Whether it’s geo-restrictions, digital rights management (DRM), ebook pricing or ebook quality, it’s rare to hear a reader blame an author for the state of an ebook (unless it’s self-published, of course). And I can see why. Authors are the public face of what readers love about books. They are the creative geniuses behind all the amazing books you’ve ever read. And it’s not just that. Writing books is really hard, and most authors only do it for the love of it.
It’s for these reasons and many more that the last thing we want to do is hang all the things we hate about ebooks on our favourite authors. Especially not when there are publishers, agents and ebook vendors who perform that role very well indeed thank you very much. None of this, however, changes the fact that a big chunk of the blame for why the publishing industry is as slow-moving, old-fashioned and afraid of change as it is lies at the feet of authors. I’ve written before about the Luddite nature of most book editors. But that’s nothing in comparison to authors. Nobody talks about the smell of books more than traditionally published authors. Nobody is more wedded to the comfortable, cyclical traditional publishing model than authors. Most authors love book launches, writers’ festivals, tours, publicity and going into physical bookstores to sign copies of their books for their fans, despite what JA Konrath might say. A huge chunk of authors either support DRM or don’t know what it is, despite the fact that most authors have more direct contact with their readers than their publishers. Many authors don’t care about ebooks, or are afraid of them, and certainly don’t read ebooks themselves.
And then there are the digital holdouts. Publishers don’t like to talk about them, because at the end of the day, most publishers would prefer to protect their authors and keep selling their books than drag their names through the mud in order to deflect the blame. But there are more than a few authors out there who don’t want to sell their books as ebooks at all, and refuse to make them available out of fear, snobbery or greed. Some of them are very big. JK Rowling is perhaps the most high-profile of these, but there are others. Some of them are even Big and Fancy Australian authors.
The fact of the matter is, the reason many of the annoying things about the publishing industry exist are to protect or promote an author’s copyrighted material. Many of these things are not bad at all for authors. Geo-restrictions, as frustrating and exhausting as they are for global ebook readers, are the result of authors protecting their copyright. Authors have the right to sell their copyright in different countries to different companies. Those companies are sometimes in direct competition with one another. This means authors get better deals, are treated better and are publicised and distributed more widely than they would otherwise be if they were sold globally by one single company.
So next time you start working yourself up into a rage about the greed of publishers, agents, retailers and all the other ‘middle men’, ask yourself what the author you love has to gain from the situation they are in. If self-publishing ebooks were as easy and inevitable as it is often made out to be, why aren’t there more authors who are self-publishing ebooks without DRM at super-low prices? The answer is simple: because they’re getting as much out of it as their publishers.
And if you’re a traditionally published author reading this and thinking, ‘That’s not me! I love my readers! I want my ebooks sold at $0.99 without DRM internationally!’ Then please, comment below. And more importantly, speak to your publisher. Educate yourself about ebooks and digital publishing, and you can take advantage of the changes sweeping the reading world. Because ultimately it’s your book, and you get to decide how it reaches your readers.