A Touch of Spirit: Talking with Teena Raffa-Mulligan and Who Dresses God?

Today we’re joined by the remarkable Teena Raffa-Mulligan, author to a number of children’s titles including picture books, junior fiction and middle grade novels, as well as romantic reads for the adults. Always possessing a love of the imagination, magic, excitement and adventure, Teena has produced such engaging titles like Friends, True Blue Amigos, Mad Dad for Sale, amongst others, and her latest re-release edition of Who Dresses God? The latter is a gentle and touching story inspired by her daughter’s spiritual exploration of the practicalities of the higher being, that is, God. When years ago as a young child, this divine little soul sought philosophical insights into how God can hear, see and speak, how He transcends yet blends into everything, everywhere, without any physical connection. This is a tender and loving rhyming picture book that opens the gateways to enlightened discussion amongst families with preschoolers and beyond, and is particularly delightful to share around this holy time of year. And here’s Teena to share more with us…

Teena, you have had a long relationship with writing coming from a background in journalism. How did your path lead you to become a children’s author, and what do you love about the world of children’s books?

I knew from an early age that I wanted to be a writer. Books opened a door into the wonderful world of imagination for me and from the time I learnt to read my head was filled with story ideas of my own. The journalism came about by accident rather than intention. In high school when the vocational guidance officer suggested I become a journalist I dismissed the idea as I thought it would be far too boring to write news stories.

My ambition was to be a ‘real’ writer and I had dreams of living a Bohemian life in Paris and writing serious literary novels. However a good looking surfer came onto scene and instead I married and we bought a home and started a family. I’ve always loved books, so I read to our baby son from the time he was a few months old. That’s when I decided I wanted to write for children. I knew nothing about the publishing industry and it was long before computers and the Internet, so it was a learning journey. I received some lovely feedback about my ‘beautiful writing’ and ‘engaging characters’ but all my early manuscripts were rejected by multiple publishers.

That’s when I decided it would be easier to get freelance articles published than children’s books – and it was. Editors bought my stories, requested more and I soon found myself doing – and enjoying – the job I’d dismissed as ‘boring’ in my teens when local papers came on the scene. General reporting and feature writing evolved into sub-editing and editing and I learnt some invaluable skills that I was able to use in my creative writing.

I never lost my dream of becoming a published author, so continued to write, submit and learn everything I could about writing for children. In time the acceptances began to come in. I love the world of children’s books because imagination is unlimited and possibilities abound. It’s a world of magic, wonder, excitement and adventure and the kid in me revels in having the chance to explore it through writing and reading.

You’ve written a mix of articles, short stories, poetry, picture books, juvenile fiction and adult titles. Do you have a genre you feel most comfortable with? What do you find are the most common themes or influences in your writing?

I’m happiest writing for younger readers, and that can be a poem, short story, picture book or chapter book. I’m a bit of a butterfly so staying focused on a novel is a bit of a challenge for me. Many of my stories have themes of belonging, family and friendship, though I don’t set out with that in mind. Essentially, I look on the brighter side of life and my stories invariably have a lightness and optimism about them.

You have recently re-released your gentle and loving story, ‘Who Dresses God?’, originally published in 2012. What can you tell us about this book and what is your aim for readers sharing it with family members, particularly around this time of the year?

The book was inspired by my younger daughter, who asked me that question as a child after a conversation with my mum. We weren’t a religious family so the question came out of the blue for me. I answered it the best I could, we had an interesting discussion and I didn’t give the subject any further thought until a few days later when my writers’ brain clicked into gear. I didn’t consciously set out to write a picture book. It was one of those ‘gifts’ that turn up from time to time in a writing life; a story, poem or scene from a larger work that arrives without warning and the only effort on the author’s part is to commit the words to the page or screen.

I hope the story will start a discussion between children and their family members and encourage young people to think about the world we share and whether there is more to it than there appears to be.

What kinds of strategies, discussions or activities would you suggest for parents and educators to engage in following the reading of ‘Who Dresses God?’?

These two awareness exercises are simple for young children to do:

1. Close your eyes. What do you see? How does it feel? Cover your ears with your hands. What can you hear? How does that feel? Close your lips and cover your mouth. Try to speak. Does it work? How does it feel when you can’t use your mouth and tongue to speak?
2. Go outdoors to a nature area such as the park, bushland or seashore. Stand perfectly still and look around you. What do you see? Listen. What do you hear? Can you feel anything? Then go through the same process, only this time with closed eyes and blocked ears. How much of the world around you are you aware of when you do this? NB. This can also be done in a suburban shopping centre or city street; also while travelling in a car, bus or train.

Here’s one for older children:
Imagine you have the amazing power to create your own world and everything in it. How would it look and how would things work? Write a description or draw a picture of your world.

You and illustrator, Veronica Rooke, have not only collaborated on the development of this and several other books, but also conduct school presentations together. What has it been like working with her on these projects?

I met Veronica when I was working for a local newspaper and she was producing a weekly cartoon strip for the publication, so our friendship goes way back. Our paths used to cross from time to time and I knew she was a talented artist but our creative collaborations didn’t start until she moved into the street where I live about 12 years ago. I was looking for someone to illustrate the new edition of my stranger danger picture book and saw her jogging in the street so stopped to ask if she’d be interested. As it turned out, she’d recently made an employment change and the timing was right.

