By Neridah McMullin, illustrated by Andrew McLean Allen & Unwin
Another amazing animal in the Eve Pownall shortlisted books is the horse, Fabish. He was an old horse who rescued the yearlings from the terrible Black Saturday bushfire. The trainer rescued the finest race horses but couldn’t look after them all so he set Fabish free with the yearlings. He discovered every single one safe after the decimating fire but didn’t know where Fabian had taken them.
Picture book form is an apt medium for this true story. Important Australian illustrator, Andrew McLean, is an expert in painting our countryside and animals and Neridah McMullin has crystallised the events into a riveting tale.
Primary-age children could no doubt imagine where the horses may have found safety. They could write and draw their possible experiences.
By Michael Sedunary, illustrated by Bern Emmerichs Berbay Publishing
This tale begins in 1808, 20 years after the First Fleet, when soldiers arrest Governor Bligh. It then retrospectively tells the account of the Mutiny on the Bounty before returning to Bligh’s attempts to quell both the Rum Rebellion and John Macarthur.
Michael Sedunary’s writing is picturesque and colourful; personalising Bligh’s life and endeavours.
Bern Emmerichs’ illustrations are intricate and patterned.
Surprisingly, blogging and social media appear in this book. Bligh’s log (now kept in Sydney’s Mitchell Library) relates blogging to the gossip, printed pamphlets and handbills of the period. Macarthur’s ‘tweets’ against Bligh are viewed as the social media of the time.
The first Australian political cartoon (adapted here) shows Bligh dragged from under his bed by Major Johnston’s men. Propaganda is explained and readers are asked to think about how ‘simple slogans and labels are meant to stop us thinking any further about things.’
More surprises appear when readers are asked to consider who is the hero or villain – Cook or Bligh? (Cook ordered many more floggings than Bligh.)
Other books in the series are What’s Your Story? and The Unlikely Story of Bennelong and Phillip.
Enormous congratulations to Berbay Publishing for its Bologna Award.
Halloween is a time of frights and treats, tricks and magic, guises and remembrance – All Saints’ Day Eve. A fitting time to indulge in a little fantasy and fun. Karen Foxlee’s latest mid grade novel, A Most Magical Girl combines all of these things and will have primary aged readers biting their nails in delicious anticipation. Utterly charming, frightful in places and marvellously magic in others, this is an adventure both girls and boys will find spell binding.
Annabel Grey is a proper little lady of the Victorian times. She devoutly attempts to follow the sermons delivered by Miss Finch’s Little Blue Book, a bible of Victorian social etiquette and expectations but her good intentions derail after she is sent to live with her two aunts in London. They are Shoreditch witches and apart from being Annabel’s new guardians, unlock a heritage Annabel had no idea about, her ability to perform magic.
However, Annabel has no time to dispute their proclamations because her unusual abilities allow her to foresee a terrible future for London and all who dwell there. Mr Angel, evil warlock of the underworld has built a sinister device to use with his black magic to destroy all of the good magic in the world and those who practise it. Only a most magical girl can stop him.
Foxlee’s use of language is bewitching. Annabel’s adventure is fast paced and divinely otherworldly both in spirit and in setting. I thoroughly adored flying along on her desperate quest with Kitty and her strong-willed broomstick. I’m sure children will find A Most Magical Girl just as enchanting.
Today Karen joins us at the draft table to reveal the magical places A Most Magical Girl sprung from.
Welcome Karen! Tell us a bit about kids, authors and story ideas…
The Big Leap
I love to tell my young audiences that kids and authors are pretty much the same when it comes story ideas. They always look dubious at first. Authors surely have a special library of previously unused ideas I can see them thinking. It’s locked away somewhere at the top of a turret beside their quills and their perfect first drafts.
“It’s true,” I assure them. “You tell me where you get your ideas from and we’ll see if we’re the same.”
Their hands shoot up: from life experiences, from dreams, from things you see! From things you read, things that happened a long time ago, from things you hope for, from television! Story ideas start from things you overhear, from facts, from songs, from comic books, from movies, from computer games, from mixing your own life with the life of book characters that you love! From day-dreaming!
I always love hearing that one. It validates all my hours spent lying quietly day-dreaming. “Oh my goodness,” I cry, ticking off each one. ‘How weird! My ideas come from all these places too! They come from everywhere!”
Authors let ideas come, we day-dream, we are open to them. We store them away in our brain machine never knowing when we might need them. We put an idea from a year ago with an idea from today. We percolate ideas. We write them down without knowing what they mean.
