Picture books are a unique marriage of art and words. Occasionally, not even the words are needed. A picture book can evoke emotions so intense, you’ll wonder how so few images and words managed to resonate such an immense amount of feeling in such a short space of time. This is what I find so utterly attractive and astonishing in well-written picture books. Today, we reveal a few that not only take my breath away, but also astound me with their cleverness, humanity and sheer depth. Enjoy. Continue reading I Don’t Believe it’s a Picture Book! Astonishing reads for all ages Part 1
With only a week to go before you sling a few more lamb chops onto the barbie, here is swag of ‘must read’ Aussie kids’ titles to put on your reading list, (not the barbie).
It’s that time of year when raucous baby magpies scream night and day for food. Seems they are no different when submersed in soup. Sean Farrar takes pre-schoolers on a merry epicurean romp through a menu of Australian critters as they pop up in the most extraordinary of places, (the only one that failed to make the endemic Aussie grade was the porcupine whom I felt could have been replaced by the Echidna). Snakes slither from cakes, cockatoos appear in loos. Possums get stuck in pies and blue tongues pop in for lunch. Kan’s chipper illustrations jockey this ditty merrily along as rhyme and fauna are introduced to young readers in a fun, relatable way. A jolly little bedtime read.
Big Sky Publishing April 2016
Demonstrative illustrator, Shane McGrath teams with accomplished author, Aleesah Darlison in this picture book for mid primary readers about the last Tasmanian Tiger. Portrayed in a sweeping epic narrative from a female tiger’s viewpoint, Stripes in the Forest escorts readers through Tasmania’s pre-settlement days to present day, as she recalls a life of cyclical and human influenced changes. Gradually numbers of her kind reduce to the point of assumed extinction however, Stripes ends on a positive note of supposition; what if she is not the last of her kind?
Stripes in the Forest is alluring for its historical references, detailed Thylacine Facts and nod towards the need for environmental awareness and understanding. Full marks for this picture book for making a difference.
Big Sky Publishing July 2016
Two leather clad gold embossed volumes of verse sit reverently upon my bookshelves: The Singer of the Bush and The Song of the Bush – the collected works of A B Banjo Paterson. Now another, smaller, more modest but equally as treasured title will accompany them; This is Banjo Paterson.
This inspired new picture book by the notable partnership of McCartney and Booth is as entertaining as it is beautiful. It begins in the middle of the Australian bush, at least Andrew Barton ‘Barty’s’ story does but do not be misled by the smooth informative narrative of McCartney’s for Booth’s illustrations tell another story. Readers are invited into Barty’s urban backyard where they are introduced to his inclinations, desires, friends, and favourite pastimes. He has a hankering for horses and rhyming words but ‘is also a fine sportsman’.
Barty harbours a secret desire to write in verse as he grows and one day one of his anonymously submitted pieces is published. From then on end there is no stopping ‘Banjo’ as his name becomes synonymous with the classic bush inspired, character driven poetry and stories many of us know to this day.
Quiet and unassuming in its delivery, This is Banjo Paterson is visually rich and emotionally satisfying to read. Many aspects of Banjo’s accomplished life are covered in a way that is both revealing and appreciable for young readers. McCartney’s knack for conveying facts in a beguiling spirited fashion is put to good use in this picture book that broadens minds and warms hearts. The inspired broadsheet replication at the book’s conclusion includes sepia coloured photographs of Paterson and a more detailed chronological description of his life plus extracts from several of his most well-known poems. Highly recommended for early learners and primary aged readers, This is Banjo Paterson is a marvellous introduction to one of Australia’s literary heroes.
National Library of Australia Publishing (NLA) February 2017
Once upon a time, a nine-year-old boy named Lennie Gwyther took his pony, Ginger Mick for a ride. It was a very long ride, from country Victoria to Sydney, over 1,000 kilometres in fact but in the days of the Great Depression back in the early 1930s, people were accustomed to making such long arduous journeys.
