach kid, an island seemed a fitting choice.
Could you tell us about Kit, Doc and some of your other characters?
I have a soft spot for so-called ‘unlikeable’ and unreliable narrators, and Kit reflects that; she’s prickly and self-destructive. But she’s also deeply vulnerable—a character in crisis who is trying to figure things out but making mistakes along the way.
Her uncle and guardian, Doc, is almost the opposite. However, he was forced to grow up too quickly and is consequently quite reserved. He and Kit were once very close but there’s been a lot of miscommunication between them and they’re struggling to salvage their relationship.
Doc’s looked after Kit since her parents were drowned in a sailing accident when Kit was ten. He’s also a psychiatrist and has turned their small family island into a boarding school for troubled teens. Among the students at the school are Kit’s two best friends, Alistair and Gypsy, and a new boy named Rohan who shares Kit’s desire for make-believe.
Your main characters are about to leave school. Is this the age group of your intended readers?
The story is very dark in places and and deals with suicide, self-harm, and mental illness, so I was aiming for the upper end of YA.
Neverland has some important underpinning themes and issues. Could you share any of these.
The original idea for the story grew out of a sense of misplaced nostalgia. I was feeling apprehensive about the future and decided to comfort myself by rereading Peter and Wendy, which I’d loved as a kid. However, the book was much darker and more violent than I remembered and I started thinking about how, in times of uncertainty and upheaval, we often yearn for a romanticised version of the past and how this kind of nostalgia can prevent us from finding a way forwards.
I was also interested in the idea of who gets to tell a story, and what is reframed or omitted in the telling—and particularly in the fact that historically, women’s voices have often been silenced or ignored and their roles diminished. So I wanted to write a story where a young woman is forced to question the mythology of her world and her place within it.
How have you paid homage to other authors and literature in your plot, setting or characters?
In the months before I started working on Neverland and while I was writing, I reread a lot of old favourites—Peter and Wendy, Treasure Island, The Odyssey, The Great Gatsby—and the story, in part, grew out that process of rereading, so it felt important to give those texts a place in the manuscript. They helped inform the story’s key themes, but also gave Kit a library to draw on as she struggles to find her voice and a way to tell her story. Then because nostalgia, and particularly a nostalgia for stories, is such an important part of the narrative, I looked for opportunities to work in little references to other favourites as well.
What have you enjoyed reading recently?
Well, now you’ve opened a can of worms! I’ve been reading some incredible home-grown YA: Tin Heart by Shivaun Plozza, The Centre of My Everything by Allayne Webster, Untidy Towns by Kate O’Donnell and Take Three Girls by Cath Crowley, Simmone Howell and Fiona Wood. Also, The Hazel Wood by Melissa Albert from the US. And for something completely different, I’ve gone back to Daphne du Maurier (an old favourite) to read The House on the Strand and absolutely loved The Radium Girls by Kate Moore, even though I cried most of the way through.
I can’t wait to get lost in your next work. What are you writing at the moment? Would you write Kit’s dad’s Kingdom by the Sea as a companion piece – perhaps with illustrations?
That’s an interesting idea (especially the illustrations part), but Kit’s world feels closed to me for the time being. That said, I loved working on the thread of magic realism in Neverland, so I’m taking that a giant leap further and currently working on a YA urban fantasy with mythological roots.
Thanks Margot, and all the best with Neverland. Your next books sounds just as fascinating.
There’s nothing like an Aussie Christmas than the fresh scent of Summer mixed with a fragrance of fond memories and the savour of new ones. That’s how the following picture books will entice their readers, both young and old – with peace, unity and joy as we pleasure in the warmth of the festive and summery holiday season in Australia.
Corinne Fenton and Robin Cowcher return with another stunning ‘Little Dog’ story. From the iconic Melbourne in the previous, magical Christmas tale, Little Dog and the Summer Holiday takes Jonathan, Annie and their precious Westie, with caravan in tow, on holiday to the idyllic sites of Sydney. Immediately, Fenton paints a gloriously detailed adventure full of evocative language that is sure to bring about that nostalgic cue of wonderful family trips of yesteryear. Passing legendary landmarks such as the Dog on the Tuckerbox and Sydney Harbour Bridge, paddling at Bondi Beach and rattling “down the mountainside on the steepest scenic railway in the world” all make for an exciting, memorable holiday with family, friends, and of course, beloved pets.
Cowcher’s whimsical illustrations add a pleasurable sense of romanticism that capture the beauty and evocation of holidays like this. Parents and children will equally delight in Little Dog and the Summer Holiday, either reminding of the good old days, or enthusing a predilection for future family vacations. A beautiful book.
Summer – peaceful, tranquil, cheerful and contentment. Words that describe that special feeling of rest, fun and togetherness during the sunny season. And words that describe the special feeling emanating from this book by June Factor and sublime creator Alison Lester. Thirty years in print and Summer still feels as good as a homemade steamin’ puddin’ on a balmy Christmas Day.
Factor’s simple, silky and smooth Aussie voice shines through with robust rhyming character as we are swept up in a temperamental mix of family antics, Summer nuances and changing weather during the hot festive season. Lester’s legendary scenic art and winsome characters keep us occupied throughout with all the glorious combinations of farmyard outlooks and high-spirited busyness, respectively. From flies a gatherin’ to early morning rises, kin gatherin’ and present opening, pork a cracklin’ and raising glasses, clouds gatherin’ and making a bolt for cover, and finally napping and playing ‘til the stars are gatherin’ in the night sky.
Summer is a book of leisure, affection and ambience that will remain a classic to treasure and indulge in all the year round.
Where are you based and what is your current role, Darren?
I live in Vancouver. My current role is husband, father, provider and fiction scribbler.
How involved are you in the YA community?
Not as much as I used to be when I was a teacher. My 16 year old twins keep me connected to today’s kids, though.
Could you tell us a little about your early books?
Well, they’ve all disappeared, sad to say. However, I’m proud of them and each one was notable in its own way. My first novel, The Procrastinator, got my first personal, positive rejection (still one of the very best feelings I’ve ever had in my career); my second novel, Most Valuable Potential, was shortlisted in the Queensland Premier’s Literary Awards; my third novel, The Umbilical Word, secured my wonderful literary agent; and my fourth novel, Kindling, picked up my first contract with a major trade publishing house (Hachette).
Thank you for your kind words, Joy. The protagonists of AYSM are twins, Justine and Perry Richter. Justine is smart, well read, neurotypical and the sole carer of her brother. Perry is smart, sensitive, neurodiverse and hopeful of “freeing” his sister. Perry makes three appearances in the new novel, Exchange of Heart. It was a real treat to connect with him again.
What is the significance of the clever title of your powerful new novel Exchange of Heart?
Exchange of Heart captures what this novel is all about, both literally and thematically. There’s a lot to unpack; it makes sense at a surface level then becomes deeper and richer the further you delve into the story.
Why is this book important?
Like all good fiction, I need to have told a good tale in order for the work to be assigned any importance. If readers feel I’ve told a good tale then there is some food-for-thought that can be discussed. PTSD in young adults, treatment of the intellectually disabled, use of the R-word, mental health of refugees, among others. In some ways, Exchange of Heart is a political YA novel. I embrace that label.
Could you tell us about your complex major character, Munro Maddux?