I was impressed with the way Veronica worked, because I had no idea how to brief an artist. I simply handed over the manuscript and said, “See what you come up with. I’d like it to be bright and colourful with cartoony characters.” She asked the right questions, produced wonderful illustrations, designed the book and organised it to be print ready for the printer.

I still take the same approach when I commission Veronica to create illustrations or book covers, though occasionally I will suggest a particular style or mood. I was thrilled when Serenity Press commissioned her to illustrate my picture book, Friends, and encouraged a collaborative approach, because we work so well together. I give her space to interpret my stories artistically and she is always willing to make changes if there’s something I feel isn’t right.
As for dual presentations, it’s great for a writer to have an artist in the room. We take turns to show how we work, interact with each other and the students, and while I’m talking, Veronica can add pictures to my words in the background. We’ve also put together a joint workshop presentation that gives young people the chance to make their own picture book.

Fun Question: If you could dress God, what would you choose for Him to wear?

Hmm. This one’s tricky! Because God isn’t like you and me, I’d dress Him in a rainbow, a symphony of birdsong and the gentle caress of a spring breeze.

What does Christmas time look like for you and your family? What are your favourite festive traditions?

We always have a family get together at our house in the evening for our children and their families. The meal is buffet style, with contributions from everyone: a selection of salads, sliced chicken and turkey, vegan and vegetarian options, trifle and fruit salad for dessert. Every year I make the chocolate snowballs and chocolate fudge my mother-in-law used to make, and the bean salad and nut meat pasties that my mum made at Christmas.

After the meal there’s gift giving, followed by a walk to the beach just over the hill and a cricket game in the cul-de-sac opposite our house. I love that our family can be together at this time.

For many years there was another tradition on Christmas Day, and that was a visit to the Italian family home in Fremantle. It began in my childhood and long after my grandmother died my bachelor uncle continued to hold open house there. My father’s side of the family would all turn up at various times, gather around the enormous table that filled the big kitchen and catch up on all the news. Sadly, after my uncle died eight years ago the house was sold and that tradition is no more. I miss it.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

I have a new picture book in production and scheduled for release by Daisy Lane Publishing in mid-2019. When the Moon is a Smile is about the special times a small girl spends with her dad, who no longer lives with them. I’m thrilled to be working with publisher Jennifer Sharp, who spent a week exploring London with me last year after we both attended the Serenity Press writers’ retreat at Crom Castle in Ireland. I also can’t wait to see what illustrator Amy Calautti comes up with for the illustrations.

Thank you very much for your time, Teena! It’s been wonderful learning more about you! 🙂

It’s been a pleasure chatting with you. You asked some great questions and the dressing God one put me on the spot!

Visit Teena Raffa-Mulligan at her website, and on her blog tour for Who Dresses God? here.

Sea Song Publications

#ByAustralianBuyAustralian

Dim’s Christmas Crackers List # 6 – Just For Fun

It’s so exciting – being on the cusp of Christmas. If you are still anxious about the book-sized gaps left in your children’s Christmas stockings though, worry no more. Here is my final list of cracking good Chrissy reads for the year. We’ve covered meaningful and moving, so here are some just for fun titles, to fill you with all the merriment the season entails. If they don’t quite make it to you in time, save them for next year; there’s nothing like getting ahead with Santa! I hope you’ve enjoyed our Kids’ Book Bests this year and can’t wait to share even more fabulous titles from the world of children’s books with you in 2018.

Junior Novels

Sage Cookson’s Christmas Ghost by Sally Murphy and Celeste Hulme

We’ve met Sage and her sassy cooking-based series before but this one takes the cake, or rather Pavlova! Frolicsome fun ensues after Sage and her celeb chef parents arrive in Western Australia to record a world-record attempt by Chef Myra to make the world’s largest ever pavlova. In spite of the fiercely debated origins of this quintessentially Christmassy summertime dessert and some irksome ghostly going ons, Sage eventually wades through gallons of meringue to save the day – and the record attempt. Best bit, of course – the delicious pav recipe in the back. A jolly addition to any Christmas stocking.

New Frontier Publishing November 2017

PS Who Stole Santa’s Mail? by Dimity Powell

Well it wouldn’t be Christmas without mentioning this little ripper now, would it. Can Sam and Tobii save Santa’s reputation and Sam’s kidnapped little sister before the Delivery Book is closed for the year? This light-hearted Christmas mystery, chockers with elves, weird smells, stolen Christmas wishes, nasty rashes and disappearing mailboxes is a spirited stocking filler ideal for 7 – 10 year-olds that is guaranteed to sustain the magic of believing. Just ask the author if you don’t believe me!

Morris Publishing Australia October 2012

Fun Picture Books

I Went to See Santa by Paul Howard

This picture book is positively exploding with festive fun. Based on the popular memory game and akin to the Twelve Days of Christmas, this story begins with a young boy who, with his new glasses, spies an outlandish assortment of Christmassy things including penguins, reindeers and snowballs. With a faint acknowledgement of beloved Christmas pantomimes, this is a jolly crowd pleaser great for 4 – 7 year-olds.

