Treasured Books We Call Home

Home. A place of comfort, security, familiarity, belonging, warmth, and love. Our precious children and creatures of nature deserve this soft spot to fall, but what happens when these aspects are in question? Here are five beautiful books that address courage and hope in reuniting with the safest place in the world.

imageHome in the Rain, Bob Graham (author, illus.), Walker Books, October 2016.

Highly acclaimed and legendary creator, Bob Graham, returns with yet another philosophical journey of inspiration and enlightenment. In similar vein to Graham’s Silver Buttons and How the Sun Got to Coco’s House, Home in the Rain emphasises a snippet of a family’s life within the bigger picture of the outside world. The language is poetic-like, the message, tender, in amongst the dreariness of the exterior scene. Graham’s illustrations tell the tale of family bonding and protection in this haphazard situation with a striking juxtaposition of smoothness versus rough, and warming tones versus dull.

As Francie and her Mum brave the car trip back home from Grandma’s house in the pouring rain, as the animals shelter and the fishermen get soaked, the little girl has only her family on her mind. She ponders the name of her soon-to-be baby sister. It is by the oily rainbow puddles of the petrol station that this light of hope falls upon this loving family and a beautiful moment in time is born.

Home in the Rain is a thought-provoking, sentimental story of observation and anticipation, where the most important revelations occur in the most unlikely of places. A book with universal themes and the comfort of home. Recommended for ages four and up.

imageWhen We Go Camping, Sally Sutton (author), Cat Chapman (illus.), Walker Books, October 2016.

A home away from home. Award-winning New Zealand author, Sally Sutton, takes us on a rollicking, rhythmic trip to the great outdoors. Equally matching the exuberant verse is Cat Chapman’s ink and watercolour light-filled landscapes and spirited characters that fill the pages to their entirity.

A family day out camping becomes a sing-a-long adventure of all the fun and excitement, and nuisances, that coexist in this type of setting. From setting up tent, to racing friends, fishing for dinner and shooing away flies, bathing in the sea, using a long-drop to pee, and dreaming through the night, every turn carries forward the last with a whimsical one-liner to cap it off. “When we go camping, we sleep through the night, Sleep through the night, sleep through the night. And dream of adventures we’ll have when it’s light. Hushetty shushetty snore-io.”

When We Go Camping is a joyous treat for camp-lovers and for those adventurous preschoolers to understand there will always be a sense of safety even being away from home, as long as your family and friends are there with you.

imagePandora, Victoria Turnbull (author, illus.), Walker Books, November 2016. First published by Frances Lincoln Children’s Books, UK.

Absolutely exquisite. From its gorgeous silk cover to its mesmerising illustrations and smoothness of the words in the same silky nature, this memorable fable will be forever captured in your hearts. It’s How to Heal a Broken Wing (Bob Graham) meets The Duck and the Darklings (Glenda Millard and Stephen Michael King), with a splash of Adelaide’s Secret World (Elise Hurst); a story of loneliness, compassion, connection and life.

Pandora lives alone in a derelict land of broken things. In amongst the trash she has made herself a sweet, comfortable home, desperately eager to restore whatever treasures she can find. But it is when an injured bird arrives quite by accident that Pandora realises what her heart has yearned for all this time. Her charity fortuitously germinates the most unexpected and beautiful life, colour, warmth and music to Pandora’s world.

Pandora opens up endless possibilities to uncovering the magic and beauty of our natural surroundings, as well as providing us hope and wisdom in generating change for the better. A truly haunting and visually arresting book that early primary children will long to read and cherish for all time.

imagePattan’s Pumpkin; An Indian Flood Story, Chitra Soundar (author), Frané Lessac (illus.), Walker Books, September 2016. First published by Otter-Barry Books, UK.

Translated by storyteller, Chitra Soundar, is the flood story told by the Irular tribe, descendants of Pattan. Expressively written, and vibrantly illustrated with illuminating colours and a stunningly raw style by award-winning Frané Lessac, Pattan’s Pumpkin is certainly a feast for the senses.

Just like in the traditional tale, Noah’s Ark, the saviour passionately commits his energies into uprooting and rescuing the animals on his farm from a dangerous flood in the valley of the Sahyadri mountain. It is his good fortune that an ailing flower grows into an enormous pumpkin; the vessel in which he and his wife safely and generously nurture and carry all the creatures from the darkness to the light of the plains.

Pattan’s Pumpkin is a joyous retelling of a classic Indian tale. It signifies growth, heroism, and a respectful and spiritual harmony with fellow beings in one community.

imageTime Now to Dream, Timothy Knapman (author), Helen Oxenbury (illus.), Walker Books UK, November 2016.