I love Munro. I think he’s the best character I’ve ever put down on the page. So many qualities about him that I admire – his honour, his tenacity, his nuance, his care. I love his wounded heart. Unlike many other characters I’ve written, he’s not an open book. He’s not ‘all the feels’. That’s very commendable in this day and age.
Who is the Coyote?
The Coyote is less a ‘who’ and more a ‘what’. It’s a voice in Munro’s head that’s constantly at him and it’s the most debilitating symptom of his PTSD-infused grief over the loss of his younger sister, Evie. Why Coyote? In North American First Nations/Aboriginal lore, Coyote represents ‘trickster’ medicine; it is a deceiver, not to be trusted. It was the perfect motif for Munro’s nemesis.
What is the significance of the “-er” words?
I was actually looking to create something self help-ish that was a bit cheesy. And the students of Sussex High, Rowan in particular, see it that way. In Munro’s case, though, his ‘er’ word – ‘better’ – was right on the money.
You have a cast of minor characters who help create the assisted-living community setting. Who most pulls at your heart and why?
It changes every day! Today, I’ll say Bernie because she seeks to protect her fellow Fair Go residents from discrimination and oppression. We need more Bernies in the world!
What would you like to see change or improve for those in assisted-living communities in the near future?
The programs that served as inspiration for my fictional Fair Go – Youngcare in Australia and Bittersweet Farms in the US – are wonderful examples of what is possible with assisted living. If there is one thing I would like to see in all situations of supported care, it is residents having a say in their work, their play, their passion, their collaboration. Generally, having agency in their lives.
Having lived and been flooded in Brisbane myself, your descriptions of place such as Walter Taylor Bridge and South Bank resonated strongly. Where is a significant place in Brisbane for you?
There’s a few. Mum and Dad’s house in Mitchelton. Milpera State High, where I taught for almost ten years. Lang Park (I still can’t call it Suncorp Stadium). My grandmother’s house in Hawthorne which, sadly, no longer exists.
The Tolstoy quote, I felt, summed up Exchange of Heart perfectly. The love of others is the catalyst for Munro to forgive himself and heal. Picnic at Hanging Rock is a fascinating story for me, not the least of which for its commentary about the treatment of the intellectually disabled.
Getting to know oneself and understanding the world that shapes us is one of the first steps to feeling good about oneself and the world in which we live. This handful of books addresses the art of awesomeness and why it’s important to live it.
Langley’s little books of BIG messages about self-help and self-esteem are house favourites. Neither overtly moralistic nor sermonic, they present beautiful messages of love, understanding and hope, accompanied with novel, cartoon-esque illustrations.
And thank you for blogging me. It’s blogging exciting to be here.
Where are you based and what is your background?
I’m in Sydney and have a background in documentary and TV. I also do copywriting and write for an educational publisher.
What sort of music do you like and do you play any instruments?
What sort of music don’t I like might be an easier question to answer. There’s not really any types of music I don’t get into. Well except Opera and music that involves men dancing in long socks with bells attached. Struggle with that a little.
Basically I like good music. And a lot of bad music too come to think of it! I just like music.
But I don’t play myself.
I think Dr Boogaloo & The Girl Who Lost Her Laughter is my love letter to music. It expresses all my pent up love which I can’t express by playing an instrument. Kitchen dancing keeps it in check most of the time but sometimes it just needs to come out.
What have you learned about the importance of music?
I believe humans are musical beings. It’s an intrinsic part of who we are. We need music.
What led to you writing a children’s novel?
I started writing for children when I had my own. I kept getting ideas for books and when they slept I would rush upstairs to the attic and try to write. Unfortunately all my children were terrible sleepers so my output is hardly prodigious. Hard to write a book in 45 minutes. But I’m on a roll now!
Could you tell us about ten-year-old Blue, her horrible mother and some other characters?
Ah the lovely Blue. I’m very fond of Blue. She has a quiet strength and she tries to keep her chin up no matter how hard things get. She’s not one to complain – unlike her awful mother. Blue’s mother is somewhat self-obsessed. She thinks having a daughter who can’t laugh is an absolute bummer! It’s ruining her life and simply must be fixed. If not she plans on shipping her off to a boarding school in Switzerland somewhere. One of those ones where they don’t come home in the holidays. Costs a bit more but well worth it obviously, under the circumstances.
Now, let me introduce you to the wonderful Dr Boogaloo and his glorious wife Bessie. They run The Boogaloo Family Clinic of Musical Cures. You may not have ever thought of music as medicine but according to the Boogaloos, music can cure anything!
Of course, you need the right dose of the right music. No point listening to a jive if you’re in need of some boogie-woogie, and you can’t just substitute a hum for a chant, or an opera for a ballad, or a toot for a blow. Absolutely not! Musical medicine is an exact art. And it’s extraordinarily complicated. The way Dr Boogaloo explains it is this – everyone has their own tune but sometimes, for one reason or other, we get all out of tune. We lose the beat, you might say. Unfortunately, your tune is just like your fingerprint. No two are the same. Which is why fixing tunes is SUCH a tricky business!
Dr Boogaloo describes Bessie as the magic in his wand and it’s true they are a great team. Dr Boogaloo reminds me a bit of a brand new pencil – he’s very straight ahead – which is perhaps not what you would expect for a musical doctor. Bessie on the other hand is a little more eccentric. She reminds me of a rainbow caught up inside a tornado. Bessie looks after the Doctor’s instrument collection which is so enormous they keep it in a shed about as big as an A380 aircraft hanger.
I particularly enjoyed Blue’s introduction to the Snorkel Porkel Crumpety Worpel Laughter Clinic. Could you tell us about how people enter it and about some of the Laughter Detection Tests?
Well entry is via a giant slide with a vertical drop that would make your nose bleed – hence the need for padded pants to avoid a really good buttock burn –followed by the the tickle machine which helps sort out the wheat from the chaff in terms of laughter issues. Then, once you get past the lobby guy who has a seriously good aim when it comes to snot olives, you’re off to the testing rooms. They are very thorough at the Snorkel Porkel. There are not many places they won’t venture to ensure an accurate diagnosis. Can we just say, strange animal farts, blooper reels, hula-hooping cats in bikinis, Youtube videos of epic fails and a gentleman called Gassy Gus who can blow up balloons with his bottom! You did ask!
Music is important in your novel but what about colour?
Well Blue’s mother has a thing for colour. She goes through colour ‘phases’. You can probably guess what ‘phase’ she was in when she named Blue ‘Blue’. At this point in time, she’s in a white phase. Phases generally involve a lot of shopping, redecorating and pouring over paint charts. Blue is finding her mother’s white phase particularly challenging. Absolutely everything in the house is white so even finding the fridge can be quite tricky. There’s a lot of falling over the couch, that sort of thing.
Could you tell us about the role of musical imperfection?
Well I can only tell you what I’ve learnt from my time at The Boogaloo Family Clinic of Musical Cures but according to Dr Boogaloo, imperfection is an essential ingredient in any musical cure. One of the many musicians who work’s regularly at the clinic is a Canadian called Neil. He’s famous for the perfect bum note or loose string and exactly when to drop one in. Quite a skill.
Have you paid homage to any other authors in your plot, setting or characters?
