They both have had books long or short listed for the prestigious Miles Franklin award. Tony’s Ghost River is currently longlisted.
It was also shortlisted for two categories in this year’s NSW Premier’s Awards: the Christina Stead prize for fiction and the newly created Indigenous Prize.
Tony and Inga both know their way around universities, as well as being accomplished fiction writers who take us on secret, sensory journeys with their young characters, particularly into natural ‘inbetween’ places, around rivers and trees.
I was first aware of Inga’s writing when her debut novel, Mr Wigg was shortlisted for the Indies awards. I remember the ripples that her lyrical writing about an elderly man in his orchard caused in the literary community.
The writing in her second novel Nest is also the equivalent of fine slow-cooking with its depiction of Jen’s life in a sub-tropical forest but it is utterly captivating and suspenseful at the same time.
Her new novel Where the Trees Were also has evocative descriptions of place – the river and trees.
A group of boys and one girl, Jay, spend their summer holidays before starting high school in the bush, mainly around the river. They find a circle of trees that seem to be out of time and world. Designs are carved into their trunks. Are they a story or code?
The parts of the story about Jay as a girl are told in first person. We also meet her as an adult in Canberra, told in third person.
The indolence of quite an idyllic childhood, although charged with the urgency of adolescence, changes to a harder-edged anticipation and anxiety when a conservationist, (we’re not immediately told her name is Jayne) is involved in stealing a carved Indigenous artifact, an arborglyph, a Wiradjuri burial tree.
Tony Birch’s writing is assured, direct and unpretentious.
I was very moved by his novel Blood, particularly the strength of character and loving heart of his young part- Aboriginal protagonist, Jesse.
His most recent novel is Ghost River, set in the 1960s where the intersected lives of two adolescent boys and the dispossessed river men play out alongside the Yarra River.
Storytelling and the changes and roils of life are intrinsic to this novel, reflected in Tony’s own virtuosic story-telling style which moves from energy and adventure to trouble, pathos and weariness and back again like the river itself.
I wonder how much of his own boyhood Tony has drawn upon to create his lively characters Ren, and particularly Sonny.