Hadamar: The House of Shudders – Inspirational Beginnings by Jason K Foster

Despite its harrowing, heart-wrenching devastation, you can’t not be gripped by this piece of history that the world simply needs to know, to learn from, and by inspired by. Hadamar: The House of Shudders is a confronting story scattered with graphic conceptual imagery of an incomprehensible period dating back to 1938 – 1945 during World War 2. Author Jason K Foster grips his readership through the eyes of fictional character, Ingrid Marchand – a German-French-African born teen incarcerated into one of Germany’s horrific psychiatric hospitals, simply for the colour of her skin. Foster reveals in the following piece why he targeted this story to young adults, and what he hopes for future generations to understand about the past. Thanks, Jason!


Throughout my years of teaching it feels to me that children and young adults are fascinated by the Holocaust. Not because of the atrocities, but because they cannot understand how and one group of people could brutalise and systematically murder another.

In 2015, I was teaching a Year 9 Gifted and Talented class. They raced through the curriculum, wanting to know more about Nazi eugenics policies. I freely admitted to them that my knowledge on this topic was limited. I would teach them more but I would need to do more study. As such, I came across the Aktion T-4 program: the official Nazi policy to provide Gnadentod (a merciful death) to the people they classified as Lebenunswerte Leben (lives not worthy of living).

The more research I did the more I realised there were many scientific and psychology articles and books on Hadamar and other institutions like it but there was little in the way of novelised storytelling and even less meant for a YA audience. Given the interest shown by the children in the children of the past: I knew this was a part of history that I needed to tell.

I love to have children read my work.

They are honest, sometimes brutally so, and they keep me grounded and remind me why I write. When beginning Hadamar I wrote a few sample chapters based on my preliminary research and decided to test it out on my target audience, giving chapters to several students from my class.

Thankfully, their feedback was extremely positive, and I decided to write the remainder of the manuscript.

But, given the subject matter, what did I want the reader to take away after reading it?

History Extension is my favourite subject to teach and, within it, I teach students to see history from different perspectives. Questions that students have to consider include: who owns history? How is history told? By whom and why? How do we remember the past and why is it important that we remember it?

These were the questions that stayed in my mind as I wrote Hadamar.

I was teaching the HSC students about feminism and, therefore, deliberately chose a female protagonist. While there are evil women in Hadamar, I wanted to show the patriarchal side of history and have Ingrid as a victim of the power and dominance of men. Equally, I was also teaching the students about the Eurocentric view of history so I chose to make Ingrid of African descent to highlight the racist telling of history. Ingrid, thus becomes, the antithesis of this and it was my intention that her being so makes the reader think about the white, Eurocentric view of history.

I was acutely aware of trying to get the book as historically accurate as possible. Hundreds of hours of research went into the planning stage and, the longer I went, the more I realised there was actually plethora of information available from American military documents, court trials, museums and even American footage on YouTube of their time in the camp. Previously, I researched the role of African and African American troops in the Rhineland for unfinished and unpublished novels. Revisiting this, I read chose an African protagonist to clearly juxtapose racial differences.

In a modern world where racial tensions seem to be on the rise and people are forgetting the past, I chose to focus on the plight of Nazi Germany’s different children because I want today’s generation of children to understand that the events that took place in Hadamar were bullying of the greatest extreme. That, left unchecked, this is where pure hatred and fear of difference leads us. When young adults read the book, turn the last page and close the book, I want them to go out into the world and help to eradicate all forms of racism. If young people can have a greater understanding of the past and the dangers of hating those who are different then, perhaps, they can create a better future.

Jason Foster is an author, poet, freelance journalist and high school teacher. He is widely travelled having spent time in five continents and over fifty countries. He has taught in Australia, the United Kingdom, Spain and Argentina; experiences that bring a distinct range and unique world view to his writing.

Jason has published ten books in the true crime and historical narratives genres. He has also been published the world over with his work appearing in a range of mediums from History magazines in the United States to Australian travel magazines to Poetry Anthologies in the United Kingdom.

Jason K. Foster: www.jasonkfoster.com.au

Facebook: @Hadamar:TheHouseofShudders

Publisher: www.bigskypublishing.com.au

Books On Tour PR & Marketing: www.booksontourpr.wordpress.com

**WIN!**

For your chance to WIN a paperback copy of Hadamar: The House of Shudders by Jason K Foster, please head over to A Story to Grip Your Heart and enter via the contact form. Closing August 31. Australian residents only.

Brimming with Bounce: Interview with Robyn Osborne

Robyn Osborne is a children’s author and early childhood teacher from sunny Brisbane. She also happens to be a huge animal fanatic, with a particular love towards the canine variety. That’s why you’ll find dogs featuring in almost all of her books, including Dog Logic, award-winning My Dog Socks, and her latest bouncy tale, Bruno, the Boisterous Blue Dog from the Bush.

Today Robyn is here to discuss her writing adventures and to celebrate the release of Bruno; a book of busy alliteration and beaut Aussie slang, all bundled in a bold and bubbly tale of mateship and appreciating the simple life. Find Dimity’s bonzer review here.

Thanks for joining us, Robyn! 

Robyn, have you always been passionate about writing? How did your career path lead to becoming an author?

Like many authors, I was a keen reader from an early age and I was always going to become a writer when I grew up. My first publishing success came in my final year at high school when my angst ridden poem (I was a teenager) appeared in the yearbook. While university beckoned, I opted for a job in the public service, still dreaming of being a writer one day. Unfortunately, life got in the way, and it wasn’t until I became a teacher that I reignited my love of words and started to write in earnest. The release of my junior novel D.O.G. in 2005 was a huge confidence boost and I have gone on to have seven books published since then. At the beginning of 2018 I took a leap of faith and resigned from teaching to devote my time to writing, so after many, many years, my childhood dream has come true.

You’ve written a mix of short stories, picture books, junior fiction and young adult titles, many that have been influenced by your love of dogs. Do you have a genre you feel most comfortable with? Why are dog-themed stories such a strong influence in your writing?

There is no particular genre I prefer to focus on, but certainly my four legged furry friends are a common theme throughout most of my writing. As a self-confessed dogaphile, it seemed natural for me to incorporate them into my writing. I often wondered what went on in the heads of my two rescue dogs, Socks and Snowy. This pondering eventually led me to a couple of co-pawthored books. First up was the canine created and related Dog Logic: a pooch’s guide to dogs behaving badly (Big Sky Publishing, 2011). Dog Logic is a training book written from a dog’s perspective. I enjoyed the process of channelling my inner dog immensely, and in 2014 Snowy’s memoirs (Midget Bones’ Diary) were released. My latest two picture books (My Dog Socks & Bruno, the Boisterous Blue Dog from the Bush) were inspired by dogs I have known. The experts do say to write what you know, so I’m sure there are a few more dog stories to come.

You have won many accolades for your writing and books, including outstanding awards for My Dog Socks with the prestigious CBCA Notable Book 2018 and Speech Pathology Australia Book of the Year Shortlist Book 2018! Congratulations! How did you come to learn of these nominations? How did you feel, and how have these awards boosted your authorship status?

Thanks very much for your kind words. I have been thrilled with the continuing success of My Dog Socks. The CBCA Notable Book award came through via my publisher, Ford Street, as did the Speech Pathology Shortlist. It is hard to gauge what impact these awards have had on sales of the book, but I do love to see the stickers adorning the cover.

Your latest release, Bruno, the Boisterous Blue Dog from the Bush (Big Sky Publishing), challenges the tongue with its bouncy alliteration and embraces our national culture with its Aussie colloquialism. What teaching and learning experiences can you suggest for parents and educators of young readers? What is the most significant point you’d like children to understand from reading Bruno?