Not authors so much but songwriters and songs seem to be scattered about the place. That’s my silly love thing again. You don’t need to get the musical references to enjoy the story – I’m sure most of the kids won’t – but if you’re a music fan reading to your kids, hopefully they might amuse you. Some are obvious, others not. For example, Blue’s globetrotting, game-hunting father sends her a pair of high heels covered in diamonds. There’s even diamonds on the soles! And of course Bessie would name her pet pygmy pocket possums after some of her favourite singers – Dolly & Makeba. Tupelo trees, weeping songs, I’m wearing my musical heart on my sleeve I’m afraid….
Are you planning anything special for the book launch?
Of course. Blue’s mother’s favourite – bubbles. And my favourite – music. We have Gramophone Man coming along to play some very old tunes on his steam-powered turntables. That should give most people’s musical immune systems a jolly good boost before the silly season begins.
What are you writing about now or next?
My next book is called The Crumples of Shambolstown. It’s about some very crumpled folks who live next to some very Crisp folks. A gang of Crumple kids venture into Cripsville and things go very, very wrong. It’s a crumply thriller!
Cat lovers! You won’t find disaster here. In fact, far from it. These following cat books are brilliant enough to stretch your imaginations, tickle your sweet spots and scratch at your curiosity. And they all so precisely capture the little nuances that make cats, cats.
Surly facial expressions and skittish body language emphasise the stubborn and scornful retaliation Kevin assigns to his owner’s requests for a cuddle. Managing to escape the torturous grip of patting hands, and with absolutely no regard for his flatmate, Dog, Kevin finally finds some peace and quiet. That is until a wave of jealousy rushes over him and he commands dominance over Dog for his former lap-position… but that doesn’t last long!
This book is decidedly potent with its bold, primary-based colours and energetic qualities that exude passion and wit, especially those lime-green, telling eyes. The Cat Wants Cuddles is a book that preschoolers will be snatching, cradling and squeezing with both paws.
The Catawampus Catis full of personality and individuality, and utter charm. Jason Carter Eatonwrites a thoughtful and witty tale that inspires his readers to consider the world from a different perspective. Gus Gordon’s mixed media illustrations are characteristically charismatic and ooze with a sway of retro style and a hint of contemporary flair. The characters are flawlessly represented to match their quirky names and traits that Eaton so brilliantly describes.
When the catawampus, aka diagonally-angled, cat enters the town on a Tuesday morning, one by one each of the villagers see things from another point of view. Because of the askew-walking feline, lost possessions are found, relationships rekindled, creativity is sparked and new challenges are triumphed – all with thanks to the power of the tilt. Soon the whole town is lopsided, and they even mark the first Tuesday of the new year as “Catawampus Cat Day” in his honour. But all the cat wants is to be unique, so he sets off… ‘straight’ out of town!
Eccentric, memorable and thought-provoking with the most loveable and endearing character. The Catawampus Catwill be the new favourite for preschool and early years children…it’s ours!
Doodle Catis back, but this time Doodle Cat is Bored. At first this drives him out of his mind, but then he finds a crayon. Experimenting with it as a soup spoon, a spade, a dance partner finally leads the cat to discover it is in fact for doodling… But he already knew that, right? Demonstrating his creative, imaginative, and sometimes crude mind through the use of the crayon is a tiring feat for the red, graphic squiggle that is Doodle Cat. And with one final engagement, he asks the audience, “What will you draw?”
Kat Patrickwrites this story with bounce, energy and vitality. The sentences are simple to create an interactive yet highly amusing report from the view of the cat. Lauren Marriott’s illustrations reflect this beautifully. Her choice of fire engine red perfectly assigns Doodle Cat his prominence on the mostly plain white backgrounds. She has also introduced the front cover’s lemon yellow, which features sporadically within the pages, too.
Young children will certainly be ‘drawn’ to both the simplicity of the book but also the scope of curiosity and artistic opportunities it reinforces. Doodle Cat is Bored is bursting with ideas to quell those boredom blues.
American YA writer, Jennifer Niven has been wowing fans up and down Australia’s east coast from the Sydney Writers’ Festival, to Brisbane, then Reading Matters in Melbourne, then Adelaide and further afield.
It is no wonder she is greatly loved. She seems to care for everyone she meets and gives equal weight to answering the questions and concerns of all her readers. She has transformed the difficulties and joys she has experienced in her own life into becoming a brave, ‘honest and responsible’ writer, speaking for those who may not have a voice. She doesn’t like conflict but has become an advocate after writing her first YA story about a boy she loved who suffered from mental illness in All the Bright Places. She poignantly recalls, ‘I lost him to suicide’ and about how she wrote about this relationship and experience ‘as honestly as I could … Pieces of me are in each of my books’. Jennifer has since received thousands of messages about how All the Bright Places has, in some way, saved people’s lives.
Jennifer reiterates that everyone deserves to be seen and heard and inscribes some people’s books: ‘You are wanted’. ‘Life can be dark but there are always bright places everywhere.’
I was thrilled to be invited to lunch in Sydney with Jennifer and a small group of informed young bloggers. Jennifer was charming; a lady who listens and engages. She was very generous with her time; asked us all to sign her copy of All the Bright Places (a lovely, original idea) and showed us a sneak peak of the photo of the young actor who will be playing lead character, Finch, in the movie of All the Bright Places.
When I asked at lunch how she gets into the writing zone as quickly as possible, she explained the importance of music and playlists, including Split Enz’s song, I Got You (her playlists are online). Lyrics are ‘also all about words’, but in a different form.
Even though Jennifer is generous with her words in conversation, she is happy to listen to others rather than dominate the conversation; conversely when writing, she writes more than she needs before paring back the words.
Unfortunately, she’s not able to write while on tour but, despite this, jumped at the chance to come to Australia, agreeing even before she was given the dates.
Jennifer concluded one of her sessions at Reading Matters by sharing her and her author mother’s writing advice: ‘let yourself cry (or laugh or feel); check it in the bus locker (put distractions away so you can focus on writing); and write the kind of story you want to read.’
Thanks to Penguin RandomHouse Australia for the incredible opportunity to meet Jennifer.
A little while ago I dedicated a review article to man’s best friend. Today I have another brilliant collection of dog stories that highlight their boundless vivacity, loyalty and dedication, not to mention their occasional misdemeanours, that truly make our pets so loveable.
To adoring cricket fans, and of course dog lovers: this one’s for you! Oh, and you have the added bonus of the eye-popping, crowd-pleasing illustrations by the legendary Tom Jellett!
Combining his three favourite c’s; chewing, chasing and catching, Arlo the dog loves to play cricket. Except he never gives the ball back. Struggling to play for the team, Arlo is sentenced to the pavilion (the kennel) by the children as the 12th dog. But he makes a come-back to form. Skilfully integrating cricket terminology into an everyday, Aussie backyard scene sees Arlo score the winning run and he is crowned the best fielder in the street… but is he?
Brilliantly characteristic of ball-loving dog behaviour in an exciting pitch of teamwork and sportsmanship, The 12th Dogmarvellously bowls out humour, cricket knowledge and a beaut Aussie flavour. Any fan from age four will be cheering for more. Howzat!?
This book both melted my heart and had me laughing out loud. What a gorgeous representation of a loyal working dog, with a big personality. The narrative and the illustrations both reflect these aspects beautifully. Gus Dog goes to work is uncannily relatable and articulately universal, even if the setting is in rural Australia.
