Mentors in Writing & Illustration: Liz Anelli & Sheryl Gwyther

Liz Anelli and Sheryl Gwyther will be sharing their knowledge and experience of writing and illustrating with aspiring children’s book creators and other interested people in an event organised by CBCA(NSW) this week, the Aspiring Writers Mentorship Program.

Liz Anelli has been achieving recognition for her distinctive illustrations. Her picture books include Desert Lake, written in Pamela Freeman’s assured text. It’s published as part of the Walker Books ‘Nature Storybook’ series and shows how Kati Thanda-Lake Eyre changes when the floods arrive using texture, pattern and colour. It has been shortlisted for several awards, including the NSW Premier’s Literary Awards and the Educational Publishing Awards.

Ten Pound Pom, written by Carole Wilkinson (Black Dog Books, Walker Books), is another well-designed book from the illustrated ‘Our Stories’ series. It is a Britain-to-Australia immigration story.  Liz Anelli has created authentic detail, even using fabrics from her family to fashion the clothing.

Maddie’s First Day, written by Penny Matthew and also published by Walker Books, looks at the evergreen subject of a child’s first day at school.

Grace and Katie written by Suzanne Merritt (EK Books) is a wonderful vehicle for Liz’s skills as she shows the differences between these twin sisters. One is creative and messy. The other is ordered and tidy. Their map-making is a triumph.

Liz Anneli’s website

Sheryl Gwyther is an incredible support to the Australian children’s literature world. I know Sheryl from my years living in Brisbane and she is a wonderful advocate of children’s book organisations and those who are part of them. She is an active member of SCBWI (Society of Children’s Book Writers & Illustrators), an excellent organisation for children’s book creators.

Sheryl’s work appears in the School Magazine and elsewhere.

Her books include the engrossing Secrets of Eromanga (Lothian Books, Hachette) about Australian dinosaur fossils and Sweet Adversity (HarperCollins), a historical novel set in Australia during the Great Depression with Shakespearian and theatrical touches.

Sheryl Gwyther website

Both Liz Anelli and Sheryl Gwyther will be speaking tomorrow night (Thursday 8th November) at an event for aspiring writers at HarperCollins in Elizabeth St, Sydney. Full details and booking information are in the flyer below or follow the link.

HarperCollins keeps our Australian children’s book heritage alive by continuing to publish and promote the works of May Gibbs and Norman Lindsay.

They recently published Emily Rodda’s The House at Hooper’s Bend, a brilliant book, which has been shortlisted for several awards including the 2018 CBCA Children’s Book Awards and the Qld Literary Awards. It is followed by His Name Was Walter, which I look forward to reading.

My other recent favourite from HarperCollins is Jackie French’s Just a Girl. It’s one of the best books I’ve read this year.

 

 

 

 

 

CBCA 2018 Shortlisted Picture Books #2 – Florette, The Great Rabbit Chase, Swan Lake, Ten Pound Pom

Florette written & illustrated by Anna Walker (Penguin Random House Australia)

Mae moves to a new home, an apartment. She is sick of all the packing boxes but draws on many of them, particularly drawing daisies. She misses gathering things for her treasure jar. After going to the park, she finds a forest inside a florist but it is closed. A ‘stalk of green [is] peeping through a gap … a piece of forest’. It becomes a treasure for her jar. She goes on to grow a plant for her new (shared) garden.

Themes include moving home; making new friends; the importance of greenery, trees, gardens; and natural and built environments.

Children could compare and contrast the endpapers (there are different creatures in each).

They could consider the meaning of Florette and related words such as florist and forest.

Garden They could make a terrarium or a green wall – a vertical garden or area covered in ivy or vines, dotted with flowers including daisies, model toadstools, other foliage and small model or toy creatures e.g. rabbit, turtle, bird, ladybird.

Children could do some of what Mae does:

  • Decorate treasure jars and find precious items to fill them, perhaps a plant like Mae’s
  • Chalk drawings on asphalt or cardboard boxes
  • Set up a picnic
  • Use pebbles to make daisies

Mae’s movements could lead to making a story map – on paper, cardboard, or using an app.