First and foremost, I want the book to be enjoyed. Teaching and learning experiences should flow on from what the children are interested in. If it is alliteration, have fun making up nonsense sentences using the letters from their names. Discussing the meaning of the slang terms could lead to exploring more of our wonderful Australian colloquialisms. There are free downloadable teaching notes for Bruno the Boisterous Blue Dog from the Bush available on the publisher’s website. I can vouch for their quality, as I wrote them!

Did Bruno go through many re-writes or did you have it nailed pretty quickly? How easy or challenging was it to include a book full of alliterated ‘b’ words? Are you a natural at the Aussie slang or was a dictionary on hand?

Combining my love of alliteration with a main character called Bruno Bright meant the rough draft went down quickly. Once I had this basic story, I tinkered with it over a number of years. My thesaurus and dictionary became invaluable for helping me find additional ‘b’ words and appropriate slang. The story was quite long, and when Big Sky Publishing said they were interested in the manuscript, I had the difficult job of cutting it down in size. Indeed, there were bountiful ‘b’ words that were banished from the book!

Fun Question: If you could describe yourself in only words beginning with ‘b’, what would that be?

‘Bright’ – it is my maiden name and my teacher’s enjoyed saying ‘Bright by name, bright by nature’. My husband suggested ‘boring’, as I do spend considerable time at the computer ignoring both my pets, i.e. him and the dog.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

No book news, but I am very excited to be heading off to Tasmania very soon for three months. Jack the dog and writer’s muse extraordinaire will be accompanying me, along with my trusty laptop, so I am hoping to get some creative inspiration while taking in the delights of the Apple Isle.

Brilliant! Thanks very much, Robyn! It’s been a pleasure! 😊

You can visit Robyn Osborne at her website here, and on blog tour here.

Big Sky Publishing

#ByAustralianBuyAustralian

Great Gift Ideas – Entertaining Picture Books

There is no denying it – the countdown is on. We’ve got you covered for Christmas, though. Discover the fantastic array of kids’ stories between these covers. Every week until Christmas, I’ll be listing a selection of new releases and top-rate reads for children from pre-schoolers to new young adults. Here’s a swag of super entertaining picture books just right for sharing this summer.

The First Adventures of Princess Peony by Nette Hilton and Lucinda Gifford

I detest the colour pink and princesses who like to adorn themselves in it. However, I LOVED this supremely funny tale about a little girl named Peony who lives in a castle with her dragon, pink bits and all. Beautifully told from Peony’s unabashed point of view and illustrated with striking tri-coloured drawings, this is a joyful read about giant imaginations, dogs, family and princesses, of course. Highly recommended for pre-schoolers, early primary schoolers, emergent readers and those of us struggling to accept the little princess within. Watch out for following titles in this illustrated series.

Read Joy Lawn’s full review, here. It’s a corker.

Walker Books Australia October 2018

Continue reading Great Gift Ideas – Entertaining Picture Books

A Telling Future with Cameron Macintosh

Cameron Macintosh is the author of the exciting fantasy adventure series for future detectives in the making, steadily churning them out with number three being recently released. Having qualifications in Psychology and Professional Writing, and specialising in the educational publishing market for almost two decades, it is no wonder Macintosh knows exactly what makes an engaging and perfectly suited read for the junior to middle grade audience. With over 80 books released for the education field under his name, his break into trade publishing has been both rewarding and well-received.

The three Max Booth Future Sleuth books are a fun trip set 400 years into the future, including uncannily relatable characters (a history-buff youngster Max on the run with his robotic, yet loyal dog Oscar). They have demonstrated their keen interest in all things ‘ancient’ and ‘vintage’; sleuthing out the mysteries of objects from the past like a cassette tape in Tape Escape, photos on a mobile phone in Selfie Search, and an old postage stamp from 2019 in Stamp Safari. Macintosh has carefully weaved in suitable language, plenty of humour and suspenseful quests that will hook any tech-loving, sci-fi and mystery-hunting fans, with a clever enticement to finding out about artefacts and technology from the past. Imaginative, creative, the ability to emotionally connect, and so much relevant and important learning potential – the Max Booth series certainly tick all the boxes.

Big Sky Publishing

Cameron Macintosh is back for yet another amazing interview (here’s the last one) to discuss his books and writing life with us once again. 🙂

Coming from a background in writing for the education market, did you have teaching and learning purposes in mind when you started writing the Max Booth series?

Initially, I was trying to avoid any particular educational purpose beyond just getting kids reading – a major educational objective on its own. I just wanted the stories to be page-turners with lots of laughs along the way. But it didn’t take long before I realised they had their own educational potential – not in a didactic way, but in the possibilities they offered for classroom discussions about technology and sustainability, and a range of other issues. The stories deal with future people looking back at objects from our present day, so I figured pretty quickly that they’d offer teachers some interesting angles to discuss technological development, and the positives and negatives that go along with it.

How did you decide what kinds of technological developments to incorporate into the series?

I always intended the series to be episodic, so that any title could be plucked off a shelf and read without any prior knowledge of the characters or their world. I’m glad I chose this option, but it does mean that a little bit of world-building needs to be done in each book. Because of that, I haven’t pushed the technological changes too far, except for a few very big ones that don’t need too much explanation, including hover-vehicles, floating suburbs, robot companions, and the rarity of a few presently common things such as paper.

Who is the series aimed at?

As far as interest level goes, it’s aimed at readers around 7 to 10 years of age. I’ve tried to make the vocab manageable for less confident readers too, so I especially hope the series can be helpful in encouraging these readers to tackle longer texts. The Max Booth books are all around 12,500 words each.

How did you find the gap to write technology / futuristic-based junior fiction?

Before I fully drafted the first Max story, I did some research to see what future-based books were already out there in the marketplace. Although there was plenty of brilliant futuristic stuff, I couldn’t find anything that used the future as a lens to look back at our present day, so I figured I’d potentially found a bit of niche there.

The Max Booth Future Sleuth series makes a great point for readers to connect past and present technology with the possibilities of the future. What are the most significant aspects you’d like your audience to take away from the series?

I’d love readers to think about what a wondrous time we’re living in, with regards to the staggering pace of technological development. I’d also love them to consider the potential pitfalls of this development, in terms of environmental ramifications, and also in terms of the potential that technology holds to bring humanity closer together, or possibly divide us further.

I also really hope the series will spark lots of interesting discussions about technology between kids and their parents, grandparents and teachers – particularly about the way some items or ways of life have evolved over the last few generations, and others have remained pretty much the same. (Although, I don’t recommend describing pre-internet life to a school-aged person unless you want to feel extremely ancient!)

Do you think that setting stories in the future presents any disadvantages to a storyteller?

There’s always the risk of an emotional disconnect with the reader if you let the technological side of things take too much precedence. I’m constantly getting frustrated by sci-fi movies that are so clever and complicated that I lose any real empathy for the characters. And even though you have a lot of freedom in world-building in sci-fi, readers will still expect the world of the story to be believable, and to have its own logical consistency, so there’s a lot of balancing to be done along the way.

The Max Booth series is brilliantly and shrewdly illustrated by the talented Dave Atze. By Book 3, was there anything in particular you needed to collaborate on or did he basically have it all covered?

Dave’s incredible, isn’t he! We’re so lucky to have him on board – to have an illustrator who amplifies the pathos, action and humour is a massive privilege. It’s always very exciting to see how he interprets the illustration briefs, and to see what fun surprises he adds in. Dave had all of this stuff well and truly nailed in the first book (Tape Escape), so by book 3, it was really just a case of keeping out of his way!

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

Well, the wheels are currently turning to make Max Booth book 4 a reality. I’ve already seen the cover, which is always a big moment in the journey. As expected, it’s rather brilliant – thanks again to Dave, and the incredible team at Big Sky Publishing.