But, I tell them, there’s also another way that authors and kids are the same when it comes to story ideas. Their dubious expressions return. I clamber up onto a table. Now they start to look down-right worried.
From an experience (a visit to a museum many years before)
From a life-long love of history and from reading lots books with historical settings
From a love of magic and heaps of little ideas about how magic works
A good old-fashioned daydream.
I was lying on my sofa thinking about a museum I’d visited a decade before. This museum was in London and it contained a recreated Victorian era street, where I wandered for hours. Years later, on my sofa, I closed my eyes and day-dreamed a carriage arriving on that street. I imagined a girl stepping down. She was pretty and a bit posh and also, I knew as I watched her, the owner of a secret. She stood before a shop window and read the words printed there. Miss E & H Vine’s Magic Shop. Wow, I thought. Magic. I love Magic. This seems good. What’s going to happen here?
“What do you think authors do when they have some ideas that excite them?” I ask from my table top perch. “What do you do?”
A chorus of replies: Just start! Just start writing! Just start even if you don’t know the answer!
“Do you just LEAP into the story?” I ask.
“Yes!” they shout, because they really want to see an author jump off a table.
And so, because it is the absolute truth about authors and ideas and how they really are not much different to children, I LEAP!
What is it about Stephen Michael King‘s illustrations that make his picture books so sublime? How can his drawings make us want to delve into those stories over and over again? Well, that’s just it! It’s the artwork that adds another dimension to those already meaningful stories, allowing us to dive right in with those characters; feeling what they feel – emotionally and sensorially. With a multitude of divine books under his wing, the extremely talented Stephen Michael King has three that are currently soaring to the top with their prize winning prowess, being shortlisted in the CBCA’s 2015 Early Childhood and Picture Book of the Year Awards and nominated in the 2015 NSW Premier’s Literary Awards.
Stephen Michael King’s distinctive style of sweet faces, with a combination of little dot eyes and large round ones, always seem to perfectly suit the mood of the story and personalities of the characters. In the case of ‘Snail and Turtle are Friends’, these two gentle animals emanate a feeling of peace and calm about them, but not forgetting a wonderfully whimsical touch of cheekiness. Even at their craziest moments, when Turtle sings in the rain and dives in the water, or Snail boldly chomps leaves and paints swirls, the vibrant colours, eclectic patterns and varying shapes fit together beautifully harmoniously.
Just like Snail and Turtle, the illustrations display an eye-catching array of techniques to reflect aspects in common and those that are unique from one another. I love ‘Snail and Turtle are Friends’ for its ability to capture a sense of adventure, playfulness and its underlying message in friendship and accepting differences.
On a more dramatic note, but no less animated, is ‘Scary Night’, written by Lesley Gibbes. With his usual, striking use of pen, ink, brush and digital compilations, Stephen Michael King manages to tick all the boxes once again when it comes to creating just the right mood. The story, set in darkness as the characters journey through treacherous fields with only the glow of the pale moonlight to guide them on their way, is far from gloomy. Its upbeat rhythm, rollicking text and leading suspense are perfectly captured in King’s drawings. When the characters sneakily tip-toe through dark woods and crocodile-infested terrain, it is their wide, terrified eyes and the scenes’ cool, moody hues that keep the thrill-seekers in us entertained. When we turn the page to be blasted with a shock of bright orange and large ‘roaring’ font, it is not just the characters getting the most wonderfully horrifying fright of their lives.
The playfulness, facial expressions, effective use of colours and gorgeous Suess-like sketches are a real treat that will ensure young children want to journey on this most mysterious, spooktacular experience again and again.
In similarity to ‘Scary Night’, ‘The Duck and the Darklings’ is disposed to the darkness, with just a glint of a glimmer that so significantly paves the way to a brighter future. With more of a complex storyline than the previous two books, ‘The Duck and the Darklings’, is written creatively and almost poetically by Glenda Millard. Its message is strong with the metaphor of dark versus light to represent ‘disremembered’ yesterdays versus the glow of forbidden fondness (happy memories). With this theme, Stephen Michael King’s illustrations are spellbinding. He has created depth, texture and warmth amongst the darkness. His characteristically adorable characters are hand-drawn as outlines and set against the silhouettes of black and white; shadow and light, past, present and future, that hit Millard’s intention so brillliantly. ‘The Duck and the Darklings’ is a heartwarming story of family, friendship and optimism that is beautifully captured in its words and pictures. Primary school children will definately hold a candle to this shining star. Stunning.
With a multitude of Australian and international literary and service awards, and over 30 books written for children and young adults, Libby Gleeson AM has proven her commitment, talent and prestige in the children’s literature industry. Here we explore a few of her latest books for young readers; the most recent is the quintessential, ‘Mum Goes to Work’.
