Missing by Sue Whiting

Sue Whiting is a stalwart of Australian literature for young people. She writes across categories, including picture books, non-fiction and novels for children and young adults and has had a successful career in publishing for Walker Books Australia. Her most recent work is Missing, a novel for middle grade.

Thanks for speaking with Boomerang Books, Sue.

Where are you based and what is your background? 

I am based in a small coastal village about an hour south of Sydney. I started my working life as a primary school teacher, specialising in literacy education and Reading Recovery. In 2005, I left teaching to pursue a career in publishing and was Publishing Manager and Senior Commissioning Editor at Walker Books for ten years.

What led to your career in children’s books and what are some highlights? 

I developed a passion for children’s books as a young teacher and this eventually led me to want to write my own books. It took me about ten years before I was brave enough to give this writing caper a crack though. Editing, well, I fell into editing by extreme accident – through submitting a manuscript to a small start-up publisher and ending up with the job as editor of their children’s list – but once I started working in this field, I found that I loved this side of the process equally as much as writing. And I learnt a heck of a lot about writing along the way too!

Highlights! Wow, that’s really tricky, because there have been so many. Holding your book baby for the first time is always very special, but the unexpected letter or email or message from someone who has been touched by your work in some way is without doubt the best feeling ever. Just last week, I received a video message from a three-year-old boy telling me how much he loved one of my early novelty books. That was pretty awesome.

In terms of my publishing career, I think nurturing the early careers of wonderful writers such Meg McKinlay, Sandy Fussell and Anna Branford, to name but a few, stands out as a highlight and what I am most proud of.

Could you tell us about some of the books you’ve written? 

I write across many age groups and genres, from picture books through to YA. My bestseller is The Firefighters, illustrated by Donna Rawlins. It celebrates its tenth year in print this year, which is wonderful, as books don’t tend to stay in print for very long these days. My award winner is A Swim in the Sea, illustrated by Meredith Thomas and my last published book was the nonfiction picture book, Platypus, illustrated by Mark Jackson. It was such a joy to write because I was able to write lyrically about this unique Australian animal. The Firefighters, Platypus and my YA novel, Portraits of Celina have all been published in the US and Platypus has just recently been published in Korea. Missing is my first middle grade novel since Get a Grip, Cooper Jones, which was published eight years ago

What genre is your new book Missing and what is the significance of its title?

Missing is a contemporary mystery/suspense novel for readers 10+. The story revolves around the disappearance of the mother of my central character, Mackenzie. So the title refers directly to the fact that Mackenzie’s mother is missing. But the word “missing” has many connotations. I love that it also relates to Mackenzie missing her mother, her missing out on so many things because her mother is missing and also her quest to find the missing pieces in the puzzle of her disappearance.

Could you tell us about your protagonist Mackenzie and some other characters?

Mackenzie is a pretty typical twelve-year-old girl. She lives in southern Sydney and is caught up in the excitement of the last weeks of primary school when her mother goes missing. She loves art, particularly working in black and white.

Maggie da Luca is Mackenzie’s mother. She is a bat biologist and academic who works for a scientific magazine. She often travels to remote corners of the globe to study and photograph bats for the magazine.

Joe is Mackenzie’s father. He is an insurance salesman. He falls to pieces when Maggie goes missing. He is a man with many secrets.

Lois Simpson is Mackenzie’s gran. She is a scientist and academic and is the person who Mackenzie leans on as she tries to deal with this tragic situation. She too has secrets.

At high school, Mackenzie befriends Billie. Billie is lively and impetuous and a great foil to Mackenzie’s grief. In Panama, Mackenzie meets Carlo. Carlo is fourteen and helps his uncle at the hotel Mackenzie and her father is staying at. His indifference infuriates Mackenzie, but she eventually discovers that he is someone she can trust.

Why have you given Mackenzie a gift for art?

I wanted Mackenzie to have a passion that was in opposition to her mother and grandmother’s love of science. Art was the obvious place and very early on I saw Mackenzie, in my mind’s eye, sketching bats. A trip to the NSW Art Gallery where I happened upon a sculpture of fruit bats hanging from a washing line was the moment that sealed the deal.

Much of the story is set in the jungles of Panama. It’s hard to believe you’ve never been there. How did you create such an exciting and authentic-seeming setting? What was your most surprising discovery about Panama?

