Picture Books for Christmas that Make Your Heart Sing

Looking for Christmas book gifts that aren’t necessarily festive-themed? Want beautiful stories of the heart that are perfect to share at a time of love, hope and togetherness? Here’s a little mix of brand new picture books that make your heart sing just as much as carollers on your doorstep.

Marvin and Marigold: A Stormy Night, Mark Carthew (author), Simon Prescott (illus.), New Frontier Publishing, October 2018.

Last year Marvin and Marigold did celebrate Christmas in A Christmas Surprise. This year they are exploring themes of friendship, kindness and overcoming fears when things get a little shaky. Being afraid on a wildly rainy night is a feeling many preschool-aged children know all too well. However, Carthew expertly leaves readers unrattled by this overbearing storm with plenty of reassurance and a loving message of the importance of family – very much inclusive of our beloved pets. Written with gentle rhyming couplets and sprinkled with humour, A Stormy Night takes the intensity of the swirling thunderclaps down a notch and rather reinforces the warmth of having one another and their grandparents to feel safe and sound. The final page further leaves a satisfying surprise to add to the warm and fluffies! A nice one to share with family these holidays.

Wisp; A Story of Hope, Zana Fraillon (author), Grahame Baker-Smith (illus.), Lothian Children’s Books, August 2018.

A stunningly told and illustrated book that literally sends shivers running through your spine. Beginning with a world of people alone, poor and desperate, to guiding us with an aura of ambience to a place of memory, promise and hope. Wisp is an exceptional story of a young refugee finding a whispering light that is passed around to elders, returning the glint in their eye of a life that ‘once’ was. The tales they tell swell with uplifting memories, music and magic that quells the dullness they have come to know. The illustrations are simply breathtaking. Vast landscapes where shadows meet sparks of glow and colour. For a child of primary school age to read this book, Wisp provides them with a deeper understanding of war and a beautiful impression of the power of hopes, dreams and optimism for the future. Particularly relevant at this time of year.

The Christmas Choir: Silent Night, Lara Hawthorne (illus.), Lincoln Children’s Books, September 2018.

A beautiful rendition of the traditional Christmas carol – Silent Night – adorned with paintings reminiscent of a child-friendly style of Biblical graphics. Bold blocks of colour are draped over camel-riding shepherds, kings, virgin mother and child, with dark backdrops glittering with sparkling stars. The classic song spreads throughout this tale of the calm and beautiful holy night in which Jesus was born, and is also written in full verse at the finale. A background story about the song’s original composition in 1818 in Oberndorf bei Salzburg, Austria is also provided – funnily enough written in hast by Catholic curate, Joseph Mohr on Christmas Eve because of a problem with the church organ caused by mice. Reading (and singing) Silent Night to your children is a lovely way to teach them about the faith and also gain further insights into the meaning of the world famous and beloved carol.

The Aussie ABC Christmas, Nancy Bevington (illus.), New Frontier Publishing, October 2018.

Now here’s one with a mix of the traditional and the modern, but totally classic Aussie! The Aussie ABC Christmas will make your heart swell with pride for our true-blue Australian customs, natives and way of life. Bevington has done a brilliant job culminating all the quirks and nuances of our nation with Christmas through her adorable, humorous and clever illustrations across the alphabet. An Akubra-wearing Angel, a red bucket-topped ‘sandman’ on the Beach, Kissing Koalas under the mistletoe, Anzac biscuits and Milk for Santa and plenty more. Not to mention nods to the good ol’ Hills Hoist used as an Ornament, and famous landmarks like the Opera House as a resting place for the Reindeer. This is how to make your Aussie Christmas a celebration to splash out on! So much fun for children from age three.

Find even more fantastic Christmas book gifts via Dimity Powell’s roundups and the Boomerang Books gift guide for children here.

Merry Christmas!

Keeping the Faith – Junior Novel to YA reviews

Believing in yourself when all else around you is in a state of upset and confusion is an emotion children are more than capable of recognising. Keeping the faith when adrift in turbulent seas is not only testing and difficult at times, it also determines your future perspectives on life. These next few books that touch on the importance of keeping the faith in dire times provide intense and touching lifelines to children (and adults) of all ages.

Leave Taking by Lorraine Marwood

Marwood is more than adept at distilling emotions into moving verse novels. Attaching emotion and memories to physical things is something humans are adept at, as well. This story deftly portrays a young boy’s heart-felt attempt to retain and simultaneously farewell everything he holds dear in his life as he and his family prepare to sell up and leave their family farm.

