Dreaming of Adventure with Alison Binks

imageBe taken on a mysteriously wonderful midnight adventure with the captivating story, Caspar and the Night Sea, and the publishing journey of its creator; Alison Binks.

Awoken by the sneaky light of the moon, the gentle breeze and the sounds of the waves gives Caspar the perfect opportunity to go ‘sailing’. Without a stir from his soundly sleeping parents and the chooks in the shed, the young boy and his dog venture out to the shore with their trailer and boat in toe. Something feels different to other nights, and with the guidance of the dolphins and the whispers of the fishes, they are lead to a most glorious vision… Whales! But some secrets are just too good to share!

Binks writes this narrative with a dreamy sense of delicacy and atmosphere that takes its readers into the scene. Her illustrations are equally entrancing with their eerie kind of feel conveying light amongst the darkness, and gentleness within the movement.

Capturing the essence of adventure and imagination, Caspar and the Night Sea is a humbling and soulful tale perfect for preschoolers at bedtime. It is also a brilliant facilitator for encouraging ecological study and advocacy amongst its readers.

Windy Hollow Books, 2016.  

I am thrilled to have the lovely Alison Binks discuss the inspirations and processes behind her new book. Thanks, Alison!

imageCongratulations on the release of your debut picture book, Caspar and the Night Sea! How have you found the whole publishing process? What did you do to celebrate its launch?

Thank you Romi.  I was of course amazed and delighted to be selected for publication. Following that excitement I was dismayed when I learnt the length of time the publication process was due to take, (years) and in the end it was even slower. So I feel it’s been a long road, but now I realise how it all works I’m just keen to get going on another book.

I have not had a launch as yet but I’m still hoping to organise an event of some sort. It may be when the weather turns, and we all feel more encouraged to get out of our houses. Maybe when the children can contemplate the idea of sailing in a warm breeze. I’ll make some cupcakes and set up with a stack of books somewhere.

You have done both the text and pictures in this book. Can you tell us a bit about your background? How did you come to write and illustrate for children?

imageI wrote this story for my son Caspar. It was to be a gift for him, and a process for me of immersing myself in the imaginary world of my little boy, who was then 2, and dreaming big dreams for him.

My background is in architecture, design and fine art. I exhibit my work, and usually paint landscapes in oils, but this was an opportunity to work on a smaller scale and it was lovely to sit down at a desk in a small pool of light, and work in a different way.

Caspar and the Night Sea is a wondrous tale of a boy and his dog venturing out on their boat into the depths of the ocean, in the darkest part of the night. Where did this inspiration come from? What were your intentions for readers to grasp from this imaginative concept?

I wanted a tale about a child who has secret adventures.  We lead such busy lives, with children tagging along through the adult world much of the time, timetabled.  I wanted to work with the idea of childhood freedom and children’s ability to do things on their own.

imageThe image of a little boat sailing off over a dark sea came to me very early on and I built the story around this mental picture.

Your illustrations are mesmorising with their mix of dreamy watercolours and ink drawing to create movement. Do you experiment with different styles in creating the right ‘feel’? How have you come to develop this style of art? What is your favourite medium to use?

When I travel I often take a small watercolour sketchbook, and watercolour was the first painting medium I used. For these illustrations I was influenced by the work of other artists, Ron Brooks and Robert Ingpen in particular.  (See The Bunyip at Berkley’s Creek or Ingpen’s Wind in the Willows).  The challenge was that the story takes place in the dark. I studied the way other artists approached this and decided that for me to lay the black ink over the watercolour would allow a palette of subtle colours to exist beneath the black night of the ink.

Fun Question! If you could be any creature in the ocean what would it be and why?

I have always sailed, and dolphins seem to me to be having the most fun in the water down there, surfing on bow waves, leaping out of the water for no particular reason. And they seem to have a language of their own and that appeals to me.

What tips would you give other emerging authors or illustrators eager to have their work published?

I was very lucky to find a publisher for whom the story resonated.  I don’t have any tips for that, except to search for the one person who really connects with what you are doing.

What’s next for Alison Binks? What projects are you currently working on?

My hope is simply to have enough success with this book that Windy Hollow, my publisher, will agree to print the next one!  There is a more complex story both in my mind and partly on paper, waiting until I have time to come back to it. I’ve painted a first illustration and have ideas about a new colour palette and a slightly different approach. But first I am doing the legwork to get Caspar and the Night Sea into the bookstores, schools, kinders… wherever I can, and spreading the word.

All the best of luck and success! Thank you so much for the interview, Alison! 🙂

Thank you.

Look out for Alison Binks and her amazing work at her website .

Purchase Caspar and the Night Sea.

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Jen Storer’s Glorious Story

 

imageJen Storer; word expert, her books and writing encapsulating the most brilliant use of language to tantalise every sense within its reader. Popular and highly acclaimed chapter books include Jen’s bestselling Truly Tan series, Tensy Farlow, Crystal Bay, the latest awesome series Danny Best, and most recently awarded with a CBCA notable is the adventure mystery The Fourteenth Summer of Angus Jack. And new to Jen’s writing repertoire is the absolutely scrumptious Clarrie’s Pig Day Out (review here), and boy, has she entered the picture book world with a tang! I mean fang! No, BANG! Today I am thrilled to welcome Jen Storer to the blog to discuss all things writing and Clarrie! ☺️

Congratulations on the latest release of your sensationally hilarious picture book, Clarrie’s Pig Day Out! I’d like to start with a question from my Miss 6. How did you think to write such a mixed-up story?!

imageThank you, Romi! I’m thrilled that you and Miss 6 enjoyed Clarrie.

Most stories come to me from all over the place. A bit here. A bit there. But it’s easy to say where Clarrie came from.

I was in a café having a cup of tea and people watching. At the next table there was a
grandmother with a little boy on her knee. She was reading the boy a story. It was one of
those vacuous picture books you often come across in cafes. I could tell the boy
wanted to enjoy the story. But I could also see, by his body language, that this was a
lousy story.

I thought, what would I do if I had to read a kid a crappy story like that? The answer was instant. I’d make up silly words!

I rushed home straight away and started writing a story about an old farmer who got his
words muddled.

Obviously the language in the story is intended to challenge the readers’ thinking and play with words. What other teaching and learning experiences do you hope your audience will gain from this book?

I never EVER consider teaching kids when I write stories. The minute I start thinking like a teacher I’m no longer thinking like a storyteller. Any lessons that come from my books are purely coincidental. My entire purpose is to delight, entertain and inspire.

Clarrie is such an eccentric yet humble and romantic type of character. How did he develop in your mind? Is he based on anyone you know?

He’s a darling, isn’t he? When I wrote the story I was studying art. I was learning to draw circles and spheres at the time. Swinging the ellipse. I’d been drawing loads of eggs in my sketchbook. And the eggs had evolved into cakes. And chickens. And then this funny old bald guy in gumboots and overalls. It was Clarrie! The first thing he ever said to me was, ‘I’m very fond of chookens. They make good friends and their eggs make delicious caks.’ (That didn’t quite make it into the story…)

The illustrations by Sue deGennaro are deliciously playful, just like your story! How did you collaborate with one another? How long did the process take? What do you like most about Sue’s art style?

imageI love Sue’s imagination and the whimsical worlds she creates. And I adore her subtle use of collage. If you look closely you can see that she’s used the insides of window envelopes (bills) to make crockery and decorate various buildings. I also love her gentle palette. The original artwork is a dream. And she adds delightful quirks: Clarrie’s odd socks. His dapper suit. The way he’s a bit of a dandy. Miss Winterbottom’s fabulous 70s inspired frock. All these touches are Sue’s inventions.

I can’t remember how long we collaborated but it was quick. From the time Sue signed up to the time of final art was about eight months I think. Maybe a bit more.

We met a few times in person. I saw initial roughs. Then later a heap of half completed
paintings that we all swooned over. It was so exciting to watch Clarrie’s world come to life.

I was hands-off in terms of my vision for the story. I wanted Sue to bring her expertise to it. Lisa Berryman, my publisher, was the same. We just sat back and let Sue play.