The TBR pile is getting out of hand but it’s not a bad problem to have! At the top of the pile is Ottilie Coulter and the Narroway Hunt by Rhiannon Williams, and Jane Doe and the Cradle of All Worlds by Jeremy Lachlan, and Markus Zusak’s Bridge of Clay (Aussie authors are really knocking it out of the park at the moment). Also, Joyce’s Ulysses has been sitting there for five years daring me to tackle it (I have a feeling it’ll be sitting there at least five more).

Thanks so much for your thoughtful responses, Cameron! It’s been a pleasure! 🙂

It’s been my great pleasure too. Thanks for such an interesting chat!

Cameron Macintosh can be found at his website, and on blog tour here.

#ByAustralianBuyAustralian

Sharing the Spirit of Australia Remembers with Allison Paterson

Allison Paterson has always had a deep connection to Australian history and culture, and her writing reflects more than just research or fiction. Her picture books include Granny’s Place and Shearing Time; reminiscent of her childhood memories of growing up on a farm. Allison also immortalises her ancestory with her wartime, award-winning books, Anzac Sons; based on letters written on the Western Front.

Using her teacher-librarian status and forseeing a gap in the market, Allison has gone on to produce a new series for primary school students. The first of the nonfiction titles includes Australia Remembers: Anzac Day, Remembrance Day and War Memorials. This is an absolutely stunning documentation of colourful facts, phenomenal photographs – old and new, illustrative posters, quotes and glossary, all presented like a beautiful magazine with easy-to-digest and visually engaging chunks of information across twelve short chapters. The book covers topics and proposes readers consider commemoration and showing gratitude, what ANZAC and its spirit means, the importance of annual ceremonies and the significance of symbols and traditions. It also includes relevant hands-on learning activities to further deepen the readers’ understandings. Australia Remembers is an important resource that emanates with a sense of engaging the community spirit and extending the legacy of those we ought to always remember. A must-have for Remembrance Day and Anzac Day.

Allison Paterson discusses her writing life and tribute to her ancestors with us today!

How did you come to be a writer? How have you managed the shift from teacher-librarian to author and presenter?

Writing has always been in my life, but the decision to resign from an awesome job as a teacher-librarian to pursue writing as a career came only a couple of years ago. It all began with the publication of Anzac Sons – the story of my ancestors in WWI and a collection of hundreds of letters they wrote from the Western Front. I quite firmly believe that I wouldn’t be a full-time writer today if it had not been for my grandfather and his brothers – they were writers too!

The transition from being a teacher-librarian was not difficult. I’m very comfortable with author talks and workshops in schools. I love inspiring kids to write! Being prepared to diversify and look for opportunities, such as mentoring, editing and writing for magazines all helped the financial shift. The toughest things for me are marketing, and I’m slowly learning how to run a business! I also found that being available and saying ‘Yes!’ opens more doors as well, including doing some casual educational consultancy work with Big Sky Publishing.

You’ve written several non-fiction titles on the Anzac history for children and adults, as well as fictional picture books that tie memories together with a great Aussie flavour! Do you have a style or genre you feel most comfortable with? Why is the Australian culture such a strong influence in your writing?

I spend most of my time lurking around in the past so historical fiction and non-fiction are certainly my favoured writing genres and where I gravitate to in a book shop or library. I’m a very proud Australian. I love the people we have become and our awesome landscape. I feel very connected with the land and when I travel to the place where I grew up it always feels like going home. My place!

Australia Remembers: Anzac Day, Remembrance Day and War Memorials is a valuable resource for primary students to be able to connect with the traditions of Anzac Day and Remembrance Day, in essence, to keep the memories of war and its recipients forever alive and celebrated. What are the most significant points you’d like your readers to take away from this book? What do you hope it will achieve?

I hope that readers develop both an understanding and respect for the role that our armed services have in the development of our wonderful country and the way of life we enjoy today. It is designed to ensure that the next generation shares the history and traditions of our important commemorative occasions. I also hope it encourages children to find out about the experiences of their own ancestors.

There are bountiful resources available for teaching and learning about Australian war history. What are your favourite educational lessons or resources to suggest for parents and educators following the reading of Australia Remembers?

Australia Remembers has inbuilt activities and discussion starters and is supported by extensive teacher notes which are available on my website, or on the Teachers page at Big Sky Publishing. My favourite lessons can be found in the notes, but if there was one I would pick it would be to explore your local memorials. Find out about the service of those in your local community.

The next book in this marvellous series is Australia Remembers: Customs and Traditions of the Australian Defence Force. What can you share about your research for this title? How many more titles in the series have you got planned?

Australia Remembers: Customs and Traditions of the Australian Defence Force is underway and will be released in 2019. It explores the history of the Army, Navy and Air Force in Australia, along with the shared and specific customs and traditions which have developed, sometimes over centuries! It will be a terrific resource for answering the questions which arise around our commemorative services. The whole series plan is a work in progress and we have lots of ideas that we are exploring for future titles.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

I’m very excited that my first YA novel will be released early in 2019 with Big Sky Publishing. We’ve just finished the edit and the cover is awesome! Follow After Me is about finding a lost part of yourself in the spirit, words and actions of those who came before. Its themes include family, Anzacs, the Australian landscape, rural life and the past! This time though there are two coming-of-age protagonists, one of today and one enduring the events of World War I. It is written in a parallel narrative that converges with the discovery of a collection of WWI letters and a growing sense of connection to place that cannot be ignored. Here’s a snippet from the blurb:

A war to end all wars, a tiny key and a rural Australian property that binds across the generations. Two young women living a century apart discover who they are and where their hearts belong.

Wow! Brilliant! Thanks so much, Allison, for your generous answers to our questions! All the best with your writing! 🙂

Visit Allison Paterson at her website, and on her Australia Remembers book blog tour here.

Big Sky Publishing

#ByAustralianBuyAustralian

Forever Inspiring; Elizabeth Mary Cummings on The Forever Kid

Children’s author and poet, with a background in education and psychology, Elizabeth Mary Cummings is known for her sensitive attention to difficult topics including mental health and anti-bullying issues. Following titles, such as The Disappearing Sister and Dinner on the Doorstep, Elizabeth has recently released her picture book on grief, The Forever Kid. She has paid careful consideration as to celebrate the life of a family’s son and brother in a joyous way, rather than treat this story as a sorrowful tragedy. Johnny, their forever kid, is beautifully and authentically remembered on his birthday – an event they honour every year, despite his absence. Vince, narrator and younger brother, portrays a host of emotions, including sadness, guilt and joy as the family look both back and forward on life with and without their Johnny. A narrative genuinely thought-through via the child’s perspective. Equally, the illustrations by Cheri Hughes add an extra layer of depth with their angelic, water-wash qualities to represent the softness and tenderness of the emotion and the family’s  tradition of telling ‘cloud stories’, as well as the vivacity that reflects their strong memories of their loved one. The Forever Kid is undoubtedly a book that children from age four will strongly remember and gain solace in knowing there are positive ways to cope in difficult situations.

Big Sky Publishing, October 2018.

Elizabeth is here today to talk with us at Boomerang Books!

Congratulations on the release of your heartfelt picture book.

A powerful and beautiful story such as The Forever Kid would grip the hearts of any audience coping with grief or change. What was your motivation for writing it, and what do you hope is gained by readers?

The story came to me one night when my parents were visiting, I woke at about 2a.m. and the story was there and I wrote it down immediately before I lost it. The trigger was probably talking through family times as well as having at that time just lost a dear friend to cancer. The idea of grief was right at the surface of my emotions I guess and being with my parents had made my mind turn to the story of my father losing his younger brother who was a teenager at the time of his death.

What have you found to be effective strategies in dealing with grief? How does your book show the processing of such sadness and mourning in a positive way?

In dealing with grief there is more of an understanding that this is complex and that does not go away once time passes. For those who have suffered loss and grieving, it is a process but it is also a state in which they live after the initial loss.

