It is a rare day on earth that I’m lost for words. Fortunately Peter Carnavas never seems to be. And he uses a few more than usual in his latest work, The Elephant.
Now it’s no secret I’m unashamedly enamoured by Carnavas’ work; his illustrated picture books embrace you like a warm welcome hug. This, his first foray into longer narratives, is a hug you can immerse yourself even deeper into but beware, you may not want to let go. I didn’t.
The Elephant is an average-sized, understated junior novel for people with small hands and large hearts. Even the cover is benign and quiet, muting the enormity of what’s to come. It reads with the elegant crispness of a verse novel using a collection of brief chapters to relay Olive’s story about her dad and the lugubrious grey elephant that plagues his every move. Despite the heavy nature of Olive’s situation, it’s this wonderful lightness of touch, Carnavas’ refined way with words to convey powerful meaning and Olive’s own irrepressible personality that add the light to her father’s shade and give this story a sunny disposition. Continue reading Review – The Elephant
From our very own Boomerang Books blogger / word smith extraordinaire, Dimity Powell, together with the divinely talented illustrator, Nicky Johnston, we have a very special feature here today! I have had the utmost pleasure in reviewing their gorgeous new book, The Fix-It Man, and in finding out more about their collaboration. Enjoy!
Poignant, perfectly pitched and picture perfect. The Fix-It Man is a story that so effectively and sensitively captures the heartache and love between a little girl and her father when dealing with loss. Dimity Powell’s words are paced at a gentle rhythm that allow its readers space to breathe and take in the deeper meaning at the heart of the tale. The illustrations by Nicky Johnston encapsulate adversity and strength with their unmistakable emotive intensity.
A little girl has complete faith in her dad to fix anything. “It’s what dads do.” Whether it’s super gluing kites, mending the dog’s kennel or piecing shattered teapots back together, Dad is at the heart of turning bad days into good. But even her dependable, handy father can’t fix Mama. And there is nothing more shattering than that moment. That wordless moment of grief in the slimmest of moonlight that father and daughter lay wrapped up in Mama’s quilt, sure to be the first of many sleepless nights. Hearts break and cracks widen, but with a little bit of optimism and a whole lot of love, they know they can fix things together.
Superbly narrated and delicately illustrated, The Fix-It Man is a reassuring story that gently addresses the themes of love, life and loss in a thoughtful way. Being able to embrace life and cope with death at the same time shows great resilience. And for readers from age four in similar circumstances, this book offers an invaluable sense of hope and comfort.
Congratulations on the release of your newest picture book, The Fix-It Man!
DP: Thanks, Romi. Dancing on clouds happy about it.
Dimity, this is your debut in the picture book arena! Where did the foundation for this story come from?
DP: Like many story ideas of mine, it evolved from a real life incident, which developed into a thought, which led to a question, which resulted in a small movie inside my head. The hard part was extracting the best bits and shaping them into a picture book text. I love the belief small children have in their parents, that they can fix anything and everything. I wanted to explore the reaction of a child when this belief is challenged, when their fixer suddenly needs fixing, too.
How did you find the whole publishing process with EK Books? How much input did you have with Nicky’s illustrations?
DP: A veritable dream. Likewise, Nicky is a dream to work with. She is dedicated and meticulous and included me in just about every step of the process from rough drafts to finals. This was something I had not expected so it was a joy to correspond with her and give feedback on the images as they developed. There was never any real need to clarify the relationship between her images and my text; Nicky just seemed to know what was going on in my head. There was however, a lot of discussion between us and our publisher about the various nuances and symbols; all the tiny details used throughout the visual narrative. It was a real team effort.
What do you like about Nicky’s style? How do you feel her illustrations have complemented your text?
DP: Everything! Nicky’s current style is perfectly suited to this story and exactly the way I envisaged this family to be. The emotion projected in Nicky’s images is poignantly powerful.
Nicky’s illustrations more than just complement the story. They add a level of subtly and sensitivity without ever being maudlin. Her soft colour palette and homogeneous characters invite readers into the very heart and soul of the story: we could be that family.
Nicky, what drew you to Dimity’s story when you first read it? Did you feel a connection with the text? Did the images naturally appear in your mind or was it a process that developed over time?
