What Makes A Good Ending in a Book?

For some readers, a satisfying book ending is knowing everything turned out well for the characters. For others it’s having the mystery solved and all the loose ends neatly tied up. Some readers love a happy ending and others – like me – hate it when the guy gets the girl in the end. It can be exciting when the villain gets away or a novel ends in a cliffhanger, knowing a sequel is in the works. I don’t usually enjoy ambiguous endings, but appreciate some readers like to imagine for themselves what happened to the characters. Here are my thoughts on some great book endings.


Glancing at my bookshelves, Stoner by John Williams has one of the most standout memorable endings for me. It is a sorrowful ending, but this melancholic novel slowly built to this point and it was so exceptionally written that it literally took my breath away. I hugged the book to my chest when I finished reading it and the final scene is still with me years and years later.


The Messenger by Markus Zusak has a unique meta fiction kind of ending that has stayed with me long after reading it. Exploring themes of why we’re here and how we can make a difference, The Messenger is a moving – yet funny – novel that carries a powerful and important message. When I finished reading it, I was left in absolute awe at the meta ending and had to seek out fellow readers and their thoughts on the book. Don’t you just love when that happens?


Missing by Melanie Casey is the third novel in the Cass Lehman series set in Adelaide. It had such an unexpected ending I was left flabbergasted and positively hanging out for the next in the series. It wasn’t a cliffhanger in the strictest sense, however it was a character development that I didn’t see coming and desperately want to explore in the next novel.
I’m going to have to wait awhile though with the author taking a break from the series, but you can bet I’ll be keeping an eye out for the next in the series.


Reading the end of Cloudstreet by Tim Winton broke my heart but also made my soul soar with the release and bittersweet joy of the character Fish. Despite wanting to stay with the characters beyond the ending of the book, the event that closed the book really was the perfect ending. It brought the story full circle and I’ll always remember the ending with a combination of sorrow and joy.


What kind of book endings do you enjoy? Do you have any memorable endings?

Turn Back Time – Middle Grade Magic

If you could turn back time, erase your mistakes, remember what you did with your car keys or even better, find those missing precious memories and loved ones, would you? These two middle grade novels explore the premise of losing someone inexplicably and the emotions produced through relentless searching for those missing loved ones.

A Wrinkle In Time by Madeleine L’Engle

The IBBY International Children’s Book Day logo, ‘The small is big in a book’ certainly chimes true for A Wrinkle in Time. That it has stood the test of time is testament to this tale (first published in 1963), which I had never read as a child. If I had, I might not have recognised it as a bewitching hybrid of sci-fi, adventure, fantasy, and dystopia. For those living in another dimension like me or have not seen the movie yet, A Wrinkle in Time is a story of discovery and tenacity. It also (re)defines the power of friendship and love.

Continue reading Turn Back Time – Middle Grade Magic

Missing by Sue Whiting

Sue Whiting is a stalwart of Australian literature for young people. She writes across categories, including picture books, non-fiction and novels for children and young adults and has had a successful career in publishing for Walker Books Australia. Her most recent work is Missing, a novel for middle grade.

Thanks for speaking with Boomerang Books, Sue.

Where are you based and what is your background? 

I am based in a small coastal village about an hour south of Sydney. I started my working life as a primary school teacher, specialising in literacy education and Reading Recovery. In 2005, I left teaching to pursue a career in publishing and was Publishing Manager and Senior Commissioning Editor at Walker Books for ten years.

What led to your career in children’s books and what are some highlights? 

I developed a passion for children’s books as a young teacher and this eventually led me to want to write my own books. It took me about ten years before I was brave enough to give this writing caper a crack though. Editing, well, I fell into editing by extreme accident – through submitting a manuscript to a small start-up publisher and ending up with the job as editor of their children’s list – but once I started working in this field, I found that I loved this side of the process equally as much as writing. And I learnt a heck of a lot about writing along the way too!

