Robert Ingpen was born in 1936 and is the only Australian illustrator to have won the prestigious international Hans Christian Andersen award. He is a virtuoso of painterly artwork and has illustrated Australian stories such as Storm Boy by Colin Thiele, Mustara by Rosanne Hawke, Ziba Came on a Boat written by Liz Lofthouse, The Poppykettle series and The Afternoon Treehouse and a long list of children’s classics such as Alice’s Adventures in Wonderland (hence the title of this tribute to his work), Peter Pan and Wendy, The Wind in the Willows and The Secret Garden. The Nutcracker, The Night Before Christmas and A Christmas Carol will be perfect books for Christmas. Ingpen has also designed Australian postage stamps.
His most recent books include the awarded outback-based Tea and Sugar Christmas and Radio Rescue! (both written by Jane Jolly). Wonderlands gives a generous insight into these books and others. It is a must-have celebration of children’s literature through the lens of our maestro, Robert Ingpen.
The School of Music by Meurig and Rachel Bowen, illustrated by Daniel Frost (Wide Eyed Editions, Allen & Unwin)
Music is important for the pleasure it gives and because it’s good for the brain and can lead to unexpected friendships and opportunities. Enjoyable and useful to use in homes, schools and music schools, The School of Music is a lavish compendium of music, musicians and instruments in picture book form.
Musician characters (such as Diva Venus, a star singer, Ronny ‘Beethoven’ O’Reilly, a composer and Roxy Mojo, a percussion specialist) are introduced at the beginning of the book and feature strategically throughout to explain concepts. Section 1 looks at different types of music and instruments and how music connects with film, maths, architecture and other disciplines. Section 2 offers a musical toolbox, which enables children to write music, beginning with fun graphic scores using pictures and symbols. Section 3 is about children making music themselves. The book suggests diverse ways such as making a kitchen orchestra as well as playing a conventional instrument or singing. It concludes with tips on performing and composing.
There are bonus music samples accessed by the QR code at the end of the book and children could dip in and out of this book or use it as a Christmas holiday music appreciation and education course, ideally even alongside learning a musical instrument.
The Eve Pownall Information Books this year span the ABC, animals and history.
They highlight several small, independent publishers, who should be congratulated on their excellent publications.
Spellbound: Making Pictures with the ABC
By Maree Coote Melbournestyle Books
Spellbound also won a 2017 Bologna Ragazzi Award. It’s a large, sumptuous hardcover in three parts: architecture, animals and people, and features typography (letter art) where images are created from letters that spell their names.
Young children could find the letters in the illustrations. Older readers could appreciate the typographic poetry (shape poetry) where the meaning of the text is enhanced visually.
I spoke to the creator, Maree, on the day before she flew to Bologna to receive her award, who explained that she has restricted herself to using existing fonts.
There are three levels of difficulty within the book’s examples: 1. any letters that inspire a picture can be used 2. only use letters of the correct spelling of the subject’s name 3. only use correct spelling and only 1 font per letter (see page 3).
This book helps understanding of Visual Literacy. (See page 3 for line and shape, and page 63 for patterns.)
Children could use Macs, or equivalent, to create their own letter art.
There is even a mini tutorial on how to create animals using only letters.
A-Z of Endangered Animals
Words and Illustrations by Jennifer Cossins Red Parka Press
The Introduction explains how the high animal extinction rate is due largely to humans, and also introduced species such as rabbits and foxes, in Australia.
Everyone can help by reusing and recycling, keeping beaches clean and not wasting water.
The book is well-designed; it’s clean and clear.
It is structured with one animal representing each letter of the alphabet.
Information on the left-hand page includes conservation (e.g. endangered or vulnerable) status; current population; description of the animal and where it lives; and an interesting fact such as no two tigers have the same striped pattern, and eastern gorillas use basic tools to gather food.
Each animal is illustrated on the opposite page.
Primary-aged children could focus on Australian endangered animals and present information using the same format, possibly to make a class book.
Amazing Animals of Australia’s National Parks
By Gina M. Newton National Library of Australia
Like A-Z Endangered Animals, Amazing Animals of Australia’s National Parks shows which species are endangered, vulnerable or threatened (their conservation status).
Every state and territory is included, so readers may be able to visit one.