In The Forever Kid, Vince and his family celebrate and remember Johnny on the day of his birthday. On talking to many families who have suffered the loss of a child I have found that this is common practice. Although sadness is certainly present this can be the day where there is a reflection on the life of the loved one. This celebration of life in itself becomes the positive coming together and of that opportunity to talk about that loved one.

For children it is vital that they have access to the truth as well as have a chance to be involved in the grieving process both around the time of death and after. It is important that [children] have a safe adult or older sibling or child to talk to about how they feel.

What is your involvement in the community regarding help with family and mental health situations?

I have no official role. I obviously write on the topic and am a great believer in narrative therapy.

Your previous titles (the Verityville and Elephant in the Room series) were all published independently. This time you have gone down the trade publishing route with Big Sky Publishing. How have your experiences differed in terms of support and marketing opportunities?

Well, when publishing independently one has all the control and all of the responsibility. It is a double-edged sword. Traditional publishers have bigger budgets, more control and wider reach. The decision as to how to publish (independently or trade) and who to publish (publisher selection) much be made in the light of what one is writing about and what one’s intention is for the story. As I have been working on my own marketing for almost four years now I understood the publisher’s considerations better than a first time author might. Publishing is no easy task and it takes a team to develop a book all the way through. Even when working independently I am working with others – designers, beta readers, editors and other professional services I may need to contract in to help produce a book as best possible.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

Some of my new projects include: two poetry collections, a new picture book called The Green Striped Hoodie about bullying and resilience, finding a publisher for a project I have been working on to do with trauma and recovery as well as a couple of environmental projects and some more Verityville stories!

That’s all very exciting! Thanks so much, Elizabeth! It’s been a pleasure!

Elizabeth can be found at her website, and on blog tour here.

#ByAustralianBuyAustralian

Make Some Noise for Debut Author Sonia Bestulic

Crashing onto the scene is first time picture book author, Sonia Bestulic. Her whimsical tale is all about NOISE! It’s a triumphant take on the joys of music making, and the joys of motherhood in an exuberantly loud household. Sonia’s background in Speech Pathology serves her well in this rollicking rhyming story focused on the development of oral language, speech and instrumental exploration. Sonia is speaking with us as a part of her Reece Give Me Some Peace! book blog tour. Thanks, Sonia! 🎷🎻🥁

Congratulations on the release of your debut picture book, Reece Give Me Some Peace! Please tell us a bit about your background and how you came to be a writer.

Books and writing have always been an integral part of my life since early childhood, I loved the experience of new worlds books immersed me into, as well as the joys of sharing a book that was read to me. From childhood I have relished in writing in its various formats, and always had a particular passion for rhyming and the creative fun you could have with language.

My love of language and drive to help others succeed led me to a career as a Speech Pathologist. My work has predominately been with children who have difficulties with their speech, oral language and literacy. Within my work as a Speech Pathologist I heavily incorporate books as a tool to build and foster oral language development, and getting children ready to read, spell and write.
Working so dynamically with books and with children, I have been privileged to experience time and time again the wonders that a book can create in young people, and so honing my writing within the children’s picture book genre seemed a natural pathway of evolution.

What is your personal experience or relationship with music? How does this come together with your background in Speech Pathology?

I have always had a love of a wide variety of musical genres. Music has been an accompaniment in my life’s journey; listening to it, singing with it, dancing to it, and making it too! I started learning the violin when I was 7 years old, and continued it through to my late teens, before periodically entwining it during adulthood. Music generally is such an integral part of so many aspects of our lives.
The writing of Reece Give Me Some Peace! has brought together my musical background and professional Speech Pathology background, as the text is intentionally very stimulating at an auditory level, and features rich oral language and pre-literacy aspects such as rhyming, alliteration, repetition and rhythm, whilst introducing children to a new vocabulary of orchestral instruments and the sounds they make.

As a Speech Pathologist I often train carers and educators on strategies to develop and enhance oral language and pre-literacy skills; and being able to share in a book such as Reece Give Me Some Peace!, that invites an interactive experience certainly parallels to the interactive experience we can have with music.

How did you find the publishing process with Big Sky Publishing? What has been the most rewarding and the most challenging aspects of your journey so far?

Big Sky Publishing have been such a lovely team to work with; facilitating a smooth and engaging publishing process.
Most rewarding has been the opportunity to be involved in the various stages of the publishing process – it is pretty amazing being a part of it all and experiencing the evolution of the book from ‘conception to birth’. I certainly got a little teary at the first sight of the initial illustrations, such a personally moving, emotional moment.

In terms of challenging aspects, as this is my debut picture book, I’d say it’s been getting a better understanding of the industry, it’s workings and learning the marketing ‘where to’ once published.

Nancy Bevington has brilliantly captured the movement, energy and charisma of Reece Give Me Some Peace! What do you love the most about the way she has portrayed your lively story and boisterous main character?

I love that Reece is portrayed as such a relatable young boy, just doing his own thing, in his own space with such cheekiness and curiosity; the way in which his manner of play is illustrated, so perfectly aligns with so many children.

Nancy has also beautifully captured the strong auditory component of the story and I love the visual build-up of instruments as the noise crescendos.

I have to make mention of the clever portrayal of one of my favourite characters, and that is Reece’s cat; who appears throughout the story and adds such a wonderful element of endearing humour!

What kinds of teaching and learning experiences would you suggest for parents and educators reading Reece to their children?

• Overall the teaching and learning experience can be themed on music and musical instruments, and reinforcing auditory/ listening skills
• The book builds anticipation, as the sounds are heard before the instruments are revealed; so really get children engaged in joining in with the sounds and guessing what the instrument may be that is making the sound
• Discuss the various instruments;
> what they are
> how they are played
> what category they belong to e.g. flute is a wind instrument, drums are a percussion instrument, violin is a string instrument etc.
​Extension activities can include;
• Drawing feelings of how different pieces of music evoke different emotions
• Listen to and watch the actual instruments being played on YouTube to extend the experience
• Listen to an orchestral piece of music and play ‘spot the instrument’ naming various instruments as they are heard
• Grab some instruments you may have at home or create some (upside down empty bucket and sticks make for an easy to assemble drum!)

Anything else you’d like to add? Your upcoming projects? News? Reading pile?

I have another Picture Book due for release in 2019 with Big Sky Publishing; and the talented Nancy Bevington as illustrator. It is coming together beautifully!

A recent news item is the launch of my podcast Chatabout Children with Sonia Bestulic! I launched at the end of August, and I am really enjoying the creative process so far and the new skills I have picked up along the way. It is all about empowering parents/ carers and professionals to grow with the children in their life; through education, enlightenment and entertainment. I am also looking at this avenue as an opportunity to periodically chat to Children’s Authors and discover all the wonderful things they have been up to in the world of Children’s Books!

That sounds brilliant! Thanks so much for speaking with Boomerang Books, Sonia! 😊

Sonia can be found at her website, and on blog tour here.

#ByAustralianBuyAustralian

Feeling Good – Books to Increase Awareness

Getting to know oneself and understanding the world that shapes us is one of the first steps to feeling good about oneself and the world in which we live. This handful of books addresses the art of awesomeness and why it’s important to live it.

It’s OK To Feel The Way You Do by Josh Langley

Langley’s little books of BIG messages about self-help and self-esteem are house favourites. Neither overtly moralistic nor sermonic, they present beautiful messages of love, understanding and hope, accompanied with novel, cartoon-esque illustrations.

Continue reading Feeling Good – Books to Increase Awareness

Interview with Cameron Macintosh – Max Booth Future Sleuth

Cameron Macintosh’s debut children’s fantasy sci-fi series for middle graders, Max Booth Future Sleuth, is a mind-bending, time-warping fun adventure about a boy and his robo-dog sidekick on a mission to uncover the truths about ‘ancient’ artefacts (Are the ‘80s really that ancient?!). The first book to send us looping back and forth between time zones is Tape Escape. Set in 2424, it is a comically suspenseful story that sees Max and Oscar in all sorts of strife, following the theft of the valuable, all-encompassing, legendary David Snowie-archived cassette tape from the hands of a maniacal musicology nutter. Certainly one to goggle over (or google if you’re under 20), for its fascinating reflections into technological history and advancements.

