I have been posting about the CBCA 2018 shortlisted books and am now concluding with the Early Childhood books (in two parts). You may find some of the ideas across the posts helpful for Book Week in August.
This picture book is imaginative and exciting. It is also humorous, for example the teacher’s funny but apt name – “Mrs Majestic-Jones”; Ruby Lee is the best at announcing “Hark, it’s me, Ruby Lee!” – an unusual gift; and tactful George Papadopoulos even suggests that Ruby Lee be quiet and still but then she even loses him.
Ruby Lee loves helping. Young readers could compare and contrast her with helpful Debra-Jo in the Little Lunch TV series and books.
The letters ‘P‘ and ‘H’ could be taught or reinforced. Ruby Lee loves pockets, peaches, puddles and polka dots. (P)
She loves humming and hopping and handstands at night. (H)
Vocabulary is interesting and extending, e.g. hark, intrepid, valiant, ingenious.
The illustrations are in a cartoon manga style where the heads are large in proportion to bodies and the eyes are big and exaggerated. Children could view online how-to-draw tutorials and construct their own characters in this style. They could colour them using the colours in the book.
Children could act out some of the things Ruby Lee does; collect things she loves and invent fictitious creatures like she does.
Gilbert the penguin falls into another world (almost like into a rabbit hole) – the ocean. He must find where’s he comfortable, at home and can fly.
It is a fictional narrative but also an accessible information book, particularly about penguins, without being forced. It utilises many verbs and active language: waddled, flapped, waddled and flapped; slipped, tripped, stumbled; slipping Spinning Stumbling Tumbling; tumbled, bubbled and sank.
The book’s message is that everyone is different and everyone must find their own strengths.
Before reading, children could suggest what a second sky might be.
Children could make a model of Gilbert and possibly one that moves using rubber bands.
This is a clever, funny book for babies and those who read to them. It is carefully structured in 2 parts: firstly, where the animals are reported lost; and then when they reappear in the park.
The book begins with observations of baby noises, which people mistake for animal noises. There are carefully placed visual clues that prompt the baby to make an appropriate noise e.g. stripy sleep suit, on rocking horse.
We’re well and truly in to the school routine now, although some mornings seem to lack that ideal, perfect-world motivation and drive. But with these following picture books at the ready, your kids will be inspired to remember their purpose and excitement for the day ahead.
Time for School, Daddy is a gorgeously humorous role reversal-type situation, in the same as essence as the previous title by Dave Hackett, Time for Bed, Daddy. Most often than not it is in fact us parents struggling to get out of bed, greeted each morning with the bombardment of children eager to get the day started. And here, this is no different. The little girl wakes a dozy, grumbling Daddy so they can get ready for school. She gives him his favourite breakfast, which always ends in a mess. She washes and dresses him in his work clothes, not without a bit of chaos. She packs him a mighty fine lunch, a tad of grooming and then it’s time to walk out the door. But who’s going to school today?
Tonnes of energy emanate from both the text and the images, with an innocently grown-up voice from the girl’s perspective as she guides her father through the hectic routine. The bright and vibrant cartoon illustrations work beautifully in a simplistic, obvious focus on the actions, which are the perfect linchpin for the irony that makes this book so witty. Time for School, Daddy is adorable, motivating fun for children from age four.
The school or public library may just be the best place to get inspired, excited and transported (figuratively) during a normally busy day. So for anyone who loves to read, a chance to dive into books would be plenty of motivation to leave the house in a hurry in the morning. But for one little girl, there is one book in particular that she can’t get enough of. Lucy’s Book, written by Natalie Jane Priorand illustrated by Cheryl Orsini, is one special story that follows one special story on many adventures as it is shared by Lucy to all her friends.
Lucy and her mum visit the library every Saturday. The enchanted red book, of which we speak, is recommended by Mrs Bruce and borrowed a multitude of times from the library. Lucy loves it so much, all her friends are dazzled by its charm and it makes its way into their hands too. The book is escorted on holidays to Honeycomb Bay and China, to the zoo, and even made into a banana sandwich. But what happens when the book is no longer available for borrowing? Do you believe in destiny?
Just like the premise of this story, the lively illustrations pronounce a real community feel; one of shared values, togetherness and spirit. With influences from real people (Mrs Bruce is a friend of the author and also the image of Megan the librarian at the local school), Lucy’s Book feels like a real-life fairytale where everyone gets to be involved in the swirl of magical bookishness and where fate is a reality. Dreamy for book lovers of any age.
