Needing some escapism after being smashed with a combination of work and uni deadlines, and having come off the back of reading—and still mulling over—Eggshell Skull, I turned to my favourite guilty-pleasure author: Richelle Mead.
Mead has thankfully recently released the third and final book in the Glittering Court trilogy.
In The Emerald Sea, we follow the third of three friends attending what is essentially a live-in intensive deportment school prepping them for travelling to the colonies where they hope to secure themselves rich husbands. Which sounds superficial until you discover the three are actually each harbouring huge secrets and kickass skillsets and courage.
Tamsin, the protagonist of this latest tale, was actually my least favourite character in the previous books. My impression of her was that she was two-dimensional, her hyper-competitiveness and Type A personality overplayed to the point of being unbelievable.
So I had admittedly hesitated to order and then dive into this book in quite the same way as I had the previous two. It turns out it was a rookie mistake because, while I believe Mead could have provided Tamsin with a bit more depth overall, in this book we gain insight into why she’s so uptight. And it’s kind of worth the wait.
With Tamsin’s tale diverging from the other two’s by way of a storm that shipwrecks the boat she’s traveling on, she’s alone, equipped with only her ingenuity to tackle crisis after crisis. It’s here thar Tamsin really comes into her own.
It also provides a fresh take on the overlapping tales, with so much of Tamsin’s story taking place far away from the Glittering Court, instead in a bizarrely religious small colony and in the company of a swag of interesting characters that include a dashing party boy turned trainee priest, a sour spinster, a charismatic but not-so-dashing trader, and a strong lady leader of the local Icori.
Featuring many of Mead’s trademark wit and one-liners, The Emerald Sea is eminently readable and a surprisingly fitting and solid conclusion to the trilogy. Perhaps my greatest marvel of it and its predecessors The Glittering Court and Midnight Jewel is that Mead has managed to write three entirely independent yet interwoven narratives that converge fairly seamlessly. For this reason, I’d definitely recommend reading it and its companions.