Other books by Anna Walker include Today we have no Plans, Go Go & the Silver Shoes, Peggy, Starting School and Mr Huff.

The Great Rabbit Chase by Freya Blackwood (Scholastic Australia)

Mum went to buy gumboots but she returned with a rabbit called Gumboots. His attributes are described positively at the start but the illustrations show otherwise

This is a cumulative tale with people joining in like in Pamela Allen’s Alexander’s Outing. There’s even a nod to the fountain of that book.

Humour Examples of humour include Gumboots who doesn’t stop to chat with anyone while escaping; the mother chasing him in towel; and the illustrations that sometimes tell a different story.

Illustrations Media: watercolour, pencil and oil paint

Freya Blackwood uses her signature spotted clothes and domestic details e.g. an ironing board. Red is used as a ‘splash’ colour and there is a worm’s eye view of the underground tunnel.

Themes community; simple outdoor pleasures; friends (even for rabbits); and how rabbits multiply.

Setting  The creek scene is a peaceful interlude, a moment in time, shown by a bird’s eye view. ‘Mrs Finkel’s forehead uncrinkles’ there. The trees are described as a simile: ‘They are like giants with their long legs stuck in the ground.’

The endpapers of this picture book are like a board game, which children could play on.

Children could look at a doll’s house where the front wall is removed. They could make a cutaway diagram (where some of surface is removed to look inside) showing the inside of the house and tunnel (as in the last double page spread). Or they could make a model inside a shoebox lying on its side.

Swan Lake by Anne Spudvilas (A&U)

This tale is taken from the ballad of Swan Lake, a tragic love story of a princess transformed into a swan by an evil sorcerer. The women are swans by day and humans by night. The princess plans to meet the prince at midnight at the ball. The sorcerer’s daughter is disguised as the Swan Queen and the prince chooses her as his bride.

The book is described as passion, betrayal and heartbreak in the Murray-Darling. Children may be able to identify the region from images of the area and the book.

The book is structured/played in III Acts, like the ballet. The written text is followed by pages of illustrations.

Children could listen to some of the ballet music e.g. Tchaikovsky’s Swan Theme; Saint-Saens’ The Dying Swan.

Ballet in pictures They could view some of the ballet.

Visual Literacy  The colours are mainly monochromic, with red as a splash (feature) colour.

Camera angles show some variety:  from underneath – red queen; from above – fleeing girl.

There are close-ups of the swan face and neck; black bird of prey.

Texture Children could emulate the texture through printmaking using leaves and sticks.

They could animate the transformation of swans to women using https://goanimate4schools.com/public_index or other animation programs or apps.

Books by Anne Spudvilas include The Peasant Prince and The Race

Ten Pound Pom written by Carole Wilkinson, illustrated by Liz Anelli (Walker Books)

This picture book is Carole Wilkinson’s memoir of immigrating from Britain to Australia as part of the Assisted Passage Migration Scheme, so it could also be regarded as an information book. Detail is shown to give verisimilitude.

Migration Carole Wilkinson packed her 101 glass animals and even tried to pack soil to take to Australia. Imagining they are migrating, children could be asked what treasured possessions they would take.

Compare/contrast Children could compare and contrast migration in the 1950s and 1960s with other ways of migrating to Australia in the past and present. They could use Popplet (a mind mapping tool http://popplet.com/ ) to organise their ideas.

Poem Carole Wilkinson wrote a poem about her empty house. Children could write a similar poem, including their circumstances and their emotions if leaving home.

Illustrator Liz Anelli says: ‘So much of her (Carole Wilkinson’s) tale rung true with my own journey and made it a delight to delve into. I loved researching details for the cruise ship they travelled on and especially enjoyed being able to ‘dress’ the characters in Anelli fabrics, sourced from my grandparents’ photo album.’

Some of her illustrations pay homage to John Brack’s paintings in style & colour and some of her other books are One Photo and Desert Lake.