Continue reading Keeping the Faith – Junior Novel to YA reviews

Kate Simpson Shares her Story on Finding Granny

 Finding Granny is a touching and heartwarming story about a young girl dealing with her Granny’s stroke, yet underneath the surface it so much more about the emotional impact it has on every character in the book, and even those behind the scenes. Granny’s convalescence is beautifully captured through the uplifting illustrations and the playful tone in which the story is told. The words were artfully written by debut author, Kate Simpson; mum, writer, engineer and podcaster, who joins us as a part of her blog tour to talk about her journey thus far. Thanks, Kate! 🙂

Thanks for talking with us, Kate, and congratulations on your debut picture book, Finding Granny!
Can you tell us a bit about your background and how you came to be a children’s writer?

I didn’t always dream of being a writer. I always loved books and thought it must be amazing to be an author, but it simply didn’t occur to me that this was something I could do. I felt like writing was something for people with ideas, and I didn’t have them.

When my children were born, I took maternity leave with each, and then worked part time. With less happening at work, I started looking for something more to challenge me intellectually and creatively. Because my own children were so young, I was reading mountains of wonderful picture books and somehow, something just clicked and I thought that perhaps writing for children could be the thing I was looking for. And it was.

What does having Finding Granny published mean to you? How do you hope it will touch its readers?

It’s incredibly exciting to have a book published and to be able to see it and touch it and read it to my children. Like many writers, I’ve been chipping away at this over a number of years and it’s such a thrill to see the fruits of my labour in physical form.

In terms of how it might touch its readers, I feel like it’s the type of book that may find a different place in each reader’s heart depending on their own experience. A family touched by stroke or by another illness or disability might get different things out of Finding Granny than a family with different experiences. But I hope that the love between Edie and Granny really shines through for everyone and that the emotion of the story rings true.

Do you have any personal experience with art therapy? How much research did you need to undertake in developing your story, combining the emotional and physical impact a stroke has on a person, and how art therapy can aid in their recovery?

I don’t have any experience of art therapy. In fact, in my first draft of Finding Granny, Granny underwent physiotherapy rather than art therapy. But I just couldn’t find a way to bring out Granny’s playfulness in that setting in the way that I wanted. I don’t remember how the idea of art therapy came to me, but I remember doing a quick Google search and finding a news article from the UK about an art therapy group for stroke survivors that was holding an exhibition. From there, it just clicked.

I did do a little bit more research after that. There’s not a great deal of detail in my book, but I wanted to be sure I wasn’t including any glaring factual errors. It was also interesting to read people’s personal stories of creating art after stroke. Some were already artists, who needed to re-learn their skill with their non-dominant hand after the dominant hand was affected by stroke. Others had never had any experience of art before beginning art therapy after stroke. I came across a few news articles and blog posts that included photos of the art work created, and I was blown away.

As a first time author, how did you find the publishing process with EK Books? Were there any surprises or challenges along the way?

I really didn’t know a huge amount about the process going in. The few things I’d gathered from conferences and friends were that it would be slow and that I would be involved very little. Largely, I suppose that was true. There were certainly gaps of many months where I heard nothing at all. But I was pleasantly surprised to find that my publisher at EK Books did consult me on the choice of illustrator and that I was given the opportunity to comment on the roughs. As for the waiting, it seems like that’s just part of every stage of the publishing journey. It’s excruciating, but it can’t be avoided.

Gwynneth Jones is obviously a talented illustrator, absolutely capturing the heart, joy and love in Finding Granny. What was it like collaborating with her, and what do you love most about the way she has portrayed your sensitive story?

What’s not to love about Gwynne’s illustrations? I remember in the early days, my publisher emailed me some rough pencil sketches that Gwynne had done of Granny and Edie, and I was just over the moon. She has really brought the characters to life and I just can’t imagine them any way other than as she has drawn them. That’s definitely the thing I love most about her work.

In some ways collaboration seems a strange word to use for the process of creating a picture book. Of course, in the end the words and text work together to create the reader’s experience of the book, but as the book is created we really work largely alone. I created the text before Gwynne was involved at all, and most of her work was done independently of me as well. The publisher did give me the opportunity to comment on the roughs, and I made a couple of comments, but I don’t remember asking for any substantial changes (Gwynne may remember it differently!).

Do you have a favourite memory with one of your grandparents?

Many! My maternal grandmother lived with us for much of my childhood, and I remember her fretting over us climbing trees and jumping over rocks. My sister and I took positive delight in terrorising her with our exploits, but now that I have kids of my own, I can absolutely understand where she was coming from!

You’re one of the trio in the popular podcast for kids, One More Page. Has there been a stand out moment, or piece of advice from a guest that changed you or your thinking, or reinforced what you do as a children’s writer/presenter?

