Dr Boogaloo and the Girl Who Lost Her Laughter

Lisa Nicol’s debut children’s novel is Dr Boogaloo and the Girl Who Lost Her Laughter, a charming, unpredictable story about Blue, a girl who can’t laugh and is trying to remedy this.

Thank you for speaking with Boomerang Blog, Lisa.

And thank you for blogging me. It’s blogging exciting to be here.

Where are you based and what is your background?

I’m in Sydney and have a background in documentary and TV. I also do copywriting and write for an educational publisher.

What sort of music do you like and do you play any instruments?

What sort of music don’t I like might be an easier question to answer. There’s not really any types of music I don’t get into. Well except Opera and music that involves men dancing in long socks with bells attached. Struggle with that a little.

Basically I like good music. And a lot of bad music too come to think of it! I just like music.

A lot.

But I don’t play myself.

I think Dr Boogaloo & The Girl Who Lost Her Laughter is my love letter to music. It expresses all my pent up love which I can’t express by playing an instrument. Kitchen dancing keeps it in check most of the time but sometimes it just needs to come out.

What have you learned about the importance of music?

I believe humans are musical beings. It’s an intrinsic part of who we are. We need music.

What led to you writing a children’s novel?

I started writing for children when I had my own. I kept getting ideas for books and when they slept I would rush upstairs to the attic and try to write. Unfortunately all my children were terrible sleepers so my output is hardly prodigious. Hard to write a book in 45 minutes. But I’m on a roll now!

Could you tell us about ten-year-old Blue, her horrible mother and some other characters?

 Ah the lovely Blue. I’m very fond of Blue. She has a quiet strength and she tries to keep her chin up no matter how hard things get. She’s not one to complain – unlike her awful mother. Blue’s mother is somewhat self-obsessed. She thinks having a daughter who can’t laugh is an absolute bummer! It’s ruining her life and simply must be fixed. If not she plans on shipping her off to a boarding school in Switzerland somewhere. One of those ones where they don’t come home in the holidays. Costs a bit more but well worth it obviously, under the circumstances.

Now, let me introduce you to the wonderful Dr Boogaloo and his glorious wife Bessie. They run The Boogaloo Family Clinic of Musical Cures. You may not have ever thought of music as medicine but according to the Boogaloos, music can cure anything!

Of course, you need the right dose of the right music. No point listening to a jive if you’re in need of some boogie-woogie, and you can’t just substitute a hum for a chant, or an opera for a ballad, or a toot for a blow. Absolutely not! Musical medicine is an exact art. And it’s extraordinarily complicated. The way Dr Boogaloo explains it is this – everyone has their own tune but sometimes, for one reason or other, we get all out of tune. We lose the beat, you might say. Unfortunately, your tune is just like your fingerprint. No two are the same. Which is why fixing tunes is SUCH a tricky business!

Dr Boogaloo describes Bessie as the magic in his wand and it’s true they are a great team. Dr Boogaloo reminds me a bit of a brand new pencil – he’s very straight ahead – which is perhaps not what you would expect for a musical doctor. Bessie on the other hand is a little more eccentric. She reminds me of a rainbow caught up inside a tornado. Bessie looks after the Doctor’s instrument collection which is so enormous they keep it in a shed about as big as an A380 aircraft hanger.

I particularly enjoyed Blue’s introduction to the Snorkel Porkel Crumpety Worpel Laughter Clinic. Could you tell us about how people enter it and about some of the Laughter Detection Tests?

Well entry is via a giant slide with a vertical drop that would make your nose bleed – hence the need for padded pants to avoid a really good buttock burn –followed by the the tickle machine which helps sort out the wheat from the chaff in terms of laughter issues. Then, once you get past the lobby guy who has a seriously good aim when it comes to snot olives, you’re off to the testing rooms. They are very thorough at the Snorkel Porkel. There are not many places they won’t venture to ensure an accurate diagnosis. Can we just say, strange animal farts, blooper reels, hula-hooping cats in bikinis, Youtube videos of epic fails and a gentleman called Gassy Gus who can blow up balloons with his bottom! You did ask!

Music is important in your novel but what about colour?

Well Blue’s mother has a thing for colour. She goes through colour ‘phases’. You can probably guess what ‘phase’ she was in when she named Blue ‘Blue’. At this point in time, she’s in a white phase. Phases generally involve a lot of shopping, redecorating and pouring over paint charts. Blue is finding her mother’s white phase particularly challenging. Absolutely everything in the house is white so even finding the fridge can be quite tricky. There’s a lot of falling over the couch, that sort of thing.