Bloomsbury November 2017

Santa’s Gone Surfing by P. Crumble and Thomas Fitzpatrick

It’s gratifying see good old Santa in his boardies catching waves albeit a little unconventional. This is, after all, the way many Aussie kids picture Christmas. Crumble’s bonzer rhyming ditty starts with one hot grumpy Santa throwing a major wobbly. He abandons his red suit and boots for boardies and zinc cream leaving poor, barely qualified, emergency Santa, Trevor to recruit a new sleigh-pulling team (a flock of beady-eyed Emus if you don’t mind) and commission a new sleigh (obligatory rusty ute) with which to complete the Southern Hemisphere deliveries, which he does, brilliantly. It’s a jovial win win situation freeing up more surfing time for Santa every year. Littlies and surfers alike will warm to this chipper tale.

Koala Books imprint of Scholastic October 2017

The Naughtiest Reindeer Takes a Bow by Nicki Greenberg

Ruby is back in all her glorious glittery naughtiness. It’s not that she deliberately tries to derail Christmas; it’s just that Ruby’s intentions always end up a little askew. This year, she is determined to get a head start with the deliveries but inadvertently gets horribly, hilariously sidetracked. It’s not until she is centre stage in a school musical that she remembers there was something important left undone. Delightful mayhem for fans of this ruby red-nosed reindeer.

Allen & Unwin October 2017

Pig the Elf by Aaron Blabey

Pig the pugnacious Pug is back, this time competing with his little mate Trevor for Santa’s affections. Actually is not affection Pig is after at all, but rather sackfuls of presents. His greed and overt excessive selfishness is what makes Pig so utterly unlikeable and yet so fantastically addictive. I have used this book in early childcare centres and Kindergartens where it has huge crowd appeal. An excellent example of naughty and nice and how you may only end up with ‘just desserts’ if you are too greedy. Obnoxious hilarity in the highest degree, recommended for pre-schoolers and above.

Scholastic September 2017

Anthology

A Christmas Menagerie Edited by Beattie Alvarez

This cheerful collection of predominantly animal inspired Christmas tales will make a gay addition under any Christmas tree. Popular children’s authors and illustrators have created stories that neighbour tales from not so well known writers yet are all redolent of that delicious Christmas spirit. From wombats to pudding making bears, turtles to curious sausage dogs, this anthology of short stories is lusciously illustrated and ideal to read aloud with younger readers or as a meaningful gift for more confident readers. Heartedly recommended reading.

Christmas Press November 2017

Activity Book

Create Your Own Christmas by Isabel Thomas and Katie Abey

This book declares that Christmas is far too important to leave in the hands of Santa and a bunch of elves. It urges you to ‘take control of your festive destiny’, and what better way to do so than to cut, colour and construct your OWN CHRISTMAS! I love the premise of this definitely-not-boring activity book. Every single colour-saturated page is packed with things to make and do. Advent calendars, decorations, Chrissy cards, Christmas crackers, party hats, gift tags, Santa launchers – it’s all here in with instructions to make mess and have FUN! Just what you need to keep them occupied for longer than it takes to baste a turkey. Have fun with it, this Christmas.

Bloomsbury November 2017

MERRY CHRISTMAS AND HAPPY READING!

 

The Art of Story – Festivals and anthologies in review

Rich and RareEditor, publisher, author, and all round busy guy, Paul Collins describes his latest anthology as ‘a sumptuous literary feast’ in which ‘no one will go away hungry, as the collection is a literary banquet with something for everyone.’ If that doesn’t whet your appetite for the collection of Australian stories, poetry and artwork that is, Rich and Rare, then spend a few moments ingesting Julie Fison’s interview with him as they dissect the intricacies of this collection.

His description, I feel also encapsulates the essence of our Australian literary landscape, so admirably showcased a couple of weeks ago at the 19th Story Arts Festival of Children’s Literature iPaul Collinsn Ipswich. This biennial Queensland festival is for adults and young adults be they teachers, librarians, or emerging writers and illustrators aiming to heighten awareness in the creative arts of writing and illustration and help build and maintain increased audiences for children’s literature. The school kids involved really loved it too.

I found the Story Arts Festival nothing short of inspirational and one of the most relaxed, enriching and informative conferences I have experienced. Like the anthology, Rich and Rare, it treated participating creators to a vast and delicious array of art, insight, and entertainment. Many of the contributors to this anthology participated at this year’s Story Arts. Many more are past presenting veterans of the festival. Here is but a sampler of some of the tantalising talent served up; the guest list is stupendously long and illustrious with the likes of Shaun Tan, Gary Crew, Justin D’Ath, Tania McCartney, Gabrielle Wang, and Tracey Hawkins to drop just a few.

I'm a Dirty Dinosaur Janeen Brian award winning multi-genre children’s author whose Rich and Rare story, The Art of Illusion inspires wonder and magic in young minds. With illustrators, Ann James, Matt Ottley, Terry Denton and fellow authors, Mark Greenwood and Tony Palmer, she revealed the fun and frustrations behind creations such as her phenomenally successful I’m a Dinosaur picture book series, whilst striving to increase literacy in children through entertaining literary content.