Popular and critically-acclaimed illustrator, Helen Oxenbury (We’re Going on a Bear Hunt), together with children’s writer, Timothy Knapman, have produced this heartwarming adventure of family, home and belonging.

A secret lullaby unfolds as two children, brother and sister, set off to explore the mysterious sounds coming from the forest. Although the hidden dangers and the words of the song are unclear, it is obvious that with the gorgeously soft and serene watercolours, there is a definite purity and gentleness about this tale. The little boy is convinced there is a Wicked Wolf lurking in the woods, and wants to go home, but his sister assures him (and us) that “everything is going to be all right” and we continue forward. A surprising (or not) discovery ties it all together with the anticipated lullaby we can finally understand, settling all the babies in the story into their snuggly beds.

Unequivocally alluring and lovingly reassuring, Time Now to Dream is full of life, warmth and imagination. It will remind young readers that home is really where the heart is.

Where in the World is Lisbeth Salander Pt 2

In my last post I wrote about the issues facing ebook distribution in Australia as it pertains to territorial copyright and parallel importation. To recap: the current situation is that if I want to buy an ebook that is published by a US or UK publisher in Australia it is more than likely impossible. I can buy the Australian version of that ebook where it is available, but I cannot (except in the very rare case where the overseas publisher owns worldwide digital rights) buy the overseas version, even when that ebook is not published electronically by an Australian publisher. Even when the ebook’s Australian rights have not been purchased at all, it is still more than likely impossible to buy that book in Australia. This all despite the fact that I can buy any paper book from any publisher anywhere in the world and have it posted to my front door.

It’s a very complicated issue that faces all publishers worldwide. In fact, it is an ongoing issue with all producers of digital content. Digital TV streamed overseas through services like Hulu and the BBC’s iPlayer are not available in Australia at any cost. Music services like Spotify and Pandora are also not available here due to territorial copyright restrictions. There is no obvious solution to this problem, but in this post I’ll cover some of the reasons why this occurs.

The main reason ebook availability is so patchy at the moment is time. When Amazon (the biggest seller of ebooks in the world, and the first mainstream ebook retailer to enter the market in this country) first made the Kindle available to Australians in November 2009, they had not approached any Australian publishers to organise the distribution of ebook files and organise sales contracts. They did not, in fact, begin speaking to Australian publishers about terms until well into 2010. Concurrently, Amazon’s agreements with US publishers specified what copyright territories they were allowed to sell to – and most of these did not include Australia. Amazon decided not to mess with territorial copyright law (which, as I pointed out in the last post, are a legal grey area when it comes to ebooks) and honoured territorial copyright.

For the most part, that problem has now been fixed, but there was a massive delay in distribution that is still being felt by consumers looking to buy the newest releases for their Kindle or other ereaders even now. Given time, many ebooks that were not available at the launch of your favourite ebook reader or are not available straight after the print release date will eventually be sorted. The same goes for older backlist titles that have not yet had their rights cleared to be published in electronic form in Australia. This is a massive administrative and legal issue that most publishers around the world are slowly and surely dealing with, and it’s not something unique to Australia. Given time and resources, publishers the world over will sort it out and a greater range of titles will be available to everyone.

Having said that, this problem is representative of a larger issue. Why should Australian publishers be scrambling to get territory-specific rights to ebooks and inefficiently doubling (or tripling, or quadrupling) the workload when virtually identical ebook files are being created by their counterparts in the UK and US and they are all being sold from the same international retailer? You can kind of understand how it can be more efficient for publishers to print books in the country they sell them to, and you can understand why Australian publishers would look after the ebook files of Australian authors, but for identical electronic files to be produced and supplied separately to the exact same international retailers? It’s madness.

So why is it happening, and how can the industry as a whole move towards a more global system? And perhaps more importantly, should they? The answers to those questions essentially boil down to the same issue. Australia’s publishing industry is protected by the government with the enforcement of parallel importation restrictions; these restrictions enable Australian publishers to print more books locally, giving jobs to editors, printers, publicists, sales representatives, typesetters and, of course, authors. If we are moving towards a system in which a significant proportion of the books sold are electronic, and we give up on that protection of the industry, it will inevitably shrink. If Australian publishers make less money, they will likely publish fewer Australian authors, and fewer Australians will be employed in the publishing industry as a whole.

As a person employed by the publishing industry, my bias is for protection. Nonetheless, I do think consumers have a point when they complain that the US Kindle store has almost twice as much content as the Australian store – a restriction that is purely about protecting revenue streams rather than technical limitations. So if we assume that publishers are going to continue to protect these revenue streams, and that the current system will, for the most part, function as it is – what can be done to make it fairer for ebook readers?

Join me in the thrilling conclusion of this series of posts about ebooks and the fascinating world of territorial copyright, as I uncover some of the potential (and partial) solutions to this problem.