NJ: As soon as I read Dim’s manuscript, I connected to it immediately. Visuals started filling my head, I sketched them all into my sketchbook (pages of them!) it was quite overwhelming actually.
The story is beautifully written, every word, every pause and every page break is a deliberate choice to ensure the flow of the story is not only read, but felt.
The illustrated scenes, the characters, the subtle visual sub stories came to me with immense ease. I worked on the first concept roughs almost obsessively. The entire developmental process from roughs to producing the final artworks filled me with pure joy.
Dimity and Nicky, you seem like a terrific team with an organic relationship, which certainly resonates through the book. How did you feel about the collaboration with one another along the journey? Were there any hiccups or surprises you can share with us?
DP: Extremely grateful and satisfied in the most fulfilling way. From the very first sample spread I saw, I knew my words were in good hands. Nicky’s ability to ‘get’ my intentions is uncanny. I think the way she is able to extract exactly how I picture the characters and scenes out of my head and capture them in watercolour (without any consultation) is true genius and just a little bit spooky. The biggest surprise for me was that everything progressed so fluidly and enjoyably.
NJ: I am amazed with the personal connection Dim and I have, given we have only ever met in person twice! I think our minds, visions and emotions are aligned in quite an authentic way. I am pleased the illustrations and the text combination demonstrates this unitedness too.
This was my first time working with EK Books and I really loved the team approach that was given to the entire project. It was fabulous to be able to bounce around my ideas and rough sketches with everyone to be sure we would create the book to the highest standard.
What has been the most rewarding part of creating this book so far?
DP: When I got the call from my publisher with the green light good news. It had been a long hard slog to get to that point so that call was a massive relief. I may have shed a few tears. Holding it (The Fix-It Man) in my hands for the first time was also a bit momentous. Oh and watching the visual landscape of my story come to life with each of Nicky’s illustrations. I still find that part of storytelling inexplicably rewarding; watching your words come alive is pure magic. Sorry to carry on but I feel very rewarded!
NJ: Seeing the illustrations and the text together for the first time was pretty special. And to be called a ‘Dream Team’ topped it off for me!
It was quite a lengthy process from beginning to end, and like all things that take time, the wait has been worth it.
DP: The dream team…still sets me aglow.
Thank you both so much for participating in this mini interview!! 🙂 xx
NJ: What great questions, thank you for having us share our collection journey of creating The Fix It Man!
Sebastian Faulks’ new novel is quite simply superb. Tackling themes he has explored before Faulks delivers an original novel that is haunting, beautiful and profound that will resonate all the way through you.
Dr Robert Hendricks is a veteran of the Second World War who lost his father in the First. These two wars have not only shaped his life but also his thinking as a psychiatrist. He is contacted by an aging French doctor, who served with his Father in the First World War, as a possible literary executor of his estate. Hendricks travels to an island of the south of France to meet with the man who also has information about his father whom he never met. A meeting which finds Robert delving into his own memories of war as he confronts his father’s experience of his.
Faulks’ writing as always is sublime. The scenes of Robert’s war recollections in Tunisia and Anzio are some of the best war writing since Birdsong and his explorations of the human mind and what we call madness reminiscent of Human Traces. The heart of the story is about the madness of the 20th Century and how our memories are shaped in order to survive what we experience. And how love, loss, madness and grief are each inextricably entwined and influence our lives.
Heartfelt and heartbreaking, insightful and inventive this is Sebastian Faulks at his best.
Author Michel Faber is tinged with enigma and exotica. His name sounds both European and British, with its allusion – probably fictictious – to the famous publishing house, Faber & Faber. The 54 year-old was born in the Netherlands but educated in Australia – and so could be regarded as one of our own, although he lives now in Scotland.
He completed his most recent – and supposedly last – novel while his wife died of cancer last year. Grief is one of the themes explored in The Book of Strange New Things (Canongate).
Protagonist, Peter is a Christian missionary to the Oasan people on the planet of Oasis. These people have faces like a placenta with foetuses. They have trouble pronouncing ‘t’s and ‘s’s in English and Peter translates parts of the Bible, the ‘Book of Strange New Things’, to make it more accessible. His version of Psalm 23, ‘The Lord is my shepherd …’ is a triumph for these people, avoiding incomprehensible concepts such as ‘shepherds’ and the problematic sounds:
The Lord be he who care for me.