I think that’s one of the best things about working on picture books. Seeing what someone else, another professional, does with your text. Seeing their interpretation, and thinking, ‘Wow. I never saw it that way. But this looks awesome!’

Fun Question! Can you rephrase this sentence Clarrie-style:
I could read your book all day.

I could feed your chook all day.

You’ve had tremendous success as an author of chapter books for younger and older readers, including Truly Tan, Danny Best, Tensy Farlow and Angus Jack, amongst others. When you’ve established characters like Truly Tan and Danny Best do you find that you need to reread from the beginning to remember things they’ve done?

imageNo. I carry their worlds in my head from book to book. Occasionally I’ll flick back to check a fact or the name of a minor character. Also, I’m always writing one book while at the same time checking first, second and third pages of the previous one. So the worlds are in continual motion.

Do you plot out the whole series carefully beforehand?

Not on your life!

How do you ensure that everything ties together and flows on from one book to the next?

Each of the books in Truly Tan and in Danny Best are stand alones. There’s no overarching plot that I need to keep track off. All I have to get right is the characters, their relationships and the world they live in. And the voice, of course. That has to be consistent.

You juggle your time between writing, illustrating, speaking, presenting and blogging! How do you manage such a hectic schedule? What’s your secret?

I don’t always manage. Behind the scenes I’m often flouncing about swearing and cursing. But when I’m not doing that, I’m actually a really determined plodder. I’m committed to this work. I’m a boots and all girl. If I decide to do something I’m in it for the long haul.
I’m getting better at saying no these days, too. And listening to my intuition. It provides impeccable guidance. I’m obsessed with my work. Obsessed. I haven’t decided if that’s a good thing or a bad thing!

I love your new inspiring initiative to teach other writers all the tips and tricks of the trade with your girl & duck workshops and online tutorials. Can you tell us more about how this came about and what you have and will be offering interested participants?

imageGirl and duck is my passion. It came about in a stealthy manner while I wasn’t really looking. But now it’s up and running I’m consumed by it. I have exciting plans for it. I adore teaching. Love, love, love. I can talk about creative writing until the cows come home. I’m busy writing and illustrating a book for the ‘duckettes’. I hope to have it available by the end of the year. Then there’s another book planned to follow the first. I’ll also be running online classes. More on that soon. It’s a huge commitment. Under the surface we’re paddling like crazy. There’s so much techy work going on. And business school. It’s awesome. The online world offers astonishing opportunities.

You’ve been in the industry for a while now with many successes and accolades. What have been the most rewarding highlights of your career? Is there anything that you are still striving for?

Apart from dreaming up ideas and developing projects, meeting readers is still the biggest highlight. As well as receiving their mail.

But these days it’s also about inspiring others (adults) to pursue their passions and embrace their creativity. I never planned to do this but ‘creativity coaching’ is something that fills me with joy. I’ve had a tricky journey to get where I am. I’m a late bloomer. First book published at 42 etc. I like to urge younger creatives to get cracking while they can. The sooner the better. But even if you feel you’re too old, forget that! Age is a crock.

There are loads of goals I’m still striving for. Growing girl and duck. Writing. Painting. Drawing. Coaching. Teaching. Travel. You name it. I’m just getting started.

Besides all the numerous projects that we’ve mentioned above, what else are you currently working on? What can your fans look forward to seeing from you in the near future? A sequel to Clarrie’s Pig Day Out perhaps? 😉

imageI’ve written a follow-up to Clarrie. But that’s a secret…
I’ve written the first 30,000 words of a follow-up to Tensy Farlow. It’s about another girl in that same world. I’m desperate to finish it but I need to go to the UK to research it.
I have my girl and duck books.
I’m into the second act of my screenplay.
I have a picture book coming out with Andrew Joyner in August.
Book three of Danny Best is half written. Book two comes out in November. Mitch, Lisa and I are going over the illos and layout now.
Book five of the Tan series has just been released, Truly Tan: Hoodwinked! And I’m halfway through book six. One of my readers named it. It’s called Truly Tan: Trapped! I’m still figuring out where I’m going to trap the poor little peanut.
Books seven and eight of Truly Tan need to be thought about. And written (ahem).
There’s loads of stuff going on.

Thank you so much for joining me for this interview, Jen! It’s been an honour! X

Thank you, Romi, you’re an angel! xo

imageMore information on Jen Storer can be found at her website and Facebook page. Jen’s writing for children workshops can be seen at her new girl and duck website. Plus, details on her Melbourne-based ambassador role for The Footpath Library, an initiative to enrich the lives of homeless people with free books, can be found here.

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Liz Anelli Brings Life to Desert Lake

imageLiz Anelli is the author and award-winning illustrator of many, many colourful projects including children’s books, magazines, advertisements and educational websites. Her stunning artwork extends to printmaking, graphic design, watercolours, gouache and collage. Howzat!, View From the 32nd Floor and One Photo are a few of the picture books she has illustrated. Today I am thrilled to welcome Liz to Boomerang Books to tell us more about her art work, research and the illustrative creation of her latest gorgeous book, Desert Lake.

The Review:

Desert Lake is a fascinating story of survival and prosperity amongst the flora and fauna inhabiting the seemingly barren land of Kati Thanda-Lake Eyre.

imagePresented with two narratives, Pamela Freeman‘s text poses as both a lyrical and animated format and opposite, a smaller font with interesting facts. She tells the story of the rains as they arrive from the north to awaken life beneath the salty surface and enable a propagating community of birds and other wildlife to the area. Liz Anelli‘s brilliant illustrations beautifully depict this contrast, intensity, warmth and spirit with her multi-textured and layered paint, lines, pattern and complementary earthy colours. Even as the birds migrate to more plentiful waters when the lake dries, Anelli’s images carry forth the promise and richness of this outwardly desolate world.

Desert Lake literally thrives on its magical presence. It is captivating, rewarding and exquisite on so many levels. This is one information book that all primary classrooms would benefit from in their studies of Australian topography, climate change and the arts, and for the simple pleasure.

The Interview:

Welcome Liz! You have a style of art that has a distinctive flair yet is diverse in its themes and technique. Did you always paint this way or has your art changed over the years?

My style has certainly evolved over the years. I started out as a line and watercolour wash girl, then discovered how beautifully gouache paint sits on grey paper and gravitated towards dabs of bright colour within a black ink line (which I still do now for some illustrations). About 15 years ago I started incorporating collage and printmaking and learnt Photoshop so that I could choose which elements to cut and stick manually and which to add using my computer. Now I dip into materials and techniques depending on the age audience, subject and purpose of the illustration.

Do you have a favourite piece or project that you have worked on? Why is it special to you?

imageSO hard to choose! I think I love my illustrated maps above anything else, especially the first one I made of Newcastle, NSW because it was my way of befriending my new city (and country). I cycled around the Port-side suburbs for weeks with my camera and sketchbook, stopping to record every interesting building and industry and asking millions of questions. I found myself helping a prawner boat unload its catch, scampering up the side of a grain ship, in awe under the massive stacker-reclaimer wheel at a coal terminal and whizzing round the docks with a minibus full of excited school children who all wanted to show me their ‘best place to play’.

How did you come to illustrating books for children? What do you love most about this industry?

I illustrated (and wrote) my first picture book whilst still an art student way, way back. But as a child I was much more into reading and writing stories than drawing. My sisters, brother and I indulged in hours of imaginative play. My favourite was the one where we acted out snippets of radio programmes, pretending the stations were tuning in and out as we drove on long car journeys… must have been VERY irritating for our parents (but they never did replace us with a real car radio). I got hooked on drawing at Art School. You walk along the street and see stories being played out all around you. I draw what’s going on and voila… a picture book emerges.

The texture, depth, symmetry and combination of colours and media in Desert Lake are simply divine. How did you plan your process? What were the most challenging aspects in creating this book?

imageThe hardest thing is knowing when to stop. I try out colours and textures on separate bits of paper (and sometimes scan them in when they work better than the ’real thing’). I do a lot of research drawing at the ‘roughs’ stage but then clear my references away to make the artwork more intuitively. There are so many choices to make but in the end each spread has to work as a whole picture in relation to its neighboring pages.

