With her superlative illustrative talents and ultra-impressive list of publications, it’s impossible not to be in awe of the skill, imagination, dedication and charisma of Anil Tortop. The Turkish-born artist, designer and animation-expert is here today to discuss her books, processes and latest ventures. 🙂
You’ve had huge success as an illustrator of many amazing books, some including Digby’s Moon Mission, Digby and the Yodelayhee…Who? (Renee Price), My Perfect Pup (Sue Walker), Where’s Dad Hiding? (Ed Allen), I Want to Be a Rock Star (Mary Anastasiou), and more recently The Leaky Story (Devon Sillett), The Great Zoo Hullabaloo (Mark Carthew) and junior fiction series 6 Minute Stories for Six Year Olds and 7 Minute Stories for Seven Year Olds (Meredith Costain and Paul Collins). And these have all been published in the last two years! How do you manage your hectic illustrating schedule? Do you complete one project at a time or work simultaneously on a few?
😀 I wanted to start with a big smile. It’s been hectic indeed!
I work simultaneously on a few projects. In fact, when I have only one project I can’t focus on it well. Two is still not enough. My favourite is 3-4 projects at a time. Otherwise I just feel lazy and find myself doing nothing until the deadline gets closer. But not all these projects are books. I usually have something with a short deadline aside. Books take much more time and sometimes having a break and working on another project feels refreshing.
I have a home-made calendar; each month is an A4 paper with a magnet at the back and it covers the whole left side of my fridge. I put all my deadlines there and see everything in a glance. Having it in the kitchen, my panic starts at breakfast. Other than that, I don’t have a particular method to manage. I just work when I should, which is most of the time. I have been trying to be a well-organised person with dedicated working hours but it never works for more than two days. I still have hope!
Have there been any particular stories that you felt a stronger connection with or any that challenged you in unexpected ways?
Mmm… Hard question. I’m trying to give an answer to myself but I guess I don’t feel that kind of things for stories. That doesn’t mean I don’t like them but couldn’t label any of them with “stronger connection” either. But I do feel connected with the characters in the stories. Recently my favourite is the octopus in The Leaky Story and her connection with the father. It reminds me of my dad, although I don’t know why.
Challenge… Yes! One of the most challenging stories was in a picture book I illustrated last year. Because there was no story when I was asked to illustrate it! Of course, the editor had a clear idea of how they wanted it and made lots of suggestions. But in the end, the words came after the illustrations. I had huge room to create a visual story. I panicked a lot! I wanted to make it really good. Then I panicked even more! But eventually, it was fun.
I guess that would be Digby. Because he’s so clever and talented and knows how to have fun. And I like his pyjamas. 😊
Since launching your current books, what has the audience response been like? Any stand-out moments?
The reviews have been really nice. Facebook also shows me a lot of “likes” and nice comments, if that means anything at all. But I have never come across a “real audience”. I mean, children. I really wonder what they think and would love to hear that directly from them.
The latest release, The Leaky Story has been reviewed a lot lately. I was even interviewed live on ABC Brisbane. I think the moment I probably won’t forget for a while is that. It took only 3 minutes but I was way out of my comfort zone. Phew!
You often record your progress through fascinating time lapse videos. Can you explain a little about your preferred media and method to your illustrating genius.
Except for the initial warm-up sketches and storyboards, I almost always work digitally. I use Photoshop. My favourite Photoshop brush that I use for outlines is “Pencil”. It feels a little bit like a pencil. I recently upgraded from Wacom Intous to Cintiq (drawing tablets).
My process differs from one project to another but it’s usually like that: I make several storyboards first. It takes some time to get satisfied. Then I do the roughs. Then the clean drawings and finally colouring. And I do all these for all of the illustrations in a book simultaneously. I mean, I don’t start and finish one illustration and go to the next. I start and finish all the illustrations at the same time.
You can watch all my videos on my Vimeo channel.
You have a remarkable working relationship with your husband, Ozan, at Tadaa Book. Please tell us about your roles and how you collaborate on a daily basis. What does Tadaa Book offer its clients?
Ozan and I started working together back in Turkey. He was the art director of a traditional publishing house and I was the in-house illustrator. After coming to Australia we worked with a lot of self-publishers, collaborating again. Then we wanted to take it a step forward and founded Tadaa.
Ozan is my personal art director at home. But on a daily basis, he does much more than that. Although our roles are a bit mixed up from time to time, I usually illustrate only. He does the rest. He deals with new authors and other illustrators from different parts of the world, does the art direction of projects, keeps our website and social media accounts updated, goes to the post office to send Storyboard Notebooks, learns new things, deals with my computer problems, etc.
What is the best part of what you do?
Smelling a freshly (offset) printed book. I love that! I love to see the happiness of the authors too. It’s really rewarding.
Have you done anything lately that was out of your comfort zone? What was it and how did it go?
It was definitely the radio interview that I mentioned! It wasn’t terrible I guess but I can’t say it went well either. I at least give 10 points to myself for the bravery. Questions were unexpected and it was too quick. I’m glad I didn’t freeze. I actually kind of did but Emma Griffiths handled it really well. Afterwards, listening to myself was even harder than the 3 minutes I spent there! I won’t listen again.
We would love to learn more about what you’re currently working on! Do you have any sneak peeks or details that you can share?
A new book is coming out on 1st of May! The Great Zoo Hullaballoo by Mark Carthew (New Frontier Publishing). You can watch the trailer here: https://vimeo.com/211773518
Currently, I’m working on two picture books. One is Meeka by Suzanne Barton (Tadaa Book), the second one is Scaredy Cat by Heather Gallagher (New Frontier Publishing). I probably will share some sneak peeks soon on social media, but not now, unfortunately.
Meanwhile at Tadaa, we are working on the Book Week publication of Ipswich District Teacher-Librarian Network. Here are the cover and details: http://idtl.net.au/book-week.php
And two other picture books are contracted for the rest of the year.
Besides the books, I’m regularly illustrating for a Turkish children’s magazine, doing illustrations and animations for a web-based science platform for children in the US, and designing characters for a couple animated TV shows in Turkey.
Will be a hectic year again!
Wow! You sure are a busy lady! Thank you so much, Anil, for participating in this interview! 🙂
Thank you for having me here!
Stay tuned for some special reviews of Anil’s latest picture books!