Big Sky Publishing

With a background in editing and writing educational texts, Cameron coolly strode his way into the world of children’s fiction. Thanks for sharing your writing journey and Max Booth insights with us, Cameron!

Firstly, please tell us a bit about your writing journey and how you came to write for children. What’s the best part of this career choice?

My writing journey has been very long and slow, but worth every twist and detour. Like a lot of writers, my journey started as a primary school kid. In my case it was writing rambling rhyming stories that weren’t nearly as clever as I thought they were at the time! I didn’t seriously think writing could be a career option until I enrolled in the RMIT Professional Writing and Editing course and found work as an editor out of that – in educational publishing. It took a few years, but I eventually used my contacts as an editor to leapfrog into writing educational texts. I’ve been happily doing that since 2008, but it wasn’t until 2016 that I made the much longed-for leap into mainstream trade publishing when Big Sky Publishing offered to take on the first Max Booth book.

For me, the best part of writing for kids is that it’s a licence to let your imagination run wild, and to revisit ideas that added extra levels of magic to your own childhood. I also get a lot of satisfaction from knowing that, in a small way, I’m part of an incredible community of writers, teachers, librarians and parents who are passionate about encouraging kids to develop a love for reading.

Congratulations on the releases of your latest books in the exciting Max Booth Future Sleuth series, Tape Escape and Selfie Search! What was the experience of writing this series like for you? What themes are at the heart of these stories?

Thank you! It was a very different experience writing each of them. I started the first book, Tape Escape, about four years ago as an attempt to branch out from educational writing. It was three years before the wonderful people at Big Sky offered to take it on, so I’d been living with it for quite a while. That was probably a good thing, because the story had time to find its feet and go through several drafts and workshops with my wonderful writing group.

The second book, Selfie Search, was a very different experience – I’d pitched Max Booth as a potential series, and Big Sky wanted another book to follow it up fairly quickly. I’d already written four or five mini-synopses for future titles, so much of the plot was already in place. And obviously, the characters and world of the story had already been set up in Tape Escape, so it wasn’t too hard to put it together in the space of a few months.

The themes of the books include technology, family, friendship and historical discovery – a strange mix but somehow they seem to work together!

I loved the whirlwind time warp of recollecting the past and imagining the future. Where did the inspiration for these books come from? Were you a hard core sci-fi / fantasy fan as a child? Is there something about time travel that steered you towards this angle? How much research went into plotting accurate facts in technological history?

The initial inspiration came from a visit to Naples and Pompeii, where I encountered all sorts of objects that had survived the devastating eruption nearly 2000 years ago – mostly everyday, domestic items like crockery and hair combs. My fascination for these objects started me wondering whether similarly mundane objects from our own lives would be so interesting to future generations. All I needed was a character with that very fascination (hello Max!) and I was off and running.

Oddly enough, I wasn’t a huge sci-fi or fantasy fan as a kid, apart from Star Wars and Monkey Magic (if they count!), and a few one-off books. But over the last few years I’ve found that speculating about the shape of the world over the coming centuries seems to unleash lots of sparks for story ideas.

In terms of research, the main thing I need to be sure of is that the dates line up correctly for the 20th and 21st century objects Max investigates in each book. I also need to scratch a little deeper for some of the objects because each book ends with a factual spread about the main item Max investigates, giving basic information about its history and how it works.

How have you found the feedback from your readers so far? What have they loved the most about Max Booth? Is this what you had hoped to achieve?

It’s been very encouraging so far. Most importantly for me, they’ve enjoyed the humour, and have liked Max’s robo-dog, Oscar. I’ve also had feedback that readers have liked the future gadgetry, and that parents have found the stories a useful springboard for conversations with their kids about the technologies they grew up with. That’s really pleasing too.

Dave Atze’s illustrations are humorous, energetic and befittingly shrewd. What was it like collaborating with him? Were there any surprises along the way?

You’ve really summed up Dave’s work perfectly. It’s such a treat to work with an artist who has such an intuitive feel for characters and sci-fi settings. His illustrations are really funny too. In terms of the collaboration, I’d included lots of suggestions in the manuscripts. Between Dave, the publisher and myself, we whittled them down to the most important ones, and Dave pretty much took the reigns from there. He nailed the ideas really quickly and we really didn’t need to do a lot of to-and-fro.

The biggest surprise for me was seeing these characters come to life so closely to how I’d imagined them. There was definitely some kind of telepathy going on!

What is your favourite technological device from the past, and what do you think it might be in the future?

My favourite device from the past would have to be my Nintendo Game and Watch game (Popeye!) from the 80s. For the uninitiated, Game and Watch was a series of simple hand-held LED games that were seriously addictive, and are now quite collectible.

My favourite future device will be a scalp-massaging bike helmet – can someone please invent one soon?

What would be your dream time zone for writing be?

It’s not very romantic, but I sometimes wish it was the early 90s again – where we had the benefit of decent word processors without the distraction of the internet! Failing that, an attic in a French castle in the 1880s would be okay too – as long as I can bring a heater and a massage chair.

What projects are you currently working on? What can your fans expect to see from you in the ‘not-too-distant’ future?

I’m currently working hard on the third Max Booth book, and having a lot of fun with it. I won’t say too much about the plot, except that in this one, it’s a very low-tech item that Max is investigating.

There’s also an almost-finished YA novel that I’ll get back to when Max is off the desk, and I’ve recently started plotting a book for adults – I think it’s a crime story, but who knows, it’ll probably end up morphing into sci-fi!

Where can we learn more about you and your books?

Until Andrew Morton writes the biography, the best place to start is probably my website: www.cameronemacintosh.com.au. I’m also on Facebook as ‘Cameron Macintosh, author’ and Twitter @CamMaci99. The Max Booth books are available at www.bigskypublising.com.au.

Thanks so much, Cameron, for discussing your writing journey, past, present and future! 👦🏼 🐶 📼

It’s been a lot of fun, Romi. Thanks a billion for having me!

#ByAustralianBuyAustralian

Review – Ella Saw The Tree by Robert Vescio

Ella Saw The Tree, Robert Vescio (author), Cheri Hughes (illus.), Big Sky Publishing, May 2017.

The value of mindfulness is not to be underestimated. For reasons of improving one’s stress levels, resilience, empathy, curiosity, decision making skills and self-awareness, practicing mindfulness is beneficial for positive wellbeing and mental health. In his latest book, Ella Saw The Tree, Robert Vescio addresses these themes with thoughtful consideration. Here is a story that joyfully taps into children’s innately inquiring minds. It reminds them that slowing down, focusing on the inner self, and appreciating their environment will offer them surprising discoveries and a sense of calm.

Ella is a free-spirit by nature. She has a keen imagination when it comes to pretend play. But as her mind is constantly brimming with fantasy and busy pursuits, it is the first time she notices the shedding tree in her backyard. A conversation with her mother helps Ella realise the tree’s natural cycle, the beauty of her surroundings, and the power of living in the moment. She becomes attune to her emotions, breathing and senses, finally allowing herself to respect life’s tranquil moments.

Vescio’s elegant and sensatory language is beautifully articulated to connect readers with the aspects of mindfulness highlighted in the story. His words are delicate and carefully chosen, and pleasantly supported by the luscious illustrations by Cheri Hughes. The images emanate a feeling of warmth, soul and attention. Synonymous to the reflective nature of the book, Hughes has chosen to contrast the fluidity of the subtle background watercolours with the prominence of the vivacious character, as well as including varying viewpoints.