Lennie’s mission was to be at the opening of the Sydney Harbour Bridge and his tenacity and determination were recognised and admired by the entire nation. Lennie’s story is adeptly told by Reeder with animated narrative and is interspersed with complementing historical snippets. Occasionally, comparisons are made between present day and last century living. Stunning photographs of this slice of Australia’s past are included along with fascinating statistics and notable people. The result is a feature-rich read, well endowed with fact and good story telling. Ideally suited for primary aged readers and those who love legends.
NLA February 2015
Whilst suffused with the essence of the Australian landscape and renowned poets, let’s take a moment to appreciate the free verse poetic stylings of Jo Oliver whose, The Dreaming Tree reflects the ‘joy and freedom of being a child in Australia’. Oliver’s poems, many of which are centred on the fierce and dramatic beauty of the Australian countryside, flow and ebb with all the finesse and passion of a verse novel. They are both uplifting and enlightening, and an extreme joy to read. This collection is presented in a picture book format accompanied by Oliver’s own dreamlike illustrations. Her note at the end stresses that ‘poetry is fun’ and simply ‘feeling and thought playing together in words’. Oliver’s feelings and thought play magnificently together in The Dreaming Tree, for which I can list no favourites for I relished them all.
Highly recommended for primary and lower secondary school students as an excellent illustrative tool for capturing the essence of feeling in verse and injecting an appreciation for the enjoyment of poetry into the young.
New Frontier Publishing February 2016
HAPPY AUSTRALIA DAY!
It’s important to keep the little ones pleased and preoccupied at Christmas time. Getting this mix right, ultimately frees up more ‘adult time’. In keeping with our non-fiction gift ideas theme, here are a few more picture books to soothe those savage beasts…ironically, all about savage beasts!
Gigantosaurus is more of a fun romp through the Late Cretaceous Period than a dry non-fictional expose about dinosaurs. Duddle’s full page colour extravaganzas and infectious story line introduces readers (and four tiny baby dinosaurs) to a clutch of stomping, crunching, munching giants in way that’ll have them perched at the end of their seats. An engaging and light-hearted cautionary tale well suited to pre-schoolers and amateur palaeontologists.
Koala Books Scholastic February 2014
Slightly older lovers of those terrible lizards will appreciate this alphabeticalised collection of dinosaurs specifically focusing on those unique to prehistoric Australia. Most of them are represented from biggest to smallest, slowest to fastest and oldest and to youngest; some well know like Allosaurus and Muttaburrasaurus, others less so (meet Minmi – Minmi paravertebral for example!) You’ll find them all in the excellent Aussie Dinosaur Gallery at the end of the book, after becoming better acquainted with Richard’s interesting fun facts and Singleton’s vibrant, comical stylisations of Winston, Matilda, and Kakuru. This big robust book of Aussie Dinosaurs is engaging, informative and a welcome addition to any palaeontologist’s bookshelf because of its antipodean appeal. Highly recommended for 5-year-olds and above.
Scholastic Australia June 2014
For prehistoric enthusiasts who fancy themselves as a bit of an Indiana Jones, you can’t go past Simon Chapman’s Discovering Dinosaurs. Impeccably presented with thick glossy pages that mimic an adventurer’s journal and feature dozens of statistics, diagrams, fold out maps and pop up surprises, this is the penultimate compendium for any dino addict. Chapman journeys with us from where it all began at the start of the Triassic Period across the supercontinent, through polar forests and swampy valleys, then into the lives of ‘real life’ explorers and even the internal workings of a dinosaur itself. Utterly captivating and in equal parts entertaining and thrilling, Discovering Dinosaurs delivers everything it promises on the front cover and would be a wicked gift for 8-olds and above.