I think the biggest thing I’ve taken away from the podcast is how incredibly supportive the children’s book community is. We’ve had organisations like the Society of Children’s Book Writers and Illustrators going out of their way to promote what we’re doing, and established authors and large publishers really getting on board to be part of our interviews and our Kids’ Capers segment. And then of course there’s the constant cheer squad of emerging writers, teachers, librarians and general book lovers who listen to the show and share it on social media, tell their friends and send us messages via our website. It’s such a delight to be a part of such a wonderful community.

Anything else of excitement you’d like to add?

Everything seems a little bit exciting at the moment. I’m doing my best to remember it all so that I can feed off that in the moments when I’m alone in my lounge room tearing my hair out over my latest manuscript. I have another couple of picture books coming out over the next two years, and I also have some ideas for some middle grade novels that I’m keen to get started on. I’m really hoping to build this little spark of success into a career.

Thanks so much for the interview, Kate! Congratulations again on your new release, Finding Granny, and enjoy the rest of your book blog tour!

Join the tour here. 🙂

Find ‘Finding Granny’ in Dimity’s reviews here.

#ByAustralianBuyAustralian

Flights of Fantasy – Imaginative Picture Books

Perhaps one of the most fulfilling perks of writing for kids is the time spent flitting around in my imagination. It’s a weird, boundless place, which allows me to harness old memories and reinvigorate them into wondrous dreams-come-true. These next few picture books are glorious examples of tapping into imaginative flights of fantasy and exploring the possibilities.

Young MacDonald by Giuseppe Poli

When I was a kid, I trussed up my trusty bicycle with the dog’s lead so that I had my very own ‘horse’ to ride around the backyard. I jumped my Malvern Star-steed in Gymkhanas, rode for days through dusty paddocks and occasionally found a hut high in the Snowy Mountains to hunker down in and ride out a storm. A remarkable amount of miles covered for a 12-year-old.

Young MacDonald, son of the much loved, Old Mac, is no different. We first meet Young Mac after he gets his own little red bike. To the familiar refrain of this well-known nursery rhyme, Young Mac goes a ting-a-linging everywhere on his bike. Encounters with a variety of vibrant characters on the farm, slowly transform his bike into a bike-digger-pirate-ship-chopper-sub-rocket that fills his day with ‘fantastical adventure’ (albeit no ponies but there you go).

Continue reading Flights of Fantasy – Imaginative Picture Books

Express Yourself! – Picture Books Concentrating on Creativity

The seed of creativity takes many forms. It may lie dormant, untapped, unchallenged, or temporarily forgotten  but when nurtured, wonderful things grow. This bushel of picture books not only gives young readers permission to express themselves, but also demonstrates creativity’s diverse manifestations.

Eric Finds a Way by Robert Vescio and Ann-Marie Finn

Eric loves reading and living the stories he reads about. He aspires to write and draw his own adventures but frequently stumbles over his feelings of inadequacy. Encouraged by his ever observant and patient father, Eric persists until one day he has an idea that does not require pictures and words to enable him to journey into a story. Eric’s discovery of the power of imagination and the realisation that you can express it in many different ways is a timely reminder that not all kids like leaping into storybooks to experience new adventures and travel to new places. Nor do they have to. Finn’s beguiling collage and paint illustrations are the ideal match for Vescio’s smooth clean narrative. Inspired outside-the-box-thinking for 5 – 8 –year-olds.

Wombat Books June 2017

Continue reading Express Yourself! – Picture Books Concentrating on Creativity

Dim’s Christmas Cracker List # 5 – Meaningful Christmas Tales

The tinsel is hung, the carols are sung. Tchaikovsky’s, The Nutcracker courses merrily in the background and hope hovers amidst every batch of gingerbread cookies. There’s no doubt, Christmas is well and truly upon us. However, if you are still in search of a meaningful Christmas tale to share with your young ones, consider these. They are all full of heart and soul and more than just a little good old-fashioned Christmas magic.

Dim’s Pick of the Season

The Girl Who Saved Christmas by Matt Haig and Chris Mould

If you are ever in need of a little magic, if you ever find yourself questioning reason, if your festive spirit is ever waning, hope is here, with Matt Haig. This is superb storytelling for midgrade readers all the way through to 99-year-olds. Following on from Haig and Mould’s first collaboration, A Boy Called Christmas, this tale works so well at suspending belief and infusing hope, you’d be forgiven for feeling you’ve already met Father Christmas. Maybe you have. Haig takes what we have already been led to believe and crystallizes it into one big fat tangible beautiful believable Christmas miracle. Mould’s illustrations enhance an already magical tale with strokes of Dickenson brilliance. A Christmas must read – every year. Sublime to read aloud to little people or to cherish alone as you would the last fruit mince pie. Read, A Boy Called Christmas first to truly fortify your Christmas spirit, then Father Christmas and Me.