Highlights! Wow, that’s really tricky, because there have been so many. Holding your book baby for the first time is always very special, but the unexpected letter or email or message from someone who has been touched by your work in some way is without doubt the best feeling ever. Just last week, I received a video message from a three-year-old boy telling me how much he loved one of my early novelty books. That was pretty awesome.

In terms of my publishing career, I think nurturing the early careers of wonderful writers such Meg McKinlay, Sandy Fussell and Anna Branford, to name but a few, stands out as a highlight and what I am most proud of.

Could you tell us about some of the books you’ve written? 

I write across many age groups and genres, from picture books through to YA. My bestseller is The Firefighters, illustrated by Donna Rawlins. It celebrates its tenth year in print this year, which is wonderful, as books don’t tend to stay in print for very long these days. My award winner is A Swim in the Sea, illustrated by Meredith Thomas and my last published book was the nonfiction picture book, Platypus, illustrated by Mark Jackson. It was such a joy to write because I was able to write lyrically about this unique Australian animal. The Firefighters, Platypus and my YA novel, Portraits of Celina have all been published in the US and Platypus has just recently been published in Korea. Missing is my first middle grade novel since Get a Grip, Cooper Jones, which was published eight years ago

What genre is your new book Missing and what is the significance of its title?

Missing is a contemporary mystery/suspense novel for readers 10+. The story revolves around the disappearance of the mother of my central character, Mackenzie. So the title refers directly to the fact that Mackenzie’s mother is missing. But the word “missing” has many connotations. I love that it also relates to Mackenzie missing her mother, her missing out on so many things because her mother is missing and also her quest to find the missing pieces in the puzzle of her disappearance.

Could you tell us about your protagonist Mackenzie and some other characters?

Mackenzie is a pretty typical twelve-year-old girl. She lives in southern Sydney and is caught up in the excitement of the last weeks of primary school when her mother goes missing. She loves art, particularly working in black and white.

Maggie da Luca is Mackenzie’s mother. She is a bat biologist and academic who works for a scientific magazine. She often travels to remote corners of the globe to study and photograph bats for the magazine.

Joe is Mackenzie’s father. He is an insurance salesman. He falls to pieces when Maggie goes missing. He is a man with many secrets.

Lois Simpson is Mackenzie’s gran. She is a scientist and academic and is the person who Mackenzie leans on as she tries to deal with this tragic situation. She too has secrets.

At high school, Mackenzie befriends Billie. Billie is lively and impetuous and a great foil to Mackenzie’s grief. In Panama, Mackenzie meets Carlo. Carlo is fourteen and helps his uncle at the hotel Mackenzie and her father is staying at. His indifference infuriates Mackenzie, but she eventually discovers that he is someone she can trust.

Why have you given Mackenzie a gift for art?

I wanted Mackenzie to have a passion that was in opposition to her mother and grandmother’s love of science. Art was the obvious place and very early on I saw Mackenzie, in my mind’s eye, sketching bats. A trip to the NSW Art Gallery where I happened upon a sculpture of fruit bats hanging from a washing line was the moment that sealed the deal.

Much of the story is set in the jungles of Panama. It’s hard to believe you’ve never been there. How did you create such an exciting and authentic-seeming setting? What was your most surprising discovery about Panama?

I have to admit to feeling a tad guilty that I didn’t jump on a plane and spend weeks in the country to ensure I got it right, but truthfully, I just didn’t have the funds to do that. So I resolved to do everything I could to bring Boquete and Panama to life on the page through diligent research from afar. I researched Panama for about a year – mostly through the Internet. Boquete is a tourist town, which also has a large expat community, mostly American retirees. This worked in my favour as there were many blogs and vlogs I could access depicting everyday life in the town.

I also had two really lucky breaks. One was making contact with Dianne Heidke (sister of Australian author Lisa Heidke) who has lived in Boquete for a decade or more. Dianne was able to answer those questions I couldn’t find answers to on the Internet, and was able to give me access to that all-important local knowledge. She also read the final manuscript and acted as my sensitivity reader.