Bloomsbury Children’s November 2016
Animasaurus Incredible Animals that Roamed the Earth is a big beast of a book that reveals a host of prehistoric creatures that once roamed, swam and hunted across this planet. It unearths facts and figures about the plant eaters, sea creatures, predators and the smaller creep-crawlies who were precursors to their modern day relatives. Past and present species are depicted through illustration (the prehistoric versions) and real photographs (their modern day equivalents) across colourful full-page spreads. Each animal’s description allows for their backstory, specifications, and pinpoints where they lived on the planet millions of years ago. Once you accustom yourself to the layout of the information, it is a breeze to assimilate and provides a strong reference source for upper primary and secondary students to draw from. Happily, every corner of the earth is covered including Australia, which makes Animasaurus comprehensive and well-conceived. Incredibly useful, informative, and highly recommended for 10-year-olds, plus.
Bloomsbury Children’s December 2016
If creatures long extinct don’t tickle your archaeological interests, what about fantastically beautiful birds, fearsome giants, vengeful spirits, or mystical unicorns? These are just a few of the magical beasts and beauties featured in Holland’s astounding collection of mythological creatures from around the world. Resplendent in detail and richly presented, Magical Beasts invites readers to discover the legends and facts behind a menagerie of strange and wonderful creatures ranging from trolls, harpies, mermaids and winged wonders. Discover how to outwit a werewolf, what makes the claws of a Griffin so magical, and learn the differences between unicorns. This is a fantasy lover’s dream guide to all that is spectral and spirited. Magical Beasts would make a glorious keepsake to treasure and refer to whenever evil elves come knocking at your door. Superb for 12-year-olds and anyone who has ever believed in the power of the Phoenix.
Bloomsbury Children’s November 2016
Find more reads that are fascinating for kids this Christmas here.
Okay, with just over a month and a half to go, it’s time to get serious about Christmas. For the next 42 days or so, I’ll attempt to fill your Christmas lists with some nifty literary ideas for kids to go under the Christmas tree this year. Today we look at some terrific non-fiction titles guaranteed to raise a few oohs and aahs on Christmas Day.
Cheeky Animals – Shane Morgan
The classic 20-year-old picture book, Look & See, inspired Shane Morgan’s hard cover board book, Cheeky Animals. Clean, smile-inducing text compliments simple yet strong illustrations of some of our most cheeky cherished Aussie animals. A great stocking stuffer for 2 + year olds.
Magabala Books October 2016
Funny Faces – Dr Mark Norman
Just as funny but using expressive real life images of a variety of animals and their amazing anatomy to accompany concise, information-laden narrative is Dr Mark Norman’s, Funny Faces. This soft cover version is a close up, informative, extraordinary (did you know a Dragonfish has teeth on its tongue!) look at the funny face bits of a planet of animals, birds, invertebrates and reptiles. The fact file and images are sure to keep budding biologists absorbed for years. Super handy and an easy to reference guide book for early primary project makers. Check out other titles in this funny series, here.
Black Dog Books June 2014
Animalium – Katie Scott and Jenny Broom
Curated by Katie Scott and Jenny Broom, Animalium is a cloth bound, pocket-sized gem of a book that invites fledging Attenboroughs to enter a literary museum of the animal kingdom. I felt as though I was wondering through the astonishing exhibits of the London Natural History Museum, exploring the world of mammals, invertebrates, fish and more. This is a biologist’s nirvana: insightful, knowledgeable text, and clear, detailed illustrated plates. Excellent go to book that is a work of art unto itself for mid to upper primary.
