Helene Magisson’s Labour of Love: The Velveteen Rabbit

896-20150213142152-Cover_The-Velveteen-Rabbit_LR-1In a gorgeously remastered classic tale, just in time for Easter, is a story about the magic of love; The Velveteen Rabbit. With the original story (first published in 1922) by Margery Williams Bianco being untouched, this current version has an exquisite sense of charm about it thanks to its’ talented illustrator, Helene Magisson.  

Depth, emotion and beauty, with a touch of magic, all describe this story of a toy Rabbit brought into the loving arms of a young Boy. And these words also perfectly describe the divine artwork that so beautifully compliments this enchanting tale.
When once felt as inferior to the other toys, the Velveteen Rabbit is soon unsurpassable and never leaves the Boy’s side. In a touching moment between the Rabbit and the Skin Horse, as he discovers that to be truly loved is to be Real, Helene Magisson has magnificently represented this significance with her gentle, serene watercolour pictures as the characters converse under the pale moonlight. And equally whimsical are the sweet expressions and playful angles that Helene has created when the Rabbit’s little sawdust heart almost bursts with love once he is claimed as Real.
Magisson’s heartwrenching image of a teary, slumped and worn little bunny so effectively captures the intense emotion of a toy due to be burnt to rid the germs from the Boy’s scarlet fever. ”…of what use was it to be loved and lose one’s beauty and become Real if it all ended like this?”
thevelveteenrabbitfairyIn a heartwarming finale, the angelic nursery Fairy and the Rabbit fly across the shimmering, glowing sky to a place where Real is true, and his identity as a live rabbit affirmed. What a bittersweet ending when the Boy unknowingly recognises his long-lost cherished Rabbit; the very bunny that he had helped to become Real.
Throughout the book, Helene has used a consistent colour palette of soft, cool blues and greens, which act as a superb contrasting backdrop to the beige of the Rabbit’s fur, as well as honour the affectionate nature of the story. A timeless story of love, companionship and belonging, perfect as a gift for Easter for primary school aged children, and their parents.
New Frontier Publishing, March 2015.  

Entranced by the gorgeous illustrations in The Velveteen Rabbit, I wanted to learn a bit about the artist who created them. So, it is with great pleasure to introduce the talented Helene Magisson.  

Congratulations on the release of your first picture book, Helene! How did you celebrate The Velveteen Rabbit’s arrival?
I wanted this day to be very simple and be just with my family. Sharing it with my husband and children is this nice feeling when you have accomplished something that you love. I think it was a very serene day. But very important to mention here: we also shared a huge plate full of sushi.

Helene MagissonPlease tell us a bit about your illustrating journey. Did you always love to draw as a child?
For sure, I have always been very attracted to everything related to art. As far as I can remember, I think that I have always drawn! In my early career as an artist, I was a painting restorer and loved that job but there was no place for creativity. It is only when we settled down here in Australia 3 years ago, that I decided to be a children’s book illustrator. It was an old dream which I had never taken the opportunity to fulfil. So I tried, worked hard to move from art restoration to illustration and then one day, timidly, I attend the CYA conference. I was very surprised to get the first prize and to be offered my first contract with New Frontier to illustrate The Velveteen Rabbit. I could not imagine a better start.

What do you love about illustrating children’s books?
I love every step of that work from the research of the characters till the final colouring. The stories created for children can be so charming, surprising, touching. Discovering a children’s book is like a door opened to incredible worlds. And it is amazing to be a part of these worlds by illustrating them. When I first discover the story I will illustrate, there are so many images coming through my mind, it is a very exciting feeling, with no limit to the imagination. It is a work of passion and it makes me happy.

Were you familiar with The Velveteen Rabbit growing up? What do you love about this story?
I grew up in Kenya and I think it is there where I first read this story. But then I lost it a bit when my family went back to France. Unfortunately it is not a very well-known story in France (what a pity!). But it was also great to rediscover it as an adult, and then be able to understand its deeper and beautiful meaning. It is exactly what I love with that book: you just grow up with it. The kind of book you always keep with you.

The velveteen rabbit imageThe artwork in The Velveteen Rabbit is beautifully soft, elegant and whimsical. Do you have an image that was your favourite to work on? How did you decide on the cool colour palette, and what media did you use?
Thank you. I loved illustrating this beautiful dialogue between the horse and the Velveteen Rabbit. It is a strong part in the story. I wanted it to be serene and poetic. I could not imagine it without a huge full moon and tiny mosquitoes dancing in the air. And also, I enjoyed working on the lovely little face of the Velveteen Rabbit with tears in his eyes when he discovers the fairy. This particular moment is full of emotion and is very whimsical. I wanted the whole work to be very soft, no strong or “heavy” colour, and very harmonious not to disturb the flow and the gentleness of the text. Also the rabbit had to be brown as Margery Williams Bianco described it. So I wanted to create a soft contrast all around him in that cool colour palette. And watercolour is my favourite media and I think it perfectly fits the story.

What were the most challenging aspects of creating the illustrations for this book?
One of the most challenging part was this long dialogue between the 2 real rabbits and the Velveteen Rabbit. This dialogue spreads out through 5 pages. We needed to keep the action flowing and coherent but it also had to be dynamic, so I used different perspectives and close ups. Also I made the choice to show all the emotions of the Velveteen Rabbit but very subtly.  He is a toy, but I wanted to show him as a child can see him: alive, so with emotions but never too strong. As if we were hesitating… Is he real or not? That was challenging.

How long did the process take from start to finish?
The text is long (48 pages) so there are many illustrations (27) and many of them spread out on the next page to softly frame the text. They are also full of tiny details. So it took me 7 months from the sketching part till the last illustration.

How did you find your first publishing experience with New Frontier Publishing? Was it a very supportive, collaborative process?
It was fantastic to work with them. They gave me a lot of freedom in my creativity process which was very pleasant, and their feedback was always very inspirational to me. For some tricky parts, like the front cover, they were very supportive. I enjoyed every minute of this project. But most of all I am so grateful to New Frontier for giving me this great start.

What does your art space look like? Creative clutter or meticulously organised?
Oh! My God! Am I obliged to answer that question? Well…It is absolutely terribly messy and a huge mystery for my husband. It is like a miracle every day for him. Of course, there are 1000 brushes, paints, pencils, pieces of paper but also plenty of children’s book everywhere, photos of everything, cards with quotes I love, something like 100 cups of tea all around, and many blades of grass, pieces of wild flowers (the one I prefer and very often include in many of my illustrations), and even a small collection of feathers I find in my garden.

What are you currently working on? What can we all look forward to seeing from Helene Magisson in the near future?
I have just finished a lovely story, elegant with a touch of humour about a Prince who wants to marry a Princess, you know, this very delicate Princess? It will be released early next year. And I am also very excited about the next project, but still want to keep it secret!  

Thank you so much, Helene! It has been absolutely delightful getting to know more about you!

Contact Helene Magisson:
Www.helenemagisson.com
www.facebook.com/pages/Helene-Magisson

Published by

Romi Sharp

Romi Sharp is a primary teacher, children's writer, picture book reviewer, blogger, mother of two young girls... and a child at heart! So being surrounded by a world of kids' books feels perfectly natural. She enjoys networking with professionals, sharing ideas and learning about current trends in education and the literary industry. Romi is passionate about sparking children's creativity and global awareness through a range of learning experiences.