Picture Books Steeped in History

From sea to air and up into space. A substantial ship voyage. Amazing aeroplane feats. And a rousing rover exploring the red planet. Three different modes of transport literally transport us back in time with their historical significance, teaching us so much about how we got to where we are today. All inspiring, all empowering. Here are a few prodigious picture book stories steeped in history.

Ten Pound Pom, Carole Wilkinson (author), Liz Anelli (illus.), Walker Books, October 2017.

The true story of an almost thirteen-year-old Carole Wilkinson, Ten Pound Pom tells of the auspicious journey of a young girl and her family immigrating from England to Australia in the early 1960s.

Post World War II, under The White Australia Policy, a scheme called The United Kingdom-Australia Free and Assisted Passage Agreement promised emigrating British sunshine, plentiful food, higher wages and space to live. Ex-servicemen and children could travel for free, and other adults paid only £10, dubbing these migrants as ‘Ten Pound Poms’. The inclusion of facts explaining The £10 Migration Scheme, glossary, and the ship Arcadia, in which Carole’s family travelled, gives the book a depth and validity that is so neatly etched into this fascinating and personal story.

With a few packed boxes of furniture and precious belongings, and a small amount of knowledge about this foreign land, the dream of a new life for the Wilkinsons in Australia was to become a reality. A whole season and 11,397 miles sailed on the SS Arcadia later, the family had ventured into uncharted waters across the Mediterranean, through the Suez Canal, along the Red Sea, through the Indian Ocean and the roughs of the Great Australian Bight to their Adelaide destination. All the while, a young Carole learns of different cultures, experiences new sights and even makes a new friend.

Wilkinson re-lives her time on the “huge floating hotel” in her own childlike voice, and her impressions of life as a new resident in Australia clearly come from a place of fond memories. The illustrations by Liz Anelli superbly capture the elements of the era and the snippets of Carole’s diverse experiences. The pictorial features add energy and information, including maps, scenery and items of interest, breaking up the text to allow readers to absorb each part in manageable chunks.

As a part of the ‘Our Stories’ series, Ten Pound Pom is a valuable, appealing non-fiction/narrative resource for studying history and sharing migration stories. Capturing the hearts and minds of readers in middle to upper primary, and beyond, this book is perfect to pore over for the purposes of research and for pleasure.

Amazing Australians in their Flying Machines, Prue & Kerry Mason (authors), Tom Jellett (illus.), Walker Books, April 2017.

This time we travel by air as we explore the fascinating history of the development of aviation in Australia. In Amazing Australians in their Flying Machines, we are indulged with the stories of ten brave pilots beginning in 1851 through to 1935.

Ex-convict Dr William Bland patented an idea in the 1850s for an Atmotic Ship to journey from England to Australia in a mere few days, as opposed to the norm of the exhausting three month sea voyage. The balloon flight was dubbed as dangerous, and so literally never took off.

We then discover the invention of the cellular box kites that Lawrence Hargrave believed could give the stability needed for flight in 1894. Following that came the glider of George Taylor in 1909, the first heavier-than-air flying machine successfully airborne over Narrabeen Beach. The narrated and factual absorbing text and images continue to delight us with stories from the brilliant air skills of Commanding Officer of the Australian Flying Corps, Richard Williams in 1917, Ross Macpherson Smith’s winning success in the 1919 Great Race from London to Darwin, plus more inspiring heroes including Nancy Bird, the youngest woman pilot in Australia to gain her commercial pilot’s licence at the age of nineteen.

Each double page spread is littered with interesting historical aviation information, speculative personal recounts, and amazing pilot and general knowledge facts. Tom Jellett’s retro-style cartoons interwoven throughout the army-themed coloured pages add the elements of character, humour and verve to support the material and collection of photos.

The authors, Prue and Kerry Mason, inspired to research Australian aviation history after purchasing their own vintage aeroplane, have provided a sterling non-fiction volume of interest for aeroplane enthusiasts and keen history buffs. Amazing Australians in their Flying Machines carries its weight in gold (or air) as an empowering and uplifting primary school vehicle.

Curiosity: The Story of a Mars Rover, Markus Motum (author, illus.), Walker Books, October 2017.