The structure is organised by environments and habitats such as woodlands and grasslands (the Bush), wetlands and waterways, arid zones and coast, oceans and islands.
Each habitat has a double page, followed by one page each for selected animals.
Read this book to discover more about our wildlife and how to care for the environment
There are high-quality photos, interesting ‘fast facts’ and a glossary.
I will write about the 3 other Eve Pownall shortlisted books in another post.
When penning a narrative or even recording ones past, authors must be aware of a number of aspects that shape a reader’s impression of the story. A sense of place is one such nuance that forms specific reactions and can colour a reader’s entire experience. When fashioned convincingly enough, a sense of place depicts not only where the story’s characters live and interact but can also provide the answer to how they and the reader belong (to the story). Here are a number of picture books that encourage a distinct sense of place.
‘Hello!’ is an icebreaker most young children are adept at. However, what if a potential friend’s first language is not English? Hello! is a brilliant introduction to 12 other languages commonly used in Australian homes, including three Indigenous languages. Once children learn to say hello, they are then able to share all sorts of things with their new friends, including favourite games, foods and customs, all in that language. Each new introduction includes how to count up to ten, as well.
This is a fascinating multicultural exploration aimed at pre-school and primary aged youngsters and is nothing short of ingenious. Many children will have already encountered other people in their lives whose backgrounds and languages differ from their own. Hello! is an unobtrusive, inviting way to show differences need not discourage friendships. Flower’s cartoone-sque illustrations gently emphasise meaning whilst a comprehensive pictorial glossary and pronunciation guide at the end aid carers with extended learning. A marvellous go-to book recommended for home and classroom libraries alike.
As a city girl growing up far away from my grandparents’ Sunshine Coast hinterland property, visits ‘to grandma’s farm’ were always chocka block full of new adventures and sunny memories to treasure. This bewitching sense of belonging echoes throughout Granny’s Place thanks to Paterson’s beautifully unaffected prose and McGrath’s sublime sepia suffused illustrations.
A young girl describes her grandparents’ home that is ‘brimming with treasures of the olden days’ and has ‘springy metal beds and shiny hard floors with tasselled mats…’. It’s a place steeped in rich memories and every day opportunities. It is where family gather in large noisy waves and tiny discoveries, too good to share are made every minute. It is quite simply ‘the best place in the world’. A place where children flourish, absolutely. Alas, people and places cannot last forever as our girl learns to accept after the passing of her grandfather. When Granny has to leave the farm and move to a new life in the city, it is hard to appreciate her new place at first. Fortunately, memories are not so easy to forget and Granny’s love prevails.
Granny’s Place is overflowing with gorgeous imagery that will ignite warm recollections for many older readers. It also radiates the spirit of adventure and the changing rhythms of life that most young people will recognise whilst celebrating these childhood memories.
A marvellous homage to Australia’s past identity and a fitting example of creating a special sense of place.
Mr Chicken pays homage to childhood dreams and aspirations personified. It could be argued that the Australian Children’s Laureate for 2016-2017, Leigh Hobbs is living a little vicariously through the rambunctious, irreverent Mr Chook who was a bit different to other boys and girls. As a youngster, ‘instead of playing games’, he dreamt of life abroad.
Fortunately for fans, both grew up, giving us the opportunity to experience an incredibly detailed, hilarious romp through (this time) Italy’s capital city, Rome. It’s a cavort of pure indulgence as the charming and very forgiving city guide, Federica, escorts Mr Chicken aboard her Vespa through Rome’s traffic ensnarled streets, past the Colosseum, to gelatarias, through the Trevi Fountain and even the Vatican. Hobbs leaves no ruin unturned in this whirlwind excursion, revealing stops I had hitherto forgotten about since my European backpacking days.
If you ever consider tackling a trip to the big five European cities with a chicken in tow, Mr Chicken would be the chook to recruit. Unabridged humour told and depicted in the way only Hobbs can. Fantastic fun and insight to lands beyond for pre and early primary schoolers.
Unlike the other phenomenally successful titles in the Twelve Months in the Life of picture books series, which look at the life of children from other nations including Australia, A New York Year and A Texas Year focus on individual states within the USA. Even then, the breathtaking diversity of cultures and idiosyncrasies is almost too mind bogging to comprehend. Yet, the McCartney Snerling picture book team convey these elements with aplomb.