 Oliver Phommavanh is another such entertainer dishing up platefuls sensitive story lines liberally garnished with loads of laughs. What kid can resist temptations like those? Following his riotous expose of being an Aussie kid with Thai parents in suburban Australia with Thai-riffic! and Thai-no-mite, Phommavanh continues to slap out the humour with Stuff Happens: Ethan and Con-nerd. His short Rich and Rare tale, My Brother’s Keeper displays Phommavanh’s trademark observational wit in a devastatingly touching, contemporary way.

Veiled Secrets Archimede Fussillo is another first-generation Australian this time sporting an Italian heritage. His impressive range of mid-grade readers and YA novels further enriches the diverse reading fodder of Australian’s youth. He appeared at the festival with Josie Montano to launch their co-authored collaborative novel, Veiled Secrets, published by US Solstice. He penned the poignant and heart-tugging, The Bravest Person I Know for Rich and Rare.

Just a Dog Michael Gerard Bauer is a Queensland author equally at home with humour. His series include the Ishmael trilogy, Eric Vale and Derek ‘Danger’ Dale stories running from the sublime to the snort-out-loud-ridiculous. Eric Vale Epic Fail was adapted into a stage play by THAT Production Company this year and played for the first time to Festival audiences with rousing success. His standout works include Just a Dog and The Running Man, which was CBCA Book of the Year in 2004. Both are stories of achingly plaintive prose embedded with incredible heart and soul. He returns to hilarity in Rich and Rare with the short story, The Knitting Needle Ninja.

Hunter's Moon Sophie Masson’s repertoire of fantasy, mystery, thriller, and even graphic novels stretches further than a giant’s smorgasbord. She is master of coping with change following a fluctuating home base as a child (her parents alternated between France and Australia to live) and now the necessity of author adaption in the digital age, the subject she addressed at Story Arts. Her dark and treacherous reimagined Snow White novel, Hunter’s Moon appeared earlier this year. She compares the Rich and Rare anthology to an intricately fashioned patchwork quilt, ‘a strikingly unusual and complex yet satisfying and simple thing’.

Amply satisfying it is too, and like the Story Arts festival, ably fulfils its objective to capture and preserve the attention of a wider reading audience. Anthologies may not be widely popular to publish but when they showcase talent such as that embodied in Rich and Rare and are able to sustain readers with stories of such exquisite delectableness, they really are too good to pass up. Stack your plate high and celebrate the art of story.

Rich & rare InviteSoutherners are invited to meet many of the contributors at Ford Street Publishing’s exciting launch of Rich and Rare next Friday, 23rd October, Abbotsford, Victoria.

Ford Street Publishing October 2015

 

Awesome Author Interview: Adam Wallace

received_m_mid_1408443449328_c66032bcbb1d9cf649_0I recently had the pleasure of meeting funny man and children’s book author, Adam Wallace, creator of titles including Mac O’Beasty, The Negatees, The Pete McGee series, Jamie Brown is Not Rich, and Better Out Than In. I am even more fortunate that he has agreed to answer some of my questions!

Firstly, congratulations on being shortlisted for the Speech Pathology Australia Book of the Year Awards 2014 for Better Out Than In Number Twos!
Thanks heaps, Romi! It was definitely a shock and a thrill. I am in very esteemed company too, nominated among names like Griffiths, Jennings and Marsden. I mean, I’ve never heard of these wannabee authors, but someone tells me they’re pretty good. I might check them out sometime.

9780987463531Can you please tell us a brief run down on what the story is about?
Well, it’s all very sophisticated, a story of class and romance … oh no, wait, that’s not my book, that’s Pride and Prejudice. Mine has six short stories, all in rhyme, and all extremely gross, disgusting and funny! It’s the sequel to Better Out Than In, which was all very sophisticated … ah dammit, I did it again. That one’s gross too. Basically, I wanted to make children laugh and get a buzz out of reading, so it’s about things that make kids laugh.

Considering the nature of this series, I’m a bit wary to ask… how did the idea for these come about?
Well, they’re all based on my wife, Andrea … haha, just kidding. Actually, there is one story based on something she did once but I won’t tell you which one it was.
It was Bob’s Burp.
I wrote the very first story, Whoops, because I had been writing stories with messages. They were still funny, but I wanted to write something that was just funny. So I wrote it, read it to some kids at the After Care I was working at, and they loved it and asked for more stories on similar topics and I just went from there.

Do you have plans to write Better Out Than In Number Threes? Fours? Fives?
Haha, I wasn’t going to, but then a kid at a school said that if I did a third one I should call it Better Out Than In the Turd. I was gobsmacked. I thought it was genius, pure genius. So now I am slightly tempted to give it a go, but only after I have finished the projects I am currently working on.
Better Out Than In the Turd.
Hahahaha. Genius.
Sounds awesome! Do it!

Besides writing disgustingly funny stories, I understand you make visits to schools around Melbourne. What’s it like meeting a bunch of excitable kids?
I love it! It is so much fun. It is totally draining at the same time, but it really gives me a buzz. They have such great energy, and are such an honest crowd. They will only react to something if they really like it (or don’t like it), so when you can get a whole group laughing you know you have earned it.