A & U Canongate November 2016

Continue reading Dim’s Christmas Cracker List # 5 – Meaningful Christmas Tales

Kids Will be Rapt to Find More Wrapped this Christmas – Part 2

Back again with yet another wonderful collection of gift suggestions for the festive season (see Part 1 here). This time, a few picture books perfectly gorgeous for preschool children who will love the buzz, love and tingle that feels like Christmas.

Merry Everything! is an utterly joyous celebration packaged in a magical wrapping of scrumptious words and pictures to create all kinds of warm and fuzzies. Naturally! It’s by one of my favourite creative combinations; Tania McCartney and Jess Racklyeft!

A book about inclusion and togetherness at Christmas time – what better way to introduce this global jollification than with the endpapers adorned with addressed letters to different animal families around the world. The story continues with sentiments so lovingly expressed through Tania’s kind of lyrical prose about all the preparations pertained to the common link that is Christmas. Bees buzz with busy, pandas wrap surprises, monkeys hang lashings, whilst penguins string songs on the starry sky. Appropriate atmospheric and seasonal scenes and habitats are beautifully thought out in Jess’s sugary sweet watercolour illustrations. Her paintings dazzlingly feature a medley of winsome critters and creatures so busily assembling the festivities with their families. And “on Christmas Day, the world tingles with happy.” Tania’s text continues to bring joy with her mix of cheerful verbs and rhyming elements, humour and bursts of emotion, just like full tummies at the end of a jubilantly hectic day.

A universally appealing book that is brimming with love and intimacy, warmth and unconditional happiness, Merry Everything! is everything a young reader could wish for this Christmas.

Windy Hollow Books, October 2017.

That Christmas Feeling is another heartwarming tale by Lili Wilkinson and Amanda Francey that has us craving that aura of magic and excitement in the lead up to the big day.

But how do you define ‘that Christmas feeling’? Is it baking the Christmas pudding, decorating the tree as a family, singing carols or visiting ‘Santa’? Dottie, Jem and their pup Shortbread reminisce about their special moments last year as they await the arrival of Mum and Dad at their grandparents’ house. This year is not quite the same, and for some children this may be a reality where compromises and adapting to change need to be made. In a bid to find the feeling they so long for, Jem shows Dottie a tree with twinkling lights and they sing songs together. Then Mum and Dad join them with a delivery that qualifies as the most precious ‘Christmas feeling’. It will literally give you shivers!

Touching and packed with emotion, and detailed illustrations that are equally full of life, reflection and charm, That Christmas Feeling is a tribute to the significance of family love and balancing expectations in times of uncertainty or change. Preschoolers will be overcome with hearts filled with joy after sharing this gorgeous book.

Allen & Unwin, September 2017.

What a joyous story brimming with sunshine and optimism, friendship and generosity! A Very Quacky Christmas by Frances Watts is delightfully cheerful with stunning illustrations by Ann James, perfect for reflecting on the true spirit of a bright Christmas.

Samantha Duck gloriously sings, “We wish you a quacky Christmas” whilst winding tinsel around reeds, hanging baubles and stockings on branches, and writing wish lists for all her friends. In the meantime, by her side is the pessimistic tortoise, Sebastian, certain that Christmas is not for animals. But, despite his scepticism he agrees to help his friend collect precious items from animals around the farm – sharing in a Christmas for animals is a delightful idea, after all. A cart full of presents and a bumpy ride later, who else shows his support, encouragement and nobility but Sebastian himself!

A Very Quacky Christmas is an absolutely feel-good book about giving and sharing, with its provocative text and effortless, dreamy illustrations that allow the golden effervescence to wash over the pages and into your heart. Love.

ABC Books, HarperCollins, October 2017.

Here’s a gift that keeps on giving – the legendary classic, We’re Going on a Bear Hunt (Michael Rosen and Helen Oxenbury), specifically designed as a gift book with an all-encompassing snowglobe inset into the cover.

Follow your journey through the long wavy grass, deep cold river, oozy mud, dark forest, and into a swirling whirling snowstorm as you shake and swish the book to create a ‘cool’ whooshing, kinaesthetic experience. What a blast! Continue on your suspenseful way to the narrow gloomy cave, and rush back home again with bear-on-tail, right into the comfort of your bed.