I have to admit to feeling a tad guilty that I didn’t jump on a plane and spend weeks in the country to ensure I got it right, but truthfully, I just didn’t have the funds to do that. So I resolved to do everything I could to bring Boquete and Panama to life on the page through diligent research from afar. I researched Panama for about a year – mostly through the Internet. Boquete is a tourist town, which also has a large expat community, mostly American retirees. This worked in my favour as there were many blogs and vlogs I could access depicting everyday life in the town.

I also had two really lucky breaks. One was making contact with Dianne Heidke (sister of Australian author Lisa Heidke) who has lived in Boquete for a decade or more. Dianne was able to answer those questions I couldn’t find answers to on the Internet, and was able to give me access to that all-important local knowledge. She also read the final manuscript and acted as my sensitivity reader.

My second lucky break was the discovery that the local council streamed 24-hour feed of Boquete’s main square live on the Internet. I was able to watch the comings and goings across the square day and night. It felt slightly creepy and very stalkerish, but it really helped me to understand the rhythms of the town.

My most surprising discovery was the lack of resources of the police force in Boquete – to the point that sometimes they don’t have enough petrol to run their police car!

Why have you structured the story as ‘then’ and ‘now’?

Initially, I chose to structure the story this way so that I could move the story on from those early days when the family had just learned of the disappearance and when their grief would be too raw and impossible to bear. But as the story idea progressed, I quickly realised that the ‘then’ and ‘now’ structure was allowing me to create suspense and tension in an intriguing way. It was challenging to maintain, but I loved slotting in key information at just the right places.

How have you used bats as a symbol?

I used bats more as a link between Mackenzie and her mother than as a symbol. It was Mackenzie’s way to stay connected with her mother and her mother’s passion. However, bats do symbolise our ability to see our way through even the darkest times. Mackenzie and her family have to navigate through some very dark days through much of the story, but by the end, I hope to show them stepping out into the light. This was a happy accident that gave extra meaning to the final pages in particular.

During the novel you tantalise characters and readers with mention of gelatos. What’s your favourite flavour?

The gelatos were a nod to my time at Walker Books. There was an excellent gelato bar at the bottom of the building and we often had Gelato Fridays. My favourite was definitely salted caramel Greek yoghurt.

You are known for promoting your books in interesting and skilled interactions with children. How will you be promoting Missing?

Thank you for that! I love sharing my books and stories with groups of kids – it’s my favourite part of my job.

I am about to embark on a schools tour of Brisbane and Sydney, so have been busy preparing my presentations. My reasons for writing the story and my research and how I have used it will be the centre of my talks, as well as some scene-setting with a bit drumming, a lot of drama, and concluding with a “breaking news” report. I will also be doing writing workshops in Sydney and Melbourne – exploring how to create suspense in stories.

What have you enjoyed reading recently? 

I have just reread (for the fifth time) A Monster Calls by Patrick Ness. It is one of my favourite books of all time – so beautifully crafted and emotive. I also recently enjoyed The Golden Age by Joan London and All the Light We Cannot See by Anthony Doerr.

What’s next workwise for you?

I am working on a new middle grade novel with the working title of Chance. It too has a core mystery and is about truth and lies and the grey area between the two.

I also have a new picture book Beware the Deep Dark Forest illustrated by Annie White, which is due for release in October.

Thanks for your generous and enlightening answers Sue, and all the best with Missing. It is a gripping and original work with great appeal for young readers.


When a story makes you cry, you know that it has touched you on a deep emotional level. Get A Grip, Cooper Jones, is Sue Whiting’s latest book for children and when I was reading it, I found myself both laughing and crying.

Set in an isolated “surfie” town wedged between the sea and the rugged escarpment, Get a Grip, Cooper Jones is a story about friendship and families; about fighting fires and facing fears; about growing up and finding where you fit.

Cooper Jones is the sort of character that gets under your skin. He’s a thirteen year old who doesn’t tidy his room, sleeps in late and has dubious personal hygiene, but is also extremely vulnerable. Cooper is at an age where he needs answers; where he wants to know who his Dad really is and what’s really going on around him.

He doesn’t always get things right and this makes for some great humour. There is plenty of action and intensity in Get A Grip, Cooper Jones, and the lighter moments add weight to the tension.

When gorgeous newcomer, Abbie comes to Wangaroo Bay and Mum starts acting weird again Cooper’s life begins to spin out of control and old fears and insecurities return to the fore. But when bushfire threatens and puts lives at risk, Cooper has to get a grip fast.