Tom the farmer belongs to Gus Dog, and together, they have the perfect formula for a good working relationship – A mixture of special, ‘formulated’ breakfast with the commonality of an understood language. One day Gus awakes to the disappearance of Tom, and so off he sets on his explorative journey to find him. Using his natural doggy instincts, Gus sniffs and looks and listens and chases and rounds up and rolls in everything he comes across, only the townsfolk are highly unimpressed with his antics. He doesn’t understand everything, but drawing on some of his human-word-knowledge, he knows what ‘getoutovit’ means. Gus also recognises ‘goodboy’ and ‘gohome’, which are music to his ears when he’s finally reunited with Tom.
With fluid pencil work combined with digital painting, Craig Smith has sensationally captured the energy, wit and idiosyncrasies of this working dog and the special bond with his owner. The narrative has elements of a mocking humour matched with a visceral innocence, which superbly depicts the dog’s point of view.
Loyalty, friendship and communication between man and dog faultlessly combine in this funny and loveable story. Gus Dog goes to work will be received with pleasure, compassion and relatability by its preschool readers.
In another tale of a working dog with a mind of his own, Blue the Builder’s Dog is delectably sweet and fiercely passionate in all matters on the building site. Jen Storer brings her quirky and charming sense of humour to this reflective and encouraging story, as does the awesome Andrew Joyner with his lively, retro-feel illustrations, representative of independence and being strong-willed.
Blue is dedicated to his job. He guards the tools, signs the concrete slabs, inspects the works (often) and keeps stickybeak cats away. He is friends with everyone on the team. Except Blue wants more. He wants to be able to go up high, wear a hard hat, and most of all, a home of his own. Living in the shed is no place for a Working Dog. So, with great building plans in mind, Blue quits his job and embarks on his own grand endeavour. His creation is nothing short of remarkable (for a dog), but it seems this kennel is short of stability, particularly in a big storm. Realising his shortcomings, Blue makes amends with his builder and the team. And there is another new and improved design too.
Blue the Builder’s Dog is an animated story of teamwork and having a voice. It shows a determined character who makes a clear statement about the importance of marking one’s territory, so to speak! Humorous with cleverly portrayed themes and insights that children from age four will adore.
If you haven’t read this story then I’m not going to spoil it for you. But let’s just say that this dog has no problem coming out of his shell. On first read, I found this so surprising I had to do a double-take! The title, My Dog Dash, may be ‘misleading’, but demonstrates perfectly how easily something, or someone may be misjudged by preconceived notions.
Despite Dash’s inattentive meanderings, misreading of social cues and favouring for homely disorder, the girl narrator is passionate about the wellbeing of her beloved pet, even when others don’t understand. She is dedicated to training him, walking him and cleaning up after him. When Dash disappears one night, the girl is naturally devastated (however not to any dismay by her parents, by the looks on their faces). In a most satisfying ending, there is one more shocking surprise. You’ll have to read it to find out!
I love the rawness of this story; from the sacrifice of standing up for a misunderstood friend, to the natural, earthy tones and mixture of pencil sketching and textured paints in Greenberg’s illustrations.
My Dog Dash is a quirky, comical take on what is considered ‘normal’ puppy behaviour. Friendship and responsibility are at the heart of this sweet tale for preschool children. Remember, don’t judge a pet by its covering!
There were too many exciting books from the recent Penguin Random House roadshow in Sydney to outline in one post so here is Part 2. As well as many standout titles, we were privileged to hear from two YA authors, Fleur Ferris and Robert Newton.
Robert Newton spoke from the heart about his new novel Mr Romanov’s Garden in the Sky. It is an outstanding work, exceeding his Prime Minister’s Literary Award winning When We Were Two. It follows the sad and dangerous existence of Lexie in a Housing Commission Tower who lies to protect her drug-addicted mother. She saves old Mr Romanov from death after thugs throw his dog off the building. The story then becomes an original tale of friendship and hope.
Fleur Ferris is one of Australia’s best selling YA novelists and she is also a most delightful person. Her first novel Risk, a cautionary tale about online predators, is essential reading. It is wildly popular with teens and I reviewed it for the Weekend Australian here. I’ve also interviewed Fleur about Risk here for Boomerang Blog.
Fleur’s second novel Black was Australia’s best-selling ‘new release’ Oz YA book of the year for 2016. It is another a thriller, and incorporates a cult and unexpected ending. I reviewed it briefly for Boomerang Blog here.
Fleur’s third novel Wreck (note Fleur’s one word, one syllable titles, each ending in the letter ‘k’) will be published in July. It is also a thriller but has dual narrators and is set in two different time periods. It sounds like her best work yet and we will hear much more about it.
Other upcoming YA novels include Geekeralla by Ashley Poston from the U.S. (April), billed as a ‘fandom-fuelled twist on the classic fairytale’. Danielle encounters cos-play and her godmother works in a vegan food truck. I’ve read the beginning and can’t wait for the rest.
One of Us is Lying by debut novelist Karen M. McManus (June) is a U.K. title. There’s an omniscient narrator and one teen is murdered in detention with four others without anyone leaving the room.
Darren Groth returns after his triumph with Are You Seeing Me? in Exchange of Heart. Endearing character, Perry from the first novel returns and Down Syndrome is addressed.
Krystal Sutherland’s second novel appears quickly after Our Chemical Hearts. I’ve interviewed Krystal for the blog here. A Semi-definitive List of Worst Nightmares (September) explores phobias, particularly when Esther’s list of possible phobias is stolen, with strange results.
Juniper Lemon’s Happiness Index (July) by U.K. author Julie Israel revolves around Juniper’s file cards of happy and unhappy experiences. But one card goes missing, the one thing that people can’t know about.
What reading extravagances we have in store.
(Author photo at top courtesy Fleur Ferris. From left to right, standing: Fleur Ferris, Belinda Murrell, Felice Arena, Robert Newton)
Picture book highlights for me were Anna Walker’s Florette, full of inviting greenery in the heart of Paris (March), The Catawampus Cat by Jason Carter Eaton and Gus Gordon (April), the retro colour palette of Stephen W. Martin’s Charlotte and the Rock (April), We’re All Wonders (April), an adaptation from R.J. Palacio’s Wonder, Deb Abela’s fractured fairytale, Wolfie: An Unlikely Hero (May), Marc Martin’s stylish design in What’s Up Top (September) and Pamela Allen’s A Bag and a Bird, which is set in Sydney (September).
Middle Fiction looks incredible. Felice Arena, author of popular series ‘Specky Magee’ and ‘Andy Roid’, enthusiastically told us about his stand-alone historical fiction, The Boy and the Spy (April). The Anglicised version of Felice (pronounced Fel-ee-chay) is Felix, meaning ‘happiness’, and Felice certainly demonstrated that.
The Boy and the Spy has family at its core, especially foster families. It is set in Sicily in 1945 and is for 10-12 year-old readers. It can be read at one level or the layers in its text can be uncovered. Felice hopes that it will inspire readers about travel, history and art. He loves writing ‘movement’ and has tried to emulate the stimulating experience given by teachers who read aloud and stop at the end of a chapter. Felice enjoyed researching and talking to relatives and has devised some entertaining Morse Code activities for school visits.
Other titles I can’t wait to read are Skye Melki-Wagner’s ‘Agent Nomad’ series (March) about a magical spy organisation with an Australian feel. I loved Skye’s stand-alone YA fantasy The Hush. Talented Gabrielle Wang has written and illustrated The Beast of Hushing Wood (April), another of Gabrielle’s original magical realist stories. I facilitated a session with Gabrielle at the Brisbane Writers Festival in the past and the children adored her. My favourite of her books are In the Garden of Empress Cassia and The Pearl of Tiger Bay.