Ella Saw The Tree is a warm, entertaining and important story that invites children, and adults alike, to opt in to the skilful technique of being ‘at one with oneself’ and with nature. I love that this book prompts us to celebrate the simplicity, beauty and surprises of life that induce the most happiness.

Read Dimity’s guest post with Robert Vescio from his blog tour.

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Doodles and Drafts – Blog Tour with Robert Vescio

To an infant child, the world is full of unbelievable marvels. Every new discovery is cause for celebration and intense scrutiny. They inherently know how to appreciate the most minuscule details of life because for them, these are the ones that count the most.

Robert Vescio’s latest picture book, Ella Saw The Tree invites young readers to pause for thought and cherish the finer details of life, ones they are often forced to abandon or forget about as they deal with the daily need to ‘grow up’.

Today, we welcome Robert back to the draft table to discuss how his book about mindfulness can help us all slow down whilst catching up with the things that really matter.

Welcome Robert! Tell us a bit more about Ella Saw The Tree.

Continue reading Doodles and Drafts – Blog Tour with Robert Vescio

There’s no place like home – Aussie flavoured picture books

During my short sabbatical from all things digital over the festive season, I visited some exotic, mesmerising places, supped on mouth-watering local fare, and immersed myself in numerous colourful cultural experiences. It was invigorating and fun but like always after a hard stint abroad, it is great to be home, because for me, there is no place like home. Therefore, to kick off the New Year and in readiness for our annual Aussie Day celebrations, here are a few picture books to stir up your patriotism.

shearing-timeShearing Time by Allison Paterson & Shane McGrath

Nothing shouts Australia louder than sheep, blowies, and working dogs on bikes. I envy the ability the picture book team of Paterson and McGrath has at capturing the essence of the Aussie outback with such bold open sky appeal.

Colourful and engaging, Shearing Time begins during the school holidays with one farm girl’s exclamation, ‘I love shearing time!’ She goes on to explain why, inviting readers to share her shearing experiences from sunrise to sunset. Every aspect including herding cantankerous sheep, the arrival of the rowdy seasonal shearers, the racket and rumble of shearing time right up to the feeding of workers is ably depicted giving youngsters a realistic, close-up look of how wool is procured from paddock to jumper. The glossary of well-loved shearing terms is especially useful.

A great focus on rural life and one of our most significant primary industries for 4 – 8 year-olds.

Big Sky Publishing March 2017

gus-dog-goes-to-workGus Dog Goes to Work by Rachel Flynn & Craig Smith

Here is another picture book duo whose combination of imaginative images and engaging text I adore. Once again, there are strong visual and verbal connections with regional Australian life. Chock-a-block full of colloquial language and ribald observation, Gus Dog Goes to Work is an excellent read-aloud picture book allowing carers to inject plenty of iconic Aussie swagger in their rendering of it. Gus is your typical sheepdog who exists only to work and please his owner, Tom.  When he awakes one morning to find Tom and his Ute missing however, Gus decides to venture out on his own to work. His meanderings steer him a little off track and into some stinky, hilarious, quintessentially doggy dilemmas until finally he and Tom are reunited.

Dog lovers aged five and above will get a massive kick out of this entertaining expose of country life from a pooch’s point-view. Bursting with more Aussie flavour than a barbie full of beef sangers, Gus comes highly recommended.

Working Title Press February 2017

fabishFabish the horse that braved a bushfire by Neridah McMullin & Andrew McLean

This is a gem of a book that evokes considerable emotion; warm tears spring forth unbidden each time I read it. Based on the true story of the vicious bushfires that ripped through the Victorian bush in February 2009, this picture book introduces us to ex-thoroughbred racer, Fabish and his retired role as mentor to the younger flighty yearlings.

McMullin faithfully recreates the mood and atmosphere of that scorching summer’s day when fire menaced the region. Fabish’s trainer, Alan Evett released the yearlings and Fabish fatalistically to find their own way while he huddled with the remaining stock in the stone stables. Outside a firestorm blazed out of control. He never thought he would see Fabish and the yearlings again.

The next morning dawned charred and desolate. Not a single living thing remained and yet miraculously, through the choking smoky haze Fabish appeared leading his yearlings home. McLean’s raw rustic palette coupled with McMullin’s poignant interpretation of the tale is a beautiful tribute to human resilience, loyalty, the power of nature and a truly unforgettable horse.

Strongly recommended for 6 – 9 year-olds

Allen & Unwin July 2016

sparkSpark by Adam Wallace & Andrew Plant

I grew up in the Adelaide foothills and witnessed the horrors of several summer infernos like Ash Wednesday but never experienced one first hand as author Adam Wallace did. Spark is a fascinating picture book depicting Australia’s most recent and devastating bushfire event, Black Saturday but ostensibly describing the catastrophic destructiveness and formidable beauty of any firestorm. And, along with Plant, he does so indescribably well.

Wallace succeeds with what no other has attempted before, to give fire a voice.  From the uniquely omnipotent point-of-view of a tiny spark, Wallace characterises the burgeoning flame with an almost child-like persona, suggesting a helpless naivety that encourages an instant empathy. Together, with the growing flame, we are borne along with a capricious and irascible wind, intent it seems after at first befriending the flame, to cause as much upset as possible until all control is lost.

Exhilarating and wild, terrifying and violent, Spark rips through your emotions with a mere sprinkling of words but with the force of an atomic bomb. Soul serrating language is not the only draw card. Plant’s monochrome illustrations will make the hairs on the back of your neck stand on end. Textural and scented with the acrid bitterness of the aftermath of pure destruction, Spark ends on the same quiet unassuming note as it begins; with teardrops from above, a flash of light and glimmer of green hope, simply brilliant.

A potent and compelling picture book useful for prompting discussions on natural disasters, Australian history,  and looking at things unconventionally for older primary aged readers.

Ford Street Publishing imprint of Hybrid Publishing October 2016

Stick around for the next swag-load of Aussie titles coming soon.

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Under the Christmas Tree Part 5 – Festive boredom busters

For most of us, it is now officially school holiday time, the season of fraught mothers, constant interruptions, drained purses, and frazzled tempers. Or, if you’re clever, blissful moments spent with your darlings in between extended periods of boredom busting activity. Festive harmony is easy to achieve, you just need the right materials.  Here are a handful of books that entertain and instil serenity.

the-anti-boredom-christmas-bookThe Anti-Boredom Christmas Book by Andy Seed and Scott Garrett

The title speaks for itself but does this book hold the eggnog? Ecstatic to report, it does and some! If you love trivia, jokes, silliness, and just good old-fashioned fun quizzes this is the boredom-busting book for you (and your kids). Perfect for slipping into your carry-on luggage if you happen to be going away or tucking into the backpack for those incurably long family lunches, we force our children to endure over the holiday season, The Anti-Boredom Christmas Book is stuffed with things to do, think about and act out – no pencils required!  (Although there are plenty of arty / crafty options to get creative with.)

Seed’s zany laugh-out-loud facts and games challenge the curious reader: would you rather wear frozen undies or sleep in a bed of snow? You can even learn how to say snow in 18 languages – always good to know. Wacky and wonderful insanity to fill the holidays with whilst simultaneously inspiring sanity.

Bloomsbury Publishing December 2016

wonderful-world-colouring-bookWonderful World Colouring book by Alison Lester

For a more Australian flavoured boredom buster, sample Alison Lester’s Wonderful World kids’ colouring-in book. Whether you are a fan of colour-the- drawings type productions or not, this one is sure to please and entrance the budding artists in your home. Focusing on the art of illustration, Lester ingeniously includes dozens of helpful illustrative snippets and hints to nudge would be artists on their way. Suggestions like: ‘try drawing with your left hand’, ‘always leave a little bit of white in the eyes’, and ‘don’t try to make everything perfect’, are secreted away among her own iconic images on the end pages and in an introductory ‘Drawing Tips’ prologue.

wonderful-world-illo-spreadInside, there is a treasure trove of thick sturdy pages of assorted images and scenes just begging for colour and personalisation.  Exceedingly so much more than just a colouring in book, Wonderful World will inspire, occupy, and educate for days.