Originally published in 1992, Mum Goes to Work is back in 2015. A story of the importance of mums and an awareness for the many hats they wear, including a view into the world of working mothers.
We are introduced to all the mums and their children as they congregate at the child care centre. The story continues with snippets into the busy days of each mum at work, and their child at care. Nadia’s mother is a student (of architecture, as seen in Leila Rudge‘s illustrations), and it is paintings of houses and building blocks that Nadia meticulously works on at child care. Laurence’s mother serves food and coffee in a cafe, whilst he makes a three-layer sand cake and lots of sand biscuits with his friend in the sandpit. We see mums as nurses, at-home mums, receptionists, retail assistants, office workers and teachers. Meanwhile, the children play with baby dolls, puzzles, construction, ride bikes and read books. Libby Gleeson‘s text gives equal significance to the mother’s work as it does to the activities of the busy children. Leila Rudge’s illustrations perfectly suit the tender feel of the story, delivering a touch of humour and meaning to the words, and plenty of details to explore. Her gentle watercolour, pencil and collage pictures are gorgeously expressive and beautifully spread between the text. Mum Goes to Work is a welcome insight into the daily lives of working mothers and children in child care. It’s a joyous story of identity and having a place in this big world. Readers can gain a greater appreciation for the commitment, sacrifices and pleasures that women achieve for their families. Equally, this resource allows mums wonderful opportunities to further bond and relate to their children. Fun, interactive and visually appealing; it’s a win-win for all!
A little girl cannot sleep while her baby sister occupies the same bedroom…and screams. No amount of comfort and pats from Mum settle baby Jessie. No amount of sweet stories and lullabies from Dad settle Jessie. The girl is frustrated beyond words, but when Jessie is taken out and all is quiet, she still can’t sleep, and finally comes to realise the perfect solution… A little bit of sisterly love and affection goes a long way.
A really gentle and endearing story that delicately explores the struggles of sleep-time routines. I love Libby Gleeson‘s descriptions of the baby’s behaviour, paired with the raw emotions of the older sister. I also love Freya Blackwood‘s whimsical and dynamic images that show these feelings with vignettes and contrasting tones of orange and blue. Go To Sleep, Jessie! will melt your heart. It is perfect as a bedtime story at the end of the day, and especially for children who understand the joys and angst of having a younger sibling.
In two delightful chapters we meet a little girl named Cleo, who brilliantly solves some real life problems. In ‘The Necklace’, Cleo envies her friends as they show off their glamorous jewels, but all Cleo has to offer is a jumper she received at Christmas. Unable to wait until her birthday, Cleo takes the initiative to gather her resources and creates a beautiful, unique necklace on her own. The next chapter, ‘The Present’, sees Cleo desperate to give her mum a nice present for her upcoming birthday. She’s wracked her brains, emptied her piggy bank, and even got herself into a very sticky mess attempting to piece an old broken bowl back together. Finally, Cleo cleverly presents her mum with the best gift ever!
Once again, this dynamic duo that is Libby Gleeson and Freya Blackwood have created a stunning book for young readers, with such a loveable and relatable character that is Cleo. Gleeson’s text is suited to both independent readers, as well as being an engaging read aloud story to those in the early stages of reading. And Blackwood’s illustrations are just gorgeous, soft yet complimentary of the energy and personality of the creative little girl. The Cleo Stories is a charming short chapter book of a girl with resilience, ingenuity and flair. If she hasn’t already captured your heart, she will! I can’t wait to find out what she has planned in the next instalment of The Cleo Stories (Book Two coming out in 2015).
Banjo and Ruby Red, Libby Gleeson (author), Freya Blackwood (illus.),Little Hare Books, 2013.
Banjo the chook dog is very efficient when it comes to rounding the chickens… Except for Ruby Red. This obstinate chook would rather sit on the woodheap, staring at the sky. Then comes the day when Banjo discovers Ruby Red not on her pile, but rather flat on the ground with her eyes shut. Will his loyalty and commitment to his job see Banjo take on a new role? What becomes of this complex relationship between dog and chook?
A heartwrenching and warming tale all encompassed into one beautiful story of rivalry and friendship. Libby Gleeson‘s text is simple, yet compelling and evocative. Freya Blackwood‘s illustrations are equally expressive, fluid and powerful, creating both calm and chaos with her sketching, varied perspectives and earthy tones. Banjo and Ruby Red won Honour Book in the CBCA Awards 2014, and deservingly comes highly recommended for anyone looking to engage in a touching, funny and energetic story.