Ally Condie returns with Summerlost (May), the irrepressible Oliver Phommavanh with Super Con-Nerd, Morris Gleitzman with Maybe (September) and Tristan Bancks with The Fall (June), a fast-paced thriller with disappearing characters. It will no doubt follow Tristan’s assured debut into literary-awarded fiction, Two Wolves. Tamara Moss’ Lintang and the Pirate Queen (September), a quest on the high seas, looks very appealing.
The charming Belinda Murrell spoke about her popular backlist of the ‘Sun Sword’ trilogy, timeslip tales and ‘Lulu Bell’ and introduced her new series for tweens, ‘Pippa’s Island’ (July), which reminded me of Nikki Gemmell’s ‘Coco Banjo’ but with more sand and sea.
And the wonderful Jacqueline Harvey’s ‘Alice-Miranda’ and ‘Clementine Rose’ series have sold 1 million copies in Australia and worldwide. We celebrated with a special cake.
Amongst the themes of bedtime routines and playful antics are ones of sentimentality, unconditional love and guidance. Each striking in their own visual and lyrical ways, the following picture books perfectly set the tone for engaging and soothing shared reading experiences before the lights go out.
Here’s to making every little one count. Because this book gives us the warm fuzzies just like our own special ones do. Each number from one to millions is dedicated its own page with gorgeously combined pencil, watercolour and fabric collage illustrations. And to add to the gentle and soothing tone, a beautiful lyrical rhythm unfolds with every turn. The rhyming couplets take us through a fun and reassuring day with teddy, pets, favourite toys and loving parents and grandparents to share and protect the little girl.
Counting Through the Day is a comforting vision of a peaceful routine and the beauty of nature. It presents a seamless integration of time from morning to night, and number awareness from one to twelve and larger figures including twenty, hundreds, thousands and millions.
With immeasurable sweetness to devour, toddlers and preschoolers will lap up every precious moment shared reading this book with their loved ones.
From the get-go, this book brings a sentimental light and a sparkling twinkle to every mother’s eye. The endpapers are laced with precious milestones from early pregnancy scans to growing bellies and baby shower invitations, and completed with snippets of the baby’s development. Ritchie tells a poetic love story to her little one about her every thought, hope and dream that soon becomes a wonderful reality when baby enters the world. The calming watercolours in pastel yellows, greens and pinks deliver this affectionate tale as parents prepare for their bundle of joy to arrive. The illustrations exquisitely give meaning to the words, with mum’s imagination presented in delicate thought bubbles.
I Just Couldn’t Wait to Meet You is a book that both parents and their babies will treasure, enlightening bonds as they share their own loving stories of the journey into being.
What better way to soothe young ones at the end of the day than with a sprinkle of mischief and a dusting of spirit from five little flutter fairies in all their lighthearted glory as they set off to bed! As Fairy Blue, Green, Gold and Red fairy-step their way from teeth brushing, bathing, dressing, and reading into fairy-dreamland, one cheeky flutter fairy is playing a sneaky hiding game around the house. Enchantingly engaging us, amongst the rollicking rhythm, with the repetitive phrase is “But someone’s playing hide and seek. Can you see her? Take a peek. Quick as a wink, find Fairy Pink!” After all the frolicsome fun, I wonder who falls asleep first?!
Clearly defined, bright colours and varied page spreads allow readers to identify each fairy and their actions. The illustrations further provide an interactive experience to complement the text with their adorably energetic line drawings and hidden details, such as locating the whereabouts of the naughty pink fairy.
Quick as a Wink, Fairy Pink is suitably the most fairy-licious read to get your little ones to hop, wriggle and flutter their way to bed every night. My three year old daughter highly recommends it!
It’s quite a predicament when one is unable to sleep with a terribly noisy racket outside your window! This is the case for poor Farmer Hayden. His menagerie of animals, plus a clattering train, are chirping, moo-ing, maa-ing, nickering and howling through the night. And no matter how loud he shouts, the volume is far too high to even hear him. So what’s a sleep-deprived farmer to do? Count sheep, of course!
A story of continuous laughter, and a touch of empathy, with its whimsical illustrations, Noisy Nights is loveable and entertaining. Preschoolers will certainly appreciate the silence after this read to ease them into a peaceful slumber.
Vibrantly painted with line, pattern and bold colours, and told in a lyrically gentle tone, this title by much-loved Indigenous team sets such a joyous and endearing mood. A collection of popular Australian animal parents guide their babies to develop strength, skill and safety through nature’s most beautiful occurrences. Bushes bloom and roos bound, seas sigh and dolphins glide, insects buzz a story of the earth and snakes slide into the peace of a loveable land.
The visuals and the visual literacy blend flawlessly, and are both stunning to see and listen to. Dream Little One, Dream will transport preschool-aged children to another world where only the most transcendent of dreams can take flight.
Midgrade readers have to fulfil a variety of whims. They should appeal to the increasingly insatiable literary appetites of confident mid-primary aged readers. They must soar with excitement and be able to crack readers up at the mere mention of impending doom for any adults foolhardy enough to wander through the storyline. And they should be wickedly close enough to real life to qualify the use of magic and make believe. Here are three new titles that tick all the ‘midgrade must have’ boxes.
This new novel spills from the pen of noted actor, writer and comedian, Isla Fisher. Words flow with funny fluidity and the help of some very entertaining illustrations. Rather than being told in chapters, there are three separate Marge orientated stories all hinging on the premise of Marge babysitting Jemima and Jake. None of their previously bland babysitters can match the zany ingenuity of marvellous Marge. Marge is not your average babysitter; she makes mess and turns the rules inside out and upside down.
Young readers will love the out of control antics Jemima and younger brother,Jake are coaxed into by the indiscernibly aged Marge. It is enough to make any parent cringe with terror but will raise whoops of delight for those under ten years old. Fisher’s style is comforting and chortle worthy with injections of humour only the experiences of a mother of three could have inspired.
Riotous hilarity tempered by sound parenting advice (mostly from the worrying mind of 7-year-old Jemima), all mixed up with a plucky mucky 4-year-old and lots and lots of lovely rainbow coloured hair. Marge is the complete package. Fresh fun entertainment (at least for six + year olds).
India Wimple is a girl with a dream and like many of us these days, that dream stems from reality TV. Every week, she and her family glue themselves in front of The Stupendously Spectacular Spelling Bee TV show and as we are currently deep into the latest series of The Great Australian Spelling Bee (of which I am also hooked) the telling of India’s tale could not have come at a better time!
Unlike 11-year-old India, my spelling abilities have diminished drastically over the years. India however is in the prime of her time and yearns to be the next spelling bee champion. All she has to do is sign up for the show and spell. But of course there are many ‘precarious’ and ‘calamitous’ situations she and her family have to contend with before she gets close to standing behind the spelling podium; a cantankerous old van, a haughty little spoilt girl intent on winning, concerns for an ailing brother and an inherent shyness that threatens to choke her each time she gets up on stage to name but a few.
Abela deftly weaves a contemporary idea into a topical story line with enough quirky characters with admirable whims to have readers on the edge of their seats by the time India eventually makes it in front of the TV cameras. And like those mini spelling marvels on the real life reality show, she handles it with modest aplomb and true integrity.