What are your favourite things to do with them?
I do readings, I do brainstorming activities, and I do cartooning with them, and they’re all my favourite! With the reading I love getting a laugh out of them, and with the brainstorming I love the brilliant and often hilarious ideas they come up with. With drawing, I love seeing them take what I show them and turn it into their own unique version.

What’s the most impressive piece of work or display, relating to you, that you’ve seen from the kids?
I went to Tucker Rd Primary School in Bentleigh the other week, and they had done a display covering an entire wall. It had facts about me, questions for me, Wanted posters about me, pictures of me and, most impressive of all, a working toilet on the wall! When I say working, you could pull a string and the lid would open up! So awesome!
A tribute to Adam Wallace… nice!

Have they said anything funny or shocking that caught you by surprise? How did you deal with that?
One time I gave what I thought was an awesome session to some preps, and at the end I asked if there were any questions. One kid up the front put up his hand and said, ‘Why are your ears pointy like an elf?’ It had obviously been playing on his mind the whole session, so I thought I should answer him honestly and openly.
‘Because I’m half-elf,’ I said.
‘Okay,’ was his response.
I have got some mileage out of that one!
Then last week I had this great exchange.
Kid: Does your hand get sore when you write your stories?
Me: Sometimes, because I hold my pen funny.
Kid: YOU WRITE YOUR STORIES WITH A PEN??????????
Me: hahahahahahahahahahahaha

Do you ever get time away from kid-type ventures? Do you have any other hobbies?
Ummm, does an afternoon nap count? Oh, actually, I guess kids do that too. If I call it a siesta I think that makes it grown up, though! I do have some hobbies. I love playing golf, although don’t do it nearly enough. I also love going to live comedy and live music, and do that as often as I am able. I am also trying to teach myself piano. I learnt when I was about 8, so it is slowly coming back to me.

Are you ever serious? Or is there constant laughter in your household?
I tried being serious once, but I wasn’t very good at it. It was kind of boring, and so was I!!! We do like to laugh a lot in our house, often at my dancing skills, but I haven’t tried to get my wife to piggy back me since the great piggy back dancing debacle of 2013.
Let us never speak of that again.

Can you reveal any more that us ‘Adam Wallace’ fans can expect from you in the near future?
Well I can’t reveal too much. Last time I did that there were police involved! Oh … you mean books! Whoops!
I have a book called Random which is currently being edited and laid out, and there is a tentative release date of early 2015. That’s just a random collection of random things and random pictures scattered randomly throughout a random book!
I also have a book about to be illustrated by the awesome James Hart that will hopefully be out at around the same time. That one’s called Accidentally Awesome, and is the first of what will be a long series. It’s a about a totally clumsy kid whose clumsiness leads to awesomeness … eventually.
That sounds very exciting! We’ll be sure to look out for your new releases!

Thank you so much for answering my questions, Adam! It has been a blast!
My pleasure, thanks for letting me answer them!

Discover more about the scintillatingly hilarious Adam Wallace at:
www.adam-wallace-books.com

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Awesome Giveaway!
To WIN a SIGNED COPY of Adam Wallace’s Better Out Than In Number Twos, all you need to do is head over to My Little Story Corner, and answer the following question by 11.59pm AEST Friday August 29, 2014:
What are the TWO (2) titles of Adam Wallace’s books that are due to be released early 2015?

www.facebook.com/mylittlestorycorner

On My Bedside Table – # 2

Bedside table 2Does your bedside table feature nothing more than a sedate, sleek bedside lamp and the latest eReader? Or is an outrageous collection of self-help, kids’ lit, how-to, YA, book club, must-review-reads piled unceremoniously on top of each like mine?

I tried reading one book at a time. Found it just wasn’t for me. I now prefer the heady experience of flitting from one world to another. It’s a little chaotic and bewildering at times I admit. But the crazy excitement of reading so many varying titles simultaneously keeps me entertained and enlightened beyond words. It’s a bit like heading down Edgware Road, atop a London double-decker bus, at night. Boisterous, sublime, sensory saturation. You really should try it sometime.

Here are a few more our brightest and best Aussie authors who have and are…

Angela Sunde ~ Gold Coast based children’s author and illustrator of picture books, short stories and Pond Magic, with a strong penchant for apples.

A Small Free Kiss in the DarkI’m currently reading A Small Free Kiss in the Dark, by Glenda Millard. A beautiful evocative voice which reminds me of Morris Gleitzman’s ‘Then’ series. It could possibly be one of my favourite books.

I am re-reading the Puzzle Ring, by Kate Forsyth, looking carefully at structure this time.

I’m also reading Pen on Fire, by Barbara DeMarco-Barrett – a busy woman’s guide to igniting the writer within.

At the top of my teetering ‘to be read’ pile are: Citadel by Kate Mosse and The Wild Girl by Kate Forsyth.

On my coffee table you will find Advanced Style by Ari Seth Cohen. This is a photo book based on Cohen’s blog, Advanced Style. The images portray fabulous women and men of New York who are all silver-haired individualists. I find it inspiring and also a useful reference for characters.

Also on the coffee table is Australian Voices, edited by Ariana Klepac and John Thompson. It is a collection of extracts from diaries, letters, photos and recollections, ranging from the First Fleet to the Great War. There is a story waiting to be written on every page.

