Great Gift Ideas # 5 – Non-Fiction That Takes You Places

So you want to give something meaningful and useful and entertaining this Christmas. Well, have a look at these incredible Non-Fiction kids’ books that not only take you places but also inform, comfort, enlighten and above all keep the kids occupied while you sort out the eggnog! Enjoy.

Welcome: A Mo Willems Guide For New Arrivals by Mo Willems

This is the penultimate new-baby book for new parents. Presented as a robust board book with luxuriantly thick pages, this will endure baby’s first year and beyond. It even comes with an embedded mirror so baby can actually see what all the fuss is about. Willems’ inimitable comic touch graces each page in this direct narrative to baby outlining all the highlights, expectations and regrettable conditions that they and their new family might encounter. It reads a bit like an instruction manual and partially like a charter for a new employee. Every word is gold. This is truly one to share as a parent, a gift giving family member and then again as a parent with your growing child. Supremely clever, witty and super super cute (in a non-cutesy way),  I cannot recommend this highly enough for new parents and new humans.

Walker Books 2018

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Beyond The Backyards – Nature Non-Fiction Picture Books

Picture books enable children to escape and experience worlds quite unlike their own. Non-fiction narrative picture books enhance those journeys even further. The following collection entices young readers to gaze skyward, creep through leaf litter and explore worlds in and beyond their backyards.

Backyard by Ananda Braxton-Smith & Lizzy Newcomb

Backyard is as it says; a whimsical exploration of a normal suburban backyard, that on closer inspection is anything but normal. ‘Sweet-tooth bats’ flit about the dusky evening sky, tawny frogmouths sit ‘as still as wood’. There is tiny movement everywhere and for one ‘sleep-moony child and star-eyed dog watching’, the world comes alive despite their close proximity to the city.

Visually sumptuous and satisfying, this picture book encourages mindfulness and evokes calm and imaginative thought. Captivating language coupled with sensory illustrations on every page will have youngsters revisiting this celebration of creatures great and small again and again.

Black Dog Books August 2018

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Mid-month round-up – the strange edition

Strange World – John Long’s Hung Like an Argentine Duck

The truth is stranger than fiction and Dr John Long has (literally) dug up some of the weirdest evidence and facts from the evolution of sex for this book; he’s the discoverer of the Gogo Fish, a 380-million-year-old fossilised armoured shark-like fish replete with a perfectly preserved embryo which provides the first evidence we have of sexual behaviour in the prehistoric past. In this book, which he describes as a journey back to the origins of sexual intimacy, he explores the questions of why organisms started using sex to reproduce and how the act – and the equipment – has adapted and evolved over time and across species.

With a cast of homosexual penguins, lesbian ostriches, necrophiliac snakes and fellating fruitbats, this book is hilarious, horrifying and fascinating – often all on the same page. Jared Diamond, (author of another favourite of mine; Guns, Germs, and Steel) described it as “a compromise between a book that you should carry hidden inside an opaque bag, and a sober respectable scientific treatise, a deliciously written account of the evolution of sex, in all of its bizarre manifestations.”

(And, for those of you are wondering where the book’s title comes from, the duck in question is an Argentine lake duck and boasts an organ nearly half a metre in length – fully the same length as its body.

Strange times – Stephen King’s 11.22.63

What if you could go back in time, but only to the same point again and again? Would you choose to just visit, or could you live there? Would you lie low and live simply or use your knowledge of the future for fortune and fame? Or would you want to change the course of history itself?

In 11.22.63 Stephen King weaves nonfiction with fiction when he sends his protagonist, Jake Epping, down a “rabbithole” in time from the twenty-first century to 1958 and to a moment when the whole world changed – JFK’s assassination in Dallas on November 22nd, 1963.  Stephen King is known for his horror but his true strength isn’t in his ability to shock and scare but his ability to crawl inside his characters’ heads and present them, warts and all, to the reader.

11.22.63 isn’t the story of JFK’s death but rather Jake Epping’s chance at a different life and his struggle with reconciling what he knows with what he wants. It’s a gripping read and one long in the making; Stephen King tried to write this book at the beginning of his career but was defeated by the sheer amount of research it required. Having devoured it over Christmas (leading to more than a few entreaties to “put down that book and answer me”), I can tell you that it is well worth the wait.