It is impossible not to love all of Abela’s characters in this tale even the snarky ones. And while young readers are hanging on every syllable uttered, they are unwittingly enhancing their vocabulary thanks to each chapter heading introducing a new word and definition relating to that chapter. Ingenious!
The Stupendously Spectacular Spelling Bee may be a mouthful and a half to master but is invigorating and enlightening reading for anyone who adores words, competitions and fifth grade spelling (which I still struggle with). It’s a fun family indulgence without the need to go anywhere near the tellie.
I had the unique pleasure of hearing the birth of this story a couple of years ago when accomplished author, Pamela Rushby pitched it for the first time to a panel of publishers at the SCBWI Sydney Conference. Now, like the growth of Parsley Patterson’s family country market, it has evolved into a book worthy of a place high on the bookshelf.
Following bouts of political kerfuffle, Mullumbimby farming resident, Kevin Patterson decides to withdraw from Australia and set up his own (Possum Creek) principality within the Northern Rivers hinterland. This way he can avoid the one-sided malevolent machinations of the local council and run his popular farmers’ market in peace. Sounds straightforward enough albeit a little left field; it’s a stance the surrounding residents applaud for his daring and pluck. His family revel in their collective newly acquired regal status, all that is except Parsley.
Being a princess is the last thing on Parsley’s list of things to be in her new high school. With her ‘not strictly hippy’ parents always in the limelight, the most popular boy in school tagging along and a cackle of hard-nosed A Group girls (The Blondes) to contend with, life under a tiara becomes increasingly embarrassing and more hilarious with each page turn.
I am a bona fide fan of Rushby’s sharp satirical wit. Although somewhat toned down here for a slightly younger audience, it still transports readers along on a heady and spirited adventure echoing the same verve and heart of the 1997 movie, The Castle. Like the Kerrigans, the Pattersons are a family for which you feel an instant affection. However, can poor Parsley’s princely plight and newfound calling as a comedian be enough for her to realise the true cost of popularity?
I was amazed to learn that there are around 12 actual real micronations based on the principality idea here in Australia alone. Stories like Princess Parsley, which engage on multiple levels, are not only a boon to read but also marvellous gateways to more of life’s delightful discoveries. Ripper stuff. Ideal for 9-year-olds and beyond.
I love coming across books that allow the freedom to ‘think outside the square‘, so to speak. Books that play ‘chasey‘ with your imagination and let you run wild. And books that at the end of a chaotic day leave you with a warm and fuzzy feeling in your heart. The following three picture books do all those things in their own special kind of way.
Stanley, written and illlustrated by Colin Thompson, takes quirky to a whole new level. Thompson, a legend in the children’s book world, superbly paints a solid picture of his unique characters, both conceptually and visually. Focusing on the themes of non-judgement and individuality, his descriptive language, gangly humans and mixed media images align perfectly.
Stanley may look as if he was “built out of bricks that had been leant against and rained on and loved…, as strong as a mountain” but in truth he was “as soft as a pillow.” Adorably depicted across the page is Stanley in his muddy glory, sitting wide-eyed and innocent under the spotlight. As you will see, the thing that makes Stanley happy and his tail quiver most is his red ball (and his human, Gerald). Life with a small family (Stanley, Gerald and his mum) has its perks and responsibilities, but at times he feels lonely. One day, Stanley is disappointed after an unfortunate occurrence at the park. Then, without realising how it happened (since dogs usually don’t understand the intricacies of people’s bonding process), his house is filled with a new family. Stanley may not realise the connection between his park experience and his current living situation, but he finds himself enjoying the baking smells, extra company… and a brand new red ball. Although, he probably could have done without the tablecloth bridesmaid’s dress!
Stanley is a witty and gentle book about the complexities of human personalities and relationships and the simplicities of a dog’s life. There is also a subtle yet valuable message about taking risks with understanding people (and dogs) and looking beyond the exterior. Recommended for primary school children.
Chasing her previous excitable tale, Clementine’s Walk, Annie White‘s latest delight follows suit in the same charismatic demeanour; it’s Clementine’s Bath.
Guaranteed to whip preschoolers along on this wild romp, Clementine and her smells sure do arouse. Pongs from rubbish piles are not quite considered the bed of roses that this carefree pooch relishes, and the family won’t have a whiff of it. So now she finds herself in a bit of a quandary. Bounding off in rhyming couplets, Clementine makes her dash away from the dreaded B-A-T-H and all through the house. Hiding in an assortment of obscure places, like between pot plants, into the shed and inside the toybox, Clementine’s efforts fall flat and she, to her dismay, surrenders with a SPLASH! But perhaps there are perks to being clean and pleasant-smelling, after all.
Delightfully energetic and fast paced in all the right places, Clementine’s Bath exudes this chaotic liveliness that most dog owners know all too well. With softness, warmth and colour, this book will groom young readers into the excitement of caring for a pet.
Preschoolers will take absolute pleasure at the quips these characters have prepared for their readers. This is a Circle by Chrissie Krebs is no more than an all-rounded, wise-cracking, rhyming pursuit in top form. With bold, vibrant colours and animated personalities much in likeness of Ben Wood’s illustrations, here is a page-turning, eye-catching and whimsical tale with an abundance of energy.
It all looks innocent enough when we are introduced to the seemingly-friendly characters and a random selection of labelled objects. But things quickly turn sour when animal turns against animal and objects are used for pure selfish gain. First the tap-dancing goat climbs the enormous box. Then the song-singing cat is cat-apulted up there due to his own reckless driving habits. A violent pant-wearing fox angers the wild-looking bear who chases him around and up to the top of the box (with the help of a pile of the randomly-selected shapes, objects and vehicles). And so now that they have successfully squabbled their way to the top, what will be their next quandary?
A highly entertaining collection of giggles and teachable moments with its clever integration of concepts and rhyming words. The text highlights those key words with bold and enlarged print, enabling young readers to identify the sounds and main elements in the story. Oh, not to mention the slick, tactile cut out circle on the front cover is a great way to hook readers in! Funny, innovative and engaging, This is a Circle will have children from age three running in circles to have this book read to them again and again.
Where did your passion for books and writing children’s stories begin? Are there any particular books or authors that have played a significant role in where you are today?
I think the passion was always there. I can’t remember a time when words and stories didn’t fascinate me. The sound and power of words has always intrigued. However, we were a book-poor family. And I went to a book-poor school. It was just how it was. I now realise I’ve always carried that ache inside of me. So, I guess it had to come out somewhere, sometime. I’m grateful it did. I would probably credit becoming a teacher and having daughters of my own with the eventual, tentative, stepping out into the children’s writing arena. But I also had a couple of angels in my later adult life who gave me a nudge.
Without a childhood plethora of books or reading matter, I’m on a constant treadmill, trying to capture the thrill of books which are embedded in the psyche of many of my writing colleagues, for whom those books were friends. And so I swing; to read back to my childhood and forward to what is out there today. I’m constantly reading. At times, I wonder if I evaluate enough of what I read. It just seems that I’m hungry or thirsty for stories and poetry. So many authors affected me, but two who immediately spring to mind are Robin Klein and Ruth Park. Their writing touched me; it was full of exquisite detail, rich in character and expressive in language. And they spoke of our country and culture, and at times, our history.