And there are many more….

Kate Forsyth ~ internationally best-selling, award-winning author of adult fiction and children’s literature from picture books to fantasy novels, with a strong penchant for fairy tales.

WonderstruckI’m reading ‘Enchanted April’ by Elisabeth von Arnim at present, and then I have on my bedside table to read:

‘Scarlet in the Snow‘ by Sophie Masson

‘The Ashford Affair’ by Lauren Willig

‘Chalice’ by Robin McKinley

‘The Fault in Our Stars‘ by John Green

Dark Road to Darjeeling‘ by Deanna Raybourne

‘Wonder Struck’ by Brian Selznick

I may not read them in this order.

Tania McCartney ~ acclaimed children’s author, editor, publisher and reviewer, with a strong penchant for photography and raspberries.

Eric Vale, Epic Fail: Super Male by Michael Gerard Bauer (Scholastic). I want to review this . . . if I can prise it out of my son’s monkey grip.

Warp: The Reluctant Assassin by Eoin Colfer (Puffin). I am most embarrassed to admit I’ve never read any of Colfer’s books; am desperate to read Artemis Fowl but I would need another week in my day in order to do this right now. So, until then, I am determined to read and review this first book in the WARP series for Kids’ Book Review.

Riley and the Jumpy Kangaroo: A journey around Canberra by Tania McCartney (Ford Street). My first advance copy. I literally haven’t had time to go through it yet!

1599: A year in the life of William Shakespeare by James Shapiro (Faber + Faber). It’s a very patient book. It’s been sitting on my bedside table unopened for about six months.

Storyteller: The Life of Roald Dahl by Donald Sturrock (Harper Press). Andy Griffiths recommended this to me but don’t tell him I haven’t even started it yet. It’s calling to me . . ..

What's Wrong With the Wobbegong What’s Wrong with the Wobbegong? by Phillip Gwynne, illustrated by Gregory Rogers. It’s not out till June so I can’t review it yet, but I just need to keep Gregory Rogers close right now

 

On My Bedside Table

Bedside read listWant to know who I like to curl up in bed with after a long day behind the flat screen? Curious to know how I spend the midnight hours? Well I can reveal that at least three of those listed below are amongst the many who keep me occupied into the wee hours of the night. But enough about the books weighing down my bedside table.

As a solution to my incurable curiosity about what  makes a good read and what is good to read, I will be featuring who and what some of Australia’s most popular authors and illustrators like to go to sleep with, or bathe with or dine with…you get the picture.

And so to kick off our inaugural On My Bedside Table post we begin with a clutch of very clever children’s authors and illustrators. Look carefully and you may just pick up an idea or two for your own reading list. Enjoy!

Susanne Gervay ~ Children’s and YA award winning author and patron, director and co-ordinator of numerous societies associated with Kids’ Lit.

Conspiracy 365 (series) by Gabrielle Lord

Hey Baby! Corinne Fenton (picture book)

Trust Me Too edited by Paul Collins (anthology of stories)

Jandamarra by Mark Greenwood illustrated by Terry Denton

Lighthorse Boy by Dianne Wolfer illustrated by Brian Simmonds

Ten Tiny Things by Meg mcKinlay illustrated by Kyle Hughes-Odgers

Gracie and Josh• I have a pile of picture books and illustrated stories at the moment. Maybe because I’m into picture books – of course there’s my Gracie and Josh illustrated by Serena Geddes there too.

Anil Tortop ~ Illustrator, designer and sometimes animator

• The second book of A Series of Unfortunate Events by Lemony Snicket (via Kindle)

• SCBWI bulletin

• Nonstop Nonsense by Margaret Mahy

• Downloaded picture books (on my iPad to have a look at very often. But I don’t read all of them. Just look at the pictures…)

Maggot MoonMichael Gerard Bauer ~ Children and YA multi CBCA award winning author

Just last night I finished reading Maggot Moon by Sally Gardner. A powerful, moving book that I really liked. It’s set in what appears to be England but the country is under a vicious totalitarian rule as if it had lost WW2. The story centres around a young boy called Standish Treadwell and the horror of his life, and eventually his attempt to expose a fake moon landing which is about to be broadcast by the government as an example of their power.

I’m also at present re-reading Barry Heard’s book Well Done Those Men about his Vietnam experience and the terrible effect it had on his life. A great read and soon to be a movie.

Anna Branford ~ Writer for children, maker of things and bath tub reader

There is a funny selection on my bedside table just now! Kenneth Grahame’s The Wind in the Willows is there because I’ve been recovering from a cold and it is always my best companion when I’m not feeling well.

The AntidoteOn top of that is a book by the hilarious and wise Oliver Burkeman called The Antidote, which is a wonderful critique of the practice of positive thinking.

And right at the top of the pile is Sue Whiting’s new book, Portraits of Celina, which is spooky and beautiful all in the same moment.

On my Bedside table Anna BranfordFeeling inspired yet? I am. Time to grab whatever is on the top of your pile and curl up together.