Love these books? How would you like to discover more about their remarkable author; Libby Gleeson? Stay tuned for a very special appearance on Boomerang Books! Coming soon!
A family day at the beach suddenly turns bleak, and a little girl makes a quick dash for cover. While the thunderstorm charges outside, it is inside where the riot is raging. The girl hides whilst her daddy and brothers whizz and howl like the wind, puff like the clouds and zap like the lightening. Poppy thumps as loud as the thunder, and Mummy is the pounding rain. It’s a romping, swinging and rumbling commotion…
Until Granny’s piano music shines a gleaming ray of sunlight. What could the little girl be once the storm has settled?
‘Thunderstorm Dancing’ is beautifully rhythmic, with the perfect blend of rollicking onomatopoeia. Every word takes the reader into each lively scene. You can’t help but feel the beat, and it will most certainly get you to your feet! Katrina Germein says as a child she enjoyed acting out stories through dance… ”I felt as though part of me was there again as I was writing ‘Thunderstorm Dancing’.”
Her language is dynamic, and text perfectly placed to reflect the movement of the story and pictures. Judy Watson’s mixed media, including inks, washes, pencils and digital media, and varied perspectives create for a visual festivity on every page. She also cleverly utilises a mix of orange and blue colour tones that depict the vibes of chaos and calm.
This whole book is just breathtaking…literally. The sweeping illustrations by Judy Watson really pull us along for the ride, and Katrina’s text sings and dances off the page; getting us marching and stomping and clapping along. It has huge teaching and learning potential in the areas of the arts and environmental studies. ‘Thunderstorm Dancing’is fast paced, delightful and energetic. Preschool children will be roaring for more. Allen & Unwin 2015.
I’m absolutely delighted to have had the opportunity to delve into Katrina Germein‘s writerly mind, and discover more about the wonderful ‘Thunderstorm Dancing’.
Congratulations on the release of your newest title, ‘Thunderstorm Dancing’! What was the inspiration behind this story?
This story has been a long time becoming a book but the text was written in a frenzy over a couple of days. The rhythm grew in my head and verse by verse I scribbled down the pages as they came to me. I remember writing some of it at the service station and some of it on a café napkin. I’m not sure of the exact inspiration but as I wrote it, I was holding a memory of music classes at primary school. Our teacher, Mrs Vaughn, used to play the piano and call out a story while we romped around the room and danced our own actions.
This book is such a fun, active story that is perfect for promoting dance and dramatic play. As a teacher, do you have any other great teaching and learning ideas for children to engage further with ‘Thunderstorm Dancing’?
I’m glad you said that Romi because I do feel that it lends itself to creative expression and like I said, it played out like a performance in my mind as I drafted it. I think most teachers and students will be able to springboard into their own ideas. There are connections to creating music with household items and children could easily act out their own actions for each of the storm elements, or even choose music that they think represents the different pages.
Clapping and body percussion is always fun. The children in this clip use basic percussion instruments to illustrate the weather with music. https://www.youtube.com/watch?v=6DYEucGZTF0 Rainbow ribbons and scarves would work well too. It’s all about allowing the children to experiment and express themselves with music, art and drama. I guess I’m hoping that students can have fun with the language and rhyme, as well as appreciate the emotion of the story and engage with the sensory themes – maybe some messy art, like foamy storm clouds.
You’ve written ‘Thunderstorm Dancing’ in exuberant poetic prose, different to the jokes and funny phrases seen in ‘My Mum Says the Strangest Things’ and ‘My Dad Thinks He’s Funny’. Did you find one style more challenging than the other? Do you have a preferred style of writing?
Different stories lend themselves to different styles. I enjoy experimenting with various approaches within the picture book genre. Thunderstorm Dancing is my third rhyming book and I love rhyme. I also like simple prose.
Judy Watson’s illustrations perfectly compliment the rollicking nature of the text. How did you find the collaborative process with her?
Judy’s artwork is amazing. I have had so much fun seeing the story grow into a beautiful picture book.
You’ve been paired with a number of amazing illustrators, including Tom Jellett, Bronwyn Bancroft and Judy Watson, amongst others. Have any of these artists really surprised you with how they’ve represented your words?
No major surprises. You never know how an illustrator will approach a text and watching the illustrations materialize is all part of the fun. I guess there are little surprises along the way but I’ve never been completely flabbergasted or anything shocking like that.
‘Somebody’s House’, ‘Littledog’ and ‘Big Rain Coming’ have all been featured on Play School. How did the producers approach you and what was your reaction to the news?