Ruby Lee is a highly enthusiastic student with a big imagination. But when it comes to being chosen as classroom helper, she’s not always the most efficient. Hark, it’s me, Ruby Lee! is a wild and animated tale of learning patience, working to your skillset and being yourself.
Award-winning author Lisa Shanahan, together with graphic illustrator Binny, provide a linguistic and visual treat with their eccentric blend of humour and design. Shanahan’s quirky names are just the beginning of the literary goodness, with dialogue that perks in all the right places, and a storyline that is so authentically realistic despite all the crazy and creative figments Ruby Lee imagines in her mind. And flawlessly, Binny’s fantastical, detailed illustrations with blocks of colour and line work add that extra depth and meaning to both Ruby Lee’s real and made-up worlds.
Preschool and early years children will adore being taken into Ruby Lee’s school life as messenger as she discovers not how to be like someone else, but where her own strengths lie. Hark, it’s me, Ruby Lee! plays out like a set of comical and whimsical scenes that will be requested to be delivered over and over again.
Thank you, Joy! And many thanks for having me on the blog.
But first, where are you based and what is your background?
I live in Sydney, with my husband and our three sons, not far from where I grew up as a kid. I initially studied Communications straight out of high school at UTS, where I majored in writing and media theory, before then going on to train as an actor at Theatre Nepean, UWS. Towards the end of my acting training, I taught drama to a group of kids out at Mount Pleasant and I wrote them a play. It was then that it finally dawned on me that I didn’t want to be an actor after all, that in fact I wanted to be a writer but for young people, rather than adults. So not long after, I enrolled in a writing course with the acclaimed children’s author Libby Gleeson. That course felt both like a complete revelation and a homecoming. It was there that I workshopped a picture text I had written on my honeymoon of all places, about a little boy and his ice cream van driving dad. Libby Gleeson was a wonderful teacher and she instinctively knew how to draw out the possibilities of both a writer and a text and because of that early encouragement, here I am sixteen books later.
Do you give many presentations to children? How do you make them interesting? Have there been any particularly memorable responses?
I’ve spoken to thousands of kids over the years, presenting talks and writing workshops. In my general talks, I’ll often share funny stories about my life, what kind of kid I was growing up and especially some of the funny stories about bringing up my boys. There’s lots of acting and hilarity, especially when I share the inspiration behind stories like Sleep Tight, My Honey or My Mum Tarzan. I always bring along some of my writing journals and I usually explore the growth of at least one book in detail, from first seed to final story. I’m keen for kids to hear about the writing process but I’m also especially passionate for them to grasp how curiosity about ordinary moments can lead to the creation of juicy stories.
Funnily enough, some of the loveliest moments happen when I’m not speaking at all, when little clusters of kids sidle up at the end of a session to confide about a book they’ve been writing, or how they’re going to go out and buy their own writing journal that very afternoon, so they can write about the idea they have for a funny story about their own crazy mum, grandpa or dog. Because just as much as I want kids to love my books, at the end of the day, I want to inspire them even more so to discover the beauty and worth of their own stories.
I adore your laugh-out-loud YA novel My Big Birkett (it’s one of my all-time favourites) and love reciting parts about the animals that mate for life, The Tempest and gorgeous Raven and the meals he makes using mince; as well as your wonderful picture books. Could you tell us about some of these books?
Thanks Joy! It makes me especially happy to know that you are a Raven fan!
I’m often asked what I prefer to write most and I always say I love writing both picture books and novels and that I couldn’t choose between them. The best part of writing picture books for me is the absolute thrill of collaboration. I’ve been fortunate enough to work with so many brilliant illustrators over the years and each one has taught me so much about the power of the visual text. Some of my picture books that have been especially well-received include the Bear and Chook books, illustrated by Emma Quay, Gordon’s got a Snookie, illustrated by Wayne Harris and Big Pet Day, illustrated by Gus Gordon, who was also on the QLA shortlist too, for his gorgeous picture book, Somewhere Else. My most recent picture book is Hark, It’s Me, Ruby Lee! illustrated by Binny Talib. This was such a tough text to illustrate, mainly because of the fairly swift juxtaposition of the scenes of school life, with Ruby Lee’s fervent imagination. I’m just so delighted at what a marvellously beautiful job Binny has done.