A masterful gift idea from the people at Walker Books to allow us oldies to relive the drama and excitement, and for the youngsters to be inspired to engage in all the songs, actions, role plays and good old cuddles that accompany this favourite treasure. Designed to captivate our hearts with some interactive fun, We’re Going on Bear Hunt Snowglobe Gift Book will be a winner for preschoolers this Christmas.

Walker Books, October 2017.

Belief Compassion Dreams – More Picture Books that Inspire

The well of picture books possessing that alluring duality to entertain and inspire never seems to run dry. Here are a few new titles to keep you topped up.

Feathers by Phil Cummings and Phil Lesnie

Phil Lesnie used pencil, watercolour and a tiny bit of gouache to decorate Cummings’ story of compassion and hope. According to his note, he also spilled his coffee on it twice and left it in. Despite his refreshing flippancy, both he and Cummings have created a picture book awash with extreme visual sincerity and narrative beauty. Their story follows the flight of a migrating sandpiper whose tug for home takes the reader through crumbled war-torn landscapes, over deep river valleys, through dark stormy nights, and across flood-ravaged plains and turbulent seas until finally coming to rest near Mia’s house.

At various locations, a feather or two is lost, each causing a reaction between those who happen upon it, connecting us, the reader, with the inhabitants from lands far distant and their circumstances. The sandpiper is a curious yet brilliant choice for the allegorical conduit between that which is normal for some and catastrophic for others.

Feathers promotes themes of immigration, hope, tolerance, cultural awareness, compassion and humanity in a divinely beautiful way. Highly recommended for primary aged readers.

Scholastic Press August 2017

Once Upon A Small Rhinoceros by Meg McKinlay and Leila Rudge

When a small rhino sets off across a the ocean waves in search of something more, he discovers a world of possibilities and wonders greater than he could have ever imagined and the satisfaction of eventually returning home. This is a comely tale of living your dreams to their fullest and ignoring those soothsayers who warn you otherwise. See Romi’s full review, here.

Walker Books Australia August 2017

I’m Australian Too by Mem Fox and Ronojoy Ghosh

I’m Australian Too focuses on multiculturalism from within our own backyards or indeed, the backyards of a dozen or more typically Aussie kids with not so typically Aussie roots. Celebrating diversity in a way that pre-schoolers will relate to, Fox uses simple verse and a conversational tone to prompt readers to investigate their own cultural heritage and to not only celebrate it but embrace those with different family histories, as well. Each introduction ends on a bouncy high note suggesting that no matter where we originate from, no matter what the circumstance of our being Australian, we are all one and better for it.

Scholastic Australia March 2017

Sarah and the Steep Slope by Danny Parker and Matt Ottley

One of the most powerful and affecting picture book teams around, join forces again to present Sarah’s story of seemingly insurmountable odds. Sarah is unable to leave her home because of a slope. It blots out the sun and surrounds her house blocking every exit. Despite her best efforts, the slope will not budge, trapping Sarah, ‘all day long’. Until the slope doctor makes a suggestion and with the help of her friends, Sarah discovers a way to see past the slope and to conquer it.

Sarah and the Steep Slope is a tremendous story of courage, friendship and emotional resilience. Occasionally we, including young children, all encounter slopes like Sarah’s that effectively prevent us from seeing what is beyond and inhibit us from venturing further than we need to. Parker’s narrative gives one hope and salvation from negative thoughts and actions by illustrating the formidable healing power of friendship. Ottley reinforces this notion of self-belief with utterly lovable, whimsy-filled illustrations that bathe each page with texture and meaning without imagery clutter. Another masterpiece and my new best favourite.

Little Hare Books, imprint of HEG August 2017

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Review – That Stubborn Seed of Hope

Human beings can be a tenacious breed. Our stubborn ability to cling to optimism often overrides unsolicited fear, which I guess allows us to fit in with the rest of the world’s species and, in short, survive. Brian Falkner artfully cultivates that seed of hope in a choice collection of short stories ideal for mid-grade to YA readers and beyond.

That Stubborn Seed of Hope Stories heralds what I hope is the first of more anthologies for children, depicting concise, gripping stories linked in theme and flavour. The tone of this collection is at times dark and sobering, sorrowful and desperate yet somehow also manages to leave the reader with a yearning to read on, to venture further into their own swamp of fears and to face those disquietudes with the help of another’s story.