What was it like to collaborate with author Pamela Freeman? How much creative licence did you have working on Desert Lake?

imageWalker’s ‘Nature Story Series’ allow author and illustrator a more poetic approach than other picture books and I had the sense of a huge amount of freedom. The manuscript changed a lot along the way and although this entailed more work for both of us I think it made the book even better in the end. Our editor played an expert role as catalyst. My compositions come from a lot of real life observation (I had an ASA Research Award to visit the Outback) mixed up with a good shake of imagination. It was cold and dry when I went to the Lake so I also spent hours drawing and watching the colours on the water here in Newcastle Harbour.

What little secrets can you share about the making of Desert Lake? Any minute details that your audience should particularly be aware of?

An insect (that triangular shaped back and white one who appears on several pages) crawled into the seat of my jeans while I was drawing at the lake, I swallowed more than one bush fly and I went to sleep at night with all my clothes on… it was very, very cold. Can you see the little bug hiding on the night-time scene near the end of the book? Tracing paper collage makes very good frogspawn – just the right translucency.

Fun Question! If you lived in the desert which animal would you choose to be and why?

Hopping mouse – so sweet! NOT a bush fly.

You have recently launched a marvellous exhibition of your artwork at the Lovett Gallery in Newcastle. Congratulations! Please tell us a bit more about it. What have been the highlights so far?

We wanted to allow viewers inside the process of creating a picture book so have included the story of our research trips and examples of my storyboards as well as all the original paper artworks. Visitors can spot the variations between these and the printed pages, working out for them selves what parts I ‘collaged’ on screen. We deliberately asked the framer to include all my rough notes and workings around the edges of each piece and I love it when children ask me if I know there is an apple sticker on one… yes, I eat a lot of apples when I’m working.

imageI’m also enjoying watching another piece of desert floor come to life. We created a 4 metre long panel of one of my sketchbook paintings of the sandy ground with cracks and a few scrubby plants on it and I’ve been helping children make creatures using collage, paint and print in workshops. I think there are over 100 creepy crawlies on there already.

What would be your greatest piece of advice for emerging artists wanting to succeed in illustrating children’s books?

Don’t give up! Network, work hard and make pictures about the things you love not just what you think publishers would like to see. Be yourself, that’s the thing they won’t find anywhere else.

Thank you so much for talking with us, Liz! It’s been a real pleasure! 🙂

To connect with Liz Anelli please visit her website, Facebook and Twitter pages.

Her Desert Lake exhibition displays original artwork, sketches and studies of Liz’s research in the outback. It is being held at the Lovett Gallery in the Newcastle Region Library until May 14. Click here for more details.

Desert Lake is written by Pamela Freeman, illustrated by Liz Anelli and published by Walker Books, 2016.

Pre-order your copy of Desert Lake.

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Picture Books of the Curious Kind

I’m always up for a good imaginative mystery that gets my mind, and heart, racing. It must be that dopamine rush I get when experiencing something novel and exciting, the eager anticipation and engagement, and finding something I can relate to. For kids it would be no different and the following two picture books, not surprisingly, tick all the boxes in the ‘curiosity’ department.

imageArthur and the Curiosity, Lucinda Gifford (author, illus.), The Five Mile Press, 2016.

When adults are oblivious to the hidden secrets and wondrous treasures of the world because they are overly concerned with ‘moving on through’. That’s the situation that Arthur experiences on his school trip to the museum. His teacher takes little notice of the amazing artefacts and ancient wonders as she hauls her class across the landscape pages. But Arthur’s not so heedless. Amongst and within the exhibits Arthur notices a ‘CURIOSITY’ – a mischievous green creature that seems all but a figure of his imagination. Taking his time to examine his surroundings, Arthur gains much more than he bargained for than any of his bustling peers.  The final page leaves us with a sneaking suspicion that Arthur’s excursion has left him with a lasting impression!

imageLucinda Gifford‘s bright and colourful illustrations are playful and eye-catching, allowing readers plenty of scope for discovery and delight as they ‘move on through’ the book at a steady pace. Her text is equally joyful and witty with double meanings that are sure to set tongues wagging with the endless conversational possibilities. The ‘curiosity’ is “…the UNUSUALLY active volcano.” and “…an EXTRAORDINARY mummy in the Ancient Egypt exhibition. Poor Miss Blunkett was trying to wrap things up.”

Arthur and the Curiosity is a fun read to explore and enjoy with its elements of humour and surprise. Children from age three and up will also relish the opportunities to identify with and show ‘curiosity’ towards the diverse characters, topics and experiences that are fostered by this book.

Arthur and the Curiosity is being launched on April 16th at The Little Bookroom. See details here.

imageThe House on the Hill, Kyle Mewburn (author), Sarah Davis (illus.), Scholastic Australia, 2016.

‘Curiosity’ can present itself in many forms; and in this book it presents with a thrilling anticipation. Here is a story to send shivers of curiosity up your spine in the hauntingly stunning, The House on the Hill. With high levels of suspense to chill your bones, this poetic spookfest is a winner.

With Mewburn‘s ode to Edgar Allan Poe’s Raven, his romantically suave language and rhythmic canter beautifully rolls off the tongue. Sarah Davis‘s monochromatic, sepia toned imagery marries flawlessly with the spine-tingling lyrics to create an optimal intensity of creepiness and tension.

imageWhen two young ghosts are beckoned by the bell in the house on the hill, they find themselves “Upon the gate a portent hung, a dragon’s claw, a serpent’s tongue.” The initial terror slowly dissipates  with more and more clues being revealed as the characters edge closer to their destination.  Child-friendly hints dubiously lure us towards the dingy dwelling, like dancing moths, jack-o-lanterns and the characters’ outfits that appear distinctly like white sheets with cut-out eye holes. Davis’s striking illustrations with her extreme angles and perspectives, perfectly placed focal objects and effective use of light and shade draw us in with every breath as we follow the ‘ghosts’, and their cat, on their journey through the ‘haunted’ house on the hill. And just when our hearts can’t race any faster, we reach the final reveal and encounter the most ghoulish group of vile creatures – children!

imageIdeal for your Halloween thrills and celebrations, but equally fun-tastic all the year round. Behind the moodiness and apprehension, The House on the Hill takes preschoolers through an adventure of bravery, friendship and togetherness. There is loads of room for educational opportunities with its brilliant use of poetry, vocabulary, visual literacy and the arts.

You can watch the spooktacular book reading with Kyle Mewburn here.

Teaching notes are available at the Scholastic website.

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Big Adventures with Alison Lester’s Picture Books

Alison Lester; much-loved, legendary children’s author illustrator, Australia’s Inaugural Children’s Laureate 2011 – 2013, multi-award winner with a long-standing, colourful career and classic books including ‘Imagine’, ‘Magic Beach’, ‘Nony the Pony’, ‘Kissed by the Moon’, ‘Our Island’ and ‘Are We There Yet?’.
imageHaving said all that, I’m still pinching myself that I actually met her last weekend! Attending her special storytime at Readings, we were lucky enough to get a personal reading of her gorgeous, new book, ‘My Dog Bigsy’.  

From the wonderfully textured front cover, to the interactive farm route on the endpapers, and the animated sound effects emanating from the words, ‘My Dog Bigsy’ is the perfect language experience for little ones.

imageIntroducing Alison‘s real dog Bigsy, with a detailed diagram of his unique body parts, including crooked front legs and a special scratching spot, we immediately fall in love with this bouncy character. A little girl tells of his silence as her co-sleeper, but once outside, she hears her hairy friend clamouring, barking and chasing the animals all around the farm. Rollicking onomatopoeia have us bounding along with Bigsy and his noisy counterparts, from screeching cockies to thumping kangaroos, snorting horses, ducks and lazy cows, bold pigs and non-mathematical hens. At the end of his rounds, Bigsy is exhausted. Where will he go next?

imageAs Alison explained, her line work is different from her usual technique. This time the watercolour pictures were cut inside the outline for a smoother look, and the textures of the mixed media and frayed edges of the dress material is ideal for that added depth and authentic rustic feel.