I will say that one of the unforeseen joys of my writing life has been the steady, heartfelt emails I have received over the years from teen readers regarding My Big Birkett. These emails about Gemma and Raven and the De Head family have been incredibly sincere and poignant and they have often left me with a huge lump in my throat.
I know this is a tricky question but how do you incorporate humour into your writing?
This is a tricky question! As a kid, I looked into books like they were real windows. The books that spoke to me most were always the ones that captured acutely the laugh-out-loud jumbly nature of life, alongside the bittersweet ache. In terms of writing humour, I always keep an ear out for those little things that will make kids laugh. Not so long ago, my sister told me a story about how her four-year old son crept into her bed in the middle of the night and snuggled up tight to her, saying, ‘I love you so much Mummy, I want to shoot you out of a cannon!’ When I tell that story to kids, they roll around on the floor, laughing their heads off. But at the same time I know they recognise the vehemence of that kind of love, because they’ve felt it rocketing around in their own chests. I think humour has this remarkable capacity to encourage true connection and I’m always keen to incorporate it in my work, because it radically paves the way for readers to engage more fully and tenderly not only with a character’s dreams, fears, hopes and sorrows but also perhaps, with their own.
The Grand, Genius Summer of Henry Hoobler (A&U) has just won the QLA Griffith University Children’s Book award. The judge report says:
“The Grand Genius Summer of Henry Hoobler is structured as a quintessential Australian beach camping holiday but the exceptional storytelling soars to welcome the reader into both the setting and young Henry Hoobler’s rites of passage. We are given a heart-warming insight into introspective Henry. He is a genius at noticing things, surprising his fellow campers with his success in board and card games. He is also ‘Mr Worst-Case Scenario’, dreading the bugs, stingers and sharks of the beach but, most of all, dreading learning to ride his new silver bike. The bike is a symbol of fear, but its significance changes as Henry discovers courage and freedom. Courage can be found when friends are ‘straight-up and true’, embodied by free-spirit Cassie. This tale reminds us that everyone is different and everyone has gifts. Some, like Henry, prefer to learn quietly but even extroverts can be fearful.
The writing is literary and metaphorical, encompassing a vast emotional range whilst being utterly engaging for children. It is rare to encounter a novel for mid-primary children characterised by such perception and cadence.”
What was your reaction when you realised you had won?
I was astonished and delighted. It took quite a few days for it to truly sink in. Then I was just overcome with immense gratitude that the judges had seen something special in Henry.
It was wonderful to meet your young son, Rohan, at the awards presentation in Brisbane (and others there loved seeing him reading The Hobbit as the night wore on). Why was he there and what was your dual experience of the awards evening?
One of the initial nudges for writing Henry Hoobler was watching Rohie develop as a reader. After a slow start, he had a very sudden and rapid acceleration over a single year and I knew he was in this slippery in-between stage, where the books he was capable of reading were still quite a huge stretch for him emotionally. I began to wonder if I could write something that would speak directly to his life. As I wrote Henry, I read chapter after chapter out loud to Rohie. When I had finished the book and before it had been published, he persuaded his class teacher that I should come to school and read some chapters to his whole class as well. I dedicated the novel to Rohan because I wanted to acknowledge just what an incredible gift it was to have his enthusiastic encouragement along the way.
Rohie is an avid bookworm and so hanging out at the QLA awards ceremony for him was suddenly like meeting all of his people, all at once. He was especially touched that I mentioned him in my speech and I was especially touched when Rebe Taylor, the winner of the QLA History Book Award asked him to sign her copy of Henry. I can safely say that if Rohie’s class teacher had seen that handwriting, he would have been granted his official pen licence on the spot!
What is the significance of the title The Grand, Genius Summer of Henry Hoobler?
Early in the novel, Henry discovers that his rather unique talent for noticing things, makes him almost unbeatable when it comes to playing cards and board games. After Henry convincingly and unexpectedly smashes all the men and the older boys at games, Patch, his rather begrudging older brother finally acknowledges that Henry might be bit of a grand genius. It’s the beginning of a radical shift in the way Henry sees himself. Although Henry has replayed every worst case scenario in vivid detail regarding his camping holiday, what he has never considered is all the ways this summer might turn out to be the best one yet, the grand, genius summer of all summers.