Could you tell us about the role of musical imperfection?

Well I can only tell you what I’ve learnt from my time at The Boogaloo Family Clinic of Musical Cures but according to Dr Boogaloo, imperfection is an essential ingredient in any musical cure. One of the many musicians who work’s regularly at the clinic is a Canadian called Neil. He’s famous for the perfect bum note or loose string and exactly when to drop one in. Quite a skill.

Have you paid homage to any other authors in your plot, setting or characters?

Not authors so much but songwriters and songs seem to be scattered about the place. That’s my silly love thing again. You don’t need to get the musical references to enjoy the story – I’m sure most of the kids won’t – but if you’re a music fan reading to your kids, hopefully they might amuse you. Some are obvious, others not. For example, Blue’s globetrotting, game-hunting father sends her a pair of high heels covered in diamonds. There’s even diamonds on the soles! And of course Bessie would name her pet pygmy pocket possums after some of her favourite singers – Dolly & Makeba. Tupelo trees, weeping songs, I’m wearing my musical heart on my sleeve I’m afraid….

Are you planning anything special for the book launch?

Of course. Blue’s mother’s favourite – bubbles. And my favourite – music. We have Gramophone Man coming along to play some very old tunes on his steam-powered turntables. That should give most people’s musical immune systems a jolly good boost before the silly season begins.

What are you writing about now or next?

My next book is called The Crumples of Shambolstown. It’s about some very crumpled folks who live next to some very Crisp folks. A gang of Crumple kids venture into Cripsville and things go very, very wrong. It’s a crumply thriller!

What have you enjoyed reading recently?

The Midnight Gang by David Walliams.

Wonder by R. J. Palacio.

A lot of Peanuts by Charles M. Schulz.

Anything else you’d like to add?

No, I’m pooped.

Thanks Lisa, and all the best with Dr Boogaloo and the Girl Who Lost Her Laughter.

The Magic of Music – musicality in picture books

Deploy music to tell a story and joy results. You need only to think about your favourite song to understand this. Unite the magic of music with the unique creation of a picture book story and the result is something very special indeed. These next few picture books combine a passion for music and story and the exceptional ability of both to bring people together. They’re also a whole concert-full of fun.

The Great Zoo Hullabaloo! By Mark Carthew and Anil Tortop

Not only is the word hullabaloo an absolute hoot to roll off your tongue, it implies mayhem of the most exuberant manic kind. This is exactly what The Great Zoo Hullabaloo! delivers.

Lively, liberating adventure is what Jack and Jess encounter one morning upon entering a zoo that is ‘strangely deserted.’ Even the new roo seems to have bunked. Unable to find a single real-life occupant, they begin a quest to track down the missing residents with little more than a trail of feathers, footprints, and poos, aka scats, to guide them.

Their bush tracking efforts eventually lead them to a party to end all parties. Every animal is hooting and tooting, and hopping and bopping a right hullabaloo! There’s cake, a surprise appearance and enough revelry to fill a pirate ship. For whom is this euphonious shindig, though? Well, you will have to come to the party yourself to find that out.

Tunefully rhythmic and exploding with joviality, this is classic Carthew and Tortop. Great musical verse (with a lovely reference to the Silvery Moon) and animated illustrations make The Great Zoo Hullabaloo! worth getting vocal about! Make sure you read Romi Sharp’s full rhapsodic review, here.

New Frontier Publishing May 2017

Baby Band by Diane Jackson Hill and Giuseppe Poli

Life for the residents of Level 8 in their apartment block is rather subdued and unexciting. They coexist placidly with very little interaction despite their close proximity, so artfully portrayed in the very first pages by Poli. Then one day, The Baby arrives. And, as babies are wont to do, that changes everything.

Baby’s persistent refusal to sleep wears his mother to distraction. His cries are heard and felt by each resident of Level 8, again shown by Poli’s brilliant vignettes that provide telling glimpses into the lives of Baby’s neighbours.

Then, Baby’s chance discovery of the pots and pans cupboard sets off another chain of cacophonous chaos. Each clamorous clang, squeak, squawk and stomp, vibrates throughout Level 8 and awakens a melodious joy in all who dwell there. Slowly, each of the residents is drawn to the rooftop to rejoice in all things musical, with one noticeable difference. They are celebrating, together. But, can you guess what happened to Baby amidst all this musical mayhem?

