Indie Book Awards 2016

Charlotte woodThe 2016 Indie Awards presentation, hosted by Allen & Unwin in North Sydney, was filled with warm goodwill, packed with authors, booksellers, publishers and industry professionals.

Independent booksellers do an incredible job in reading and hand-selling Australian literature. They ensure that excellent books that could otherwise be overlooked, reach readers – and these books often go on to become best sellers and recipients of literary awards. Indie bookstores are regarded with great affection by authors and publishers, as are the staff of Leading Edge Books, led by Galina Marinov, who organise the awards.

Some former Book of the Year winners are The Narrow Road to the Deep North by Richard Flanagan, All That I Am by Anna Funder, The Bush by Don Watson and Jasper Jones by Craig Silvey.

The Indies are the annual vanguard awards and give a strong indication of which books are valued by both the experts and readers. The awards began in 2008 and are growing in stature. In a mark of esteem by the industry, booksellers announce the winners in each category.

The 2016 Fiction winner is Charlotte Wood for The Natural Way of Things (A&U), which I reviewed here. This portrayal of women who have been involved in sexual scandals and are mysteriously incarcerated in the Australian desert is generating vigorous discussion with readers. It is a unique and important novel and it also won overall Book of the Year. Elegant Charlotte Wood was clearly moved in her acceptance speech, recognising the encouragement of booksellers during her career and regarding the award as a high honour.

Magda Szubanski’s memoir Reckoning (Text Publishing) won the Non-Fiction category. There is much to ponder in this well-written book, including the impact of what happens in childhood on the years that follow: particularly in Magda’s case, the secret of her sexuality. Having a father as an assassin is also a fascinating angle.

Salt creekDebut Fiction was won by a very appreciative Lucy Treloar with Salt Creek (Pan Macmillan) from a strong field which included Rush Oh! and Relativity and the Children’s award was won by the prolific Aaron Blabey with The Bad Guys Episode 1  (Scholastic), a change from his extremely popular picture books such as Pig the Pug (which was shortlisted last year).

A new category this year is the Young Adult award. It is certainly worth separating this category from Children’s. The inaugural winner is the very deserving Fiona Wood for Cloudwish  (Pan Macmillan). See my review about Cloudwish in the Weekend Australian: Cloudwish

http://www.theaustralian.com.au/arts/review/ya-fiction-fiona-wood-rosanne-hawke-julie-murphy-rebecca-stead/news-story/adcead8f4a48206533f04d6789984d1f 

Both the Australian and the SMH reported on this year’s Indies Award.

And more can be found about the Indies Awards here.

Thanks to all the organisers and those involved.

#ByAustralianBuyAustralian

NSW Premier’s Literary Awards Winners

Earth HourThe NSW Premier’s Literary Awards, held at the Mitchell Library last night, was an opportunity to recognise some of our literary greats, as well as newcomers to the winners’ stage.

Eminent author/poet, David Malouf, won the Kenneth Slessor Prize for Poetry for Earth Hour (UQP), another award to honour the exquisite writing of this distinguished, generous man.

Jaclyn Moriarty deservedly added to her cache of awards for the second in her ‘Colours of Madeleine’ trilogy, The Cracks in the Kingdom (PanMacmillan) This stunning original fantasy has already won the Queensland Literary YA Award and the Aurealis YA Award, and last night won the Ethel Turner Prize for Young People’s Literature. My review in The Weekend Australian is here. Jaclyn was one of the most engaging speakers on the night; sharing poignant and funny words from her readers that highlighted the importance of books in the lives of young people.Cracks in the Kingdom

The Patricia Wrightson Prize for Children’s Literature was shared by Tamsin Janu’s debut novel, Figgy in the World and Catherine Norton’s, Crossing. Figgy in the World is set in Ghana and relays the tale of eight-year-old Figgy who tries to get to the ‘United Stilts of America’ to buy medicine for her grandmother. Ghana and its people are brought to life in this novel. It is my favourite of the CBCA Book of the Year shortlist for Younger Readers.

Figgy in the World

Both these books are published by the recently defunct Omnibus Books imprint from Scholastic Australia. Omnibus has published books that have become contemporary children’s classics over the years, so their closure is extremely disappointing.

Some other shortlisted children’s authors/illustrators were in attendance, including the sublimely gifted Stephen Michael King for The Duck and the Darklings (Allen & Unwin), written by Glenda Millard. This is my favourite of this year’s CBCA shortlisted picture books. Trace Balla’s debut picture book, Rivertime (Allen & Unwin) has created an awards buzz, shortlisted here, as well as for the CBCA and Crighton awards. It was interesting to hear some of the inside story of this book. Trace and her partner actually made the ten-day canoe trip that was the catalyst for the book and it seems as though Trace had as much trouble climbing onto jetties as did her child protagonist, Clancy, in the book.Duck and Darklings

Other highlights of the evening were awards for translation, the Multicultural NSW Award to Black and Proud: The Story of an Iconic AFL Photo by Matthew Klugman and Gary Osmond (NewSouth Books), the Nick Enright Prize for Playwriting to Black Diggers by Tom Wright (Playlab/QTC), Betty Roland Prize for Scriptwriting to The Babadook by Jennifer Kent (Causeway Films) and the UTS Glenda Adams Award for New Writing to Luke Carman’s An Elegant Young Man (Giramondo). Mark Henshaw won the Christina Stead Prize for fiction with his stunning The Snow Kimono (Text) – read my review here – and Don Watson’s The Bush (Hamish Hamilton) emulated his Indies Awards honours by winning both the Douglas Stewart Prize for Non-Fiction and overall Best Book of the Year. He was so flabbergasted by the second award that he confessed to finally being humbled.

Bush

David Williamson was deservedly presented with a special award for his distinguished body of work. He generously donated his prize money to an upcoming winning playwright of a competition run by the Ensemble Theatre.