‘My Dog Bigsy’ is a fun, vibrant romp with an endearing character, including a sweet message of friendship and a clever approach to reinforcing knowledge of farm animals and their noises. Just delightful for children from age two.

Penguin Random House Australia, 2015.  

imageAnother engaging book for early childhood readers is Alison‘s most recent edition of her classic story, ‘Are We There Yet?’, this one with fun lift-the-flap and I-spy components.

Whilst the first is aimed at an older target audience with its sweeping detail, this current book is a terrific summary of this family’s trip around Australia including simple, short sentences and interactive I-spy questions and answers under the flaps. I love this format for introducing young ones to our unique locations and landmarks, flora and fauna, enthralling activities and modes of transport, as well as a touch of history that makes our land so extraordinary.

imageAll the stunning imagery exquisitely painted by Alison Lester in this book have been transferred from the original, in a more compact form with round-edged and glossy pages, specially adapted for those little hands.

‘Are We There Yet? Lift the flap and play I-spy!’ is sure to be a trusty travelling companion for any young reader all the year round.

Penguin Random House Australia, 2015.

For more information on Alison Lester, visit her website here.

‘In a World of Imagination’ – Interview with Anna Walker

imageAnna Walker; master creator of picture books encompassing emotion, wisdom, sensitivity, adventure, charm and humour. And equally as gentle, creative, genuine and profound as her delightful stories and pictures is the author / illustrator herself, with which I had the utmost pleasure in meeting recently at her Mr Huff Exhibition. I am honoured that the amazingly talented Anna Walker has agreed to shed some light on her enchanting book-creating world and her newest masterpiece, Mr Huff (review here).  

imageYour trademark style of illustrating is always infallibly charming with its whimsical and multi-textured features. How did you develop this style and how did you come to illustrate books for children?

Ever since I was child I had wanted to illustrate children’s books. I developed my work with wanting to create an illustration that was hand crafted – a small piece of art. Perhaps this has contributed to my work looking textured as I use cut paper, watercolours, etching and woodblock. I look for different mediums to bring to life the picture I have in mind. Sometimes it reminds me of playing with my doll’s house as a child, making tiny cut flowers, blankets, and paintings to hang on the wall of the miniature rooms! The whimsy I don’t seem to be able to help, no matter what I try it is part of who I am, it seems my love of fairy tales and enchanted worlds pervades my world.  

imageYour long-standing partnership with the masterful author, Jane Godwin, has been hugely successful with titles including ‘Today We Have No Plans’, ‘Little Cat and the Big Red Bus’, ‘Starting School’, and ‘All Through the Year’. How did the pairing come about, and what aspects of working with her do you enjoy most?

In 2007, Penguin said they were going to send me a manuscript of a story to see if I was interested in illustrating it. I remember the yellow A4 envelope arriving in the mail and sitting on the corner of the couch to open the package. In the afternoon sun I read Little Cat and the Big Red Bus, written by Jane Godwin. By the time I finished I had tears in my eyes, it was so beautiful. I could hardly believe I had been asked to illustrate a true picture book that was so special.  This was the beginning a wonderful partnership. I love collaborating with Janie, she is a wonderful writer and an inspiring person.    

Many of your books were penned and illustrated independently. Do you find working independently or in collaboration more challenging, and why?

I enjoy collaborating as much as working independently. In some ways every book is a collaboration because you are chatting about the ideas and what the story is communicating early on with the editor, your family, friends and the designer.    

Your writing style is equally as gentle, thoughtful and enchanting as your pictures. How do you get this harmony so aligned? Do you prefer one aspect of the book creation over the other?

Thank you for your kind words! I prefer the drawing and painting over the writing. At times I find the writing very difficult but I persist as I have a vision of a story to tell. My stories usually are sparked by images and I bring the words in later to partner them.  

imageCongratulations on the launch of your latest picture book release, ‘Mr Huff’! Your recent exhibition beautifully showcased your work, including the book’s storyboard process, from inception to completion, original artworks, as well as your adorable models used in your stop-motion trailer. Can you tell us a bit about the response you’ve received so far. Any stand out moments? What was your most rewarding part of the process?

I couldn’t be happier with the way the Mr Huff exhibition went. In the lead up to the exhibition I wondered why I was having it. I felt like cancelling the whole thing. But on the opening night everyone was so lovely and said such kind things about the story.  During the exhibition it was particularly rewarding for me to see tiny children fascinated with the puppet I made of Mr Huff for the stop motion. A highlight for me was an email from a mum with two boys one of whom experienced Anxiety. The mum said the book was now part of their lives and that some days they described as ‘Huff Days’. When I read  these words they made every bit of the work that went into the story worth it.  

‘Mr Huff’ is a stunningly poignant yet uplifting and sweet story of a young boy who overcomes this growing sense of melancholy around him. Where did the inspiration for this story come from, and how did it develop?

The inspiration came from scribbling in my visual diary when I was feeling worried about things. There was no real reason for this anxiety it’s just something that visits me sometimes. I was drawing how that feels when it occurred to me perhaps I could translate that idea into a picture book. And so Mr Huff was born.  

The message of embracing challenges and being positive is one that stands out in ‘Mr Huff’. What would you like readers to gain from this book? Do you have a motto or life philosophy?

I find it fascinating how different people respond to the book. When a book ventures out into the world you hope that some families will relate to the story but I am never really sure whether that will happen. I have been overwhelmed with the lovely responses to Mr Huff.  

What do you love most about writing and illustrating for children?

I think the thing I love most is traipsing in the world of the imagination. It is very exciting to take a character that you can see in your mind and create a reality for them, to bring them to life so to speak.  To tell a story in 32 pages means your thoughts and ideas need to be distilled so that the result of the few words partnered with pictures speak volumes. I believe in the picture book being a true art form and think children deserve the time and consideration put into the books they are reading.  

Which authors and/or artists have been your greatest influences in becoming the successful writer and illustrator you are now?

Growing up, I was surrounded by wonderful authors such as A.A.Milne, Beatrix Potter and William Steig. I had open access to books with my mum being a librarian. A stand out though was Maurice Sendak who had a huge impact on me. When I was in Grade 3, I was mesmerised by Where the Wild Things Are and thrilled that our class made cardboard monsters of the Wild Things! I remember reading Aranea by Jenny Wagner and being struck by how a picture book could be about something so simple, so quiet and gentle.
The Australian authors and illustrators also played a big role in forming the illustrator I am today. Ron Brooks, Alison Lester, Ann James and Bob Graham are such pivotal figures in Australian literature and each inspiring in how they continue to create amazing children’s books.  

You’ve been winning numerous literary awards around Australia since 2009. What do these honours mean to you? Are there any that stand out as most significant to you?

The Crichton award in 2009 was one of the most special as when I was in the audience I sat in between Bob Graham and Pamela Allen! Bob chatted to me, and it is a memory I will treasure. I must admit I also loved Peggy being shortlisted in 2013 as my children were very impressed with the gold sticker!  

What projects are you currently working on? What can all of your fans look forward to seeing from you in the near future?

I am working on two special stories. One of them is about a little girl and it is set in Paris. I can’t wait to begin the paintings!  

What advice would you give to aspiring writers and illustrators wanting to publish their own picture books?
Be brave. Draw, write and explore ideas. Explore history, colour, mediums, reference, typography, design, experiences and anything else you are passionate about. Make books. Read them out loud. Find your voice.

Thank you so very much for answering my questions, Anna! It’s been a real pleasure!

Visit Anna Walker’s website and facebook pages.

imageHer new book with Jane Godwin, What Do You Wish For? will be out this September.

