No one told me this book would be so…well, awesome.
Ok, so I lie. Many bloggers and critics have written about this book since it was first published in 2005. It has its haters and its not-likers, of course. But for the main part it’s been well-received, and when I found out it was being made into a movie starring cute-as-a-button Carey Mulligan and the gorgeous Keira Knightley I just had to get on the wagon.
I guess “shortlisted for the Man Booker Prize” emblazoned across the cover was probably some indication that the book would be, if not enjoyable, then thought-provoking. I had previously categorised Kazuo Ishiguro as one of those Japanese authors that I really should be reading but I don’t read much of, like Haruki Murakami and Banana Yoshimoto. I think I already had in mind that Kazuo’s works would be a little bit “kuh-razy”, which I have to be in a certain mood for. But while Mr Ishiguro is crazy – it’s in all the best ways, I promise.
Never Let Me Go begins with ‘Kathy’ at 32 years old, reminiscing about her idyllic childhood at Hailsham, where the children are encased in their happy, painless bubble; provided with everything to keep them physically healthy and encouraged in artistic and athletic pursuits. Hailsham seems like your ordinary Toffee-English boarding school for the privileged few, but there’s something a little ‘different’ about it that the reader can’t quite put their finger on, in the beginning. When we’re finally let in on Hailsham’s little ‘secret’, the book becomes a bit of a philosophical mind-bender.
What makes this story so interesting, so absolutely heartbreaking, is its refusal to wallow in sentimental bull dust. The subject matter is scarily relevant today – the idea of ‘playing God’ is something that civilisation questions with every technological and scientific advance. But it is often the human element that divides us on this issue. Where do we draw the line? Is one human life worth a half-dozen others? Ishiguro handles this issue in an originally subtle way. In fact, its subtlety might be lost on people expecting high, impassioned speeches and a rebellion against the cause. Although it has elements of alternative history, dystopia and science fiction, Never Let Me Go bypasses the expectations of the genres to become its own brand of quality contemporary literary fiction.
Was it the beautiful, exacting prose, or the haunting feeling it left me with? Like origami, this book deserves to be admired: a modest creature on the bookshelf, but its fascinating secrets, and thoughts of its construction, lie within the perfect folds. Clearly, I loved it: it’s right up there with The Book Thief for me.
Do read it, and let me know how it affected YOU.