Having books read on Play School is the absolute best. The show is well respected because it is created with children in mind – it’s about the kids. Early childhood professionals choose the books and consideration is given to what children will enjoy and engage with. So it’s about as good as an endorsement as any children’s author can hope for. (It also means people send you lovely exciting messages every time the episode is repeated and they catch it with their children.)
What is it about writing stories for children that makes you happy?
Writing makes me happy and I seem to write for children. I don’t know. It’s just what I do.
What advice can you offer emerging writers wanting to succeed in producing great picture books?
If you want to write picture books then your time is best spend reading and writing picture books. Read lots and lots of contemporary picture books (not the ones you remember from childhood). Read them out loud and read them to children if you can. I think you’re best off reading picture books themselves, rather than books and articles on how to write books – although sometimes that can be helpful too. Write and write and write. Be prepared to reflect and redraft. Not everything will work but the more you write the more chance you have of writing something great.
What’s next for Katrina Germein? What can your fans look forward to seeing from you in the near future?
(Fans! I’m not sure that I have any of them but thanks for suggesting that I do.) I have a few projects up my sleeve but I’m always reluctant to share too much unless I have the signed contract in my drawer and right now I don’t. I’ll be sure to post the news on Facebook when I can share. For now, I’m just excited about having a beautiful, new, book about to hit the shelves. Yay!
Yay, indeed! Thank you so much for answering my questions, Katrina!
In just a couple more months, Australia commemorates the Centenary of the ANZAC landing at Gallipoli. Dozens of new titles are already marching forward to mark the occasion with heart-rending renditions of tales about ‘bloodshed, death, ruin, and heartbreak.’ This is how singer/songwriter, Eric Bogle views the futility of war.
It’s a timely message that fortunately more and more schoolchildren are gaining a deeper respect and understanding for through historic picture books like this one, And The Band Played Waltzing Matilda.
Bogle’s iconic lyrics make your chest heave with anguish at the awful waste of life, yet rippling beneath the waves of depression, is an undercurrent of pride and admiration, perhaps borne from a determination to never ever let this happen again; and yet we do.
One wonders how so beautiful and wrenching a tale could be visually resurrected to deliver the kind of visceral impact young people will appreciate and gain from. Easy, you get a master with the surest of touches and the purest of hearts to illustrate it. You allow his colours to bleed across images that tumble across the pages, injured and torn, dirty and forlorn. You watch until your skin prickles with emotion and your eyes burn with tears.
Today, I am honoured to have that master at our draft table. Please welcome, Bruce Whatley. Here’s what he had to say.
Who is Bruce Whatley? Tell us one thing about yourself we are not likely to find on a web site.
If it wasn’t for my Mum I would not have the use of my right arm. Injured at birth, the damage to my right shoulder was such that she was told it would whither and be useless. Fortunately she refused to believe it and after nearly three years of massaging I held a spoon in my right hand for the first time. Since then I think I’ve held a brush as that’s the hand I’ve made my living with.
You’ve penned and illustrated many children’s stories. What aspect of children’s book creation do you prefer? Which do you regard yourself more proficient at and why?
When I write and illustrate it isn’t as if I write first then think ‘How am I going to illustrate this?’ It comes together like a movie in my head and I don’t really separate the text from the images. That’s why the text and images are so reliant on each other in my books, they compliment and bounce off one another to tell a more complex story.
I guess I think of myself as a better illustrator than writer because that is my background but I am enjoying writing more and more and as I get more confident am working on longer manuscripts. Doing both means if I hit the equivalent of writer’s block when illustrating I can put down the brushes and write for a while.
Can you name one title you feel exemplifies your work the best? Is it the title you are most proud of, or is that yet to come?
The book I’m working on now I am most proud of. This is the book I would give up all others to have published. It is a story I’ve written and though the illustrations use the simplest of mediums – the medium I am most comfortable with – lead pencil – they comprise extensive use of 3d programs to create a unique world and environment. This book will have no compromises. This will be the best I can do. ‘Ruben’ approx. 120 page picture book.
Recent picture book collaborations with Jackie French have focussed on dramatic occurrences such as natural disasters. And the Band Played Waltzing Matilda, is no less powerful. What attracted you to take on and to fulfil a project of this emotional magnitude?
Because they were of such emotional magnitude. Success with wombats and ugly dogs had the potential to pigeon-hole me as a particular type of storyteller. I am always looking at ways of growing as an illustrator, looking for new ways of expressing the narratives. These books also enabled me to explore what I had discovered using my left hand. That I produce far more expressive and emotional images drawing with my other hand. Matilda is by far the most emotional book I have illustrated.
