Deploy music to tell a story and joy results. You need only to think about your favourite song to understand this. Unite the magic of music with the unique creation of a picture book story and the result is something very special indeed. These next few picture books combine a passion for music and story and the exceptional ability of both to bring people together. They’re also a whole concert-full of fun.
Not only is the word hullabaloo an absolute hoot to roll off your tongue, it implies mayhem of the most exuberant manic kind. This is exactly what The Great Zoo Hullabaloo! delivers.
Lively, liberating adventure is what Jack and Jess encounter one morning upon entering a zoo that is ‘strangely deserted.’ Even the new roo seems to have bunked. Unable to find a single real-life occupant, they begin a quest to track down the missing residents with little more than a trail of feathers, footprints, and poos, aka scats, to guide them.
Their bush tracking efforts eventually lead them to a party to end all parties. Every animal is hooting and tooting, and hopping and bopping a right hullabaloo! There’s cake, a surprise appearance and enough revelry to fill a pirate ship. For whom is this euphonious shindig, though? Well, you will have to come to the party yourself to find that out.
Tunefully rhythmic and exploding with joviality, this is classic Carthew and Tortop. Great musical verse (with a lovely reference to the Silvery Moon) and animated illustrations make The Great Zoo Hullabaloo! worth getting vocal about! Make sure you read Romi Sharp’s full rhapsodic review, here.
New Frontier Publishing May 2017
Life for the residents of Level 8 in their apartment block is rather subdued and unexciting. They coexist placidly with very little interaction despite their close proximity, so artfully portrayed in the very first pages by Poli. Then one day, The Baby arrives. And, as babies are wont to do, that changes everything.
Baby’s persistent refusal to sleep wears his mother to distraction. His cries are heard and felt by each resident of Level 8, again shown by Poli’s brilliant vignettes that provide telling glimpses into the lives of Baby’s neighbours.
Then, Baby’s chance discovery of the pots and pans cupboard sets off another chain of cacophonous chaos. Each clamorous clang, squeak, squawk and stomp, vibrates throughout Level 8 and awakens a melodious joy in all who dwell there. Slowly, each of the residents is drawn to the rooftop to rejoice in all things musical, with one noticeable difference. They are celebrating, together. But, can you guess what happened to Baby amidst all this musical mayhem?
Hill has composed her palpable passion for music into an elegantly told tale that truly does rise ones soul an octave higher. Poli’s illustrations resonate charm with very few brush strokes. The linear use of images and variation of perspectives, rather like notes on a musical stave, sweeps the reader along the corridors of Level 8, in and out of the apartments and finally to their common park area, which the residents now utilise to play together in their newly formed Baby Band.
Baby Band is a symphonic story pre-schoolers will love having read to them, incongruously gentle in appearance and sound yet magnificently entertaining. This story elicits plenty of opportunity for musical interaction and discussion about all manner of instruments, pots and pans notwithstanding. I adored the cleverness of it all and the irony of young children being able to find solace and slumber in sound. Bravo!
New Frontier Publishing March 2017
Sometimes, finding yourself only occurs because of some other serendipitous discovery. This is what happens to a young bear cub one day after he happens upon a piano in the middle of his forest home. At first, the sound Bear is able to procure from the piano is so awful, he abandons it but after several seasons not only does he mature so too does his ability to produce beautiful sounds from this strange thing.
Playing the piano transports Bear far beyond the wooded boundaries of his forest and fills his heart with melodious joy. Night after night, crowds gather around bear and his piano entranced by the magic he evokes from its ivory keys, until one night Bear is given an opportunity he is unable to say no to, to see the world and share his music with it. And so, he leaves his home and friends behind.
Bear’s tale of yearning for brighter lights and attempting to make better of himself is not unique but Litchfield’s personification of a bear embarking on a journey of self-discovery is both touching and purposeful. Bear’s successful debut in the big lonely city and then consequent tug to return to his old friends and home draws the reader in with cinematic magnitude. When he does return to the forest, he is deeply dismayed to find no one and nothing as he left them. He worries his desertion has made them angry or worse that they have forgotten him. However, he is mistaken as the heart-melting ending reveals.
The Bear and the Piano is a picture book that quietly moves you to the core as an operatic aria would. Bear is tragic yet infinitely loveable. His desire to share his love (of music) and taste the bittersweet reality of his dreams is one many of us may harbour and thus relate to easily. It is easy to like and admire his courage and equally as easy to feel his heartache and despair in spite of his successes. It can be lonely at the top. Luckily, for Bear, and us being at the top is not the be all and end all.
This book is an arresting mixture of loud and strong – forte piano as it were and is beautifully supported by Litchfield’s sumptuous illustrations. A pleasure for lower to upper primary students.
Frances Lincoln Children’s Books Quarto Group UK March 2017