There were so many things I enjoyed about Get A Grip, Cooper Jones. Apart from the great characters, setting and humour there were the little things I found appealing – for example, the Mum who runs away to join the circus – the turning of stereotypes on their head.

Get A Grip, Cooper Jones is for readers aged 10-14 and has themes of identity, family, friendship, bushfires, survival, courage, beach, coming-of-age and adoption.

Sue Whiting talks about writing Get A Grip, Cooper Jones

I first started thinking about this story when I came across a very silly joke book. This book was filled with jokes like: “What’s the difference between a man and a piece of cheese?” Cheese matures. And “Why are men like snot?” They get up your nose.

As a flicked through the book, giggling, I started to wonder about what it would be like for a young boy to grow up in a household with a mum who felt this way about men. That boy became Cooper Jones. The story has changed enormously from this early idea, but it was the joke book that it all sprang from.

Why will kids like Get A Grip, Cooper Jones?

I hope kids will like it because it is about them – about two pretty typical thirteen year olds facing life’s ups and downs.

But what I hope more than anything else is that readers will find new friends in Cooper and Abbie, and that they will be keen to hang out with them for a while. And as tensions increase and bushfires threaten, and Cooper’s life seems to be spinning out of control, they will be there, shouting – yelling – at Cooper, telling him he had better get a grip – and fast – because Abbie’s survival depends on it.

What Sue says about Cooper

Cooper is a great kid – he just doesn’t realise it! He thinks he is a big-time cowardly loser.

He loves the bush, hanging out at the Feral Tree and swimming in the Blue Hole. He is a strong competitive swimmer, who does early-morning swimming training three times a week. But he is terrified of the sea (and what lurks below the surface) and never swims in the surf. This is not ideal when you live in a town like Wangaroo Bay that is so “surfie”.

Writing Get A Grip, Cooper Jones

The thing Sue enjoyed most about writing this book was writing the bushfire scenes.

The words came out in such a huge rush I could barely keep up. I was on fire! (Sorry – bad pun alert!) When I had finished, I was spent, totally drained – emotionally and physically – and it was many weeks before I could continue with the rest of the story.

The hardest part was listening to my characters. I had a very clear idea about what I wanted the story to be about – but Cooper and Abbie had other (better!) ideas. It took me a long time to realise this and to work out what was really bothering them. Once I stopped and listened to them, the story fell into place.

More information about Sue and her books is available from her website: http://www.suewhiting.com/


Today I have a very special guest on Kid’s Book Capers. Sue Whiting is my wonderful editor at Walker Books – the person who patiently helped me shape Letters to Leonardo from a manuscript into a book.

Sue is also the author of more than sixty books for children and is here to talk about her journey and the release of her latest work, Get A Grip, Cooper Jones.

Sue didn’t start writing until she was in her late thirties, though she says that the desire and passion to write children’s books had been burning deep within her for more than a decade beforehand.

I had never thought of myself as a writer, so it took me quite a while to muster the courage to give it a go. But once I started I couldn’t stop and I spent every spare moment I had writing. It took me a couple of years of writing and submitting before I got my first acceptance for a children’s novelty book. That was a very special day, that’s for sure.

The thing that Sue enjoys most about writing is having the opportunity to share her stories with kids.

School and library visits and literature festivals are exhausting, but they are the best fun.

Before she became a writer, Sue was a primary school teacher and this is where she fell in love with kids’ books and developed her passion for writing. She says that the hardest thing is having the discipline to keep plugging away at your story even when the words aren’t flowing and all your ideas seem to suck.

My greatest writing achievement was writing my first junior novel, Battle of the Rats, as it was the first time that I had written something of that length (and I never thought I would be able to do that!) and also because a number of people have told me that this book was the first book that their son/daughter ever completed. And truly, there’s very little that can beat that.

Sue has lived close to the sea for most of her life, so it is no surprise that the sea, the beach and beach culture feature in many of her books.

It is very much part of who I am. But I have noticed lately that fire is another element that often makes an appearance in my stories. And I’m not sure why… In Get a Grip, Cooper Jones the sea and fire (in this case, bushfire) are both major players in the story.

Sue is currently working on a picture book about two mice that fall in love; a new Strange Little Monster story; and a YA thriller for teenage girls.

Sue’s Tips for New Writers

  1. Read widely.
  2. Write often.
  3. Write from the heart.
  4. Never give up.

On Friday, I’ll be reviewing Get A Grip, Cooper Jones and Sue will be back to talk about the writing journey that took this compelling book from initial idea to publication.

Hope you can join us then.