Like their forbearers, New York Year and Texas Year kick off with introductions to the five children who will be our guides throughout the year across these states. They are a delightful homogenous mix of Texans and New Yorkers whose obvious differences (in aspirations, cultural ancestry, and appearance) only serve to highlight the sameness they share with kids all around the world. I particularly love Texan Ethan’s ‘when I grow up’ revelation; ‘I want to be a rock star or a palaeontologist’. Classic seven-year-old clarity!
As the calendar turns, we are taken on a colourful eclectic parade through each state stopping to observe significant dates, play games endemic to the region, take in the unique flora, fauna and natural wonders, and then, happily, return to the table to feast on local delicacies. It truly is a smorgasbord for the senses.
I love the detail McCartney is able to inject in the meandering text, which is neither excessive nor too sparse. Each fact acts as a signpost that sparks interest and allows children’s eyes to wonder and roam rather than stick to a regimented reading pattern. Snerling’s cute upon cute illustrations offer clean crisp characterisation and support the minutia of facts superbly.
This series is fast becoming a magnificent compendium of fun, fact-fiction picture books, which kiddies from all over the world can use to draw comparisons and conclusions about their international neighbours, supporting tolerance, enhancing awareness and creating as it were, a marvellous sense of place. Highly recommended for 4 – 8 year olds and big people who don’t get out as often as they should.
As the mercury level rises and your pool swells with screaming kids, it might be time to reach out for a reason to remember why you love summer, and kids, and Australia! Here is a real mixed swag of reads full of the flavour of Australia Day.
Australian’s Let Us Barbecue! I featured this one just before Christmas but it’s still worth popping on the bonus CD by Colin Buchanan and Greg Champion for that extra dollop of Oz. Along with the iconic illustrations of, Glen Singleton, every bit of Aussie swank and summer backyard tradition have been merged into the tune of our Australian National Anthem. Throw your thongs in the air and enjoy the rousing recital and sing-along. It’s not just all about burnt black snags on the barbie. The lads take us over rugged mountain ranges, across scorching desert plains, around the Rock, through the Whitsundays and back again. I am on that sailboat and in that Kombi thanks to Singleton’s dynamite depictions. An exemplary example of an Aussie summertime that must be experienced by everyone. Quintessentially, unashamedly Aussie.
Now that everyone’s levels of Aussie-rama are peaking higher than the midday sun, grab The Little Book of Australia’s Big Things by Samone Bos and Alice Oehr. This nifty little hard back features an amazing assortment of Australia’s BIG things from bananas, lobsters and trout to guitars and bushrangers. Fun, informative, and loaded with cheek and colour, this guided-tour-around-Australia-collection has a charming retro feel with dozens of activities, recipes, and pop-out pages for little ones to craft their own big things. The dust jacket forms part of the fun too, folding out into a big Australian panoramic scene. Too true! It’s enough to make me want to jump in the Kombi again and track these all down for the heck of it. Highly recommended.
Speaking of bushrangers, check out a really bad story by Dean Lahn. Actually, his picture book, Bad Ned isn’t all that bad – that’s just the subtitle. The bad face, explosively bold text and cartoon-esque styled illustrations are comically quirky and a pleasing parody of a little boy’s imaginative day. Bad boy Ned models himself on the notorious bushranger, Ned Kelly but at the end of the day, his naughtiness becomes unstuck, literally. More entertaining than expected however the sudden ending may require explanation for young readers not familiar with our bush-rangering lore.
Indigenous author, Warren Brim hails from Far North Queensland, as do I, so it was a marvellous treat experiencing ABC Dreaming. Unlike some learn-the-alphabet books, ABC Dreaming depicts a unique array of Aussie (rainforest) characters, fruits, and flora. The stunning x-ray line, dot artwork paints each subject against a vibrant background that best accentuates its unique features. From Red-eyed green tree frogs, mozzies and nutmeg pigeons to yabbies and xanthorrhoeas (blackboys or grasstrees), this is a beautiful and stimulating way for little Aussies to learn their ABCs.
