NSW Premier’s Literary Awards & SWF Indigenous Voices

As always, the Sydney Writers’ Festival in May was an amazing week.

The NSW Premier’s Literary Awards were announced on the Monday night and I was thrilled to meet the Patricia Wrightson (children’s book) winner for the surrealist mystery Iris and the Tiger, Leanne Hall (who I interviewed for the blog here), photographed below with shortlisted Tamsin Janu and shortlisted Ethel Turner YA author Lili Wilkinson.

Image may contain: 3 people, people smiling, indoor

 

The winner of the Kenneth Slessor Poetry award was Peter Boyle for the inimical Ghostspeaking, an intriguing mystery of finely woven stories and poems. The richly constructed characters are brought to life with interlaced poems. It evokes Borges’ Labyrinths with the brush strokes and ideas of artist William Robinson and the clear bold outlines and strokes of Matisse.

Congratulations to James Roy (who I interviewed for the blog here ) and Noël Zihabamwe, whose One Thousand Hills won the Ethel Turner award and all the other shortlisted and winning authors, including overall winner, Leah Purcell for The Drover’s Wife play script.

At the SWF, I was privileged to be in conversation with Dr Anita Heiss and Witi Ihimaera for the ‘Indigenous Voices’ sessions at the Wharf in Walsh Bay and at Parramatta Riverside Theatres. It was great to have the opportunity to discuss Anita’s new The Race for Reconciliation, a novel for children that celebrates Aboriginal hero Cathy Freeman and shares truths that many Australian children don’t know about stolen children, National Sorry Day and other aspects of Aboriginal recent history.

Anita has also shown Aboriginal women in contemporary Australian literature in new and important ways such as in Barbed Wire & Cherry Blossoms. This compares the WW2 Prisoner of War camp near Cowra in central NSW when Japanese soldiers broke out, with the local Wiradjuri people who also virtually lived under prison conditions – and had less food than the Japanese prisoners.

Also in this session was revered Maori writer Witi Ihimaera. He was the first Maori author to have both a novel and short stories published. In his memoir, Maori Boy, Witi uses a unique and powerful spiral thread structure. He also uses myths in his work.

Witi is well known for his book and movie from the book, Whale Rider and also now, Mahana. At times he wished he was brought up more in Maori traditions and he wasn’t great at the haka. But he was destined to do another kind of haka.

Anita and Witi made a fine team enlightening us about indigenous voices.

Image may contain: 3 people, people smiling, people sitting

 

 

Stephen Michael King’s Triumphant Trio

29cde5eWhat is it about Stephen Michael King‘s illustrations that make his picture books so sublime? How can his drawings make us want to delve into those stories over and over again? Well, that’s just it! It’s the artwork that adds another dimension to those already meaningful stories, allowing us to dive right in with those characters; feeling what they feel – emotionally and sensorially. With a multitude of divine books under his wing, the extremely talented Stephen Michael King has three that are currently soaring to the top with their prize winning prowess, being shortlisted in the CBCA’s 2015 Early Childhood and Picture Book of the Year Awards and nominated in the 2015 NSW Premier’s Literary Awards.  

snail-and-turtle-are-friends-293x300Snail and Turtle are Friends, Scholastic, 2014.
CBCA Early Childhood Shortlisted Book.

Stephen Michael King’s distinctive style of sweet faces, with a combination of little dot eyes and large round ones, always seem to perfectly suit the mood of the story and personalities of the characters. In the case of ‘Snail and Turtle are Friends’, these two gentle animals emanate a feeling of peace and calm about them, but not forgetting a wonderfully whimsical touch of cheekiness. Even at their craziest moments, when Turtle sings in the rain and dives in the water, or Snail boldly chomps leaves and paints swirls, the vibrant colours, eclectic patterns and varying shapes fit together beautifully harmoniously.  
Just like Snail and Turtle, the illustrations display an eye-catching array of techniques to reflect aspects in common and those that are unique from one another. I love ‘Snail and Turtle are Friends’ for its ability to capture a sense of adventure, playfulness and its underlying message in friendship and accepting differences.  

9781921504631Scary Night, Working Title Press, 2014.
CBCA Early Childhood Shortlisted Book.

On a more dramatic note, but no less animated, is ‘Scary Night’, written by Lesley Gibbes. With his usual, striking use of pen, ink, brush and digital compilations, Stephen Michael King manages to tick all the boxes once again when it comes to creating just the right mood. The story, set in darkness as the characters journey through treacherous fields with only the glow of the pale moonlight to guide them on their way, is far from gloomy. Its upbeat rhythm, rollicking text and leading suspense are perfectly captured in King’s drawings. When the characters sneakily tip-toe through dark woods and crocodile-infested terrain, it is their wide, terrified eyes and the scenes’ cool, moody hues that keep the thrill-seekers in us entertained. When we turn the page to be blasted with a shock of bright orange and large ‘roaring’ font, it is not just the characters getting the most wonderfully horrifying fright of their lives.
The playfulness, facial expressions, effective use of colours and gorgeous Suess-like sketches are a real treat that will ensure young children want to journey on this most mysterious, spooktacular experience again and again.  

