Finding Granny is a touching and heartwarming story about a young girl dealing with her Granny’s stroke, yet underneath the surface it so much more about the emotional impact it has on every character in the book, and even those behind the scenes. Granny’s convalescence is beautifully captured through the uplifting illustrations and the playful tone in which the story is told. The words were artfully written by debut author, Kate Simpson; mum, writer, engineer and podcaster, who joins us as a part of her blog tour to talk about her journey thus far. Thanks, Kate! 🙂
Thanks for talking with us, Kate, and congratulations on your debut picture book, Finding Granny!
Can you tell us a bit about your background and how you came to be a children’s writer?
I didn’t always dream of being a writer. I always loved books and thought it must be amazing to be an author, but it simply didn’t occur to me that this was something I could do. I felt like writing was something for people with ideas, and I didn’t have them.
When my children were born, I took maternity leave with each, and then worked part time. With less happening at work, I started looking for something more to challenge me intellectually and creatively. Because my own children were so young, I was reading mountains of wonderful picture books and somehow, something just clicked and I thought that perhaps writing for children could be the thing I was looking for. And it was.
What does having Finding Granny published mean to you? How do you hope it will touch its readers?
It’s incredibly exciting to have a book published and to be able to see it and touch it and read it to my children. Like many writers, I’ve been chipping away at this over a number of years and it’s such a thrill to see the fruits of my labour in physical form.
In terms of how it might touch its readers, I feel like it’s the type of book that may find a different place in each reader’s heart depending on their own experience. A family touched by stroke or by another illness or disability might get different things out of Finding Granny than a family with different experiences. But I hope that the love between Edie and Granny really shines through for everyone and that the emotion of the story rings true.
Do you have any personal experience with art therapy? How much research did you need to undertake in developing your story, combining the emotional and physical impact a stroke has on a person, and how art therapy can aid in their recovery?
I don’t have any experience of art therapy. In fact, in my first draft of Finding Granny, Granny underwent physiotherapy rather than art therapy. But I just couldn’t find a way to bring out Granny’s playfulness in that setting in the way that I wanted. I don’t remember how the idea of art therapy came to me, but I remember doing a quick Google search and finding a news article from the UK about an art therapy group for stroke survivors that was holding an exhibition. From there, it just clicked.
I did do a little bit more research after that. There’s not a great deal of detail in my book, but I wanted to be sure I wasn’t including any glaring factual errors. It was also interesting to read people’s personal stories of creating art after stroke. Some were already artists, who needed to re-learn their skill with their non-dominant hand after the dominant hand was affected by stroke. Others had never had any experience of art before beginning art therapy after stroke. I came across a few news articles and blog posts that included photos of the art work created, and I was blown away.
As a first time author, how did you find the publishing process with EK Books? Were there any surprises or challenges along the way?
I really didn’t know a huge amount about the process going in. The few things I’d gathered from conferences and friends were that it would be slow and that I would be involved very little. Largely, I suppose that was true. There were certainly gaps of many months where I heard nothing at all. But I was pleasantly surprised to find that my publisher at EK Books did consult me on the choice of illustrator and that I was given the opportunity to comment on the roughs. As for the waiting, it seems like that’s just part of every stage of the publishing journey. It’s excruciating, but it can’t be avoided.
Gwynneth Jones is obviously a talented illustrator, absolutely capturing the heart, joy and love in Finding Granny. What was it like collaborating with her, and what do you love most about the way she has portrayed your sensitive story?
What’s not to love about Gwynne’s illustrations? I remember in the early days, my publisher emailed me some rough pencil sketches that Gwynne had done of Granny and Edie, and I was just over the moon. She has really brought the characters to life and I just can’t imagine them any way other than as she has drawn them. That’s definitely the thing I love most about her work.
In some ways collaboration seems a strange word to use for the process of creating a picture book. Of course, in the end the words and text work together to create the reader’s experience of the book, but as the book is created we really work largely alone. I created the text before Gwynne was involved at all, and most of her work was done independently of me as well. The publisher did give me the opportunity to comment on the roughs, and I made a couple of comments, but I don’t remember asking for any substantial changes (Gwynne may remember it differently!).
Do you have a favourite memory with one of your grandparents?
Many! My maternal grandmother lived with us for much of my childhood, and I remember her fretting over us climbing trees and jumping over rocks. My sister and I took positive delight in terrorising her with our exploits, but now that I have kids of my own, I can absolutely understand where she was coming from!
You’re one of the trio in the popular podcast for kids, One More Page. Has there been a stand out moment, or piece of advice from a guest that changed you or your thinking, or reinforced what you do as a children’s writer/presenter?
I think the biggest thing I’ve taken away from the podcast is how incredibly supportive the children’s book community is. We’ve had organisations like the Society of Children’s Book Writers and Illustrators going out of their way to promote what we’re doing, and established authors and large publishers really getting on board to be part of our interviews and our Kids’ Capers segment. And then of course there’s the constant cheer squad of emerging writers, teachers, librarians and general book lovers who listen to the show and share it on social media, tell their friends and send us messages via our website. It’s such a delight to be a part of such a wonderful community.
Anything else of excitement you’d like to add?
Everything seems a little bit exciting at the moment. I’m doing my best to remember it all so that I can feed off that in the moments when I’m alone in my lounge room tearing my hair out over my latest manuscript. I have another couple of picture books coming out over the next two years, and I also have some ideas for some middle grade novels that I’m keen to get started on. I’m really hoping to build this little spark of success into a career.
Thanks so much for the interview, Kate! Congratulations again on your new release, Finding Granny, and enjoy the rest of your book blog tour!
Join the tour here. 🙂
Find ‘Finding Granny’ in Dimity’s reviews here.