Monstrous Mayhem – Picture Books for Halloween

Forget the spook and gore this Halloween! Try obtain the element of surprise with humour, fun and interactive giggles. Combined with themes on friendship, belonging, and challenging emotions, that’s what these brilliant picture books for young kids are all about.

This first one comes highly recommended for an entertaining, inspiring and innovative book experience. The Scared Book is cleverly constructed to communicate a range of emotions and strategies with its audience…literally! Author Debra Tidball uses leading language in her role as the animated, ‘scared’ book with dramatic statements, questions and invitations to help console its fears. The truth is, the book simply cannot tell its story without the assistance of its readers to disarm those pesky monsters protruding from its spine.

From requesting interaction to scratch a tingle, to rub away goosebumps, blow away giant butterflies, then flick, trample, shake and fan the last remaining remnants, the book is able to get some relief. Whilst helping to calm it down from all the excitement, the book is in fact providing some useful strategies for its readers to deal themselves with feelings of anxiety, fear and self doubt. And successfully, the book ends with a vote of encouragement and praise that readers can be proud of.

Kim Siew’s illustrations are certainly kooky, but in the most vibrant, energetic and guileless way. Preschool aged children will no doubt be better off having experienced this highly pleasurable book, becoming intrepid saviours in relinquishing The Scared Book’s, and their own, fears over and over again.

Hachette Lothian Children’s Books, September 2017.

Ok, the title sounds scary, the concept sounds scary, but I Just Ate My Friend by Heidi McKinnon is downright hilarious. And by the look of those huge saucer eyes and stunned expression, the monster on the front cover is far from menacing.

Perhaps a little too impulsive, the speckled yellow egg-shaped beast is distraught at the fact that his good friend is now gone…because he ate him. So he searches for a new friend, only to discover the creatures he greets meet him with rejection after rejection. Whether they feel he is too big, too small, too scary or too slow, the monster feels hopelessly dejected. He reflects on his impulsivity, until a new friend emerges. Could this be a match made in heaven?!

Preschool kids will crack up with the joviality of the scenes and the sharp-witted and repetitive one-liners of the text. The cartoon-style, textured and bright characters on black backgrounds bring a sense of playfulness to the book’s ‘dark’ humour. I Just Ate My Friend is the perfect, quirky book that has the power for valuable discussion on friendship, belonging, and the possible effects of instant gratification, as well as being a fun resource for role play and definite repeat reads.

Allen & Unwin, July 2017.

The dialogue between narrator and Little Monster is utterly delightful in Sean Taylor’s I Want to Be in a Scary Story. When the toothless, purple monster requests to be the star of a scary story, he gets a bit more than he bargained for. The narrator sets him up at every turn, creating far more frightening scenes than the little mite can handle. But don’t worry, young readers will find them, and Little Monster’s reactions simply hilarious. Conversing further with the narrator, the monster decides he should do the scaring…on second thoughts, maybe a ‘funny’ story would be better! Fed up with his trickery, Little Monster finds a way to give the narrator the comeuppance he deserves…and it’s frighteningly funny!

Text and illustrations coincide clearly in identifying scenes between conversation and ‘in the story’ moments with the use of plain and coloured backgrounds consecutively. Speaking parts, which are gorgeously candid, are also colour coded, furthering interaction with readers whether taking turns or reading independently. Jean Jullien’s artwork is perfectly bold yet child-friendly with its thick line work and strong statement colours, adding the element of drama without the frightening factor. Preschoolers will revel in the spooky (but much more amusing) shenanigans of sabotage in I Want to Be in a Scary Story – just in time for Halloween.

Walker Books UK, September 2017

Meet Davina Bell, author of The Underwater Fancy-Dress Parade

Davina BellThanks for talking to Boomerang Books, Davina Bell.

My pleasure!

What’s your background in books?

I was the type of kid who read all night by the hallway light that peeked through the cracks of my bedroom door and wrote endless stories on old computer paper – the type with the holes in the side that you ripped off.

So it was no surprise to me when I eventually ended up working at Penguin as a children’s book editor. Before that, I studied Professional Writing and Editing at RMIT, which is where I reawakened my love of writing after a long dormant phase.

Underwater Fancy-Dress

Could you tell us what prompted you to write your tender picture book The Underwater Fancy-Dress Parade (Scribe)? 

My friend’s nephew often stays over at her house. He’s terrified of cats, and he would have to sneak past her cat to get to the bathroom at night. She would hear him say to himself, ‘Be brave, Saul! Be brave!’

That was such a tender and beautiful story for me, and reminded me of how childhood, for all its freedoms, is full of fears, big and small. I wanted to write a book that said to children, ‘You are not alone in your fears.’

I had also just read Susan Cain’s book Quiet, which is about introversion, and how difficult life can be if you go through it believing that your introversion is a fault or a source of shame, rather than its own way of being, with its own gifts.Quiet

 

How did you decide what Alfie’s costume for the Fancy-Dress Parade would be?

I wish I knew! It wasn’t a conscious decision – my writing mind decides so many things for me. The more I write, the more I learn to just step out of the way and trust it do its work, and then to apply my analytical mind to editing and strengthening whatever it delivers. Captain Starfish was just there, in the story, and I loved him immediately, no editing required.

Alfie’s parents are understanding and seem to know exactly how to treat him. Who are they based on/how did you craft them?

While I was at university, I looked after the children of many families and I saw many different parenting styles at work. My friends are all now just having babies, and that has been really interesting to watch, too! So Alfie’s parents are a blend of the best bits I have seen: patience, a desire to see how the world looks from a child’s point of view, open communication, and a willingness to take each child and each day on its own terms.

Are you worried about Alfie, such a sensitive child?

Do you know what? I think Alfie is going to be okay! His parents really seem to understand and support him, and I think they’ll give him the space and support to realise that his introversion and sensitivity are, in many ways, a gift. It is hard to be sensitive – I know from experience – but you are also so awake to the world in all its tragedy and wonder.

What’s the significance of the cowboys on Alfie’s wall?

The cowboys are Alfie’s confidants – sort of like an imaginary-friend substitute. I think they are also a part of Alfie and a way for him to talk through his feelings with himself. Cowboys are daring and very devil-may-care, so perhaps they are Alfie’s alter-ego. (I feel like I’m getting very Jungian here!)

Your writing is subtle and your words carefully chosen. How important is the quality of the writing to you?

Thank you! Having worked on many picture books during my time at Penguin, I realise the importance of every single word – how it’s thought over, taken out, put back in, played around with. This is the process I went through with my text because I absolutely believe that we owe it to the child reader to make their early experiences of books really high-quality ones.

I also wanted to tell a story about shyness and sensitivity and introversion without talking specifically about those concepts, and that pushed me to be subtle and to tread lightly.

How closely did you collaborate with the illustrator, Allison Colpoys? Hating Alison Ashley

I was lucky enough to collaborate extremely closely with Allison on the book – we have a fantastic working relationship and a shared vision, so it was such a glorious process to go through together. We workshopped every creative decision, big or small, and it was so much fun. As a long-time fan of her award-winning cover design, I feel incredibly blessed to have had her illustrate Alfie’s story. Nobody can believe this is her first picture book!

Thanks very much, Davina.

Thanks for the great questions!

(Allison Colpoy’s cover for Hating Alison Ashley)