But of course, little Aussies take on all shapes and forms. If you’d like to spend Aussie day appreciating your family’s diversity and background or the culture of others who make up our great society, cast an eye over Tania McCartney’s and Tina Snerling’s latest additions to their Twelve Months in the Life of Kids series. An English Year and A Scottish Year are as good as actually being there. I encourage you to visit this awesome series of picture books that allows Aussie kids better beautiful contact with kids outside their ‘norm’ of experience. Lavishly illustrated, meticulously thought out and superbly accurate, An English Year invites you to experience the English isle, its inhabitants, and rituals without the need of a passport. Better than a bacon buttie. Exploring the highlands and lowlands of Scotland is just as fun as well. You’ll be visiting this one time and time again if nothing more than to practice pronouncing the Celtic mouthfuls of place names, traditional fare and annual events.
Fun and informative. Breezy yet substantial. I have to say, I’m a little bit in love with this series. Potentially so useful in the classroom and home. Of course, if it’s Aussie flavour you’re after, An Aussie Year is the non-fiction picture book choice.
I embrace the digital dexterity of our young generation however confess that I sometimes get a lot more joy from thumbing over pages of facts and images rather than endlessly scrolling and clicking. There’s something so organically satisfying and enriching reading an old tome style encyclopaedia. Renowned history and science writer, Peter Macinnis has created a sensational collection of historic events for primary and high school students in, The Big Book of Australian History that I am delighted to thumb through.
From the time Gondwana broke up to when strangers arrived in the 1600s to our present day milestone-makers, this is a truly superlative treasure trove of highlights, did-you-knows, ancient discoveries and of course stunning images, photographs and maps. As stated by the National Library of Australia, The Big Book of Australian History (shortly to be followed by The Big Book of Indigenous History) ‘is a book to dip into and savour’, an ‘enthusiastic retelling of Australia’s story that is infectious’. Informative text is presented in a non-over whelming way and broken up into logical chapter chunks flowing chronologically from the Dreamtime to modern day, finally entreating readers with the proposition that they are tomorrow’s history makers. Bloody marvellous, if you’ll pardon my Aussie vernacular. But then of course, it is time to salute our Aussieness!
Have you ever borrowed a book from the library, only to discover at some horrifying point, that a page has been ripped out? Even worse, multiple pages? This happened to me recently, while reading Snail Mail – Celebrating the Art of Handwritten Correspondence by Michelle Mackintosh. I was nearing the end of this beautiful book and looking forward to seeing her envelope templates, only to find that some selfish reader before me had ripped all the template pages from the book. I was horrified, angry and disappointed.
I couldn’t believe a library user who would borrow a book about snail mail and sending lovely items to their friends and family to treasure, could also be a thief. Ripping out pages of a book is essentially stealing from the future. They are stealing information from future readers and in this case killing craft projects before they’ve even begun.
In this day and age, there’s simply no reason to tear out pages from a book. Every library has a photocopier/scanner, and they could easily have photocopied or scanned the pages of interest when they returned the library book. They could have scanned it at home, at work or from a friend’s house. They could have taken a photo of the pages with their smart phone. They could even have traced the templates directly from the book.
Libraries generally allow their readers to borrow a book for 2-4 weeks, isn’t that enough time to make a copy of something you can’t bear to live without? Or heaven forbid, make plans to purchase your own copy?
Tearing out pages in a library book is essentially destroying public property. Libraries are funded by the Government and are for the entire community to enjoy. Stealing from one, damaging a book or defacing property robs future patrons of what you yourself have enjoyed.
The scene from Dead Poets Society when Professor Keating (played by the late Robin Williams) encourages his students to rip out pages from their poetry textbooks is inspirational, however we don’t live in a movie.
When a library book is damaged in this way, it is often taken out of circulation. In this case, the copy of Snail Mail I borrowed was the only copy in the Port Phillip Library service, and after I informed staff of the damage, they advised me they would have to take the book out of circulation and wouldn’t be replacing it. What a shame and so unnecessary.
But it’s not just library books that are being vandalised in this way. Earlier this year I saw a woman tear out a page from a magazine in a waiting room and put it in her handbag. Naturally I confronted her about it and told her she was being incredibly selfish. I pointed out that waiting room magazines are a courtesy and there to be enjoyed by all and she was ruining it for everyone. I don’t think she cared much, but when did we become so greedy and selfish? What does this teach our children?
I’d like to hope that readers of this blog would never do such a thing and I encourage this community of booklovers to stand up to this sort of behaviour if you ever see it happening. Make sure you report any damage to your librarian as soon as you see it, and let’s preserve the reading material around us for everyone to enjoy.