The Five Mile Press October 2016
Amazing Animals of Australian’s National Parks – Gina M. Newton
Gina M. Newton’s Amazing Animals is an environmental triumph. This large, soft cover book leaves no leaf or stone unturned as Newton guides inquisitive minds through a plethora of our national parks and their fascinating individual habitats. From the Tropical Rainforests in the north to the Mallee Woodlands of the arid south, Amazing Animals focuses on the species that inhabit these places with detailed Q & A, fast facts, and a ‘did you know’ kind of narrative. Diagrams and close up photos completes this brilliant compendium of who what and where along with a comprehensive ‘how to use this book’ guide that even includes a Conservation Status indicator. Young readers may be familiar with some of the species highlighted; they may have even spotted a few of them in their own neighbourhoods. What is nifty about this guidebook is that they can now actively get out and explore more of the native parklands in their locale and become more wildlife aware by doing so. Superb. Highly recommended for classroom to bedroom bookshelves of primary and above readers.
NLA Publishing October 2016
Awesome Animals – Horses Fun Facts and Amazing Stories – Dianne Bates and Sophie Scahill
I was your typical horsey-obsessed little girl. That kind of passion never real dissipates, merely dims with neglect. Dianne Bates and Sophie Scahill have produced a handy, bookshelf friendly series of Awesome Animal books that present eager young readers with a mindboggling array of facts, figures, trivia, and fun stories for a menagerie of animals. This one, about Horses is incredible. Layered with more information about horses than I have ever encountered, Horse Fun Facts is comprehensive, breezy, easy to navigate and utterly captivating. I guarantee readers will learn something new each time they delve into these books. Horses is an awesome mix of entertainment and information that will fuel those pony club passions forever more. A brilliant, value-laden gift idea if ever there was one.
Big Sky Publishing September 2016
Fantastically Great Women Who Changed the World – Kate Pankhurst
History, whilst fascinating can be a tiresome thing to wade through at times. Not so anymore thanks to Kate Pankhurst’s illustrated explorative journey with some of our planets most noted, daring, and incredible women. Great Women Who Changed the World covers such heroines as Jane Austen, Coco Chanel, Marie Curie, and Anne Frank. Others like, Sacagawea and Amelia Earhart are also featured, each with their own two-page spread festooned with detailed trivia type tip bits all gorgeously illustrated to create a visual wonderland of facts and figures. By the time young readers have swam the English Channel with Gertrude Ederle or uncovered the first Pterosaur skeleton with Mary Anning, they will be hundreds of years wiser and no wiser for it! This awesome picture book ends on a note of great inspiration, namely for young misses but the message is universal: never give up, believe in yourself, back yourself, and dare to be different! Truly fantastic and a must have in your Christmas stockings!
Bloomsbury Children’s Publishing October 2016
For more great gift ideas, visit The Kids’ Reading Guide – Information Titles and stay tuned for my next instalment of Under the Christmas Tree.
Tania McCartney is no stranger to the world of Kids’ Literature. Her knowledge and ability to produce entertaining, endearing and enduring picture books is nothing short of remarkable and now sitting comfortably in her enviable arsenal of accreditations, is a re-discovered gift – illustration.
Sumptuously rich in detail and stuffed with enough iconic charm to make both Banjo Paterson and Con the Fruiterer feel at home, her first self-illustrated picture book, Australia: Illustrated delivers a (very satisfying) slice of all things Aussie to an audience who might still remember what a frog cake is as well as those young enough to regard the Wheel of Brisbane as their first Ferris wheel ride.
It is a magnificent compendium of facts, landmarks, foods, cultures, flora, fauna, natural wonders, celebrities and attractions playfully illustrated in Tania’s unique, considered hand. Her drawings do more than just tell a story and describe a caption. They fill my visual soul. New South Wales’s Snowy Mountain region is resplendent with wild silver Brumbies (skiiing, horse riding and snowboarding as it were!) for example, revealing Tania’s cheeky take on life and no doubt, her own personal reflections of a land she clearly adores.
Her affection is contagious. From the divinely cloth-bound cover and very first end pages, clean and devoid of the congestion of civilization (a nod to the pre-settlement days of Australia perhaps), to each State and Territories’ four to five page expose of their specific peculiarities, Australia: Illustrated draws the reader in and, sublimely, educates and entertains along the way. The final end pages, a testament to the diversity and wonder that fills this wide brown land (with green bits, girt by sapphire seas) we call, home.