Did you ever feel emotionally challenged at any point of this book’s production (because of its heartrending subject matter)? If so why?
I based my illustrations on original photographs taken in Gallipoli at the time. Even though I needed to adapt what I was looking at I wanted the images to be based on reality as much as possible. When using photos this way especially when drawing details it is a bit like those ‘spot the difference’ puzzles you get in newspapers and magazines – you flick your eyes from one to the other to spot the differences. Similarly when you are copying an image you flick from the photograph to your drawing to make sure you are getting the right shape and size etc. It’s not so much about what you are drawing you are concentrating on lines, shapes and position.
I was doing this on one of the illustrations. It wasn’t until I completed the piece I realised what I thought was a rock was the hand of a dead soldier. I lost it at that point.
This was symbolic to me as it highlighted that we look without seeing. We watch the old veterans march and wear their medals. Old men. But we don’t see the 19 year old that watched their mates get their legs blown off. We do forget. And we still send our children to war.
You are enviably competent in a number of illustrative mediums and styles. Describe those you used and incorporated into Matilda.
As I said I’m always looking for new ways to illustrate. Matilda was done with my left hand – which has a mind of its own!!! I can’t write with my left hand and really I have very little dexterity when I use it – but depending on your definition I draw better with my left than with my right. I used a waterproof felt tip pen for the line work then an acrylic wash over the top. Using acrylics instead of watercolours meant I could work in layers without dragging the colour from underneath.
The predominant colour scheme throughout this book is one of solemn sepia hues stained with splashes of red. What mood are you trying to convey with this palette choice?
I guess it was influenced by how we normally see this period but also I wanted to reflect the mud and despair. Bright colours suggest hope and laughter – I don’t think there was much of that.
Your use of perspective at the start and end of this tale is both visually arresting and choking with emotional impact. Was this your intention? How do close up views influence the feel of a picture book story when compared to flowing landscape illustrations?
Faces are amazing things and I often have my characters looking directly out at the reader. They say the eyes are the windows to the soul. I think that last close up opens that window a bit. (Interestingly I could not have achieved that intensity with my right hand.) Being so close also means it’s in your face literally. After watching from a distance suddenly you are confronted with the reality of the consequences.
Heather is a little accident-prone, especially when it comes to water. If there’s a lake, a puddle, a pool, seaside or drip, she’ll tumble into it, coat and hat and shoes and all.
Her parents worry for her safety. They worry so much, they make Heather wear floaties day in and day out. Just in case.
Heather is too scared to go to swimming lessons. “The water hates me,” she says. But her parents believe that throwing her in the deep end may be just what the swim instructor ordered. So, off they go to the pool.
To her surprise, Heather likes it. She likes the feel of the water on her arms and legs. She likes the way it splashes. She likes it so much, her floaties soon get the old heave-ho, and little Heather fast becomes a swimming champ, much to the delight of her proud, no longer-paranoid parents.
Based on author Doug MacLeod’s real life sister who always fell in the water, this is a charming story with – hurrah! – a great ending. Illustrator Craig Smith’s bright yet watery illustrations are delightfully funny – I particularly love the ones of Heather finally claiming the water.
This is a really large format book; I personally think it would have worked better slightly smaller. Nonetheless, it’s a wonderful stand-alone book but also one that’s priceless for schools and daycare centres – and anyone who has certain challenges with the wet stuff. Gorgeous.
Another month, another giveaway. July’s is Ashes-tinged and filled to the brim for cricket fans and avid readers alike, so be sure to register HERE for your chance to win copies of:
Cricket Kings by William McInnesSIGNED Step into the lives of a team of regular middle-aged men who meet each week to play cricket in their local park. With these characters William will make us laugh and cry. And never again will we think that someone is just a regular bloke – everyone can be a king or a queen in their own suburb.
Glenn McGrath: Line and Strength by Glen McGrathSIGNED From working the land in Narromine to winning cricket’s World Cup three times, Glenn McGrath has always faced life with fierce determination and an unerring will to succeed despite the odds. Now, following his retirement from international cricket, McGrath shares the story of his life – in cricket and off the field.
The Cricket War by Gideon HaighSIGNED It was the end of cricket as we knew it – and the beginning of cricket as we know it. In May 1977, the cricket world woke to discover that a businessman called Kerry Packer had signed 35 elite international players for his own televised World Series Cricket. The Cricket War is the definitive account of the split that changed the game on the field and on the screen. In helmets, under lights, with white balls, and in coloured clothes, the outlaw armies of Ian Chappell, Toney Greig and Clive Lloyd fought a daily battle of survival. In boardrooms and courtrooms Packer and cricket’s rulers fought a bitter war of nerves. A compelling account of the top-class sporting life, The Cricket War also gives a unique insight into the motives and methods of Australia’s richest man.
