Fitting in with your flock is important. Occasionally though, our sense of self is questioned, buried beneath the need to conform. Mixing like with like is not necessarily a bad thing. It’s safe, secure and reassuring.
Bea, however, is a bird who favours being true to yourself in preference to self-preservation. She dares to be different. She has unusual tastes. She does not fit in.
Bea is the enchanting debut picture book of stellar new author illustrator Christine Sharp. In Christine’s’ own words, ‘Bea is a book about appreciating being in the moment and delighting in the simple things – dancing, star gazing, and above all, friendship.’ And soaring with the fruit bats on calm nights…
Sounds poetic doesn’t it? That’s because it is. Sharp’s fluid text floats dreamily across the pages, often undulating and swirling about the tree tops just like a flock of birds. It’s wild and free, daring and challenging, playful and fun; the very essence of what makes a picture book attractive to young children.
Bea’s contemporaries lead a mundane sort of existence. They spend their days pecking at ants, watching worms wiggle and building nests. Nothing less than you’d expect from a bird. But they have never experienced the sublime joy of ‘singing sweet songs to the moon’ with your best friend like Bea has.
In contrast to their ‘birdy-ness’, Bea bakes berry pudding, dances to disco beats and dreams of travelling the world, in a hot air balloon if you please.
The clever use of alliteration, which is loosely presented in alphabetical order, beckons to be read out loud and with as much vibrancy and spontaneity as the illustrations evoke. Sharp’s abilities as an artist and designer are reflected in each richly vivid page spread. A mixture of scanned pencil drawings, paintings, photography, fabrics and objects used in collages bring Bea and her best mate, Bernie, to life and deliver a beautiful, textured feel to the book. For me they evoked the stirring scent of rose gums and damp scrub and crisp mountain air. Younger readers will be charmed by the juxtaposition of ‘real’ and ‘fake’ art on each page (as defined by one seven year old).
Bea is an instantly likeable character whose slightly eccentric tendencies and far reaching desires inspire a tremendous sense of self. Her actions prompt others to ask, ‘Why?’ This is no bad thing in my book. She blithely lives her life to the beat of a different drum (or wing in this case). And her best mate Bernie admires and appreciates her all the more for it. I do too. Bea pleasantly surprised me with its simple message of how important it is to feel at ease in your own skin, no matter what your feather type.
Share this alluring picture book with pre-schoolers and those who are developing their own idea of their place in the flock.
UQP March 2013