Georgie Donaghey in the Spotlight; ‘Lulu’ Makes her Debut

Georgie DonagheyIt’s not enough to just want something and hope that it will be delivered  to you on a silver platter. Unfortunately for most of us, life isn’t that simple. What we try to teach our kids is that you absolutely can achieve your aspirations, your goals, your dreams, but it takes work, persistence and determination. In this same fashion, this is all too true for first time picture book author, Georgie Donaghey. Her dedication to her writing, the foundation of the successful Creative Kids Tales for emerging authors, and the establishment of The Author’s Shelf, are all what make her journey to publication so inspiring.

Her new book, ‘Lulu’, gorgeously illustrated by Ann-Marie Finn, published by Dragon Tales Publishing, is simply scrumptious! Lulu; a sweet, ice-fishing polar bear, has a dream. A dream to dance. With courage and resolve, Lulu abounds success, but in the end she discovers that all the popularity in the world doesn’t compare to the comfort and affection of family and friends. And she enjoys the best of both worlds.

Read Dimity’s fab full review of the divine Lulu here.

Now, let’s take a peek into the creative mind of Georgie Donaghey.

Georgie & CharlotteCongratulations on the latest release of your first picture book, ‘Lulu’! How did you be celebrate its launch?  

With lots of family and writer friends at Sutherland Shire Library. Over 100 people attended.  It was like a dream.  Susanne Gervay launched Lulu, and I was joined by Deborah Abela, Emma Cameron, Di Bates, Bill Condon and lots of other well-wishers. I wanted to make sure my first launch was extra special so went a little crazy making polar bear cupcakes, chocolates, a Lulu slice (just like LCM’s), goody bags, craft activities such as colouring sheets, polar bear masks.  I read Lulu to the kids on an iceberg made from white faux fur and cushions.    

Where did the inspiration for this story come from?

I am one of those crazy authors where their characters speak to them.  Lulu actually began in the playground of my daughter’s school.  I was tapping away on my iPad while waiting to do my first author talk to my daughter’s class, and the opening line popped into my head.  ‘Polar Bear’s life was quite cosy and nice, with mountains of fish and even more ice.’  Lulu’s name came during the publishing stage.  

How does ‘Lulu’ resonate with you?  

Lulu followed her dream no matter what obstacles were in her way.  I, like many other authors, have received too many rejections to count.  Instead of being discouraged I wear them like a badge of honor and continue to believe and follow my dreams.    

‘Lulu’ has a beautiful underlying theme of ambitiousness and following one’s dreams. What special message would you like Lulu’s readers to take away from the story?  

If you work hard and believe in your dreams, anything is possible.  

Lulu‘Lulu’ is written with a graceful poetic rhythm, perfectly suiting your charming polar bear dancer. Do you often write in rhyme, and is this your preferred style of writing?  

I’m not fond of rhyme only because you have to be spot on with it.  You can’t fool kids, the rhyme has to flow.  To publish a poorly written book is a disaster so I tried to fight the rhyme and just write Lulu as a story but clearly the rhyme won.  Would I do it again?  Well Lulu has a brother who has a story to tell and I am also working on another rhyming manuscript about an octopus.  Fingers crossed.    

What were your most rewarding and challenging aspects of creating ‘Lulu’?  

Challenging would be of course getting the rhyme just right.  I experienced both highs and lows from conception to launch.  You need a thick skin, and a lot of patience in this industry to deal with rejections and obstacles you face along the way.    

Lulu twinkledI love illustrator, Ann-Marie Finn‘s soft, pastel-looking textures and delicate shades of blues and pinks. What was it like collaborating with her? How much creative license did you allow Ann-Marie in the design process?  

As with most publishers the illustrator was appointed by the publisher.  There was no collaboration between Ann-Marie and I.  I think there was only one brief chat with Kaylene and then Ann-Marie just did her own thing.  Needless to say I am very happy with how Lulu turned out.  Ann-Marie is also a Director of Dragon Tales Publishing.  

How would you describe your first publishing experience with Dragon Tales Publishing?  

An experience to remember.  

Your literary websites ‘Creative Kids Tales’ and ‘The Author’s Shelf’ are fantastic resources for emerging authors and illustrators, and have brought their readers and listeners a plethora of inspirational information and entertainment over the past 4 years. What has been your most valuable piece of advice given or favourite experience with a visiting author?  

Thanks for the lovely comments.  Gosh! How long is a piece of string?  I loved chatting with all my guests on The Author’s Shelf and took something away from each interview.  Probably the stand-outs would have to be Posie Graeme-Evans (creator of McLeod’s Daughters, Hi5 and many other great Aussie dramas), Jackie French.  In fact Jackie and I had such a good time on air she came back for a second show.  
Tony Flowers & Nick Falk were fun to interview together.  Tony joined me in the studio and illustrated in between answering questions with Nick.  Andy Griffiths was a delight, and Dav Pilkey (Captain Underpants) was lots of fun too.  
For Creative Kids Tales I have interviewed 38 guests including Mem Fox, Graeme Base, Jacqueline Harvey, Kate Forsyth, Belinda Murrell, Leigh Hobbs, Nick Bland, Paul Jennings and many other household names.  That number is growing with guests lined up well into 2016.  
I have received lots of valuable tips over the last few years.  The best way to share them is via my Top Tips page http://www.creativekidstales.com.au/tips/top-tips.  One of the pages on CKT I am most proud of is the testimonials page.  Beautiful words from beautiful people …………  

Can you tell us a bit about your experience speaking at the 10th CYA Conference? What an exciting honour!  

I thought hosting a fortnightly radio show was nerve-racking and then chairing a panel at last year’s Kids & YA Festival at the NSW Writers’ Centre was enough to give me butterflies on my butterflies.  I have been to a few CYA’s now and have proudly worn the hat of chief tweeter.  Again this year I juggled tweeting and posting on Facebook for the duration of the conference.  Standing at that microphone and delivering my speech to 160 attendees was fun and nerve-racking.  My four minutes flew by, and I had many comments from attendees saying my journey resonated with them.  They were comforted by the fact our journeys were similar, and they were inspired to continue chasing their dreams.    

What’s next for Georgie Donaghey? What other projects do you have on the go?

I’m always setting the bar higher.  I have a lot of things planned for Creative Kids Tales, and The Author’s Shelf is beginning to take shape into something new and very exciting.  It’s a bit hush hush at the moment.  I’m writing, editing and submitting.  Fingers crossed I can announce my next book soon.    

Thank you for your insights into your publishing journey, Georgie! Looking forward to seeing more from you!

Thanks, Romi, it’s been a lot of fun.

Click on the links to get in touch with Georgie Donaghey at Creative Kids Tales and on Facebook.

Kylie Westaway Makes a Big Splash with her Debut Picture Book, ‘Whale in the Bath’

Author-pic-in-tree-close-upKylie Westaway is the author of her popular debut picture book, Whale in the Bath. She has literally travelled far and wide, worked in foreign schools, events and in theatre. But there’s one thing that has remained constant in her life; her love of writing. Here, I’ll give you the brief run-down of her captivating tale, Whale in the Bath, then we’ll find out more from Kylie Westaway about how it’s all come together.  

whale-in-the-bath The Review:
Get ready to dive right in to this splashing ‘tail’ of a stubborn whale and a boy with a huge problem. Kylie Westaway and Tom Jellett have brilliantly combined to fill our homes with laughter with the whimsical ”Whale in the Bath”.
Bruno finds himself in a ‘conveniently’ misfortunate situation when he’s sent off to take a bath. A massive whale overfills the tub, and it is using Bruno’s bubble-gum bubble bath, which is not even the whale’s flavour of preference. But his family won’t have a bar of it, and accuse Bruno of lying and purposely avoiding his bath. With several failed attempts to get the whale out of the bath, it finally squirts out a genius plan to help Bruno get clean and smelling, well, fishy!
A very comical story with Tom Jellett’s distinguishable trademark cartoon-style drawings and cool, retro colours, makes ”Whale in the Bath” a most engaging, imaginative and charming read. It aims to encourage preschoolers who just want to be heard, and to simply have a whale of a time!  

The Interview:
Congratulations on your first picture book release, ‘Whale in the Bath’! How did you celebrate its launch?
My family held a surprise launch for me! I turned up, expecting it to be a party for Father’s Day, and all my family and friends were there holding copies of my book. It was really lovely!  