Today, we leave the draft table for a pair of comfy armchairs, a delicious cup of tea and a few precious moments with the gifted creator behind EK Book’s newest non-fiction picture book release, Australia: Illustrated.
Welcome, Tania. It’s great to finally spend some ‘virtual’ time with you.
So lovely to visit, Dim!
Your very first self-illustrated picture book, Australia Illustrated, is out any moment. Has this been a dream come true?
In a word: yes!
Have you been suffering heart palpitations? I know I’d be more anxious that than
Yes. How did you know??
I could hear them all the way up here in Brisbane.
I’m not surprised. They’re pretty thunderous.
Has this book been a bucket-list kind of thing?
Yes and no. It was more of a meant-to-be than a bucket-list-thing, though now it’s been ticked off my bucket-list, I’m happy it got onto that list!
It has actually just been a long-buried seed of an idea but it may not have even grown if the circumstances hadn’t been right. There was a grant I wanted to apply for, I needed a contract to do so, my publisher just happened to think the idea was fabulous at the time (this changes, as you know!) and I got a contract the next day.
I know! If only all contracts were like that! This was a little scary, though, because the idea was quite ethereal at the time. I mean, I knew it would unfold okay… and it did. But I did it all the wrong way.
What do you mean?
I basically winged it. I had an outline, of course, but the content was pretty much an organic process. I was SO lucky to have this kind of opportunity. And I did the cover first. I mean, who does the cover first?
I don’t much about the illustrative process, but that does sound a little dotty.
SO dotty. But it worked because that cover was one of my favourite things to create, and it set the scene for the style and layout of the entire book. I highly recommend up-ending processes!
I am for the fact that I finished it. It took a year and contains over 1000 hand-drawn images over 96 pages. Half of the finished pages are digitally illustrated, too, so it was a lot of work and I was also in learning mode at the time (re-learning my illustration skills and also learning digital skills—I basically learned as I went).
I’m also proud of it because it’s my first self-illustrated book and I think first self-illustrated books take a lot of courage. Like, a lot. It’s scary because I’ve had years to get used to writing criticism, but illustration criticism is a whole other colour on the palette.
So, my nerves are on standby, for sure—and I have to consistently tell myself I created this book for me, no one else—and that if kids and adults happen to take pleasure in it, that will please me very, very much. In fact, ALL creators should create books for themselves first and foremost. If we created them for other people, we’d never enjoy it as much or do our best work. And once our books are published, they become someone else’s anyway, so it’s nice to hang onto ownership during production!
Oh gosh, Dim, this tea is so good.
Thanks! Isn’t it divine? You’ve written several books about Australia. Will there be more?
Probably not. I do have ideas for books about Australian people (biographic), plants and animals but they won’t be Australia-centric, if that makes sense.
I don’t know why I’ve written so many books on Australia. It’s not a conscious decision. Perhaps it’s because the world is full of so much negativity right now—I fully realise and accept that our country (any country) is far from perfect, but it just feels so nice to celebrate what’s good here sometimes. And there’s so much that’s good. Australia Illustrated is a celebration of what’s good.
Hear hear! What brought you the greatest pleasure when creating Australia Illustrated?
So much. The creative freedom. The ability to play and allow things to unfold. I know it’s not realistic, but it would be incredible if all books could be created in this way! It’s just so much fun. I loved relearning skills and meeting my characters and learning so much about this country that I never knew.
I loved the digital illustration and the layout and design. I also loved doing the finishing art in Photoshop. Creating the fonts was fun.
How did you do that?
With an app called iFontMaker. It’s fabulous. You can get so creative. You can even create fonts for your kids, using their handwriting.
Sounds fascinating, I’d love to give it a go.
You must. I also loved pulling the pages together. It’s so satisfying.