My second lucky break was the discovery that the local council streamed 24-hour feed of Boquete’s main square live on the Internet. I was able to watch the comings and goings across the square day and night. It felt slightly creepy and very stalkerish, but it really helped me to understand the rhythms of the town.

My most surprising discovery was the lack of resources of the police force in Boquete – to the point that sometimes they don’t have enough petrol to run their police car!

Why have you structured the story as ‘then’ and ‘now’?

Initially, I chose to structure the story this way so that I could move the story on from those early days when the family had just learned of the disappearance and when their grief would be too raw and impossible to bear. But as the story idea progressed, I quickly realised that the ‘then’ and ‘now’ structure was allowing me to create suspense and tension in an intriguing way. It was challenging to maintain, but I loved slotting in key information at just the right places.

How have you used bats as a symbol?

I used bats more as a link between Mackenzie and her mother than as a symbol. It was Mackenzie’s way to stay connected with her mother and her mother’s passion. However, bats do symbolise our ability to see our way through even the darkest times. Mackenzie and her family have to navigate through some very dark days through much of the story, but by the end, I hope to show them stepping out into the light. This was a happy accident that gave extra meaning to the final pages in particular.

During the novel you tantalise characters and readers with mention of gelatos. What’s your favourite flavour?

The gelatos were a nod to my time at Walker Books. There was an excellent gelato bar at the bottom of the building and we often had Gelato Fridays. My favourite was definitely salted caramel Greek yoghurt.

You are known for promoting your books in interesting and skilled interactions with children. How will you be promoting Missing?

Thank you for that! I love sharing my books and stories with groups of kids – it’s my favourite part of my job.

I am about to embark on a schools tour of Brisbane and Sydney, so have been busy preparing my presentations. My reasons for writing the story and my research and how I have used it will be the centre of my talks, as well as some scene-setting with a bit drumming, a lot of drama, and concluding with a “breaking news” report. I will also be doing writing workshops in Sydney and Melbourne – exploring how to create suspense in stories.

What have you enjoyed reading recently? 

I have just reread (for the fifth time) A Monster Calls by Patrick Ness. It is one of my favourite books of all time – so beautifully crafted and emotive. I also recently enjoyed The Golden Age by Joan London and All the Light We Cannot See by Anthony Doerr.

What’s next workwise for you?

I am working on a new middle grade novel with the working title of Chance. It too has a core mystery and is about truth and lies and the grey area between the two.

I also have a new picture book Beware the Deep Dark Forest illustrated by Annie White, which is due for release in October.

Thanks for your generous and enlightening answers Sue, and all the best with Missing. It is a gripping and original work with great appeal for young readers.

Review – Nobody Is Ever Missing by Catherine Lacey

9781783780877I grabbed this book solely on the back of a tweet from Joss Whedon but it then languished in my TBR pile for months. With the book finally being released in Australia I thought it was time to pick it up and was immediately sucked in.

Catherine Lacey’s writing style is electrifying. She skillfully balances between stream of conscious and almost manic narrative to intimately capture the unravelling of a person. Our narrator is Elyria who has, almost on a whim, left her husband and life in New York to travel to New Zealand where she is trying to hitch her way to an artist’s farm. Elyria has lost all regard for her own well being and safety and is focused on the one task she has set herself. As we travel with her we learn of tragic events in her life and her relationship with her unnamed husband.

Elyria is lost. She wants to be lost. She wants to go missing. Missing from her husband. Missing from her life. Missing from herself. Catherine Lacey captures this sense of running in prose that is charged with so many different emotions. Her sentences are long but frantic, her dialogue short and hidden. Elyria is spinning out of control but is just hanging on and Catherine Lacey manages to infuse this into her writing.

This is a novel that grabs you by the shoulders, holds on tight and gives you a good shake. It will captivate you, it will grab you and will not let you go long after you’ve put the book down. Nobody is ever missing because you can’t go missing from yourself. Even if that is what you want to do.

Buy the book here…