History can be a hard pill to swallow. It’s easy to choke on a diet of dried up, dusty old facts about dried up, dusty old people. Trouble is, what those folk did in our not so distant pasts was often fascinating and ground-breaking and well worth exploring. So how do you find the right sweetener to tempt young people to try a nibble of the past? You dish it up as a school play, garnish it with luscious imagery, and call it a picture book, of course!
This is Captain Cook by Tania McCartney and Christina Booth, is exactly how I like my history served up and, as it turns out, how my Miss 9 likes it too. The fact that she was able to recognise that these adventurous events occurred, ‘way before you were born Mummy’ at the time when the First Fleet began arriving, indicated that this fact-based picture book struck accord with her and her current class room learning.
McCartney skilfully navigates the reader through a carefully considered chronology of James Cook’s life. Miss 9 was keen to point out that the opening act is clear and clever, introducing us to Cook’s beginnings and the start of the school play in which his life is being portrayed.
Rather like a one-take shoot on a film set, This is Captain Cook retains the same illustrative perspective throughout the book. The reader has (second) row seats in the audience and is thus privy to not only the terrific parallel visual narrative of the audience members, but of every action that takes place on stage too. You may think this would have the potential to dissolve into dreariness but it definitely does not thanks to McCartney’s spirited narrative and Booth’s charming drawings.
If Miss 9 had more thumbs, she would hoist them as high as a top sail because she enjoyed the lively comedy used to gently reveal Cook’s personality (as it may have been) and his penchant for shiny buttons rather than just focusing on his noteworthy exploits and achievements. She found the latter much easier to ingest because of the humanisation of his story. Sitting through another telling of the ‘show’ was not problem either although she is quick to add that perhaps a life at sea would not be for her as it seems Cook was never ever able to have a pet dog; at least not in this particular production! An ubiquitous chook and comical cast of other avian members however, make a delightful reoccurring appearance throughout the performance, earning a standing ovation from me too.
There is a raft of exquisite subtle details in this tale about one of the most accomplished mariners and adventurers of our time all served up with just the right amount of frivolity and wit guaranteed to keep youngsters 3 – 8 years old and beyond tucking in. And, just like eating a bowl of vegies in the guise of Spaghetti Bolognese, they will hardly even realise that it’s good for them.
Before you get to the utterly endearing end pages (Bok Bok!), walk through Cook’s Gallery to view some of the real pictures and maps sections of this story are based around. You are invited to discover more through links by the National Library of Australia who announces that this picture book is not so much about ‘the questionable outcomes of exploration and settlement for indigenous peoples’ rather a focus on ‘the life of Captain James Cook as a mariner, father and adventurer.’
With the help of one cheeky chook, and McCartney and Booth, I think this objective has been admirably achieved. Somebody give these chooks a bouquet of flowers. Brava!
If you’re already thinking how to fill the sleigh this Christmas, climb on in and assume the brace position because it’s only 44 more days until Christmas. Yes! As terrifying as that may sound, here are three fantastic new reads to lessen the impact. They are cheerfully Christmassy, are already, or destined to be classics and just perfect to start your countdown to Christmas in earnest with.
Twenty-four excerpts, poems, and yuletide stories even carol lyrics are thoughtfully brought together in a magnificently presented hardback anthology. Readers as young as seven will enjoy immersing themselves into this collection of traditional and contemporary tales but the real joy ignites when you spend each night with your child(ren) sharing the magic and anticipation of Christmas together.
Storytellers including Tolstoy, Hans Christian Anderson, the Grimm Brother, Dickens, Oscar Wilde and Louisa May Alcott all contribute to the festive soirées but perhaps my favourite ‘night’ is Number 22, Yes, Virginia, There is a Santa Claus; reaffirming once again that to simply experience magic one need only believe in it.
Lavishly illustrated in glorious full colour by acclaimed UK illustrator, Tony Ross, The Nights Before Christmas is the penultimate Advent Calendar for bibliophiles and true lovers of Christmas. This is one Christmas keepsake you won’t be throwing out with the Christmas crackers. Highly recommended.