Strange places – Ben Aaronovitch’s Rivers of London

“My name is Peter Grant and until January I was just probationary constable in that mighty army for justice known to all right-thinking people as the Metropolitan Police Service (as the Filth to everybody else). One night, in pursuance of a murder inquiry, I tried to take a witness statement from someone who was dead but disturbingly voluable, and that brought me to the attention of Inspector Nightingale, the last wizard in England. Now I’m a Detective Constable and a trainee wizard, the first apprentice in fifty years, and my world has become somewhat more complicated: nests of vampires in Purley, negotiating a truce between the warring god and goddess of the Thames, and digging up graves in Covent Garden . . . and there’s something festering at the heart of the city I love, a malicious vengeful spirit that takes ordinary Londoners and twists them into grotesque mannequins to act out its drama of violence and despair. The spirit of riot and rebellion has awakened in the city, and it’s falling to me to bring order out of chaos – or die trying.”

This book was recommended by a friend who (knowing my weaknesses well) described it as a cross between Terry Pratchett and a detective novel. That’s a pretty big billing and one that the book easily lived up to. Aaronovitch blends the real world worries of a young mixed-race working  policeman with a touch of magic to create a fast-paced and funny story that manages to be irreverent and touching.  It’s not just my friends recommending him; he was shortlisted for the Galaxy New Writer of the Year award in 2011 and his books have been favourably compared to the Dresden Files and Jasper Fforde. I have the follow-up, Moon Over Soho, downloaded to my e-reader already and I’m looking forward to making the time to read it.

Evolution or revolution?

Covering the Sydney Writers’ Festival for this blog exposed me to many of the buzzwords that publishers and ebook proselytisers use to talk about the digitisation of the publishing industry. Among their favourites is the ‘digital revolution’. At last Thursday’s ‘Are Australian Publishers E-Ready?‘ panel, Sara Lloyd, Pan Macmillan UK’s digital maven, said that this ‘revolution’ was more of an ‘evolution’. Another buzzword? Or is there some sense to this rhetorical wrangling?

I’ve always found that the word ‘revolution’ verges on the hysterical when applied to digitisation. A revolution implies that a statistically small group of people are pushing the market towards digitisation before it is ready. In this picture, the only entity I can think of that would fulfil this role is Amazon. But I don’t think I can honestly say that Amazon alone revolutionised the digitisation of books. Amazon, Google and Apple, respectively, are going to be heavily involved in the future of ebooks, but none of them have exactly been on the raggedy edge of ebook adoption. I know people who were reading ebooks on their Palm Pilots in 1996.

Realistically, the digitisation of books has been going on for decades. Publishers faced a massive shift more than ten years ago when they turned the whole publishing process – which had been painfully manual – into a digital one. They didn’t do it because they were trying to revolutionise anything – they did it because it was cheaper, easier, more efficient and less prone to errors. Amazon, it could be argued, is helping to usher in the retail digital book age for the same reasons.

This scrutiny on the words used by the industry might seem pointless. But it isn’t. By talking about a ‘revolution’, pundits would have us believe that some maverick company or person is heroically changing the world around them. But they’re not. ‘Revolutionary’ isn’t a synonym for ‘new’. We already have a word for ‘new’ – it’s ‘new’. Revolutions are bloody scary things, and when we talk about ‘revolutionising books’, you’re bound to get a whole bunch of grumpy old people and anachronistic indie kids flailing their moleskines at us and harping on about the smell of books. An evolution, on the other hand, implies a gradual change that responds organically to the environment. It’s messy, and it tends to create eyeballs in weird places. That seems far closer to what we’re dealing with when it comes to ebooks. Except for the eyeballs thing.

An evolution also takes into account the years of preparation the industry has been going through to get to this point. Some bloggers and pundits are railing at the trade, publishers in particular, due to how slow they are perceived to be responding to this ‘revolution’. But the fact of the matter is, publishers have been preparing for years. And ebooks still only account for about one per cent of the industry in Australia – forecast to reach only 10-20% in the next ten years. So let’s all take a deep breath and calm down. The revolution isn’t coming. Don’t let rabid early adopters convince you that the sky is falling in.