Duck and DarklingsThe Duck and the Darklings, Allen & Unwin, 2014.
CBCA Picture Book of the Year Shortlisted Book.
NSW Premier’s Literary Award Nominated Book.

In similarity to ‘Scary Night’, ‘The Duck and the Darklings’ is disposed to the darkness, with just a glint of a glimmer that so significantly paves the way to a brighter future. With more of a complex storyline than the previous two books, ‘The Duck and the Darklings’, is written creatively and almost poetically by Glenda Millard. Its message is strong with the metaphor of dark versus light to represent ‘disremembered’ yesterdays versus the glow of forbidden fondness (happy memories). With this theme, Stephen Michael King’s illustrations are spellbinding. He has created depth, texture and warmth amongst the darkness. His characteristically adorable characters are hand-drawn as outlines and set against the silhouettes of black and white; shadow and light, past, present and future, that hit Millard’s intention so brillliantly.
‘The Duck and the Darklings’ is a heartwarming story of family, friendship and optimism that is beautifully captured in its words and pictures. Primary school children will definately hold a candle to this shining star. Stunning.  

More information about Stephen Michael King and his books can be found at:
http://www.stephenmichaelking.com

Teaching notes for ‘Scary Night’ and ‘The Duck and the Darklings’ can be found at:
http://www.romisharp.wordpress.com/teaching-notes

NSW Premier’s Literary Awards Winners

Earth HourThe NSW Premier’s Literary Awards, held at the Mitchell Library last night, was an opportunity to recognise some of our literary greats, as well as newcomers to the winners’ stage.

Eminent author/poet, David Malouf, won the Kenneth Slessor Prize for Poetry for Earth Hour (UQP), another award to honour the exquisite writing of this distinguished, generous man.

Jaclyn Moriarty deservedly added to her cache of awards for the second in her ‘Colours of Madeleine’ trilogy, The Cracks in the Kingdom (PanMacmillan) This stunning original fantasy has already won the Queensland Literary YA Award and the Aurealis YA Award, and last night won the Ethel Turner Prize for Young People’s Literature. My review in The Weekend Australian is here. Jaclyn was one of the most engaging speakers on the night; sharing poignant and funny words from her readers that highlighted the importance of books in the lives of young people.Cracks in the Kingdom

The Patricia Wrightson Prize for Children’s Literature was shared by Tamsin Janu’s debut novel, Figgy in the World and Catherine Norton’s, Crossing. Figgy in the World is set in Ghana and relays the tale of eight-year-old Figgy who tries to get to the ‘United Stilts of America’ to buy medicine for her grandmother. Ghana and its people are brought to life in this novel. It is my favourite of the CBCA Book of the Year shortlist for Younger Readers.

Figgy in the World

Both these books are published by the recently defunct Omnibus Books imprint from Scholastic Australia. Omnibus has published books that have become contemporary children’s classics over the years, so their closure is extremely disappointing.

Some other shortlisted children’s authors/illustrators were in attendance, including the sublimely gifted Stephen Michael King for The Duck and the Darklings (Allen & Unwin), written by Glenda Millard. This is my favourite of this year’s CBCA shortlisted picture books. Trace Balla’s debut picture book, Rivertime (Allen & Unwin) has created an awards buzz, shortlisted here, as well as for the CBCA and Crighton awards. It was interesting to hear some of the inside story of this book. Trace and her partner actually made the ten-day canoe trip that was the catalyst for the book and it seems as though Trace had as much trouble climbing onto jetties as did her child protagonist, Clancy, in the book.Duck and Darklings

Other highlights of the evening were awards for translation, the Multicultural NSW Award to Black and Proud: The Story of an Iconic AFL Photo by Matthew Klugman and Gary Osmond (NewSouth Books), the Nick Enright Prize for Playwriting to Black Diggers by Tom Wright (Playlab/QTC), Betty Roland Prize for Scriptwriting to The Babadook by Jennifer Kent (Causeway Films) and the UTS Glenda Adams Award for New Writing to Luke Carman’s An Elegant Young Man (Giramondo). Mark Henshaw won the Christina Stead Prize for fiction with his stunning The Snow Kimono (Text) – read my review here – and Don Watson’s The Bush (Hamish Hamilton) emulated his Indies Awards honours by winning both the Douglas Stewart Prize for Non-Fiction and overall Best Book of the Year. He was so flabbergasted by the second award that he confessed to finally being humbled.

Bush

David Williamson was deservedly presented with a special award for his distinguished body of work. He generously donated his prize money to an upcoming winning playwright of a competition run by the Ensemble Theatre.