 

 

Doodles and Drafts – An Interview with Janeen Brian Part One

Today we delve deeper into the dynamic world of industrious children’s author, Janeen Brian. She’s releasing more books per month than I’ve had pie floaters  and I hear that one of her poems, “What did you learn at school today?” is being published in The School Magazine’s Blast Off this month. Does this lady never slow down? Let’s find out…

Q Who is Janeen Brian? Describe your writerly-self for us and the thing that sets you apart from other Aussie children’s authors.

The introspective part of me used to struggle in earlier days, because I had no pre-formed vision or identity of myself as a writer. I knew little about writing. Yet I quite liked to write. I knew little about books. Yet I liked to read. I’d never known about how to deconstruct, analyse or evaluate writing or reading and I can’t remember getting much of a grounding of it in high school, but I’m sure I must’ve. In my later years I tentatively did a TAFE correspondence writing course and dipped my toe in a weekend writing workshop.

Although I did write for adults and enjoyed it, (short stories and poems), I discovered it was really where my heart was. I felt better connected with a children’s readership. People say that when they read my work, they see pictures in their head and that pleases me, because I try to write pictorially. They say my work reads aloud well. That pleases me because I like the music of language and the sensory world of words. Reviewers often make the comment that I ‘know what children want’ and that pleases me because it’s what I strive for.

I also write a lot of poetry, enjoying the capture of a particular moment to provide a shortcut to the emotions.

Perhaps poems, picture books and short fiction is where I fit best.

Q You are an experienced writer covering many styles and formats, including TV scripts. What is your favourite style of writing, why and does it result in your best work?

I am experienced in that I’m been writing for about 30 years and of those, 23 years have been fulltime, but I never stop learning and trying to improve. I’m sure I’m not the only author who says that! But I enjoy different styles and formats because it challenges me, and I find different aspects to my writing emerging that may have remained untapped. During my writing life, I’ve tried to seize any writing opportunity and that included writing eleven scripts for Here’s Humphrey, a pre-schoolers program. While I loved the content and age group, I felt that ultimately the fast-paced nature of scriptwriting for the media wasn’t quite me. When the show drastically changed format, I wasn’t asked to write any more scripts, so perhaps the producer felt the same! I like researching and have written much non-fiction. When I write information articles or books, I try to write simply, so children grasp concepts, and also hopefully in a visual or anecdotal style, so information is more readily absorbed. I do this, because I don’t absorb facts very easily! As mentioned in the earlier question, I think I do my best work with shorter pieces, though I’m very proud to have written several novels and to have had them accepted and published.

Q At what stage in life did you realise you wanted to write? What, whom persuaded you to continue? Was it always this way or did you aspire to be something different as a kid?

Nothing struck me on the head to get writing! In Year Three at school, I decided to be a teacher and followed that course into Primary school teaching at eighteen. Later, around the time I had two young daughters, I simply dabbled in writing for my own enjoyment. I’d never been a closet writer or held dreams of one day writing. I simply began to write every now and then; mainly poems for my girls or to give away as gifts. Then, on becoming a single mum, I began to use my writing to earn extra money; penning small articles in magazines. I was also asked to write some scripts for a children’s theatre company, which was a big ask as I’d had no training or real understanding of the constructs of theatre. But I did it. I think one show was a flop but the others were okay. So, I beavered away, joined the SA Writers’ Centre, met a kind, experienced author who became my mentor and life-long friend, and who provided much needed encouragement and practical advice. Then I was lucky enough to have books/readers accepted by an educational publisher, which I think gave me good training in crafting to a brief and culling floppy, useless words.

Q How have your refined your craft? Did you study, if so where, and do you feel this has attributed significantly to your work?Janeen's work

I was persistent, imposing on myself all sorts of disciplines, real or imaginary to keep the writing muscles working and the financial side viable. I attended writers’ courses, but never attended University. My only tertiary training was the two-year teacher-training course. I read books on writing, obtaining my first loads from libraries, then purchasing more and more myself, all the time reading and trying to improve my writing. At that time, there was no computers or websites, no online blogs or author chat lines. I stuck to my simple, personal credo, If it’s to be, it’s up to me. Joining and meeting with a group of South Australian, published children’s writers and illustrators, called Ekidnas, helped me and my writing immensely. It wasn’t a critique group, more a support group, providing encouragement and networking opportunities in the days prior to email (doesn’t that sound amazing?). Now we meet approximately four times a year, but have an Ekidna website of our own, which is updated weekly and highlights our members’ achievements and activities. Quite impressive!

Where does Thursday goQ You are a published author of several titles. What are they? Which are you most proud of? Do you have any you would rather forget?

By May, 2013, I’ll have more than 78 books published, some educational, the rest being trade published. I also have poems in fourteen anthologies. Here’s the website for titles: wwwjaneenbrian.com. One of the easiest books I ever wrote was a picture book called Where does Thursday go?, illustrated by Stephen Michael King and published by Margaret Hamilton. The words simply fell onto the page. The book won an Honour Award in the CBCA picture book awards, and a Notable in the Early Childhood Awards in the same year. It then went on to be published in USA and UK as well as being translated into thirteen languages. I call it my heart book, because the idea was triggered by my then six-year-old daughter, Natalie, and I was able to dedicate the final book to her first son, my first grandchild, Liam. I still love the story, the language and the superb illustrations.