The ineffable Mr Darcy adores Christmas and having mastered his former social ineptitude with the help of his friends in the previous picture books, Mr Darcy and Mr Darcy and the Dancing Duck, prepares to involve them in a splendid yuletide celebration. He invites his nearest and dearest over on Stir-up Sunday to help bake the Christmas pudding but is somewhat disconcerted by the unexpected presence of Mr Collins.
Plucky ducky, Lizzy appeals to Mr Darcy’s more charitable side until he finally relents so that everyone, including Mr Collins, enjoys Christmas time, pudding and all.
As with all these titles, Mr Darcy and the Christmas Pudding draws deliciously on Christmas traditions, mode a la Austen and how the expectation of the big event is often sweeter, more satisfying and twice as exciting as the day itself.
Pride and Prejudice fans have another one their collections. Three to six year-olds will be begging to lick the pudding bowl.
This is less of a picture book and more of a beguiling glimpse into the yesteryear life of Kathleen, a young resident of a settlement town along the Nullarbor Plain rail link back in the days when the Tea and Sugar Train travelled from Port Augusta to Kalgoorlie once a week.
Jolly’s substantial prose ably transports us into Kathleen’s world past the ‘drooping peppercorn, bent acacias and scraggy salt bush’ as she eagerly awaits the provisions train in a heat so torrid her feet sear ‘like scones on a griddle’. Chocolate could only be brought in winter when it was less likely to melt.
Ingpen’s glorious line pencil drawings belie a world of colour as each page unfolds into a spectacular double panoramic spread emphasising the breathtaking enormity of the outback and the complexity of the Mixed Goods Train No 5205 aka The Tea and Sugar Train itself.
But what is so special about this week’s train, the one that every child on the Plains waits for on the first Thursday of December every year? Take the trip and find out for yourself. You’ll be glad you did.
Tea and Sugar Christmas truly epitomises a child’s anticipation and expectations of Christmas no matter where or how they live. And as with all NLA publications, the fascinating factual inclusions ensure this is one of those special unexpected Christmas surprises you are sure to treasure.
Make room in the sleigh for more after you check out these fantastic gift ideas for kids from the Kids’ Reading Guide 2014. And stayed tuned for more fantastic pre-Chrissy posts guaranteed to keep you and your little ones inspired and excited and above all, well read!
Step outside into your garden or even local parkland. What do you see? Is it a verdant, vibrant paradise or neglected virtual wasteland? Today I am ecstatic to be on the war path with fellow lover of nature, kids and books, the luminous Tania McCartney. With more books blooming to life this year than a golden wattle in spring time, Eco Warriors to the Rescue!, stands tall and proud amongst them encapsulating the best of backyard adventure, magic and the preservation of our astonishing native flora.
Quintessentially named school-kids, Banjo, Matilda and Ned, are on a bit of a botanical mission. As self-appointed eco warriors with a goal to keep our native plants thriving for generations to come, they wisely consult their big book of Aussie flora and fauna. They become magically entwined within its pages smothered with splendiferous botanical paintings.
Theirs is a journey of enlightenment, discovery and wonder as they interact with such native gems as the kangaroo paw, blue quandong and my favourite, the flame tree. Each encounter reveals a basic fact, crucial to the long term survival of not only that species but our native environment as a whole. Young readers are introduced to the holistic ideology that plants, like animals, need much more than just clean water to flourish. Things like polluted bushland, introduced animal species, unregulated development and even unthoughtful behaviour like picking native flowers can dramatically affect the existence of our wild-flora.
This might seem like a heavy message to impart on young children but it is carefully implied with the clever use of real life images; our little warriors are visually shown as real people with beating hearts and souls and thus are completely believable as the executers and educators of the tips and tricks offered to us (and thoughtfully numbered throughout). Most resplendent in this joyful showering of information is the final notion that the ultimate thing we can do for our native plants is to ‘enjoy!’ them. So we should and so we can with Eco Warriors.
McCartney considerately includes plenty of ways to think about and embrace our native plants with the inclusion of maps, links, explanations and even a list of native birth flowers. Her fertile, design-bejewelled mind beautifully harmonises crisp, clear dialogue with the multi-media used throughout this picture book. I’m no expert in this field but recognise a good spread when I see one. (You can learn more about the design and layout behind this beautiful book at Angela Sunde’s blog).