Your writing style varies between heartrending poetry, to playful rhyme and informative and lyrical narrative. Do you have a preferred style of writing? How has your style evolved over the years?
I think once again it comes down very much to what pleases me, particularly aurally. I don’t have a particular favourite way of writing. I write in the style that suits the work. And I find it interesting that although the style might differ according to what I’m writing, people still say they can recognise my work when they see or hear it. I guess my style is like a maypole, with many ribbons attached – each one individual but connected. I think, or hope, that my style has become more honest and richer as it’s evolved. That would please me.
Some of your recent books, in particular Our Village in the Sky, Where’s Jessie? and Mrs Dog, all carry a timeless feel with their beautifully lyrical language and images, as well as encapsulating more sophisticated topics such as cultural differences, loss and survival. What draws you to write with these kinds of themes?
Although at times, I can feel like a suburban fringe-dweller, I have to remind myself that my life has been full of interesting twists and turns and often it is the idea of survival that is uppermost. I think that many everyday people are heroes, tackling life’s mountains. However, from different, and sometimes difficult challenges comes strength and confidence. The word used a lot today is resilience. I think I try and show that in my work. We all battle at times, in various ways, and sometimes we have to dig deep to find courage or strength to continue. Or to look at a situation in a different way. Often, too, help can come when one person takes the hand of another.
I love to see a world of real things; kindness, laughter, nature, play and creativity. I’m not much of an adult in the highly commercialised world.
I think all of this affects the kind of stories and poems I write – and the themes and language embedded in them.
Your most recent release, Mrs Dog, is a truly moving story of unconditional love, nurturing and courage, with elements of humour and adversity blended in the mix. Did this story emerge from a personal experience? What aspect of the story is most meaningful to you?
Like in most stories, Mrs Dog is a mixture of experience and imagination. Over a period of years I had collected two names. They sat around in my head for ages with no story. Over time I linked them to farm-style incidents told to me by my husband, and then changed the ideas during many drafts until the final story emerged. It certainly wasn’t one whole package to begin with. I really like the fact that when under pressure, a person/creature is often able to rise above their own expectations, as Baa-rah did in his effort to save Mrs Dog.
What has been the most insightful feedback or response to Mrs Dog so far?
The unconditional love and compassion shown within an unlikely inter-generational relationship.
In both instances, I was able to work closely with Anne, which is not the usual experience with author and illustrator. Often seeds are sown many years before eventualities and this was the case in our first collaboration, Our Village in the Sky. Anne and I had become friends through many creator-style catch-ups, and she liked the photos and experiences I told her of my stay in the Himalayan mountains. When I later applied for a Carclew Fellowship for the 2012 Adelaide Festival of Literature, I devised a picture book of poems as a potential project and asked Anne if she’d illustrate. Fortunately I won the award, and in a serendipitous situation, Anne took her sketches and several of my poems to Allen and Unwin, who subsequently published the title.
Anne was able to use images from my photos to create her scenes and characters and we worked closely on the layout and flow of the book, with me making several trips interstate.
In both books, Anne’s palette and style suit the stories perfectly and I am full of admiration for her work. It evokes both emotion and sensory appreciation. Where’s Jessie? is a story triggered from the sighting of a real teddy bear that’d travelled to the outback on a camel. Because I’d earlier researched and written an award-winning information book, Hoosh! Camels in Australia, I was able to provide Anne with much visual material. Anne could also access the historical database of Trove in the National Library of Australia.
There was story collaboration, too, when Anne suggested changing the character of the person who eventually finds Bertie, from an Afghan camel boy to an Aboriginal boy.
Where’s Jessie? is based on the real life travels of Bertie the bear through the outback in the early 1900s. What was it about Bertie’s story that caught your attention? What was it like to research, and how did you feel meeting the daughter of Bertie’s owner?
While visiting a country Cornish Festival in South Australia in 2011, I entered a church hall to view a collection of historic memorabilia. The real Bertie bear was seated on a chair, looking slightly tatty but well-loved. The note attached mentioned two facts; he was 101 years old. And he’d travelled to Alice Springs by camel. What a thrill! I had no idea of what I might do with that information, but I was finally able to track down the now-owner, the daughter of the original-owner, who’d been a baby at the time she’d received the bear. I’d had enough experience in the outback (flash floods, included) as well as my earlier research with camels, so it was really the story I needed to work on. At the launch of Where’s Jessie?, the now-owner spoke movingly about how well-loved the ancient bear still is within their family; citing that he is still the comforter of sick children and the soother of bad dreams.
Our Village in the Sky is beautifully written in angelic language that reflects the perspectives of different hard-working, yet playful, children in a remote village amongst the Himalayan mountains. This book is based on your observations whilst living there. What else can you reveal about your experience? What was the most rewarding part about writing this story?
I felt compelled to write about this village, and particularly the children, because I was able to interact with them at the time, using sign language or games. Or I simply watched them. Only a few villagers spoke any English at all, and it was very minimal. Culturally, and because of the language barrier, it was not possible for me to ask about many things pertaining to women or family life. So my focus was the children. I noted and photographed. I wrote a diary of my feelings and thoughts. But, back home, when I came to write, it was the children I wanted to write about. The images in my mind decided that the ‘story’ would be a series of poems depicting their life, so different to children in the Western world. The most rewarding part was the connection I felt through the words, and that I had acknowledged my experience in that area of the world.
What do you hope for readers to gain from this book?
Curiosity. Understanding. Awareness. And being able to relate to the child-like aspects in each poem.
Can you please tell us about your working relationship with illustrator Ann James on the I’m a Dirty/Hungry Dinosaur books? Was this collaboration any different to any other of your author-illustrator partnerships?
Ann and I had been published together in a book called Dog Star, an Omnibus/Scholastic chapter book in the SOLO series and we’d become friends mainly through catch-ups at various festivals and so on. At one festival at Ipswich in 2009, I asked Ann to consider a poem I’d written. It was called I’m a dirty dinosaur. Over discussions, Ann agreed to illustrate it and with the poem and a few sketches the material went first to my agent, Jacinta di Mase, before it was picked up and published by Penguin Australia. (now Penguin Random House Australia) Ann and I chatted about the text and pictures throughout the process, just as we did with the second book, I’m a hungry dinosaur. Both books have been a lovely culmination and collaboration of ideas.
What were the most rewarding and challenging aspects of creating the ‘dinosaur’ books?
Working with Ann is a joy. She is alive with ideas, energy and enthusiasm. We both enjoy the playfulness of the books, and the act of play and fun with language is important to both of us. Ann also likes to minimalise her line work to give the maximum effect and I think she’s done this brilliantly in both books. I also like to hone down my words so they shine without any extra unnecessary baggage.
There’s also an integral trust between the two of us, which is wonderful.
The challenge came in the second book. It’s not an unusual dilemma. The first is the prototype. The second must follow the format yet still have its own life. We believe we achieved that in I’m a hungry dinosaur!
If you could be any kind of dinosaur, what would that be and why?
I guess if I could be any dinosaur it would be the one Ann created!
As an experienced author, what advice would you give to those writers just starting out?
Apart from reading and writing, I think it’s interesting to write down passages from other authors’ books. Writing slows your thinking down. You might enjoy reading the passages, but when you write them down, you are considering the authors’ motivations and reasons for writing those particular words. You might notice more fully the effect those words have. You might feel the pull of a different style, which could loosen your own, stretch it or challenge it. Finding your own voice can often take a long time. But playing around with other people’s words can sometimes be quite surprising.