The Slap by Christos TsiolkasSIGNED
A novel about the relationships between children and adults, and the new Australian multicultural middle-class from the controversial cult author of Loaded and Dead Europe.
Starting An Online Business For Dummies by Melissa Norfolk
Turn your dreams into profitable reality with this straightforward guide to setting up and running an online business. Including strategies to help you identify your market, set up a website and promote your business online.
Just Macbeth by Andy Griffiths
Take one Shakespearean tragedy: Macbeth, add Andy, Danny and Lisa the Just trio, whose madcap exploits have already delighted hundreds of thousands of readers for the last ten years. Mix them all together to create one of the most hilarious, most dramatic, moving stories of love, Whizz Fizz, witches, murder and madness. Ages 9+.
Brief Encounters: Literary travellers in Australia 1836-1939 by Susannah Fullerton
Throughout the 19th and early 20th centuries, countless distinguished writers made the long and arduous voyage across the seas to Australia. They came on lecture tours and to make money, to sort out difficult children sent here to be out of the way for health, for science, to escape demanding spouses back home, or simply to satisfy a sense of adventure. In 1890, for example, Robert Louis Stevenson and his wife, Fanny, arrived at Circular Quay after a dramatic sea voyage only to be refused entry at the Victoria, one of Sydney’s most elegant hotels. Stevenson threw a tantrum, but was forced to go to a cheaper, less fussy establishment. Next day, the Victoria’s manager, recognising the famous author from a picture in the paper, rushed to find Stevenson and beg him to return. He did not. In Brief Encounters, Susannah Fullerton examines a diverse array of writers, including Charles Darwin, Rudyard Kipling, Stevenson, Anthony Trollope, Mark Twain, Arthur Conan Doyle, DH Lawrence, Joseph Conrad, HG Wells, Agatha Christie and Jack London, to discover what they did when they got here, what their opinion was of Australia and Australians, how the public and media reacted to them, and how their future works were shaped or influenced by this country.
Good Night & God Bless: Volume One by Trish Clark
This is the modern traveller’s bible. Travellers and pilgrims seeking a unique experience can now uncover the ancient secrets of convents and monasteries around Europe. We reveal these atmospheric and affordable places that accommodate tourists or those pursuing a pilgrimage or spiritual retreat. Convents, monasteries and abbeys have always been places which generously welcome weary travellers. That tradition continues today and Goodnight & God Bless takes you on a tour of religious hideaways offering tourist and pilgrimage accommodation throughout Europe. Suitable for the traveller, the pious and the curious alike, this user-friendly travel guide provides invaluable information, travel tit-bits and anecdotes against a fascinating backdrop of history and religion.
Nemesis and the Fairy of Pure Heart by Ashley Du ToitSIGNED Enchanted by Bella, the Fairy of Pure Heart, Prince Arthur follows her into the immortal world. Angered by this, the powerful dragon Nemesis captures Arthur. To rescue her prince, Bella must complete the Great Dragon’s Hunt, and collect five magical tokens. As Bella and her butterfly friend Teague carry out her quest, they meet many mystical creatures, including a witch and a werewolf, elfins and leprechauns, and two very forgetful goblins.
To go into the draw to win this month’s prize, complete the entry form HERE. Entries close 31 July, 2009. Don’t forget, it’s a monthly giveaway, so be sure to favourite that link and keep visiting every month. Please note, entrants will be automatically subscribed to our fortnightly Boomerang Books Bulletin e-newsletter.
… A bonus for our Facebook Friends
Need an incentive to join one of Australia’s largest book group on Facebook? Well, we have a great pack of books to give away to one of our Facebook Group members this month, which includes copies of Nemesis and the Fairy of Pure Heart by Ashley Du Toit (SIGNED), Mascot Madness! by Andy Griffiths and Good Night & God Bless: Volume One by Trish Clark.
To celebrate the release of Jasper Jones, Boomerang Books is teaming up with Allen and Unwin to give three lucky blog readers the chance to win a copy of the novel. Now, the characters of Jasper Jones pose each other ‘would you rather this or that’ hypothetical situations (one of the reader favourites is “which could you rather live your life with, penises for fingers or a hat on your head made of poisonous spiders?”). To enter this Boomerang Books Blog-exclusive competition, all you have to do is email me your very own hypothetical – it’s that simple. My favourite three before next e-newsletter will win a copy of Craig Silvey’s Jasper Jones.