Inspiration-Whale-in-the-BathWhere did the inspiration for this story come from?
It actually came from a drawing I found in a market a few years ago. It was a cartoon-style drawing of a whale in a metal tub, floating on the ocean. The whole story popped into my head at once. I’ve put the original drawing up on my website.  

What was your favourite part of creating ‘Whale in the Bath’?
Definitely seeing the illustrations from Tom Jellett. I’ve been writing stories ever since I can remember, but I’ve never been very good at drawing. Seeing Tom’s amazing images bringing the story to life was an incredible feeling. He did such a spectacular job.  

How did you find the publishing process and working with illustrator, Tom Jellett?
It was fascinating for me, because I hadn’t known quite what to expect, but the whole team I worked with was fantastic. I loved getting updates from Tom, and seeing the drawings progress from sketches to finished pieces. It was a real thrill when the designer started placing the words into the images and playing with different fonts and moving the type around. I feel like the finished book is so much more than I could ever have imagined because I had so many great people pouring their hearts into it.  

whale in the bath whooshI love the final surprise on the last page of the book! How much illustrative detail did you provide, and how much was left to Tom’s imagination?
It was almost all Tom’s imagination. The only illustrative detail I provided was that the whale shot a bath load of water into the air on the page that says “whoosh”, otherwise it was all Tom! That page was actually the most difficult to get right, and from memory we went through about 10 different roughs before Tom hit on the aerial view, and we all agreed that was perfect. One of my favourite illustrative details was Tom’s inclusion of the krill, which snuck into almost every page with the whale on it. In fact, when Tom provided the final page, which happened to be the imprint page with our dedications on it, he had added more krill to the page with a note saying “hope this isn’t overkrill.” He is completely brilliant.  

What has been the best response from a child and/or parent about your book?
Having kids want to read it has been the best response. It is such a thrill everytime someone tells me that their child loves my book and asks for it to be read over and over again. That is indescribably wonderful. Although one child has sent me a card with a picture of a whale in it (my very first fan mail!) and I love that too!  

Do you have plans to write stories on a similar tangent? Will Bruno feature in more books?
I really love Bruno and I definitely think he is going to have more adventures. At this stage I haven’t got anything in works, but he is pottering around in the back of my mind, and I’m sure he will come out again soon!  

You obviously have a good imagination! If you could be any animal, what would you be, and why?
Thank you! That’s a tough question! Probably I would have to be an animal that could fly – maybe an eagle or an albatross. I would love the feeling of being able to soar on big wings. Every now and then I have dreams that I can fly, and they are always incredible.  

Have you always wanted to be a picture book author? What do you like about writing children’s literature?
I’ve always wanted to write books for kids, whether that’s picture books or young adult. I think the problems you face as a child and how you handle them mould you into the type of adult you are going to become. Setting up good morals and codes of behaviour (without being preachy or saint-like!) in books, helps kids know how to handle those sorts of situations when they get into them. For me, Whale in the Bath is a story about telling the truth and not being believed. This is something that happens to kids a lot, and I like that Bruno doesn’t back down and is able to find his own way through it, even though no one believes him. You are often very powerless as a child, and I think that writing stories about people like Bruno is a great way of showing how you can empower children, and that’s something that I think is very important.  

What were your favourite books to read when you were a child?
Goodness, I could go on and on for pages here! For picture books, I loved The Most Scary Ghost and The Monster at the End of This Book. When I was a bit older, I loved Enid Blyton’s Famous Five series! I always wanted to be off having adventures with a dog like Timmy! My all time favourite book is To Kill a Mockingbird, and my first dog was named Scout, but I also love JRR Tolkien, Harry Potter, and Diana Wynne Jones.  

You’ve written a fantastic article about getting a book published (read it here). What is your greatest piece of advice for new and emerging writers?
Get as many people as possible to read your work, don’t spend years on the one story (write lots of stories) and keep submitting to magazines and publishers! That’s three pieces of advice, sorry! I couldn’t decide which was most important.  

I’d like to thank Kylie for her time and brilliant responses, as well as a very Merry Christmas and wonderful New Year!  

Find Kylie Westaway at:
http://www.kyliewestaway.com.au
https://www.facebook.com/kyliewestawayauthor
http://www.twitter.com/kyliewestaway  

Romi Sharp
http://www.romisharp.wordpress.com/whale-in-the-bath-teaching-notes
http://www.facebook.com/mylittlestorycorner
http://www.twitter.com/mylilstorycrner  

whale in the bath krill

Renée Treml Reveals Answers About Her Picture Book, ‘The Great Garden Mystery’

meRenée Treml is a talented artist and author, originally from the States, now residing in Melbourne. She creates her stunning illustrations primarily using the scratchboard technique, setting her work apart with its unique qualities. Her artwork can also be seen at design markets and art exhibits through a range of gorgeous products. Renée has three equally delightful picture books published with Random House Australia; One Very Tired Wombat, Colour for Curlews, and her most recent, The Great Garden Mystery.  

Review – The Great Garden Mystery
thegreatgardenmystery9780857984166Those curious curlews are back, and already set on the trail to solving a most mysterious problem. A menagerie of suspects are called to order. Who is stealing all the beetroots? What a conundrum!

In playful rhyming prose, Renée Treml and her exquisitely drawn animals take us on a journey to decipher each clue as they add up to solve the case.

First, hare finds a sign. It’s a poo that is square. Clearly, he is not guilty. As they discover a hole under the fence, some snagged fur, a wide trail, and a dislike to beetroots, each animal gleefully asserts their innocence. But when the roo bounds away, humorously, those suspicious creatures believe the puzzle has been pieced together.

And when all is calm and quiet, in the dark of night, who emerges to fill his belly once more? Who could have guessed? Think back to the first clue and you will have your culprit!

I love the playfulness and adventure of The Great Garden Mystery, as well as Renée’s black and white scratchboard drawings against the soft, pastel background colours. Kids from aged three will delight in this curiously intriguing animal tale, too.  

I am so fortunate to have had the opportunity to learn about Renée Treml’s fascinating journey to creating her books, including her joys and challenges with illustrating The Great Garden Mystery.  

Your books all include a common theme featuring the adorable, sleepy wombat, a range of native birds and other creatures. What is the appeal of these Australian animals?  
I grew up in the States where I commonly saw little songbirds, woodpeckers, squirrels and deer – animals which probably sound very interesting to someone who is not from North America.  When we moved to Australia at the end of 2007, I was immediately smitten with the wildlife – here we have huge noisy parrots, sleepy koalas hiding in gum trees, teeny little pademelons and big bouncy kangaroos.    
The wombat that is featured in all of my stories is based on the very first wombat I ever encountered.  He was at a wildlife sanctuary in Brisbane and managed to sleep soundly despite being surrounded by noisy children, adults, cockatoos and kookaburras. Every time I went to visit the sanctuary, that wombat was having a good snooze.  I only wish I could sleep like that too.    

What do you love about creating children’s books?  
For many years I was unknowingly creating characters through my artwork – I kept drawing the same animals over and over and discovering their unique personalities.  When I wrote my first story it felt like I was rewarding my favourite characters.  It was so much fun.  I still maintain a sketchbook full of (mostly) patient characters that are waiting for their turn in a story.  

You have a unique, beautiful style of illustrating. How did you develop your style?  
Thank you, but I think it is fair to say that my style found me.  My style developed from practicing, experimenting and attempting to master new mediums and subjects. Over the years my style has evolved into what it is now, but I am always looking out for new ideas, subjects and materials so I can continue growing and changing.    

What is your favourite medium to use?  
I love working with inks and paint on clayboard, although lately I have been trying to bring mixed media and collage into my illustrations.      

Who is your favourite artist/s?
Sorry – I can’t just pick one and if I tried to make a list I would worry and fret for ages trying to narrow down the list.    

the great garden mystery koalaWhat was your favourite part of The Great Garden Mystery to illustrate?  
My favourite scene to illustrate is where koala accuses the fox of stealing the beetroots.  I loved that koala – he was so sassy and never once thought he could be a suspect.  Trying to capture his brashness, the fox’s slyness and the roo’s discomfort was just good fun.  