So, hang on, you did quite a bit for this book. Not just writing and illustrating?
I did heaps. I researched, wrote, fact-checked, drew, painted, did digital illustration and mono-printing, scanning, touching up, photography, fonts, layout, design, typography, cover layout and design—all to print-ready PDF. I LOVE doing all this. It’s so satisfying and skills-building. Then I had the wonderful Mark Thacker from Big Cat Design take all the PDFs and whack them in InDesign for the printer.
And my gorgeous publisher Anouska Jones was my editor and second eyes and ears, and I had a group of other eyes and ears, too, and then there was the team at Exisle and our printing coordinator Carol and publicist Alison and all the fabulous book reps and all the wonderful friends and colleagues who helped me authenticate things and help me out with research.
I have an entire page dedicated to thank yous! I also had the backing of the ACT Government—artsACT—for their grant to help produce this book.
So while I did a lot, I certainly didn’t do it alone. No one ever does it alone.
Gosh, we have an amazing bunch of people in this industry.
We do. I feel privileged to be part of it. This really is great tea, Dim.
Of course it is, it’s from Queensland! What’s next for you, Tania?
Well, I’ve just come out of a long rest! I took a lot of winter off, other than ongoing obligations and a little bit of production on some upcoming titles.
Oooh – can you share them with us?
Well, one is a sequel to Smile Cry with Jess Racklyeft. The other is a follow-up to This is Captain Cook with Christina Booth—and we’re also in the middle of another picture book for the National Library. Tina Snerling and I have been working on books 6 and 7 for the A Kids’ Year series.
I’ve been planning my illustration style for my first illustration commission with the National Library and I’ve been working on a non-fiction pitch for them, too, which I’ll illustrate. And I’ve been finalising a junior fiction manuscript after talks with a gorgeous publisher. Oh—and just like you would, I have several thousand other little bits and ideas floating around.
Yes, something I can relate 100% to! But would you have it any other way?
No! Well, yes—I really needed that time out after Australia Illustrated. It was an enormous amount of work. 96 pages!! So happy to have my energy and mojo back now, though.
Mojo back is good! Tania, thanks so much for stopping by today. I’ve really enjoyed the chat.
Me, too, Dim! And thanks for the tea!
The kettle is always on…
This is more than a picture book, more than a resource; Australia Illustrated is a meaningful, beautiful, thoughtful, piece of art.
EK Books November 2016
When penning a narrative or even recording ones past, authors must be aware of a number of aspects that shape a reader’s impression of the story. A sense of place is one such nuance that forms specific reactions and can colour a reader’s entire experience. When fashioned convincingly enough, a sense of place depicts not only where the story’s characters live and interact but can also provide the answer to how they and the reader belong (to the story). Here are a number of picture books that encourage a distinct sense of place.
‘Hello!’ is an icebreaker most young children are adept at. However, what if a potential friend’s first language is not English? Hello! is a brilliant introduction to 12 other languages commonly used in Australian homes, including three Indigenous languages. Once children learn to say hello, they are then able to share all sorts of things with their new friends, including favourite games, foods and customs, all in that language. Each new introduction includes how to count up to ten, as well.
This is a fascinating multicultural exploration aimed at pre-school and primary aged youngsters and is nothing short of ingenious. Many children will have already encountered other people in their lives whose backgrounds and languages differ from their own. Hello! is an unobtrusive, inviting way to show differences need not discourage friendships. Flower’s cartoone-sque illustrations gently emphasise meaning whilst a comprehensive pictorial glossary and pronunciation guide at the end aid carers with extended learning. A marvellous go-to book recommended for home and classroom libraries alike.
National Library of Australia April 2016
As a city girl growing up far away from my grandparents’ Sunshine Coast hinterland property, visits ‘to grandma’s farm’ were always chocka block full of new adventures and sunny memories to treasure. This bewitching sense of belonging echoes throughout Granny’s Place thanks to Paterson’s beautifully unaffected prose and McGrath’s sublime sepia suffused illustrations.