Hill has composed her palpable passion for music into an elegantly told tale that truly does rise ones soul an octave higher. Poli’s illustrations resonate charm with very few brush strokes. The linear use of images and variation of perspectives, rather like notes on a musical stave, sweeps the reader along the corridors of Level 8, in and out of the apartments and finally to their common park area, which the residents now utilise to play together in their newly formed Baby Band.

Baby Band is a symphonic story pre-schoolers will love having read to them, incongruously gentle in appearance and sound yet magnificently entertaining. This story elicits plenty of opportunity for musical interaction and discussion about all manner of instruments, pots and pans notwithstanding. I adored the cleverness of it all and the irony of young children being able to find solace and slumber in sound. Bravo!

New Frontier Publishing March 2017

The Bear and the Piano by David Litchfield

Sometimes, finding yourself only occurs because of some other serendipitous discovery. This is what happens to a young bear cub one day after he happens upon a piano in the middle of his forest home. At first, the sound Bear is able to procure from the piano is so awful, he abandons it but after several seasons not only does he mature so too does his ability to produce beautiful sounds from this strange thing.

Playing the piano transports Bear far beyond the wooded boundaries of his forest and fills his heart with melodious joy. Night after night, crowds gather around bear and his piano entranced by the magic he evokes from its ivory keys, until one night Bear is given an opportunity he is unable to say no to, to see the world and share his music with it. And so, he leaves his home and friends behind.

Bear’s tale of yearning for brighter lights and attempting to make better of himself is not unique but Litchfield’s personification of a bear embarking on a journey of self-discovery is both touching and purposeful. Bear’s successful debut in the big lonely city and then consequent tug to return to his old friends and home draws the reader in with cinematic magnitude. When he does return to the forest, he is deeply dismayed to find no one and nothing as he left them. He worries his desertion has made them angry or worse that they have forgotten him. However, he is mistaken as the heart-melting ending reveals.

The Bear and the Piano is a picture book that quietly moves you to the core as an operatic aria would. Bear is tragic yet infinitely loveable. His desire to share his love (of music) and taste the bittersweet reality of his dreams is one many of us may harbour and thus relate to easily. It is easy to like and admire his courage and equally as easy to feel his heartache and despair in spite of his successes. It can be lonely at the top. Luckily, for Bear, and us being at the top is not the be all and end all.

This book is an arresting mixture of loud and strong – forte piano as it were and is beautifully supported by Litchfield’s sumptuous illustrations. A pleasure for lower to upper primary students.

Frances Lincoln Children’s Books Quarto Group UK March 2017

 

 

Anil Tortop’s Illustrations Bring Stories to Life- Picture Book Reviews

Following my delightful interview with the charming, and uber-talented illustrator, Anil Tortop, today I focus on two of her most recent, ebullient and boisterous books that are sure to become family favourites; The Leaky Story by Devon Sillett and The Great Zoo Hullabaloo! by Mark Carthew.

Know that magical feeling of being totally captivated by an exotic world of unbelievable action and a place where only your imagination comes true? If you’d like to experience that feeling again then take heed, because The Leaky Story will take you there! It’s like a fantastic blend of the realms captured in The Neverending Story and Jumanji; with curious characters and creatures literally bounding from words to life.

This book about an eager book, busting to be engulfed by an inquisitive young boy, packs a hearty punch when it comes to fruition. But slowly at first, the tension builds as the leak becomes a flood, and soon overcomes the entire Blossburn living room – unbeknownst to J.J’s technology-addicted parents. But with gusto and fight, the whole family become the swashbuckling pirate- and kraken-battlers they could only ever imagine possible and reclaim the land that is rightfully theirs. I wonder what other surprises are in store for the Blossburn family!

Sillett’s narrative exudes energy, spirit, wit and personality, which is perfectly matched by Tortop’s whimsical illustrations. With both text and pictures, you can feel the tension rising and pace quickening as quiet moments become rowdy, and empty spaces begin to saturate each scene. I just love the quirky little details that Anil always integrates into her books. Readers will enjoy spotting funny, subtle qualities and character relationships (even of the unlikely kind!). Her sketching and digital art is rich with colour, fluidity and ambience- the ultimate atmosphere for a treacherous test on the high seas!

The Leaky Story certainly laves over us with its exciting and memorable read aloud experience, surging the wildest of imaginations. So get off your devices and go pick up a book! Highly recommended for preschoolers and up. Dimity’s review is here.

EK Books, April 2017.

The Great Zoo Hullabaloo! piques our curiosity from the outset, leading us in with a medley of scittering and scattering animal footprints across the endpapers. Upon entering, a bird’s eye view shot of the sparse scene again creates a sense of wonder and keeps the pages turning. Anil has brilliantly captured this intensity throughout with her subtle clues and witty elements that add further richness to the animated text.

