I heard her in conversation with popular author Sally Rippin at Melbourne’s Wheeler Centre last year and blogged about it here. She spoke about her 2016 publication Raymie Nightingale, an unforgettable tale about three girls, Raymie, Beverly Tapinski and Louisiana Elefante, who enter a beauty pageant.
Louisiana is, of course, the star of DiCamillo’s new novel, Louisiana’s Way Home (Walker Books/Candlewick Press). Told in first person through Louisiana’s written account of what happened when her Granny whisked her away in the middle of the night, we experience her confusion and angst.
The family story begins when Louisiana’s magician great-grandfather sawed her great-grandmother in half and refused to put her back together again. Louisiana’s Granny believes that the day of reckoning has arrived and they must leave to confront the curse and face their destiny.
Louisiana frets about Archie her cat and doesn’t believe that Granny has left him in good hands. When they run out of gas on the Florida-Georgia state line we learn that Granny not just imposes on people but borrows or steals. Her desperate need of a dentist forces 12-year-old Louisiana to drive the car and find help.
They recuperate at the Good Night, Sleep Tight motel and, even though Granny absconds, Louisiana finds varying degrees of goodness in people’s hearts: in some hearts, many hearts and even most hearts. Bernice, the motel manager, is hostile and suspicious but others such as dental patient Carol Anne, give Louisiana cookies and the boy with the crow, Burke Allen, gets her peanuts from the vending machine and makes her bologna sandwiches. “He was the kind of person who, if you asked him for one of something, gave you two instead”.
Louisiana believes that she must rescue herself. Granny trained her to be resourceful and capitalise on her gifts, such as singing.
The tale of Pinocchio with his nose growing when he lies; the Blue Fairy who appears at the darkest times; and the singing cricket Pinocchio kills at the beginning of the story and who then reappears as a ghost, reflects some of the circumstances and emotions of Louisiana’s journey. This may be a tale of desperation and despair but Louisiana loves stars and sees beauty in the world. Like many of Kate DiCamillo’s works, hope and forgiveness prevail.