What was the hardest part?  
To be honest, this book was a hard one to illustrate. This is the first time I have worked digitally to create my illustrations.  I had to teach myself how to make my digital artwork look indistinguishable from my scratchboard illustrations – that was so hard!  Also, drawing the garden without cluttering up the compositions and illustrations, proved to be a very big challenge for me.  Thankfully, I have wonderful editors, publishers and very honest friends who had excellent suggestions all along the way.  

What was the reason for the change in your process from the last two books?  
I created all of the illustrations for my first two books using clayboard. Clayboard is a masonite board that has been coated with a thin layer of clay. They are beautiful to work on, but only come in limited sizes, are a lot more expensive than paper or canvas, and aren’t really reusable (unless you paint over them completely). I squeezed as many drawings as I could onto each board, then sent the very heavy box to my publisher for scanning. A month later I received the digital images, which then required cutting and pasting each illustration back into my page spread. Working on clayboard added at least 2 months to our timeline and in the end was not the most environmentally friendly process.
I still prefer to work on clayboard when I’m creating art for galleries or shows, but for books digital scratchboard has its benefits:
(1) I can create artwork that looks very similar to my scratchboard drawings; (2) we skip the shipping, scanning and editing phase, which saves 1-2 months; and (3) I can add or change things quite easily, even after we are theoretically finished the book.  

How long did the process take you to complete all the illustrations for The Great Garden Mystery?  
Working part-time, the illustration part probably added up to about 3 months. I had a huge learning curve trying to master the software and we also experimented a lot with different styles. I am so happy with how it turned out that I have almost forgotten how hard it was to illustrate!  

renee treml owlWhich animal is your favourite to draw? Why?  
I am totally obsessed with owls – they have so much personality.  I am just waiting for the inspiration to strike for an owl story…    

What special message do you want your readers to take away from The Great Garden Mystery?  
As a scientist and wildlife lover, I would love kids (and adults) to become aware of all the clues animals leave behind.  Take the time to look at the ground for broken eggshells, scat or footprints – you might find yourself a little mystery (even in the city).      

What was the highlight for you in 2014?  
The highlights for me this year were the TGGM-events where everyone got to try their hand at scratchboard and we got to talk a lot about wombat poo.    

Are there any special milestones or events that you are looking forward to in 2015?
This year I am really looking forward to organizing a few primary school-visits. I love teaching and interacting with children and have some fun writing and illustrating workshops to present.  

Thank you so much for answering my questions for Boomerang Books, Renée!
Thank you for the opportunity!

Enjoy Renée’s stunning website at:
http://www.reneesartwork.com
http://www.facebook.com/ReneeTremlAuthorIllustrator

Interview by Romi Sharp
http://www.romisharp.wordpress.com
http://www.facebook.com/mylittlestorycorner
http://www.twitter.com/mylilstorycrner

Ready to Play: Peter Carnavas bears all on ‘Oliver and George’

peter carnavas picturePeter Carnavas is an award-winning children’s author and illustrator, some of his titles including The Children Who Loved Books, Last Tree in the City, The Great Expedition, The Boy on the Page, The Important Things and Jonathan!.  

Peter’s books consistently provide both children and adults with heartwarming, humorous and thought-provoking experiences that leave a lasting impression. His illustrations always showcase his talent in portraying beautiful expression and sensitivity. He also balances a perfect mix between detail and playfulness, and spreads that make a simple yet dramatic statement.  

oliverToday I present you with Peter’s latest adorable read-aloud story, Oliver and George, and I am lucky enough to have had the talented author / illustrator himself answer some behind-the-scenes questions!  

Short Review: Oliver and George

I love how we are introduced to the characters. Immediately, they capture our attention.
Oliver sure is ready to play. He’s dressed in a multitude of outfits; he’s a swashbuckling, sword- and hook-bearing pirate with a rollerskate on one foot and a flipper on the other, with a box for a hat and a superhero suit and cape. Then there’s George. George is a serious, spectacle-wearing bear. He’s busy… reading.           
Oliver can’t wait for George to finish his book.
”’In a minute,’ said George.”
Oliver tries to be patient, but that doesn’t last very long. So he throws a paper plane at George, and breaks his chair, and tips porridge on his head, until George got so mad that he… didn’t do anything.
Oliver continues to pester George until at last he gets some attention. But is it the attention he wanted? And are both Oliver and George finally ready to play?
With adorable illustrations showcasing the parent-child-like relationship between the characters, simple yet effective page layouts with white backgrounds and sizeable text, Peter Carnavas’ Oliver and George is a delightful, cheeky and charming story about patience (and sometimes losing it) for young readers to giggle through from start to finish.  

10626774_765837733476621_2094984753388497762_nHow did the idea for Oliver and George come about?
I was on the plane to Perth, scribbling away in my sketchbook.  I had been thinking about a bear character for a while – I guess almost every children’s author has done it – and finally thought of creating a bear character that really didn’t behave the way in which the reader expected or wanted.  I think I had the wonderful No Bears (Meg McKinlay/Leila Rudge) floating around my head as inspiration.  I decided to add the cheeky Oliver character and, together with George, the two of them form a bit of a sibling relationship or, more likely, a parent-child relationship – the child bugging the parent to play, but the parent is always too busy.    

Are these characters based on anyone you know?
No, I didn’t base them on anybody.  However, since I’ve made the book, I’ve noticed members of my family behaving very much like Oliver and George.  We bug each other for attention, or tell each other, “In a minute”, when asked to do something.  

Have you ever broken someone’s chair?
I have!  When I was ten, I remember drawing a picture that didn’t meet my expectations and I kicked one of our dining chairs out of frustration.  I was a quiet kid but very occasionally I snapped – much like George.  Dad made me pay for the chair out of my pocket money.  
I also punched a boy in Grade One for snatching a book from me. My teacher smacked me and I never punched anyone again (apart from my brother).

So, you are more like George than Oliver?
I realise I am quite like George the bear.  Tolerant… until somebody snatches a book from me.  

How long did it take you to write and illustrate Oliver and George?
It didn’t take me too long to write the first draft but then I rewrote it many times, swapping ideas with my editor, changing the bear to a crocodile at one stage (didn’t last), and playing around with the ending a lot. I received some advice from some teacher-librarians about the ending, which helped a lot. So it’s hard to put a timeline on the writing process – it tends to happen in-between everything else. The illustrations probably took a few months, over the summer.

What’s your favourite animal to illustrate? Why?
It changes all the time.  At the moment I love drawing whales and penguins.  My favourite part of drawing any animal is dressing them up a little and giving them human expressions with the slightest details – small eyebrows and things like that.  

What can us Peter Carnavas fans look forward to seeing from you in the near future?
You mean there’s more than one of you?!  I’ve written a really fun book called What’s In My Lunchbox?, illustrated by Kat Chadwick.  It’s a fun, read-aloud book aimed at a young audience, much like Oliver and George. It will be out in early 2015.  
I look forward to its release!

Thank you so much for answering my questions, Pete!
You’re welcome!  

Peter Carnavas, with the help of Pat Flynn, will be launching his new book, Oliver and George, on October 25th at Maleny Library, Queensland.
See http://www.newfrontier.com.au/events/oliver-and-george-book-launch/850.html for more details.
http://www.petercarnavas.com
https://www.facebook.com/pages/Peter-Carnavas-AuthorIllustrator

Article by Romi Sharp
www.romisharp.wordpress.com
www.facebook.com/mylittlestorycorner

Player Profile: Kaylene Hobson, author of Isaac’s Dragon

kaylene hobson pic Kaylene Hobson decided at the age of ten that she wanted to be a writer. But it took her till she was ”much older” to act on it, she claims. Writing was always just for pleasure.  

Now she has released her first chapter book, Isaac’s Dragon, an amusing and captivating story about a boy who hatches a wonderfully clever and imaginative plan to catch his own dragon (Review here).  