Could you tell us about your protagonist Henry and some other characters?
Henry is a sensitive, imaginative and thoughtful nine-year old boy. He is the middle child, slotted right in between his athletically gifted, funny, know-it-all fifteen-year old brother Patch and his rambunctious, My Little Pony obsessed younger sister Lulu. Both Henry and his mum share some anxious traits and tend towards self-reflection and to feeling things deeply. Henry is very keen to please his exuberant dad, who is a real enthusiast for life. But Henry is filled with dread at the idea of learning how to ride his new bike without training wheels, especially in front of prickly Reed Barone, another boy who is close to Henry’s age and who is prone to sneering. Eventually, Henry meets ten-year old Cassie, who lives onsite in a caravan with her Pop. Cassie is a free spirit and alive to the world in ways that astonish Henry. Finally, Cassie’s straight up and true courage rubs off and with an unexpected Lulu intervention, Henry learns how to summon up his own courage and to do a whole series of adventurous things that he never imagined.
For what age-group is this novel intended?
Henry is intended for 7-11 year olds. I’ve been really pleased though by the numbers of reviewers that have also recommended it as a read-aloud for the whole family or the school classroom too.
How did you balance fine literary writing with the other elements of the narrative?
I was keen to write in a way that was hospitable to all kinds of middle grade readers, those that were confidently independent and those newly finding their feet. As a result, the story contains lots of snappy dialogue, which helps to give the text an easy, engaging flow. In terms of metaphoric imagery, I kept in mind some feedback given to me around another novel, regarding the importance of restraint. I was conscious that any poetic moment really had to serve the story and forward the action. At the same time, I wanted the novel to contain a certain richness of vocabulary because something the American writer Madeleine L’Engle once said has stayed with me for years, ‘We think because we have words, not the other way around. The more words we have, the better able we are to think conceptually.’ So balancing all of these elements was challenging, a little like prancing across a highwire tightrope.
As well as being good fun to read, Henry Hoobler has some important underpinning themes. Could you share some of these?
I’m always a little cautious when discussing themes because I know the writer is sometimes the least insightful person on that subject! With Henry though, I was keen to explore the nature of courage, the way one young boy discovers how to be brave over the summer, by learning how to make a tiny bit of room for the worry in his life, without giving it the whole house. The novel examines the transformative nature of unexpected friendship, the contagiousness of courage, the way we need one another in order to learn how to become brave and the way courage always arrives through the actual taking of considered risks. The novel celebrates the importance of family and community and the value of perseverance, forgiveness and kindness. I was keen to write about the beauty of the natural world and how to recognise and treasure the true significance of small ordinary moments.
Which awards have had particular significance for you?
Whenever a book of mine is either shortlisted or receives an award, I’m always extraordinarily surprised and grateful. I know it’s such a hard job to make those kinds of choices, especially when there are so many equally deserving and beautiful books out in the world. Writing a book does take a significant investment of energy and time and winning an award always means that a book will have a much greater chance of being widely read. I was particularly thrilled in 2010 when Bear and Chook by the Sea won the CBCA’s Book of the Year for Early Childhood, not just because it was a moment I got to share with my good friend the illustrator Emma Quay but also because as a kid, I drew a poster every single year for Oatley Library’s celebrations of the Children’s Book Council’s Book of the Year Awards. I was desperate to win a book prize in that poster competition, never dreaming that I would one day write a book that would win an award from such a long-established and hallowed institution.
What are you writing next?
I’ve been writing a series of picture book texts and I’m just returning now to a novel for teenagers that has been patiently waiting it’s turn.
What have you enjoyed reading recently?
I’ve loved Elizabeth Strout’s Anything is Possible, Karen Foxlee’s A Most Magical Girl, James Rebanks The Shepherd’s Life, Brian Doyle’s collection of essays Leaping: Revelations and Epiphanies and the picture books Oi, Frog by Kez Gray and Jim Field and Once Upon a Small Rhinoceros by Meg McKinlay and Leila Rudge.
Thanks so much for having me on the blog and for asking such astonishingly good, stretching questions. It was lovely to take the time to reflect and ponder.
Thanks for your very thoughtful and insightful responses, Lisa and all the very best with your excellent novel, The Grand, Genius Summer of Henry Hoobler, and your other works. We greatly look forward to what your imaginative mind will bring us next.