Falkner addresses a number of fearful situations and occasions to dread with these stories: the fear of death, embarrassment, rejection, heartbreak to name a few. At times the obvious theme is enshrouded by a veil of less certain anxieties which combine to form complex and rich narratives. Continue reading Review – That Stubborn Seed of Hope

A Breath of Fresh Air – Katrina McKelvey on ‘Dandelions’

imageKatrina McKelvey started life in a little country town in New South Wales, where she was fortunate to be able to soak up the charming facets of nature. Nowadays, Katrina is soaking up the well-deserved praise for her gorgeous debut picture book, ‘Dandelions’.
Having had embraced the pleasures and joys through her roles as mother, former teacher, CBCA Newcastle sub-branch president, committee member for the Newcastle Writers’ Festival, and now author, Katrina’s first book certainly reflects her creativity, dedication and passion for life and love for children.

image‘Dandelions’ is a whimsical, delicate story of the special bond between father and daughter, but also of the magic of the world around us. It is about resilience, hope, imagination, wonder and affection. Katrina’s text is perfectly poised, complimenting its storyline on every level. Graceful and tender, the story explores the life cycle of the dandelion as a little girl prompts her Dad to re-evaluate the beauty and simplicity that life has to offer, and together they allow their imaginations to take a wonderful flight.

The illustrations by Kirrili Lonergan are exquisite, with their watercolour fluidity that almost literally sweeps us in to this free and dreamy world. As the wind carries the dandelion seeds across town, we too, can sense ourselves swirling, twirling, spinning and turning on this fanciful drift.

Lyrically and visually stunning, ‘Dandelions’ will spread love, appreciation and curiosity far and wide, harvesting treasured bonds between the generations. Readers from age four will be blown away by its beauty!

I am delighted to have had the opportunity to find out more about Katrina McKelvey and how her ‘Dandelion’ wish literally came true.  

Congratulations on the release of your first picture book, ‘Dandelions’! What have you got planned for your upcoming book launch?  

Thanks! Kirrili and I plan to celebrate in a huge way with our family and friends. We will be launching Dandelions on Saturday, 31st October at 10:30am in the Lovett Gallery at Newcastle Library. We have planned some dandy treats, craft activities and a live reading of the story. We will be projecting the illustrations on a large screen as I read so everyone can feel like they are part of the book even from the back of the room. Kirrili will give a demonstration of how to draw a dandelion seed head. And of course we will be toasting all the people who have helped us during this long journey.  

image‘Dandelions’ is a sensitive and magical story of the beauty of nature and the loving relationship between father and daughter. What was the inspiration behind this story?

As my daughter and I used to walk to and from preschool, she would jump in gardens and gutters to pick dandelion seed heads. We found them growing everywhere. She enjoyed blowing them apart with me. After that, as my husband mowed the lawn, I used to get a little sad watching him destroy the dandelion plants that made those puff balls she loved so much and I wondered how she would feel if she ever found out.  

I have loved watching the relationship develop between my husband and our daughter. It’s a very special relationship – one I hope they cherish forever.  

This book also incorporates lyrical elements that are perfect for promoting dance and movement. As a former teacher, do you have any other teaching and learning ideas for children to engage further with ‘Dandelions’?  

Gosh, the possibilities are endless!  

Firstly, the story should just be enjoyed. I hope adults and children find a really comfy, quiet place to snuggle in and share the magic of Dandelions.  

But to extend this experience, here are some more educational based ideas.
1) Children could investigate the lifecycle of a dandelion and watch it happen in their own backyards. They could research the origin of the name ‘dandelion’. It’s very interesting! They could also investigate dandelion folk names. Some of these are very funny. There are great time lapse videos on YouTube showing how a dandelion flower turns into a seed head. Amazing!  
2) Children could investigate other uses of the parts of the dandelion plant. Every part of the plant can be eaten in some way. You’d be amazed. But I don’t advise you just pick it and start eating it! Children may also like to taste dandelion tea.  
3) Children could collect dandelion seed heads, leaves and flowers. They could use dandelion seeds to make pictures and collages, use dandelion leaves to stamp patterns, and use dandelion flowers as a brush or stamp to paint pictures.  
4) Parents and teachers could discuss the themes of Dandelions with children. The themes include forgiveness, resilience, hope, love, using your imagination, and the importance of the different types of family relationships.  
5) If teachers and parents have children with sensory needs, this book is an excellent companion or springboard to assist with enhancing their sensory learning experiences (blowing, touching, tasting, and seeing).  
And for more advanced children:  
6) Dandelions is full of prepositions and verbs. Children could try and find them. Children could brainstorm other prepositions and verbs to show how and where they think dandelions move and then write their own sentences using a similar structure to the sentences in Dandelions (e.g. … tumbling in the wind above …). They could publish and illustrate their sentences and form a class book.  