Isaac’s Dragon is based on Hobson’s son Isaac, who has autism.  ”It is meant to be the world from his perspective. He spends a lot of his time in a wonderfully magical place that the rest of us don’t understand. It was originally meant as a way for him to know that I understand him, but now it can help the world to understand him and other kids like him better too…..while reading an entertaining tale at the same time.”  

received_m_mid_1409371748082_1b95137c0d750e2993_0 She wants readers to enjoy the story. To be entertained, amused and even inspired. ”But they should also feel a connection with the character – and experience happiness, sadness, joy and disappointment along with Isaac.” Hobson goes on to say, ”Even at a children’s book level – a good book is fun to read but a great book makes you feel. If along the way it also helps children gain self-confidence and helps parents to see the world through the eyes of their children, even for a little while, then it becomes an amazing book.”  

As an author, Hobson has an end goal in mind; a beautiful sentiment in leaving a legacy for future generations of readers. She aims to have written ”the classics of the future, that stay with children long after the story ends and influences them enough to want to share with their children and grandchildren”.  

Whilst running a social skills group for autistic kids, Kaylene met illustrator, Ann-Marie Finn. ”The idea was for the kids to make some friends but it’s the adults who bonded. The kids have had to become friends now whether they like it or not!” Out of a growing friendship, came the business partnership. With encouragement from Ann-Marie, Kaylene published her story through her own publishing company, which she established earlier this year.  

Kaylene explains, ”Dragon Tales has arisen from a desire to publish our own work but professionally and with a distinction from the hit and miss quality associated with ‘self publishers’. I have a background in business and marketing and Ann-Marie is the creative side and together we wish to give the opportunity to other skilled and talented artists to realize their own dreams and share their talents with children.”  

When asked to share advice for new writers wanting to get published, Hobson relates back to the idea behind Dragon Tales Publishing; ”be true to yourself while having some professional backup for the stuff you don’t know.”  

So, what’s in store for Kaylene Hobson and Dragon Tales Publishing?
”Big things!!” she claims. With another installment of Isaac’s Dragon to come, as well as some ASD (Autism Spectrum Disorder) specific books that Ann-Marie and Kaylene are teaming up on, life is pretty exciting. Dragon Tales will be releasing a new book by Jo Emery soon; My Dad is a FIFO Dad, which is already gaining a lot of attention prior to release.  

Contact Kaylene Hobson and Dragon Tales Publishing here:
Mobile –Kaylene 0421 706 369
Email – [email protected]
www.dragontalespublishing.com.au
www.facebook.com/dragontalespublishingaustralia

Connect:
www.romisharp.wordpress.com
www.facebook.com/mylittlestorycorner

JAN LATTA AUTHOR AND WILDLIFE PHOTOGRAPHER

Jan Latta is a wildlife photographer and author who spends weeks, months and sometimes years researching for her next book in the True to Life Books series.

Jan is visiting Kids’ Book Capers today to talk to us about how and why she started creating her books for children about endangered animals.

How did you become a writer?

I became a writer after coming face-to-face with a mountain gorilla in Rwanda. When my guide said there were only 600 mountain gorillas left in the world, I decided to write books for children about endangered animals. Grandy the Gorilla was the first book.

What do you enjoy most about being a writer?

Writing about endangered animals. I want to speak for them.

I want to write about animals and their survival so children can learn about them.

What is the hardest thing about being a writer?

For me, it’s finding the wild animals to write their story. I will search for weeks to find the animal that is the focus of the next book. Lennie the Leopard took 15 years because leopards are the most difficult animals to see in the wild.

What were you in a past life before you became a writer?

I was a creative director in an advertising agency.

What is your greatest writing achievement?

Writing a 20,000 word journal for the Diary of a Wildlife Photographer book.

What are you working on at the moment?

I’m creating 2minute videos of five of the twelve True to Life Book series.

Do you have any tips for new writers?

Follow your passion and just start writing. Try to get a good mentor or a writer’s group to help you through the tough times.

How many books have you had published?

14.

ABOUT LENNIE THE LEOPARD

What inspired you to write Lennie the Leopard?

The leopard was a challenge. I wanted to find the elusive leopard in the wild and write about its survival. I wanted to take photographs of this magnificent animal in its natural habitat.

What’s it about?

It’s about the most secretive animal in Africa. Children will discover Lennie the Leopard through his narrative. The photographs tell the story about what he eats, how he hunts and how he survives. Then there are facts about the other leopards in India, China and the endangered sub species.

What age groups is it for? 5 to 8 years

Are there any teacher’s notes, associated activities with the book? Yes. Some fun activities, questions and poems.

Is there something that sets this book apart from others?

Yes. All the photographs have been taken in the leopard’s natural habitat

in Africa. I have written the story from first-hand knowledge of  a leopard in its daily life.

What did you enjoy most about writing this book?

Living in a tent in Africa so I could research leopards to write their story.

What was the hardest thing about writing this book?

15 years of searching.

On Friday we’ll be reviewing Jan’s beautiful new book, Lennie, the Leopard here at Kids’ Book Capers.

More about Jan, including links to her stunning videos is available at her website

http://www.truetolifebooks.com.au/

You can also buy Jan’s books direct from her website http://www.truetolifebooks.com.au/

Jan’s new book, Lennie the Leopard is reviewed on Friday at Kids’ Book Capers.

 

What are Facebook Pages and Why Do You Need One?

Having recently gone through the abject torture of setting up a Facebook Page for someone, I see the usefulness in a a rough and ready guide on what a Facebook Page is, whether you need one and how to use it once you have it.

What and Why?

Facebook Pages are used for public figures or business of any kind trying to reach out to people who might be interested in them. That’s the simple answer. They solve the problem inherent in Facebook – that most people are not interested in being ‘friends’ with a business or an author they admire, but they still might like to use Facebook to check up on that person or business. For authors, Facebook Pages allow you to connect with your readers without the slightly creepy idea that you have 10,000 ‘friends’ just because 10,000 people like your book.

So should you start a Page? If you are trying to use the internet to reach out to your audience, customers or readers, then probably yes. Pages are a very easy way to have a social networking presence without the hard work and constant attention involved in setting up a website or blog.

How to Set Up a Page and Use One

Like a lot of things on Facebook, starting a Page is not something that is as straightforward as it could or should be. There’s no direct link from your existing Facebook profile to start a page, but if you search for ‘Pages’ in the help, it will eventually lead you to the Create a Page site (or you could just follow that link). From there it will ask you to specify the type of page (be it for a writer, a business etc etc), and confirm that you are the official representative of that person or business.

If you’re already on Facebook and looking to start a Page, you do not need to sign up with a different email address or login. Just start the process and you’ll become the main ‘administrator’. The good thing about Pages is that you can also sign on other administrators, such as publicists or marketing people from your publishing company, who can sign on temporarily or for good to add information to your page. But for now, just go for it

Once you’ve started a page, you’ll be greeted with a page of options like this:

If you already have a Facebook profile, uploading a photo and filling out this basic information shouldn’t be too difficult for you. From this page you can also advertise your Facebook Page, but for starters that probably isn’t something you need to worry about. You can also suggest that your existing Facebook friends ‘like’ your new Page – let’s face it, if your own friends don’t do it at this point, how can you possibly expect anybody else to?

It’s at this point that I got quite confused about how to use the Page to interact with the rest of Facebook. Pages can’t have ‘friends’. So how can you, for example, instruct your Page to ‘like’ a fellow organisation, writer or business? And how can your page access Facebook applications, in order to sync info between websites like Twitter, Shelfari or Amazon? After all, it’s not really social networking if you can’t actually connect with others.

‘Like’ another Page                                    Install an application on your page

It’s not immediately apparent, but it’s all done by using the text under the logo or profile picture in the top left of the Page or application you’re interested in. Everything you want to add to your Page, you do through that point. If you try to ‘like’ something as you normally would with your Facebook profile, then the ‘like’ will be recorded on your personal profile, not on your Page.

OK, so that’s about it for this getting started guide. If you have any tips or questions about this process, please let me know in the comments.