I will need no more.
He bid me lie in green land down.
He lead me by river where no one can drown.
He make my soul like new again.
He lead me in the path of good.
He do all this, for he be God …
Peter fervently invests himself in the lives of the Oasans: helping in the fields as well as in their spiritual lives. To distinguish the people from each other, he calls them ‘Jesus Lover One, Two …’ and so on. When his favourite, ‘Lover Five’, is close to death he prays the simple but best prayer, ‘Dear God, please don’t let Lover Five die’, knowing that God can cure miraculously but doesn’t always choose to do so – perhaps an echo of the author’s own experience.
Meanwhile, Peter’s wife on earth, Bea, is struggling more than he is, but he deafens himself to her accounts of the ravages, natural disasters and food shortages on earth. The breakdown of society, personalised in the torture of their cat, is shocking, yet buffered by distance.
Both readers who enjoy sci fi and those who would normally avoid speculative fiction will find much to absorb in this thoughtful, original novel.
I was so impressed with The Book of Strange New Things that I also read Faber’s next most recent novel, The Fire Gospel (2008). This is another fascinating, out-of-the-box narrative and follows academic Theo Griepenkerl who finds the fifth gospel, the Fire Gospel, inside the pregnant belly of a bombed Iraqi statue. He publishes this subversive story and becomes a victim of his own success. The Fire Gospel is a very readable satire, although not as profound as the exceptional, The Book of Strange New Things.
This is an incredible exploration of grief, family and identity and the pressures of expectations that come from each.
The book opens with a death, one that nobody else knows about yet, the death of Lydia Lee; middle child of Marilyn and James and sister to older brother Nathan and younger sister Hannah. Lydia’s death and its aftermath exposes the cracks and fault lines in the family life and tenuous relationships of the Lee family. Feelings and incidents that have gone unspoken all come bubbling to the surface as each family member tries to come to terms with the circumstances of Lydia’s death and the parts of her life they didn’t know about.
Celeste Ng tells the story in an intricate chronology that mixes together past, present and even the future all in a non-linear fashion. While this could get easily confusing in her hands you are never lost. Instead you slowly gain an insight into each member of the Lee family, their experiences, hopes and dreams. How those have shaped them and influenced others around them.
James Lee is from a Chinese background and Marilyn is not. Their relationship in 1950s America has been controversial with Marilyn ostracized by her mother following their marriage. James is a professor of American History who has always strived to fit into the country his parents adopted. Marilyn was a gifted scientist who gave up her academic studies to start a family with James. Both these experiences have fed into what each of them expects of, and for, their children.
While this is ultimately a very sad story it is also a moving and insightful story about the weight of identity. How that weight is put on us by people around us and how that weight is passed down generations and how the best intentions can have tragic and unforeseen consequences.
Grief by any measure can be overwhelming. The grief one experiences after the loss of a family member never more so, even if that member happens to have whiskers and furry ears.
Who knew I’d still be grieving the loss of my dog so intensely four months on? That the thinnest memory of him could unveil a mountain of yearning and loss and cause small avalanches of tears – again and again.
Penned after the loss of her beloved pet rabbit, Winston, Here in the Garden is more than an inspired cathartic exercise. It is an exquisitely crafted passage-of-time tale that allows ‘anyone who reads it (a) way back to a loved one through (their) heart and (their) memories’.
A young boy loses his special friend, a pet rabbit and wishes fervently that they were still together in his garden. Seasons slide by with the passing of time yet his yearning never diminishes. The boy’s present day feelings are sensitively juxtaposed with each new season and the past memories they reawaken of his days shared in the garden with bunny.
Stewart’s heart-felt narrative is poetic and poignant and at times a little tear-inducing. The evolution of the seasons is beautifully measured by her splendid illustrations; most notably, the stirring string of pencilled line drawings at the end leading us and the boy beautifully from grief to resignation to jubilation of better days. By the end of story and the passing of a year, the boy comes to realise that whilst not everything we hold precious and dear in life can remain with us physically, memories are forever.
Here in the Garden is ultimately a moving yet magnificent and uplifting testimony to life and that wondrous salve of all hurts, time. Older readers will need tissues. Younger ones will cherish the joy and hope hidden within just as easily as they will locate the leaf-shaped bunnies drifting throughout this book.