This month’s book giveaway is a bumper one, so be sure to register HERE for your chance to win copies of:
Roadside Sisters by Wendy HarmerSIGNED Nina, Meredith and Annie have been friends for a long, long time. Elegant Meredith, motherly Nina and the determinedly single Annie are as unlikely companions as you could find. But like a matched set of 1950’s kitchen canisters of Flour, Sugar and Tea, they always seem to end up together. Now each is facing the various trials of middle age: divorces, less than satisfactory marriages, teenage kids, careers going nowhere. One night, over one too many Flaming Sambuccas during a reunion dinner, they somehow find themselves agreeing to take a road trip to Byron Bay in a RoadMaster Royale mobile home, to attend Meredith’s daughter’s wedding. Fights and friendship, tears and laughter – not to mention the possibility of finding Mr. Right along the way – this trip might tear them apart or it might just save their lives. Be sure to check out our exclusive interview with Wendy Harmer HERE.
The Hotel Albatross by Debra Adelaide
The Captain and his wife accidentally find themselves managing the Hotel Albatross. The Captain floats between the hotel’s various bars: chatting to and chatting up customers, breaking up fights, and dealing calmly with the simmering tensions of a small town. His wife has her hands full with the day-to-day running of the hotel: mediating between family members fighting over wedding decorations, appeasing disgruntled staff members, and dealing with the horror of what lies in room 101. She also dreams of getting out… A wonderfully poignant novel about hotel management and human nature.
The Reformed Vampire Support Group by Catherine JinksSIGNED Nina became a vampire in 1973, when she was fifteen, and she hasn’t aged a day since then. But she hasn’t had any fun either, because her life is so sickly and boring. It becomes even worse when one of the other vampires in her therapy group is stalked by a mysterious slayer. Threatened with extinction, she and her fellow vampires decide to hunt down the culprit. Trouble is, they soon find themselves up against some gun-toting werewolf traffickers who’ll stop at nothing. Can a bunch of feeble couch potatoes win a fight like this? Or is there more to your average vampire than meets the eye?
World Shaker by Richard Harland
A brilliant fantasy that will hook you from the very first page, set aboard a huge ship in which the elites live on the top decks while the Filthies toil below. Col’s safe, civilized world on the upper decks of the Worldshaker, a huge ship that has been sailing since 1845, is changed forever when a Filthy from below finds her way into his cabin. Richard Harland has created an acutely observed and utterly compelling Gothic world of warped Victoriana to explore 16-year-old Col’s journey from cosseted youth to courageous maturity.
The Priestess and the Slave by Jenny Blackford
A tale of honor and dishonor, of love, pain, madness, and endurance, told with painstaking historical and archaeological accuracy. Set in Classical Greece in the fifth century BC, The Priestess and the Slave conveys the extraordinary history of the time through the eyes of two narrators – a Delphic Pythia deeply embroiled in the political turmoil earlier in the century, and a young slavewoman, some decades later, living through the terrible plague in Athens and the seemingly endless war against the invincible hoplites of Sparta. Vivid, gritty, and emotionally moving. Be sure to look out for Kate Forsyth’s review here exclusively on the Boomerang Blog this month.
The Last Protector by Cameron Raynes
The last protector presents a compelling argument that the South Australian government illegally took Aboriginal children from their parents during the years between 1939 and 1954. Adelaide historian Cameron Raynes draws on extensive archival records, the contents of which have never been available to the public before. Be sure to look out for Cameron Raynes’ exclusive guest-blog here exclusively on the Boomerang Blog this month.
To go into the draw to win this month’s prize, complete the entry form HERE. Entries close 30 June, 2009. Don’t forget, it’s a monthly giveaway, so be sure to favourite that link and keep visiting every month. Please note, entrants will be automatically subscribed to our fortnightly Boomerang Books Bulletin e-newsletter.
… A bonus for our blog readers
Keep an eye on the blog for a special, exclusive giveaway announcement coming this June. 🙂
… A bonus for our Facebook Friends
Need an incentive to join one of Australia’s largest book group on Facebook? Well, we have a great pack of books to give away to one of our Facebook Group members this month, which includes copies of The Hotel Albatross by Debra Adelaide, The Reformed Vampire Support Group by Catherine Jinks (SIGNED), World Shaker by Richard Harland, The Priestess and the Slave by Jenny Blackford and The Last Protector by Cameron Raynes.
We’ve also got a further 3 copies of The Hotel Albatross to give away this month.