I can’t pretend to be unbiased when it comes to longform journalism ebooks (see previous post on Fairfax Media’s move into ebook publishing).
I’m a journalist who always writes more than she needs to (and feels frustrated at the waste when precious sentences, and even entire interviews forming part of a feature, are cut to fit arbitrary spaces).
I’m an avid reader who loves to consume long features in magazines and newspapers (or better yet, online via my iPhone or iPad).
I’m a publisher with a passion for books, tablets and ereaders who intends to publish longform journalism ebooks (written by others as well as myself) and short fiction – good reads in short bites.
I’m also a part-time student working on a Masters research project entitled “Social reading, longform journalism and the connected ebook”. Over the next four years, I’ll be investigating the processes behind and consumer reaction to publications just like Fairfax Media’s Framed. I’ll be experimenting myself with similar processes, but incorporating subscription updates to journalistic ebooks; links, multimedia and reader feedback within the works themselves; the trail that such works create in social media channels; and the question of which of these connected pieces of content can be considered part of the works themselves.
So, I reckon Stephen Hutcheon is onto something, and I’m putting lots of time and effort – and even some cash – into finding out for sure.
Given the opportunity, journalists will want to delve more deeply into certain stories, and publish longer works that reflect those efforts, rather than the needs of the daily and weekly news cycles.
I feel sure that readers, when confronted with a story of national importance that grabs their attention, as McDonald’s does, or piques their personal interest due to its very localised or specialised subject matter, will enthusiastically spend the odd dollar or two here and there to buy a longform ebook.
That being the case, the ebook also offers (at last) that holy grail for newspapers – a way to make their customers pay for digital content. Just as we’re used to paying for apps, we’re happy to pay for ebooks. Its a business model that works, which is more than can be said for those of most newspaper websites.
Internationally, there are plenty of examples of longform journalism taking off. The Longform app for iPad (from Longform.org) is another recent launch, and worth a look if you’re into in-depth news and analysis. It offers a curated selection of the world’s best feature writing, from sources like the New York Review of Books, Slate and Mother Jones.
I dipped in this week and discovered some quirky pieces I’ll read over the weekend – one on depictions of the librarian in erotic fiction (evidently boys do make passes at girls in glasses), another comparing JRR Tolkien with Christopher Paolini (did you know the former was a terrible uni lecturer?) and a couple looking at the power of Google and Facebook.
The app allows you to read either in the original online format, or in the Longform format either on or offline, with a choice of fonts, adjustible font size and column width. You can read what’s already on offer in the app, adding and removing feeder publications as you go, and saving stories to read later via your onboard Readability account. You can also send articles you find elsewhere in your travels to Longform via Readability, Instapaper and Read It Later, and share any story via email or social media.
Read up. With the rise of the long form, the future of journalism has finally arrived.