Want to find out what’s on the drafting table for Janeen? See what’s in store tomorrow in Part Two of our chat with one of Adelaide’s finest children’s writers.

10 Things you (wished you) didn’t know about Dimity Powell – Children’s author

Welcome to my first post at Boomerang Books.  I would be lying if I didn’t admit my hands are trembling just a little. Taking hold of the reins that my colleague and dear friend Tania McCartney used to steer her posts so aptly and smoothly with for the past year or so, is by no means an easy feat. My heartfelt thanks and best wishes to you Tania!

So who is Dimity S Powell? DSP? Well, I’m often accused of my Debatable Sensory Perception on life; that is to say, the description ~ dim but nice ~ suits my persona well. But is there more to being Dim? You’re about to find out…

1.       The first short story I ever submitted was accepted by the School Magazine in NSW. It gave me immense hope and slightly unreal expectations.

2.       I once had a close encounter of the lost-in-a-triangular-kind-of way off the island of Bermuda whilst crossing the Atlantic, in a vintage Camper and Nicholson motor yacht. Fortunately, I was not transported off this planet, at least I don’t remember if I was.

3.       I used to play the flute – well. Now I just polish it – a lot. It’s shinier than some of my manuscripts.

4.       My first epiphany was at six years of age. I was standing in the girls’ toilets of my new primary school when I realised all of my friends were books. But this didn’t faze me in the slightest. I had the most profound thought: through books one could acquire anything, go anywhere and learn absolutely everything. It was a powerful realisation, and a conviction that I still carry today.

5.       At some point in my life, hanging one load of nappies (yes I used cloth ones) on the line was considered a herculean achievement. Now if I’m not juggling at least 15 balls, with my left toes whilst in an inverted yoga position, it’s just not a normal day.

6.       I considered living in Istanbul, twice, but never learnt to count over 1000 in Turkish. The cost of a loaf of bread would inflate a thousand Lira every three days. That’s ridiculously more fingers than I had to count with.

7.       I got wrinkly in a spa of George Harrison’s one time, but have never met him face to face.

8.       I read every Trixie Beldon mystery novel as a kid but have never ever felt the need to ‘solve’ anything; especially mathematical equations.

9.       I’ve eaten sea cucumber and alligator. Neither tasted like chicken. Both are infinitely more palatable than black boned chicken.

10.   I am a children’s author because I write for kids. I write for kids simply because it is so much fun.

I look forward to sharing my passion of all things Kids’ Lit with you in the weeks to come. Please excuse me though for a small while; my sleigh is about to depart and I’m due on board for the launch of my new Christmas kids’ novel, PS Who Stole Santa’s Mail? Keep an eye out for me as I soar by.

INSPIRATION FROM A DROWNING DICTIONARY – Part Two in a profile of Children’s author, Lee Fox

Ginger McFlea Will Not Clean Her Teeth is the book featured in part two of our profile on Australian children’s author, Lee Fox.

Although the inspiration for parts of Ginger’s story also came from exposure to water, Lee Fox explains that it was quite a difference experience from what sparked Ten Little Hermit Crabs.

I  was holidaying in the Northern Territory. While I was writing the first draft for “Teeth”, the rhyming dictionary fell into the crocodile infested river and I had to fish it out with a stick. That’s how choppers became part of the story.

You have said that Ginger is your favourite out of all the characters you have created. Can you tell us why?

I love the look that Mitch Vane has given her. She is strong willed, smart, funny and creative. I like the way that Ginger is smart enough to realise that by doing the right thing she is not losing anything, that in fact she is gaining something important.

Can you tell us about Ginger’s Story?

Ginger McFee refuses to look after her teeth.  They are awful, smelly and full of cavities. It takes a clever doctor and the Tooth Fairy to turn Ginger’s attitude around.

What did you enjoy most about writing Ginger McFlea Will Not Clean Her Teeth?

Ginger McFlea is the twin of Jasper McFlea in Jasper McFlea Will Not Eat His Tea. I loved the opportunity to turn Ginger’s character around in this book. It was fun to show how characters and people have different dimensions, not always good and not always bad.

How did you come to create characters like Ginger?

I didn’t set out to become a children’s author, but it makes sense to me now that I’ve become one because I adore children and babies. I’m also very in touch with the adolescent who still lives within me. She gets a voice when I’m writing YA fiction.

Who will enjoy reading this book?

Children aged 3 to 8 will be able to relate to the main character Ginger, who is funny and creative, but likes things her own way. There’s also Ginger’s cute pet turtle, Keith and Dr Felicity Cheek, the funkiest dentist in the universe.

In this book there are plenty of fun rhymes and synonyms for teeth. And Mitch Vanes gorgeous illustrations are so much fun.

There are other books written about children and teeth. Is there something about Ginger McFlea Won’t Clean Her Teeth that sets it apart from other books on this topic?

It uses a lot of humour and one reviewer said recently that, “This book teaches, but doesn’t preach.”

How could teachers use this book in a classroom?

It’s a great way of getting kids to write about things they don’t like. It can be fun for kids to take that topic and stretch it out of all proportion.

Thanks so much for visiting Kids’ Book Capers, Lee and sharing how your write your books. It has been lovely talking with you.

Dee