Allen & Unwin 2016

my-lovely-christmas-bookMy Lovely Christmas Book

While their creative juices are still flowing, consider this as a sweeter than sweet stocking filler. My Lovely Christmas Book is a quaint diary sized festive book, brimming with blank pages and cheery prompts that allows readers to fill it with their own lists, notes, poems, and wishes, in short, to create a lovely Christmas book for them by them. It ostensibly covers the 12 days of Christmas so could be substituted as a tooth-friendly form of advent calendar, as well.

There is space for photos, favourite listings, and recordings of all the best bits of Christmas a kid can have. Sublimely illustrated, this is an exquisite combination of meditative colouring in book, crafty hang out and personal journal, which subtly encourages youngsters to observe and cherish this most magical time of the year.

Bloomsbury Publishing November 2016

the-kids-survival-guideThe Kids’ Survival Guide – Avoiding ‘When I was young…’ and other brain-exploding lectures by Susan Berran

I’m not sure I should be recommending this but it is insidiously brilliant no matter how potentially detrimental it may prove for we struggling parental types just trying to do our jobs. The Kids’ Survival Guide, is a crafty (not in the arty sense) cheeky, wickedly funny and devilishly useful hand book for kids who’ve had a gutful of the lectures, rules and dumb sayings adults dole out to them day after day of their young lives.

Thoughtfully sectioned into handy parts, the Guide escorts and educates readers on how to remain calm and cope with brain exploding stupidities like ‘You can have a motorbike when you’re older’ -how much older? A day, a month, a minute? Or, what about, ‘You should know, I’ve told you a hundred times’. Berran could be right or at least her character Sam could be right; parents do say the lamest things. Apparently, it’s all in the manual Sam and his mate, Jared found. I just hope they don’t strike back too hard as he shares some of his ‘brain-blowing close encounters’ and teaches fellow sufferers how to ‘twist, flip and turn’ the rules around. Heaven help us. Essential and absorbing reading that is sure to occupy young minds for precious minutes this Silly Season. Warning: Adults should read first to allow time to come up with some witty counter-attacks. Don’t say I didn’t warn you.

Big Sky Publishing October 2016

 

 

Where do I belong? – Picture books & Place

When penning a narrative or even recording ones past, authors must be aware of a number of aspects that shape a reader’s impression of the story. A sense of place is one such nuance that forms specific reactions and can colour a reader’s entire experience. When fashioned convincingly enough, a sense of place depicts not only where the story’s characters live and interact but can also provide the answer to how they and the reader belong (to the story). Here are a number of picture books that encourage a distinct sense of place.

Hello!Hello! Illustrated by Tony Flowers

‘Hello!’ is an icebreaker most young children are adept at. However, what if a potential friend’s first language is not English? Hello! is a brilliant introduction to 12 other languages commonly used in Australian homes, including three Indigenous languages. Once children learn to say hello, they are then able to share all sorts of things with their new friends, including favourite games, foods and customs, all in that language. Each new introduction includes how to count up to ten, as well.

Hello spreadThis is a fascinating multicultural exploration aimed at pre-school and primary aged youngsters and is nothing short of ingenious. Many children will have already encountered other people in their lives whose backgrounds and languages differ from their own. Hello! is an unobtrusive, inviting way to show differences need not discourage friendships. Flower’s cartoone-sque illustrations gently emphasise meaning whilst a comprehensive pictorial glossary and pronunciation guide at the end aid carers with extended learning. A marvellous go-to book recommended for home and classroom libraries alike.

National Library of Australia April 2016

Granny's PlaceGranny’s Place by Allison Paterson Illustrated by Shane McGrath

As a city girl growing up far away from my grandparents’ Sunshine Coast hinterland property, visits ‘to grandma’s farm’ were always chocka block full of new adventures and sunny memories to treasure. This bewitching sense of belonging echoes throughout Granny’s Place thanks to Paterson’s beautifully unaffected prose and McGrath’s sublime sepia suffused illustrations.

Granny's Place illo spreadA young girl describes her grandparents’ home that is ‘brimming with treasures of the olden days’ and has ‘springy metal beds and shiny hard floors with tasselled mats…’. It’s a place steeped in rich memories and every day opportunities. It is where family gather in large noisy waves and tiny discoveries, too good to share are made every minute. It is quite simply ‘the best place in the world’. A place where children flourish, absolutely. Alas, people and places cannot last forever as our girl learns to accept after the passing of her grandfather. When Granny has to leave the farm and move to a new life in the city, it is hard to appreciate her new place at first. Fortunately, memories are not so easy to forget and Granny’s love prevails.

Granny’s Place is overflowing with gorgeous imagery that will ignite warm recollections for many older readers. It also radiates the spirit of adventure and the changing rhythms of life that most young people will recognise whilst celebrating these childhood memories.

A marvellous homage to Australia’s past identity and a fitting example of creating a special sense of place.

Big Sky Publishing April 2016

Mr Chicken arriva RomaMr Chicken arriva a Roma by Leigh Hobbs

Mr Chicken pays homage to childhood dreams and aspirations personified. It could be argued that the Australian Children’s Laureate for 2016-2017, Leigh Hobbs is living a little vicariously through the rambunctious, irreverent Mr Chook who was a bit different to other boys and girls. As a youngster, ‘instead of playing games’, he dreamt of life abroad.

Fortunately for fans, both grew up, giving us the opportunity to experience an incredibly detailed, hilarious romp through (this time) Italy’s capital city, Rome. It’s a cavort of pure indulgence as the charming and very forgiving city guide, Federica, escorts Mr Chicken aboard her Vespa through Rome’s traffic ensnarled streets, past the Colosseum, to gelatarias, through the Trevi Fountain and even the Vatican. Hobbs leaves no ruin unturned in this whirlwind excursion, revealing stops I had hitherto forgotten about since my European backpacking days.

Mr Chicken Trevi fountainIf you ever consider tackling a trip to the big five European cities with a chicken in tow, Mr Chicken would be the chook to recruit. Unabridged humour told and depicted in the way only Hobbs can. Fantastic fun and insight to lands beyond for pre and early primary schoolers.

Allen & Unwin August 2016

A New York YearTwelve Months in the Life of …A New York Year & A Texas Year by Tania McCartney Illustrated by Tina Snerling

Unlike the other phenomenally successful titles in the Twelve Months in the Life of picture books series, which look at the life of children from other nations including Australia, A New York Year and A Texas Year focus on individual states within the USA.  Even then, the breathtaking diversity of cultures and idiosyncrasies is almost too mind bogging to comprehend. Yet, the McCartney Snerling picture book team convey these elements with aplomb.

Like their forbearers, New York Year and Texas Year kick off with introductions to the five children who will be our guides throughout the year across these states. They are a delightful homogenous mix of Texans and New Yorkers whose obvious differences (in aspirations, cultural ancestry, and appearance) only serve to highlight the sameness they share with kids all around the world. I particularly love Texan Ethan’s ‘when I grow up’ revelation; ‘I want to be a rock star or a palaeontologist’. Classic seven-year-old clarity!

A Texas YearAs the calendar turns, we are taken on a colourful eclectic  parade through each state stopping to observe significant dates, play games endemic to the region, take in the unique flora, fauna and natural wonders, and then, happily, return to the table to feast on local delicacies. It truly is a smorgasbord for the senses.

I love the detail McCartney is able to inject in the meandering text, which is neither excessive nor too sparse. Each fact acts as a signpost that sparks interest and allows children’s eyes to wonder and roam rather than stick to a regimented reading pattern. Snerling’s cute upon cute illustrations offer clean crisp characterisation and support the minutia of facts superbly.