A young girl describes her grandparents’ home that is ‘brimming with treasures of the olden days’ and has ‘springy metal beds and shiny hard floors with tasselled mats…’. It’s a place steeped in rich memories and every day opportunities. It is where family gather in large noisy waves and tiny discoveries, too good to share are made every minute. It is quite simply ‘the best place in the world’. A place where children flourish, absolutely. Alas, people and places cannot last forever as our girl learns to accept after the passing of her grandfather. When Granny has to leave the farm and move to a new life in the city, it is hard to appreciate her new place at first. Fortunately, memories are not so easy to forget and Granny’s love prevails.
Granny’s Place is overflowing with gorgeous imagery that will ignite warm recollections for many older readers. It also radiates the spirit of adventure and the changing rhythms of life that most young people will recognise whilst celebrating these childhood memories.
A marvellous homage to Australia’s past identity and a fitting example of creating a special sense of place.
Big Sky Publishing April 2016
Mr Chicken pays homage to childhood dreams and aspirations personified. It could be argued that the Australian Children’s Laureate for 2016-2017, Leigh Hobbs is living a little vicariously through the rambunctious, irreverent Mr Chook who was a bit different to other boys and girls. As a youngster, ‘instead of playing games’, he dreamt of life abroad.
Fortunately for fans, both grew up, giving us the opportunity to experience an incredibly detailed, hilarious romp through (this time) Italy’s capital city, Rome. It’s a cavort of pure indulgence as the charming and very forgiving city guide, Federica, escorts Mr Chicken aboard her Vespa through Rome’s traffic ensnarled streets, past the Colosseum, to gelatarias, through the Trevi Fountain and even the Vatican. Hobbs leaves no ruin unturned in this whirlwind excursion, revealing stops I had hitherto forgotten about since my European backpacking days.
If you ever consider tackling a trip to the big five European cities with a chicken in tow, Mr Chicken would be the chook to recruit. Unabridged humour told and depicted in the way only Hobbs can. Fantastic fun and insight to lands beyond for pre and early primary schoolers.
Allen & Unwin August 2016
Unlike the other phenomenally successful titles in the Twelve Months in the Life of picture books series, which look at the life of children from other nations including Australia, A New York Year and A Texas Year focus on individual states within the USA. Even then, the breathtaking diversity of cultures and idiosyncrasies is almost too mind bogging to comprehend. Yet, the McCartney Snerling picture book team convey these elements with aplomb.
Like their forbearers, New York Year and Texas Year kick off with introductions to the five children who will be our guides throughout the year across these states. They are a delightful homogenous mix of Texans and New Yorkers whose obvious differences (in aspirations, cultural ancestry, and appearance) only serve to highlight the sameness they share with kids all around the world. I particularly love Texan Ethan’s ‘when I grow up’ revelation; ‘I want to be a rock star or a palaeontologist’. Classic seven-year-old clarity!
As the calendar turns, we are taken on a colourful eclectic parade through each state stopping to observe significant dates, play games endemic to the region, take in the unique flora, fauna and natural wonders, and then, happily, return to the table to feast on local delicacies. It truly is a smorgasbord for the senses.
I love the detail McCartney is able to inject in the meandering text, which is neither excessive nor too sparse. Each fact acts as a signpost that sparks interest and allows children’s eyes to wonder and roam rather than stick to a regimented reading pattern. Snerling’s cute upon cute illustrations offer clean crisp characterisation and support the minutia of facts superbly.
This series is fast becoming a magnificent compendium of fun, fact-fiction picture books, which kiddies from all over the world can use to draw comparisons and conclusions about their international neighbours, supporting tolerance, enhancing awareness and creating as it were, a marvellous sense of place. Highly recommended for 4 – 8 year olds and big people who don’t get out as often as they should.
EK Books August 2016