Work hard. Understand that writing is a craft. As such, there is always room for improvement. And improvement brings you closer to publication.
And finally, if you could ask our readers any question, what would that be?
Some authors write in a particular genre. Their readers know what to expect. However, I write in many different genres. Do you see this as problematic in your reading of my work? **
Thank you so much for the privilege, Janeen! 🙂
Thank you, Romi. Your wonderful, thoughtful questions were much appreciated.
I realise it’s brass-monkey weather already and for many a young sportsperson, rugby jerseys are in preference to baggy greens. However, the warming image of red leather cracking against willow against a burnished summer sky is one I am in dire need of right now. Therefore, here are a few of some recent favourite cricket inspired reviews. I use the term favourite with reserve for if not for this selection of picture books and novels, I might still not know my googlies from my dot balls.
Until last year, I had little idea of the exact history of Australian cricket and was unaware that one of our first International cricket stars was an unassuming bloke called Unaarramin, otherwise known as Johnny from Mullagh Station in WA.
Knockabout Cricket is a fictional portrayal about Johnny’s appearance onto the 1860’s cricketing landscape. Through the eyes of a pastoral station’s son, James, readers are introduced to a tall Aboriginal boy whose natural aptitude, ball skills and ability to ‘read’ the ball is nothing short of spectacular. A team of indigenous players is soon formed and admired by all who watch their daring and athletic play.
The subsequent matches played between the Aboriginal 11 and the Melbourne Cricket Club become the catalyst for what is known today as the Boxing Day Test and eventually, the first tour of England by an Australian cricket side in 1886.
McMullin’s narrative is complemented by informative text neatly incorporated into each page of Walters’ illustrations. The overall effect is alluring and maintains interest but perhaps the most fascinating addition for me was the handy field position drawing and photograph of the Aboriginal cricketers alongside the Melbourne Cricket Ground Pavilion in 1867.
A worthy introduction to a sport legend for early primary readers.
This long awaited picture book release does not disappoint. This time the story of the First Real Eleven is told through the eyes of Johnny Mullagh himself thereby evoking a slightly more personal feel. Where before, we knew the names of the indigenous team thanks to a photograph, in Boomerang and Bat, Greenwood involves each of the shearers and station hands by name from the start. Within pages, we are familiar with Cuzens’ barefoot bowling; Dick-a-Dick’s heroic parrying displays, and Johnny’s exceptional batting prowess.
Under the tutelage and determination of captain-coach, Charles Lawrence, the team eventually makes it to the MCG. However, Lawrence has more far-reaching plans for his team and so covertly smuggles them aboard The Parramatta Clipper bound for England thus initiating the first international tour for an Australian cricket side.
Johnny’s team went on to delight and excite crowds at Lords, whilst proudly donning caps with the emblem of a boomerang and bat. They earned standing ovations and considerable admiration until the demands of touring and occasional discrimination became too strenuous, killing one teammate and eventually sending the others back to Australia. Despite their amazing sporting achievements abroad, there was little fanfare to welcome the Australian 11 home. Johnny continued to play the game he loved with amazing adroitness often scoring a hundred runs, however it would be another ten years before another Australian cricket side would leave the country again to compete. For this reason alone, Johnny and his teammates are Australia’s first true international cricket stars.
Greenwood’s balanced narrative is both touching and colourful conveying fact with soul. Denton’s illustrations capture the humour and atmosphere of not only the pastoral settlements and rugged proving grounds of our players but also the refined serenity of the playing fields of the home of cricket.
An awesome historic picture book to share with pre-schoolers and above.
Being a non-sporty, bookish type of kid who gained much of her Australian contemporary history knowledge from the TV mini-series of the 80s, I had but a peripheral knowledge of last century’s cricketing legend, Don Bradman. Thankfully Random House’s Meet..series is around to fill in some of my sporting history gaps and educate new generations about one of our national heroes.
Vass’s narrative opens with Don as a small boy, completely engrossed with the game of cricket. He practises daily, studies the form of players constantly and one day, in spite of his smallish stature, takes up the bat. Instead of a meteoric rise to cricketing stardom, life pitched a few dot balls of its own and Don had to work and wait his way to his dreams like the rest of us. Thankfully, he never declared them over. His spectacular batting ability was soon signed up by the St George team in Sydney allowing to him compete in the national Sheffield Shield competition for NSW. He debuted by scoring a century. Not bad for ‘the Boy from Bowral’.
With the help of Howe’s cartoonesque illustrations reminiscent of 30s and 40s comic strips, readers follow Bradman through his career as he sets new records, scores new highs and helps Australia win and retain the coveted Ashes (1934 and 1936). Even the controversial Bodyline tactic devised by the English Cricket team in the 1932-1933 Ashes series was not enough to curb the brilliance of one of Australia’s most impressive sportsmen to date.
Captivating end pages and a succinct timeline pay further homage to ‘our Don Bradman’ and ensure another part of our cricketing heritage is not lost to new generations.
Highly recommended for any kid who has a passion for team sports, cricket whites or even just a thirst for exciting dual gender inspired adventure, the Glen Maxwell series penned by sporting enthusiast, Patrick Loughlin rings with solid spotting voice, tween humour and plenty of fast paced action. They are perfect reads for those needing an excuse to read something that thrills rather than bores.
I do not know cricket, do not watch cricket, nor even profess to love cricket. However, I thoroughly enjoyed these books thanks to the energetic storylines, bolstering words of encouragement from a real-life sporting icon and (thank goodness) a comprehensive glossary of cricketing terms that means this summer those tedious hours spent in front of the tellie watching seagulls scatter across the pitch will suddenly become much more meaningful.
From the wonderfully textured front cover, to the interactive farm route on the endpapers, and the animated sound effects emanating from the words, ‘My Dog Bigsy’ is the perfect language experience for little ones.
Introducing Alison‘s real dog Bigsy, with a detailed diagram of his unique body parts, including crooked front legs and a special scratching spot, we immediately fall in love with this bouncy character. A little girl tells of his silence as her co-sleeper, but once outside, she hears her hairy friend clamouring, barking and chasing the animals all around the farm. Rollicking onomatopoeia have us bounding along with Bigsy and his noisy counterparts, from screeching cockies to thumping kangaroos, snorting horses, ducks and lazy cows, bold pigs and non-mathematical hens. At the end of his rounds, Bigsy is exhausted. Where will he go next?
As Alison explained, her line work is different from her usual technique. This time the watercolour pictures were cut inside the outline for a smoother look, and the textures of the mixed media and frayed edges of the dress material is ideal for that added depth and authentic rustic feel.
‘My Dog Bigsy’ is a fun, vibrant romp with an endearing character, including a sweet message of friendship and a clever approach to reinforcing knowledge of farm animals and their noises. Just delightful for children from age two.
Whilst the first is aimed at an older target audience with its sweeping detail, this current book is a terrific summary of this family’s trip around Australia including simple, short sentences and interactive I-spy questions and answers under the flaps. I love this format for introducing young ones to our unique locations and landmarks, flora and fauna, enthralling activities and modes of transport, as well as a touch of history that makes our land so extraordinary.
All the stunning imagery exquisitely painted by Alison Lester in this book have been transferred from the original, in a more compact form with round-edged and glossy pages, specially adapted for those little hands.