In a rhythmic rumble that reflects a bebopping tune, Carthew’s narrative sweeps us from a hush to a rambunctious hullabaloo. When Jess and Jack discover the absence of creatures in the Zoo, they set about with their most astute senses to solve this unusual mystery. Only to find a ka-thumping, drumming, hooting, humming orchestral menagerie of wildlife celebrating none other than baby roo’s first birthday! With clapping, jiving and a goose-ejecting cake, moonlight parties don’t get any better.

Movement, energy, exhilaration and cuteness-overload, The Great Zoo Hullabaloo! offers a festivity for the senses and a clamorous encounter of the wild kind. A range of animals and instruments from all over the world provide plenty of scope for learning, as well as a reminder of our universal similarities and the importance of unity. A joyous book of rhythm, teamwork, togetherness, and a love of music that children from age three will devour with every turn.

Love them, Anil Tortop! 🙂

New Frontier Publishing, May 2017.

#ByAustralianBuyAustralian

Renee Price Sings with Digby and the Yodelayhee… Who?

imageI just love sequels that cleverly, though subtly, intertwine with small connections but take you on a whole new, unique adventure. Renee Price, author, educator and entertainer extraordinaire has done just that with her second book in the Digby series – an enthusiastic, lively and inquisitive romp jam-packed with mystery, melody and rhythm. Not to mention its upbeat and dynamic illustrations. Today we are fortunate enough to have the opportunity of a sneak peek into the soon-to-be-released, anticipated Digby and the Yodelayhee… Who?! Doesn’t the title just make you want to get out your maracas and microphones and shimmy to your heart’s content!

Renee is here to tell us more about her book. Welcome, Renee!

Digby and the Yodelayhee… Who? is the fun sequel to the intriguing quest of Digby’s Moon Mission. Please tell us a bit about your latest book.

imageDigby and the Yodelayhee… Who?, much like Digby’s Moon Mission, portrays the joy and innocence of children’s imagination and curiosity. Digby and his friends have solved the mystery of a hungry moon, now it’s up to them (and some useful tools) to solve the mystery of a noisy noise! I’m really excited to release this book as it combines my two writing loves; stories and (spoiler alert!) song. J

How do you hope the concepts addressed in the story will resonate with readers?

I hope they will resonate really well! Digby’s stories celebrate friendship and teamwork, curiosity, creativity and problem-solving. I always write with these concepts in mind, yet rather than driving the messages home, deliver them in an entertaining and humorous way, and kids really engage and become enthused about getting involved, becoming part of the story, and problem-solving too.

What is your favourite part of the book? Why?

imageI have three favourite parts (is that allowed?)! I am once again, in love with Anil Tortop’s visual representation of my words. I swear she has a device that can tap into my brain and extract my exact thoughts on how I see my words looking on a page. I also LOVE the barcode design by Ozan Tortop (wait ‘til you see it, it’s so cool!). My third favourite part, and one I hold close to my heart is the musical element of the story. Combining words, pictures and music completes me! J

You are naturally musical yourself. What do you see as the main benefits of ‘tapping’ into one’s musical side? How have you seen children respond through your entertaining show performances?

I could rattle on all day about this one! Music is a universal language. Not only can we communicate through music, we can immerse ourselves in music to soothe, comfort, inspire, excite, entertain… there are no limits. We are all musical! I love visiting schools and preschools, seeing all kids engage in the story-telling that music offers and how it complements the written word. I can’t wait to launch the live performance for Digby and the Yodelayhee… Who?. Music and story-telling galore!

You worked with the talented design team at Tadaa Book previously on Digby’s Moon Mission. Did Anil and Ozan Tortop meet all your expectations second time round? What did you enjoy most about your collaboration on Digby and the Yodelayhee… Who??

imageI will never be able to properly articulate just how awesome this duo is. Not only are they incredibly professional and easy to work with, but they are so supportive and nothing is ever too much to ask. Their communication is top-notch and their work is utterly awesome. The entire collaboration with them has been enjoyable, from storyboard drafts right through to prepping files for print. I urge anyone contemplating a self-publishing journey to get in contact with them at tadaabook.com.

Being self-published you did quite a lot of work to get both Digby books off the ground and onto the shelves. Were you more confident this time? Did you do anything differently? What have been the advantages of already having the initial book under your belt, both in ways of publishing and marketing?