A full set of ‘Teaching Notes’ is available by clicking here.  

imageKirrili Lonergan‘s illustrations perfectly compliment the gentle, whimsical nature of the text. What do you like about Kirrili’s work, and how did you find the collaborative process with her?  
I’ve had the privilege of watching Kirrili’s style develop first hand over the last several years. I love how she layers colours, her messy nature and her signature stripes. The first time I saw a completed dandelion seed head I cried. (Hint: Look at the endpapers)  

Our friendship started many years earlier, but our collaboration for this book actually started back in 2011 – long before our contract – with a single dandelions illustration. That illustration travelling the country with my manuscript and accompanied many rejections all the way back home.  

Late in 2013, I found a writing competition I could send Dandelions to. The judge was a publisher and she wanted to publish it after we completed a few rewrites. Then I was asked if I would like to suggest an illustration style that would match my story (this is rare). Of course I put forward Kirrili’s illustration that travelled the country with my original manuscript. The publisher agreed and our official ‘Dandelions’ collaboration was born.  
I was so lucky to see the illustrations develop and grow during the next part of the publication process. Usually authors don’t have input into the illustration process – they just get in the way!  

I watched Kirrili enjoy developing her unique style for this book, develop her colour palette, and perfect her seed heads – sometimes by touch light (but that’s another story!). I saw her pride grow as she moved closer and closer to finalising every single illustration. She would send me photos of her work in progress at random times – which was always a delight.  

We had fun going on day trips to take photos of houses, trees, rivers and flowers. We looked at colours, angles, movement and style. I learnt a lot. She looks at things in a different way to me – with that artistic eye I don’t have. She designed and finalised the cover and sent it to the publisher before I got to see it. Kirrili wanted to keep it as a surprise until further through the process. When I finally saw it, I cried! – again.  

How would you describe your publishing experience with EK Books?  

We have been so lucky! We have worked with a beautiful publishing team. From the initial discussion about the possibility of publishing Dandelions to now, every member of the team has been helpful and lovely. Kirrili and I have felt we have been kept in the loop and guided and supported professionally through every step of the journey. Every word and every line has had the attention of several people. Everything went smoothly. We are so proud of the relationship we have developed with EK Books and we are proud of the book we made together.  

What were the most rewarding and challenging aspects of creating this book?  

I think the rewards are still coming. I can’t wait to see Dandelions in the hands of children and see how they interact with the story. I wonder what their favourite page will be? I wonder whether Dandelions makes dads stop and snuggle with their daughters on the lawn somewhere instead of mowing it!  

One of the biggest challenges was to find a publisher who believed in the story as much as I did.  

The second biggest challenge was to wait from the signing of the contract until I had the first copy of Dandelions in my hand. It took 2 years from getting my publisher’s attention to holding it. At least I got to watch Kirrili illustrate it during the long wait.  

Who or what inspired you to become an author? Do you have a preference for the type of genre you like to write? What is it about writing stories for children that you love?  

I was a full-time mum while my children were little. I read lots of picture books to them during this time and fell in love with them. I had given up primary teaching so when my children started preschool, I wanted to start a new career that involved children and was very creative. It had to be flexible too so I could do it around my family’s needs. Writing for children was the answer. I find writing hard work. It doesn’t come easy for me so I love the challenge. It keeps me feeling young.  

I love writing picture books but have dabbled with the idea of writing early chapter book in the near future. Writing a picture book is extremely hard!  Writing for children gives me permission to play with words. I get to play with the sound of them and the look of them too. I get to make up characters and journey with them as they do amazing things. I get to connect with children on a very deep level and have fun with them too.  

I admire Stephen Michael King’s writing style. I often reread the picture books he has written to see how he’s played with words. My favourites include, ‘A Bear and a Tree’, and ‘Henry and Amy’.  

Besides dandelions, what is your favourite kind of plant or flower?  

I have a few but I would have to say roses. I love looking at them and the way they smell. I grow them in my own garden and they get fussed over a little. They make an appearance in Dandelions too. I also love Lavender, Jasmine and Violets.  

imageWhat were your favourite books to read as a child? Any that have influenced you as a writer now?  

I have to honestly say I don’t have a favourite book from childhood. I was a reluctant reader as a child and I could be found climbing trees and playing Basketball instead. I found THE book when I was teaching in my twenties – Just Tricking by Andy Griffiths. I completely understand what it is like not to want to read books. I was a good reader but had no desire to jump into a book. Quite sad now I think about it. Hopefully I can help children who a reluctant readers with my books.  

What’s next for Katrina McKelvey? What can we look forward to seeing from you in the near future?  

