War is a recurring theme in the 2016 CBCA shortlisted books and dominates the picture book category.
Ride Ricardo Ride by Phil Cummings, illustrated by Shane Devries (Omnibus Books, Scholastic Australia) has an Italian war setting, where the soldiers are portrayed as menacing shadows. It particularly looks at the relationship between Ricardo and his father, who work together on Ricardo’s bike (a major symbol in the book).
The illustrations include panels superimposed over larger digital paintings and strategic cropping of heads, and it looks to be influenced by the artwork of John Brack.
Suri’s Wall by Lucy Estela, illustrated by Matt Ottley (Penguin Random House) has the inevitable sorry pairing of war and refugees.
Suri is treated with suspicion by the other children who live with her behind the wall because she is tall. But her height enables her to look over the wall to see the devastation beyond. However, she tells them tales of very different settings inspired by imagination and beauty. Themes include occupation, difference, imagination, resilience, compassion and hope. Books with similar issues and themes are The Cat at the Wall by Deborah Ellis, The Wall by William Sutcliffe and The Kites are Flying by Michael Morpurgo.
Flight by Nadia Wheatley, illustrated by Armin Greder (Windy Hollow Books) has already been shortlisted for the NSW Premier’s Literary awards – the Patricia Wrightson prize. It begins with a small family fleeing into the desert to escape persecution, which parallels the Biblical story of Mary, Joseph and Jesus fleeing to Egypt. It shows how “an ancient story becomes a fable for our times”. The merging of the Biblical story with a contemporary refugee tale has been more than seven years in the making with prominent author Nadia Wheatley (My Place, Papunya) writing many drafts.
And the Band Played Waltzing Matilda by Bruce Whatley & Eric Bogle (Allen & Unwin) is a confronting anti war cry. It is a ballad as a protest song – and is not for young readers. It’s about Gallipoli, although written in response to the Vietnam War. It is structured around the Eric Bogle song, as well as Waltzing Matilda.
The illustrations could be compared with Whatley’s illustrations for Jackie French’s The Beach they Called Gallipoli (digitally manipulated photos & pen in watercolour and acrylic collages). Here the illustrations feature searing line drawings, allusive blood splotches and are dominated by the narrator soldier’s direct gaze.
One Step at a Time by Jane Jolly (who wrote Tea and Sugar Christmas), illustrated by Sally Heinrich (Midnight Sun Publishing), explores the repercussions of land mines in Burma. The illustrations are reproductions of hand coloured lino prints. Panelling (panel strips) and movement lines are used effectively across the cover and elsewhere. Repeated motifs of elephants and other symbols make decorative borders but the underlying issue in this book is not pretty.
My Dead Bunny by Sigi Cohen, illustrated by James Foley (Walker Books) is not a war story in the conventional sense, although it is raising heated views. It is a zombie rabbit tale, told with over the top humour and rhyming couplets: “I poked at Bradley with a stick – his fur was muddy, damp and thick, and in his final resting place, the worms had tried to eat his face”. The illustrations are in digital comic style using a predominately black and white colour scheme with sparing touches of lime and orange.