Eco Warriors to the Rescue! packs a punch for all the right reasons. This book has a lovely ‘dirt girl’ feel and robust design with thick glossy pages (notably printed on paper from sustainable forest resources) and is more than suitable for repeated discussion, field trips and reads; outdoors perhaps, sprawled on the grass, gazing up through the branches of a flame tree aglow with carmine, campanula blooms. Botanical metaphors aside, McCartney has cultivated yet another work of art, which kids all over Australia and beyond will have fun reaping.
Join Tania McCartney and her three real-life eco warriors—Banjo (Riley), Ned (Andrew) and Matilda (Claire)—as they launch Eco Warriors to the Rescue! at Canberra’s National Arboretum Gift Shop, Saturday 5 October 2013, at 11am.
Can’t wait till then? Then stick around and visit some more of her exciting blog tour stops where you can learn more about the book and how to become an Eco Warrior.
It’s so lovely to see a classic Australian story brought to life for a new generation of children – and even more lovely to see it done using the exquisite collection of images from the National Library image collection.
First published in 1944, this hard cover, dust-jacketed version with its aqua cover is beautifully-designed, with an introduction by Leslie Rees’ daughter Dymphna Rees Peterson. This introduction takes us back to a time where few ‘local’ books, particularly those featuring iconic local animals, were available to Australian children. Yes, there were badgers and squirrels and other British critters, but few books harnessing the character and charm of our native fauna.
After the success of his first book in 1943 – Digit Dick on the Great Barrier Reef (oh my goodness, I’m having a flashback!) – Rees wrote a new series of books entitled The Australian Nature Series. Essentially a series of bios on indigenous animals and birds, these books have become true Australian classics.
This posthumous re-issue (Rees died in 2000, at 95 years old) celebrates a warm and detailed story that beautifully encapsulates the precious biodiversity our country enjoys.
The first thing Shy remembers is the nest in which she was born. She remembers the darkness, the soft needle leaves of river oaks, and playing with her sibling, Spur. Then one day, her mother says she’s leaving the nest. “You stay here,” she says, before pushing her bill through the earth into a long black tunnel. And off she goes to find them some food.
Very soon, Shy and Spur are allowed out of the nest to take their first swim. The description of these babies leaving the burrow and entering the outside world for the first time is mesmerising. From the steepish earth banks to the flowing water, burnished with copper and pearly grey colours reflected from the sunset – the language Rees uses is not only evocative but delicious to read – and surprisingly ‘modern’ in tone.
As the book unfolds, we follow young Shy as she learns to dive, as the dangers of the river are revealed and as her mother becomes desperately ill. There’s other platypuses and rapids to navigate and even encounters with humans – will Shy escape the clutches of this most dangerous threat of all? Along the way, we also learn more about this most elusive animal and her natural surrounds – making this much more than just a storybook – but rather an enriching journey to another world.
This is an engagingly-written story, beautifully-laid out and designed with striking images from the National Library Collection. Naomi Zouwer’s truly gorgeous pencil illustrations head each chapter, and photographs and original typescripts make this book a precious addition to any Australian library.
Did you know that Indigenous people arrived in Australia between 40,000 and 65,000 years ago? Or that Mount Gambier was the last volcano to erupt on the Australian mainland, or that the first steam railway opened in Melbourne in 1854?
I can imagine young readers pouring through this book to find out all sorts of interesting information about how Australia came to be the nation it is today.
They can travel through the decades and discover how the famed Pavlova got its name, and when television first came to their state…and so many other surprising snippets of history.
Clearly, a huge amount of research has gone into creating this presentation of Australia’s colourful past.
Australia may be young but its history is fascinating, diverse and steeped in one of the world’s oldest living cultures.
From creation and Dreaming to the twenty-first century, Australian Story – An Illustrated Timeline takes us on a journey through time, exploring the rich tapestry of events that has shaped our beautiful country.
Tania McCartney’s research is meticulous. She has clearly thought a great deal about selecting facts that will most intrigue readers.
The book is packed with information, but the format is easy to read and visually appealing.
Australian Story – An Illustrated Timelin is published by the National Library of Australia as part of its objective to interpret and highlight the Library’s collections and to support the creative work of the nation’s writers and researchers.
I can see this engaging presentation of Australia’s history becoming a valued and much read book in many Australian households and school libraries.
Tania is visiting many great blogs on a tour to celebrate the release of her new book.
