Slam Poetry: ‘Limelight’ by Solli Raphael

Solli Raphael is a phenomenal Australian slam-poet. I was fortunate to meet him at a Penguin Random House roadshow. He is a personable, thoughtful young man with an enormous talent. He is only thirteen.

Solli is the youngest Australian to win the all-age poetry competition, the National Australian Slam Poetry Finals, held at the Sydney Opera House in 2017. This led to a TEDx solo live poetry performance at Sydney’s International Convention Centre in front of 5000 people and a solo performance at the Commonwealth Games on the Gold Coast in front of 35,000 people (with millions watching here and around the world) in 2018.

He has a vision that sees people caring for all humanity, as well as for our environment. He writes and delivers his poems with thoughtfulness and engagement. You can view some of his performances online (links below). He presents his important themes and issues with developing tone and pacing, enhanced by thoughtful, apt facial expressions and gestures.

And now he has written a book, Limelight where he introduces slam poets as people who “use their personal experience to tell a poetic story”, often employing rhyme. Repetition, alliteration and assonance also feature in Solli’s work. Solli and his fellow slam poets aim to raise awareness on issues such as the environment or racism.

In Limelight Solli shares his experiences of some of his formative performances and gives writers’ tips. These include his creative discipline of brainstorming ideas at the same time each day and how he counteracts writers’ block. He explains some of the figurative speech he uses, such as similes, metaphors and idioms.

There are over 30 poems (in a range of forms) and slam poetry in the book. The title poem, ‘Limelight’ is a combination of slam poetry and song. ‘We Can be More’ is a paean to protect the planet: “realise that your litter is a bitter pinch to the earth”. Solli’s performance of ‘Australian Air’ has been viewed 3.5 million times online and is a highlight of the book. Its play on “air” and “heir” challenges us to act to save our country. Its refrain, “We breathe in, we breathe out” gives us space to physically breathe in and out and recognise the essential nature of air and breath: something we can’t survive without and we ignore at our peril. Other poems include ‘Media Literacy: Fake News’ and ‘Evolution’.

Solli has a list of upcoming appearances on his website. He is worth seeing as well as reading.

Slam and similar poetry are of particular appeal to young readers but Solli Raphael offers creative, intelligent, challenging ideas, all wrapped in hope, for everyone.

Web: www.solliraphael.com.au

YouTube: https://www.youtube.com/channel/UCRLfzW5wCxIqnyXaoE2nOlw

Facebook: https://www.facebook.com/solliraphael/

Instagram: @solliraphael

CBCA 2018 Shortlisted Picture Books #1 – Mopoke & A Walk in the Bush

Mopoke by Philip Bunting (Omnibus Books)

Mopoke is structured using black and white alternating pages. The pages are well composed with the mopoke carefully positioned on each. The style is static, with a picture of mopoke in different poses. This style can also be seen in Sandcastle by the author/illustrator; and the Crichton shortlisted, I Just Ate My Friend by Heidi McKinnon.

Humour appears throughout Mopoke e.g. ‘This is a wombat.’

The book can also be dark e.g. ‘Nopoke’, where both pages are black.

Children could perform the text as a performance poem (see the work of Sollie Raphael, teen Oz Slam Poetry champion, who has a book, Limelight).

Safe styrofoam printing (like lino cuts) Children could select one of the mopoke pictures or design their own to make a printing tool. They could cut the rim off a styrofoam plate; etch the mopoke shape using a blunt pencil, pen or stick; etch some texture; add paint; place the paper on top and press.

Poster Making The bold, striking illustrations reflect current trends in graphic design so children could make a poster of a mopoke in this style.

‘Educational Technology & Mobile Learning’ –

‘The best 8 tools to make posters for your classroom’ https://www.educatorstechnology.com/2013/02/the-best-10-tools-to-create-postersfor.html or use Glogster.

A Walk in the Bush by Gwyn Perkins (Affirm Press)

There’s an interesting relationship between Grandad and (possum-like but actual cat) Iggy. Iggy doesn’t want to emulate Grandad; he seems more aware, while Grandad often seems oblivious to what they see in the bush.

The author/illustrator has a detailed eye for natural bush sights and sounds such as plants, animals and birds and silhouettes and shadows are executed in a light colour. The style is reminiscent of Roland Harvey.

The bushland setting is an integral part of A Walk in the Bush. To enable children to experience this, teachers or parents could find an area where there is some bush. It may be part of a State Forest, nearby bushland or a bushy area within a local park or the school playground.

Sensory Wheel Students look, listen and use other senses to note the sounds, sights and other features of the bush e.g. eucalyptus leaves to crush and scribbly marks on trees. They could record sights, sounds, smells, feel/touch, taste (where safe) on a sensory wheel.

Children could create literary texts by selecting one of the senses to focus on. They write a brief sensory description of the bush using language generated from their experiences in the bush.

They could write this description onto a piece of paperbark (if accessible without causing damage to trees) or onto recycled paper or wrapping or scrapbooking paper that emulates the colour, content or texture of the description. (NB paperbark is also available from some kitchen suppliers)

Soundscape While in the bush, could listen to and identify bush sounds.

They create then a soundscape by listing five of the sounds and recording these. The free recording tool Audacity could be downloaded to create soundscapes http://www.audacityteam.org/download/.