This is the story of Curiosity; a Mars rover sent to far-off places, and I mean far-off places, to discover whether there has been, or ever will be, life on Mars. Here is another out-worldly experience steeped in history that will not only fascinate, but enrich our imaginations and ‘curiosity’ with many unanswered mysteries of the universe.

With its illustriously large landscape orientation, varied text sizes and pictorial layouts, Curiosity certainly lives up to its space-themed nature. The spreads are generously ‘spread out’, leaving plenty of ‘space’ to digest and conceptualise the given information and images. Markus Motum’s diagrammatical, clean and aerodynamic style of graphics suitably provide the book its authenticity, effectiveness and allure.

So why the desire to explore The Red Planet? Scientists believed there was once life on Mars, but for humans to travel in a rocket would take 350,000,000 miles, and the possibility of not returning. That’s where the Mars Rover comes in. With NASA’s ongoing trials and tribulations of previous missions, a more advanced rover was designed and developed in California – the process of equipment and technology inventions are explained in the book. Curiosity, as she was named, was transported across the U.S to the Kennedy Space Centre in Florida, where she was launched into space in November 2011. 253 days later the rover carefully landed with precision. “Touchdown confirmed. We’re safe on Mars!”

With the well-considered inclusion of a timeline of Mars missions from 1964-5 to present to complete the book, the study into climate and geology and the preparation of human exploration shows there is hope still of answering those curious questions of microbial life. Motum’s celebratory book of Curiosity’s fifth year of exploration on Mars is targeted towards kids and adults alike, using a first-person voice from the rover’s perspective. The inclusion of facts is so comprehensive and never compromised, making this a valuable resource to study and treasure.

Liz Anelli Brings Life to Desert Lake

imageLiz Anelli is the author and award-winning illustrator of many, many colourful projects including children’s books, magazines, advertisements and educational websites. Her stunning artwork extends to printmaking, graphic design, watercolours, gouache and collage. Howzat!, View From the 32nd Floor and One Photo are a few of the picture books she has illustrated. Today I am thrilled to welcome Liz to Boomerang Books to tell us more about her art work, research and the illustrative creation of her latest gorgeous book, Desert Lake.

The Review:

Desert Lake is a fascinating story of survival and prosperity amongst the flora and fauna inhabiting the seemingly barren land of Kati Thanda-Lake Eyre.

imagePresented with two narratives, Pamela Freeman‘s text poses as both a lyrical and animated format and opposite, a smaller font with interesting facts. She tells the story of the rains as they arrive from the north to awaken life beneath the salty surface and enable a propagating community of birds and other wildlife to the area. Liz Anelli‘s brilliant illustrations beautifully depict this contrast, intensity, warmth and spirit with her multi-textured and layered paint, lines, pattern and complementary earthy colours. Even as the birds migrate to more plentiful waters when the lake dries, Anelli’s images carry forth the promise and richness of this outwardly desolate world.

Desert Lake literally thrives on its magical presence. It is captivating, rewarding and exquisite on so many levels. This is one information book that all primary classrooms would benefit from in their studies of Australian topography, climate change and the arts, and for the simple pleasure.

The Interview:

Welcome Liz! You have a style of art that has a distinctive flair yet is diverse in its themes and technique. Did you always paint this way or has your art changed over the years?

My style has certainly evolved over the years. I started out as a line and watercolour wash girl, then discovered how beautifully gouache paint sits on grey paper and gravitated towards dabs of bright colour within a black ink line (which I still do now for some illustrations). About 15 years ago I started incorporating collage and printmaking and learnt Photoshop so that I could choose which elements to cut and stick manually and which to add using my computer. Now I dip into materials and techniques depending on the age audience, subject and purpose of the illustration.

Do you have a favourite piece or project that you have worked on? Why is it special to you?

imageSO hard to choose! I think I love my illustrated maps above anything else, especially the first one I made of Newcastle, NSW because it was my way of befriending my new city (and country). I cycled around the Port-side suburbs for weeks with my camera and sketchbook, stopping to record every interesting building and industry and asking millions of questions. I found myself helping a prawner boat unload its catch, scampering up the side of a grain ship, in awe under the massive stacker-reclaimer wheel at a coal terminal and whizzing round the docks with a minibus full of excited school children who all wanted to show me their ‘best place to play’.