This series is fast becoming a magnificent compendium of fun, fact-fiction picture books, which kiddies from all over the world can use to draw comparisons and conclusions about their international neighbours, supporting tolerance, enhancing awareness and creating as it were, a marvellous sense of place. Highly recommended for 4 – 8 year olds and big people who don’t get out as often as they should.

EK Books August 2016

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Double Dipping – Save our Trees!

With National Tree Day just around the corner (28th to 31st July) what better way to celebrate the importance of sustaining and enriching our environment than by honouring earth’s life source, the tree.

Here are two picture books that appeal to the younger end of the market. There are many more, that showcase the magnificence of trees and nature: Jeannie Baker’s marvellous works, Tree by Danny Parker and Margaret Wild’s Tanglewood, for instance. Hunt them down and enjoy, but for goodness sake, leave those trees standing!

Barnaby and the Lost Treasure of BunnyvilleBarnaby and the Lost Treasure of Bunnyville by Robert Vescio Illustrated by Cheri Hughes

Barnaby is a gardener who loves to rove and gather. With his assorted stash of seeds, he dreams of transforming his home, Bunnyville into a verdant wonderland of fruit and veg. The major of Bunnyville, however has other ideas. He believes bunnies are designed for one thing and one thing only, to dig. Faced with this opposition, Barnaby devises a way to turn the mayor’s stony greed into positive action.

Barnaby illos spreadWhen a treasure map promising to reveal the lost treasure of Bunnyville turns up, the mayor enlists every paw and claw of Bunnyville to find it. Enthusiastic excavation ensues but the only ‘treasure’ unearthed is an rusty old key by Barnaby. While the rest of the township concedes defeat, Barnaby utilises the myriad of holes created by the hunt and with some luck and patience, Bunnyville is transformed into a lush productive garden.  The townsfolk are delighted, the mayor impressed by what Barnaby reveals is indeed the ‘lost treasure of Bunnyville’. The concept of 2 and 5 a day as never looked so delicious!

Robert VesicoThis ambrosial little tale about bunnies and treasure hunting neatly encapsulates Vescio’s subtle plea for perseverance and preservation in a way that will appeal to under 6-year-olds. It gently emphasises that ‘a tree is a treasure’ and that from little things, big things, important things really do grow – into ‘growing treasures’.  A playful and useful way to introduce young readers into food production and conservation. (I love Hughes pumpkin bright illustrations and amazing seed-studded end pages, too!)Take it with you as you head out to plant something this weekend!

Big Sky Publishing July 2016

The Gobbling TreeThe Gobbling Tree by Mark Carthew Illustrated by Susy Boyer

An oldie but a goodie, this classic picture book by Mark Carthew and Susy Boyer depicts what happens to the seeds we plant and the consequences of our interaction with them.

The gobbling tree situated on a rise in the local park is never named but becomes the focal point of concern for the neighbourhood kids when one by one they lose a precious plaything to its arboreal clutches. Kites, cricket bats, balls, sticks, boots, even Jacob’s ladder (Ha Ha) are gobbled up as each attempt to get their objects back results in more lost items. Soon most of the town’s treasures are stuck within the tree’s grasp including, Simon! It’s not until nature shimmies to her own dance that normality is restored…until the next cricket match that is.

Mark CarthewAnyone who has ever had a Frisbee stuck in a tree and failed to dislodge it with a variety of other thrown items will relate to this hilarious lyrical misadventure. (I’m putting my hand high up, here!) Carthew’s ability to bring song into story is well loved and in this case, worthy of receiving the Speech Pathology Book of the Year 2009 Award. Boyer’s drawings capture the colour and comedy of the situation beautifully. This favourite never grows old and underlines my deep-rooted respect for trees evermore.

New Frontier Publishing first published 2008

So whether you intend to plant a tiny parsley seed or the beginnings of something large and magnificent, encourage your children to honour nature this weekend, indeed every weekend. They can enjoy books like these as they wait for their treasures to grow.

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Being You is Best – Picture book reviews about Self

Teddy illo spreadIt is sheer coincidence that the following picture books lie on my desk at a time when the tenets of tolerance, acceptance and being yourself are being so brutally questioned again, (when are they not). However, it is heartening to know that equally powerful positive messages are available and as accessible as picking up one of these books and sharing it with the next generation. The message is clear and simple: being you best.  It’s ok. It’s empowering. It’s beautiful. And it is not wrong. Here are some awesome new publications, which emphasis this conviction.

Being You is Enough Being You is Enough and other important stuff by Josh Langley

Josh Langley produces a number of inspirational, aphorism-infused illustrated books but I especially warmed to this recent release aimed fair and square at primary aged readers. It contains ‘all the important stuff a kid should know…’ conveniently listed from 1 to 11. Loud, bold, and just a little bit irreverent, Langley encourages youngsters to recognise and listen to their own superpower, the voice in their heads.  This voice can mislead you but also be your best friend and guide you to other awesome thoughts.  He goes on to reveal ways to combat angry feelings, bad thoughts, and many other internal conflicts common to young kids.

There is no sugar coating the message here, the advice is simply described and plainly delivered. This honest and straightforward approach will appeal to under 10-year-olds and frankly anyone else who is suffering from a touch of self-doubt. Langley’s line illustrations are the perfect accompaniment to his affirmations, quirky and kid-like, again bursting with appeal.

Being You is Enough is a terrific green light of a book to strengthen kids’ self-awareness, acknowledge their need to ride unicorns and reinforce the understanding that they are loved and never alone. A must read, wonderful bunch of little miracles between two covers.

Big Sky Publishing February 2016

Introducing TeddyIntroducing Teddy A Story about being yourself by Jessica Walton Illustrated by Dougal MacPherson

I could not wait to read this one. Errol and his teddy, Thomas are the best of friends. They do everything together but increasingly, Thomas feels less and less like playing. Something disturbs him so deeply that he is terrified it will destroy his friendship with Errol. A mighty conflict of self is raging within Thomas who eventually reveals to Errol that he wishes his name were Tilly, not Thomas.

Walton’s sensitive narrative escorts young readers through the tricky landscape of gender awareness and acceptance. It is a watershed picture book for it not only exposes children to different family models, equality, and tolerance of others, it gently challenges the paradigms of society whilst highlighting its diversity.  MacPherson’s charm-laden illustrations ably reinforce Thomas aka Tilly’s growing discord and eventual surrender to being herself.

Full of relevance and grace, Introducing Teddy is tastefully rendered and should be on every classroom bookshelf.  Suitable for early to mid-primary readers and anyone fearful of questioning their own sexuality.

Bloomsbury Publishing May 2016

The Mozzie with the Sharp SnozzieThe Mozzie with a Sharp Snozzie by Irina Goundortseva

Resonating the delightful tones of the Ugly Duckling, The Mozzie with the Sharp Snozzie is a delightful visitation of one little mozzie’s sense of self. Our chipper little protagonist lives by the pond in perpetual awe of the beautiful butterflies who flutter about being beautiful all day long. She yearns to join them, to be as beautiful as them but they shun her because of her ugly and boring appearance. Disheartened, Mozzie retreats then embarks on a plan to elevate her popularity by disguising her true self. The shallow butterflies are enamoured by their beautiful new friend until disaster strikes and ‘things go from bad to worse’. Will Mozzie abandon her newfound friends and self-appreciation to save the day?

Vibrant illustrations accompany a lively text and storyline that will have little ones enthusiastically page turning to the very end.  Mozzie… is an invigorating tale about the benefits of being proactive, being yourself, and loving who you are. In addition, it does wonders for the esteem and profile of mozzies everywhere, which I think is reason enough to hunt it down to enjoy.

Big Sky Publishing August 2016

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