It’s not just the way we read, write, publish and buy books that’s changing. It’s the way we talk about them, too – today’s announcements from Kobo, GoodReads and Facebook are just the latest in a series of social reading developments.
The Federal Government’s annual Get Reading! campaign (which continues till the end of this month – you can buy the books here) is once again leading the way when it comes to social ways to bring us back to books.
Their website includes forums like this one on ereaders (you can sign in using your Google, Facebook or Twitter account) for the first time this year. They’ve also got active and friendly Facebook and Twitter profiles.
You can post your own review of the “50 Books You Can’t Put Down” (here’s my brief equivalent: I’ve read Jessica Rudd’s short story “Pinata” in the free book available to those who buy one of the 50 titles, 10 Short Stories You Must Read in 2011, and found it poignant, romantic, clever, fun and original).
Get Reading! offers dedicated iPhone, iPad and Android apps too.
I’m surprised to see that according to the PDF catalogue of the 50 books on the Get Reading! site, there are still some titles that are not available as ebooks. OK, surprised, and ANNOYED. With the publishers, that is. Come on, people, catch up with your customers’ needs and wants.
Another initiative to encourage Australians to get reading is The Novel Challenge, the adult equivalent of the MS Read-a-thon. I looked forward to the latter every year as a child, and am finding myself feeling the same way about the grown-up version.
It’s a great way to push yourself along with the reading, and raise money for a good cause at the same time (they’ve raised more than $70,000 so far this year). The program has been underway for a couple of months, but you can sign up to read as many books – and attract as much sponsorship – as possible in 30 days during October.
And why wouldn’t you? You’re probably going to be reading anyway.
I love the fact that you can sign up as an individual or team, and track your progress in comparison with other participants online. The website allows you to set up a Facebook-like profile page to document books read, those you’re planning to read, and funds raised. Buttons allow easy sharing of the link on several social media platforms.
Feel free to sponsor me. I need an incentive to get into my current book (not a strong opening chapter, obviously, as I put it down a few days ago and have felt no compulsion to return).
In any case, I feel somewhat frustratingly as though I’ve been too busy talking about books and writing (in new, digitally social ways) to get much reading done lately.
In the past month I’ve participated in setting the program for if:book’s Bookcamp unconference on the day it was held as part of the Melbourne Writers Festival, and contributed $45 via crowd-funding platform Pozible to ensure the Emerging Writers Festival’s Digital Writers Conference in Brisbane actually happens on October 14 (see their website to find out how the organisers raised $4000 ahead of the event, and for program details).
At another event in Canberra, the Australian Security Research Centre’s forum on developments in e-publication, there was no need to take notes during sessions or swap contact details with delegates during the tea breaks. The Centre collated selected business cards and PowerPoint presentations and emailed them to all attendees a few days later.
Highlights of that event included hearing about ANU E Press’s ground-breaking digital publishing model (they have 3-6 staff and publish 50-60 ebooks a year), the National Library’s ebook program (next month they will publish three titles simultaneously for print and digital readers while work continues on a multimedia or enhanced ebook due out next year), and the ACT Government’s iCabinet program (IT staff worked – with some tips from Federal spooks – to “lock down” iPads so that ministers can securely store and view cabinet documents on the go).
As for talking to my friends about books, while I continue to attend regular book club meetings (we’re talking about The Slap this month, timely given the television adaptation is about to premiere), I’ve also signed up to the aforementioned social reading platform GoodReads.com.
GoodReads allows you to quickly and easily share your thoughts on books you’re reading or have read, and to view reviews and star ratings from fellow book lovers.
It offers lists of must-read titles in areas of interest (the best books of the 20th century kept me scrolling and clicking for hours), and even allows you to scan barcodes from the books in your existing library to add them to your own chosen categories.
It’s a great way of keeping track of what you’ve read and what you like (or don’t), and making sure you retain a healthy ratio of classics and literary fiction to genre and trash in your mix.
So, Facebook friends, beware, GoodReads updates aplenty are coming your way.
Speaking of being wary, part of me is just that about Facebook’s announcements today, but hopeful too. Personal recommendations from like-minded friends and colleagues are a great way to find new favourite authors and reads.
Don’t you think?
Charlotte’s posts on books, digital publishing and social media also appear on Twitter (@ebookish), Facebook (www.facebook.com/ebookish) and at ebookish.com.au.