How did you come to illustrating books for children? What do you love most about this industry?

I illustrated (and wrote) my first picture book whilst still an art student way, way back. But as a child I was much more into reading and writing stories than drawing. My sisters, brother and I indulged in hours of imaginative play. My favourite was the one where we acted out snippets of radio programmes, pretending the stations were tuning in and out as we drove on long car journeys… must have been VERY irritating for our parents (but they never did replace us with a real car radio). I got hooked on drawing at Art School. You walk along the street and see stories being played out all around you. I draw what’s going on and voila… a picture book emerges.

The texture, depth, symmetry and combination of colours and media in Desert Lake are simply divine. How did you plan your process? What were the most challenging aspects in creating this book?

imageThe hardest thing is knowing when to stop. I try out colours and textures on separate bits of paper (and sometimes scan them in when they work better than the ’real thing’). I do a lot of research drawing at the ‘roughs’ stage but then clear my references away to make the artwork more intuitively. There are so many choices to make but in the end each spread has to work as a whole picture in relation to its neighboring pages.

What was it like to collaborate with author Pamela Freeman? How much creative licence did you have working on Desert Lake?

imageWalker’s ‘Nature Story Series’ allow author and illustrator a more poetic approach than other picture books and I had the sense of a huge amount of freedom. The manuscript changed a lot along the way and although this entailed more work for both of us I think it made the book even better in the end. Our editor played an expert role as catalyst. My compositions come from a lot of real life observation (I had an ASA Research Award to visit the Outback) mixed up with a good shake of imagination. It was cold and dry when I went to the Lake so I also spent hours drawing and watching the colours on the water here in Newcastle Harbour.

What little secrets can you share about the making of Desert Lake? Any minute details that your audience should particularly be aware of?

An insect (that triangular shaped back and white one who appears on several pages) crawled into the seat of my jeans while I was drawing at the lake, I swallowed more than one bush fly and I went to sleep at night with all my clothes on… it was very, very cold. Can you see the little bug hiding on the night-time scene near the end of the book? Tracing paper collage makes very good frogspawn – just the right translucency.

Fun Question! If you lived in the desert which animal would you choose to be and why?

Hopping mouse – so sweet! NOT a bush fly.

You have recently launched a marvellous exhibition of your artwork at the Lovett Gallery in Newcastle. Congratulations! Please tell us a bit more about it. What have been the highlights so far?

We wanted to allow viewers inside the process of creating a picture book so have included the story of our research trips and examples of my storyboards as well as all the original paper artworks. Visitors can spot the variations between these and the printed pages, working out for them selves what parts I ‘collaged’ on screen. We deliberately asked the framer to include all my rough notes and workings around the edges of each piece and I love it when children ask me if I know there is an apple sticker on one… yes, I eat a lot of apples when I’m working.

imageI’m also enjoying watching another piece of desert floor come to life. We created a 4 metre long panel of one of my sketchbook paintings of the sandy ground with cracks and a few scrubby plants on it and I’ve been helping children make creatures using collage, paint and print in workshops. I think there are over 100 creepy crawlies on there already.

What would be your greatest piece of advice for emerging artists wanting to succeed in illustrating children’s books?

Don’t give up! Network, work hard and make pictures about the things you love not just what you think publishers would like to see. Be yourself, that’s the thing they won’t find anywhere else.

Thank you so much for talking with us, Liz! It’s been a real pleasure! 🙂

To connect with Liz Anelli please visit her website, Facebook and Twitter pages.

Her Desert Lake exhibition displays original artwork, sketches and studies of Liz’s research in the outback. It is being held at the Lovett Gallery in the Newcastle Region Library until May 14. Click here for more details.

Desert Lake is written by Pamela Freeman, illustrated by Liz Anelli and published by Walker Books, 2016.

Pre-order your copy of Desert Lake.

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