In some ways, I felt more confident because it was familiar and I knew what to expect, but it was also overwhelming at times because I knew what to expect! It’s a challenging journey, and at times, I wondered why I was putting myself through it all again, especially having two young children and little time to juggle everything. Through my first book, there were many things I missed as well, such as wider distribution channels, timing of publication date to meet Book Awards entry criteria, further research into print-on-demand services versus off-shore/bulk printing. But the advantages of having my first book out there, meeting more and more wonderful industry professionals to chat with and seek advice has been invaluable. One big thing I did differently this time was print offshore with a company who publishes a lot of trade-published titles. I’m really excited about the higher quality of my second book.

Fun Question! If you could be any musical instrument, what would it be and why?

Ooh, now this is a tricky one! I’d have to say a double bass – because then I’d finally be tall! J What would you be?

Hmm… I’d have to think about that!

Please share your book’s release date and what we can look forward to in the lead up to launch day and beyond. What exciting activities and events have you got planned?

Digby and the Yodelayhee… Who? will be released on March 1 2017. A book trailer is now available (see below), previewing a little of the musical element of the book, too, and there will be some more sneak-peeks coming in the lead up to the launch. We’ll also have some giveaways and fun stuff via Digby’s Facebook page and website.

Launch Day is Saturday March 4 2017 at Wallsend Library (Newcastle NSW) and is shaping up to be an exciting morning, featuring a book reading, signing, colouring activities and a special music performance! Follow Digby’s blog for updates at www.digbyfixit.com.

Thanks so much, Renee! Looking forward to jammin’ with Digby and his friends very soon! 🙂

BIG thanks to you, Romi! You’re a superstar. J

Pre-order your copy of Digby and the Yodelayhee… Who? here.

Published by Create It Kids, March 2017.

#ByAustralianBuyAustralian

YA Books About Musicians

Music is one of humanity’s favourite things, so what could be better than books about music?! I am here today to list some amazing YA books that involve characters who play musical instruments. There are plenty of guitar and band themed books out there, but I’ll be zeroing in more on classical instruments. Because I’m a classical musician myself so excuse me while I’m entirely biased that the cello is better than the guitar. (Not even sorry. That opinion is just truth.)

And while I did find a fair few music-orientated books, I’d love to see more on the shelves. Music is such an important part of culture and it’s so exciting to find books dedicated to it.

 

YA Books About Musicians


9781909531239IF I STAY – CELLO

[purchase]

This is definitely one of the most famous musician-orientated YA books out there! It’s about Mia, an aspiring Julliard cellist, who gets into a terrible accident and ends up in an out-of-body experience wondering if life is worth continuing after this tragedy. It flips to flashbacks to show us how she grows up with the cello and falls in love with a rock band guitarist. Basically the story is amazing. Read it.


9781481461153TELL ME SOMETHING REAL – PIANIST

[purchase]

This is about a talented pianist whose mother gets diagnosed with leukemia. While Vanessa really wants to move cities and go to a prestigious conservatorium, she feels she can’t do that to her family and risk missing time with her mother or leaving her two sisters behind. The book is totally family orientated and set in the 90s. It has a lazy summery vibe with a good dose of sadness and grief and it’s just purely amazing.


9781407120317LAMENT – HARPIST

[purchase]

This is a paranormal faerie story that centres around Dee, who is a harpist. And also she can see faeries, and we’re not talking nice sparkly faeries…we’re talking about the ones that want to eat your soul. It involves (A) a mysterious boy who is possibly in love with her, possibly wants to kill her, (B) a hilarious best friend who is a bag piper, and (C) a dark magical adventure.


9780062380852THIS SAVAGE SONG – VIOLINIST

[purchase]

This one is all about dark cities overrun with monsters — and one particular monster who plays the violin. Okay, so August’s violin playing also sucks out people’s souls so he can eat them. But you do what you must for music, right?! This story is dark and addictive and talks a lot about what makes a monster. It’s basically one of the best books I’ve ever read! And that’s despite me (as a past violinist) being totally biased. Hey it’s a cool instrument, okay?!


9780732299507YOU’RE THE KIND OF GIRL I WRITE SONGS ABOUT – GUITARIST

[purchase]

I have to have at least one guitarist here…and plus this is an Aussie novel! So hurrah for homegrown literature! It’s partially narrated by Tim, who’s an indie guitarist, and trying to make his break into the music world. There is plenty of old-style music appreciation here, as well as good ol’ coming of age themes as Mandy and Tim try to figure out what to do with their lives after highschool.