I have lots of picture book ideas rolling around in my head and as many on my computer. I have a couple of solicited picture book manuscripts in front of publishers at the moment too. I‘ve been planning a new picture book manuscript which will have children turning books upside down. I plan to start submitting early chapter books to publishers next year.  

I’ll continue to work on the children’s program of the Newcastle Writers’ Festival. I enjoy being a Books In Homes Role Model. I love working with my ‘children’s writing group’ though the Hunter Writers Centre. I also participate in the guided reading program in my daughter’s classroom. I’m busy but I’m so fortunate.  

Thank you so much for answering my questions, Katrina! It’s been a pleasure!

*Dandelions will be launched on Saturday, 31st October at 10:30am in the Lovett Gallery at Newcastle Library.  See details here.

**For more information on the author, please visit Katrina’s website and facebook pages.  

***And for Dimity’s full review of ‘Dandelions’, click here.

Meet Davina Bell, author of The Underwater Fancy-Dress Parade

Davina BellThanks for talking to Boomerang Books, Davina Bell.

My pleasure!

What’s your background in books?

I was the type of kid who read all night by the hallway light that peeked through the cracks of my bedroom door and wrote endless stories on old computer paper – the type with the holes in the side that you ripped off.

So it was no surprise to me when I eventually ended up working at Penguin as a children’s book editor. Before that, I studied Professional Writing and Editing at RMIT, which is where I reawakened my love of writing after a long dormant phase.

Underwater Fancy-Dress

Could you tell us what prompted you to write your tender picture book The Underwater Fancy-Dress Parade (Scribe)? 

My friend’s nephew often stays over at her house. He’s terrified of cats, and he would have to sneak past her cat to get to the bathroom at night. She would hear him say to himself, ‘Be brave, Saul! Be brave!’

That was such a tender and beautiful story for me, and reminded me of how childhood, for all its freedoms, is full of fears, big and small. I wanted to write a book that said to children, ‘You are not alone in your fears.’

I had also just read Susan Cain’s book Quiet, which is about introversion, and how difficult life can be if you go through it believing that your introversion is a fault or a source of shame, rather than its own way of being, with its own gifts.Quiet

 

How did you decide what Alfie’s costume for the Fancy-Dress Parade would be?

I wish I knew! It wasn’t a conscious decision – my writing mind decides so many things for me. The more I write, the more I learn to just step out of the way and trust it do its work, and then to apply my analytical mind to editing and strengthening whatever it delivers. Captain Starfish was just there, in the story, and I loved him immediately, no editing required.

Alfie’s parents are understanding and seem to know exactly how to treat him. Who are they based on/how did you craft them?

While I was at university, I looked after the children of many families and I saw many different parenting styles at work. My friends are all now just having babies, and that has been really interesting to watch, too! So Alfie’s parents are a blend of the best bits I have seen: patience, a desire to see how the world looks from a child’s point of view, open communication, and a willingness to take each child and each day on its own terms.

Are you worried about Alfie, such a sensitive child?

Do you know what? I think Alfie is going to be okay! His parents really seem to understand and support him, and I think they’ll give him the space and support to realise that his introversion and sensitivity are, in many ways, a gift. It is hard to be sensitive – I know from experience – but you are also so awake to the world in all its tragedy and wonder.

What’s the significance of the cowboys on Alfie’s wall?

The cowboys are Alfie’s confidants – sort of like an imaginary-friend substitute. I think they are also a part of Alfie and a way for him to talk through his feelings with himself. Cowboys are daring and very devil-may-care, so perhaps they are Alfie’s alter-ego. (I feel like I’m getting very Jungian here!)

Your writing is subtle and your words carefully chosen. How important is the quality of the writing to you?

Thank you! Having worked on many picture books during my time at Penguin, I realise the importance of every single word – how it’s thought over, taken out, put back in, played around with. This is the process I went through with my text because I absolutely believe that we owe it to the child reader to make their early experiences of books really high-quality ones.

I also wanted to tell a story about shyness and sensitivity and introversion without talking specifically about those concepts, and that pushed me to be subtle and to tread lightly.

How closely did you collaborate with the illustrator, Allison Colpoys? Hating Alison Ashley

I was lucky enough to collaborate extremely closely with Allison on the book – we have a fantastic working relationship and a shared vision, so it was such a glorious process to go through together. We workshopped every creative decision, big or small, and it was so much fun. As a long-time fan of her award-winning cover design, I feel incredibly blessed to have had her illustrate Alfie’s story. Nobody can believe this is her first picture book!

Thanks very much, Davina.

Thanks for the great questions!

(Allison Colpoy’s cover for Hating Alison Ashley)