This book is structured chronologically with a focus on inventors and aviators we’ve heard of including Lawrence Hargrave, Nancy Bird, Charles Kingsford Smith, Rev John Flynn of the Flying Dr Service; and those we may not have heard of such as Dr William Bland (who appeared before Hargrave) in the 1850s.
The structure and writing styles provide variety: words in the aviators’ voices; 3 Amazing Facts about most aviators; and ‘Did You Know?’ columns. The book acknowledges difficulties for women in the past who wished to fly.
Some interesting information from the book:
George Taylor In 1909 he flew a glider from Narrabeen, NSW. His wife Florence also flew, tucking her long skirts into her bloomers. At age ten Taylor wrote an essay, ‘The Future of Flying Machines in Australia’. He was a cartoonist and suffered from epilepsy.
Bert Hinkler In 1921 he flew the nine hours from Sydney to Bundaberg wearing a suit and tie. His RAF flying instructor was Cpt W.E. Johns, who wrote the Biggles books.
Like Lawrence Hargrave, children could make box kites. The ‘e-how’ website could be helpful. It suggests using dowel, bendy straws and a plastic/vinyl tablecloth. https://www.ehow.com/how_4882168_make-box-kites.html Alternatively they could make gliders or paper planes.
Decorative Patterning is used for sections such as J is for Jail and N is for Nurture. Children could select an alternative description for one of the letters e.g. C is for Convicts (instead of Cook) and create decorative patterning in Bern Emmerichs’ style.
Like last year’s shortlisted book by this author, Gigantic Book of Genes, this is a glossy science publication with high quality photos. It includes seamless explanations of left and right with clear examples for children to understand.
It includes a clever idea where children hold their hands out in front and touch their thumbs. Their left hand forms an L shape (helping them remember which hand is left).
The author recognises that it is easy to mix up left and right and looks at situations where right may connote good and left signify weak or bad. For example, in Albania it has been a crime to be left-handed.
It features symmetry, spirals, clockwise and anticlockwise, and the compass.
The author includes incredible information, such as ‘Nearly all kangaroos are left-handed… Parrots use their left feet to pick up food.’ ‘Female cats tend to be right-handed, and male cats … left’. And when driving, island nations tend to drive on the left-hand side of the road.
Min is a microbe. She is small. Very small. In fact, so small that you’d need to look through a microscope to see her.
I know from comments by a young family that this tactile, interactive book about microbiology has great appeal. The title is provocative – tempting and almost urging children to lick the book. Min the microbe guides the reader through the informative content, which is well designed with bright comic style illustrations and high-quality photographs. The information is clever, irreverent and quirky. It probably reflects the creators – a team consisting of writer Idan (quiet loud thoughts), Julian (who likes comics and toast) and Linnea, the scientist.
Children could consider, ‘Where will you take Min tomorrow?’ Like the book, they could take Min on a journey using a mix of photographic backgrounds, cartoon characters and written text.
Hygiene is taught and encouraged using reverse psychology. Teachers and parents may use the book to reinforce good hygiene (without losing the text’s inherent appeal).
Koala by Claire Saxby, illustrated by Julie Vivas (Walker Books)
Koala is most appropriate for the very young. It traces the experiences of a young koala achieving independence.
The writing is both literary and factual: providing parallel texts which are particularly useful for children who prefer one style over the other and to expose readers to both forms. The illustrations are distinctive for their rounded lines and shapes.
Koala is part of Walker Books’ excellent ‘Nature Storybooks’ series. Others include Claire Saxby’s Big Red Kangaroo, Emu and Dingo; and Sue Whiting’s Platypus. This could also be a good opportunity to introduce the classic Blinky Bill by Dorothy Wall.
The Big Book of Antarctica by Charles Hope (Wild Dog Books)
This is another big, glossy production from Wild Dog Books. The photos are exceptional. There is minimal written text and key words are shown in large coloured font.
Antarctica is studied in the Australian curriculum and this book covers explorers, scientists, transport, ice, plants (moss, algae, plankton), and much about animals and birds, e.g. giant petrels who vomit on anything they think is a threat (page 37). Climate change and global warming also feature (page 60)
Ice is looked at on page 22. There are many experiments about ice in other books and online to extend this subject.
Look we all secretly like to sing the Lion King lyrics, “Oh I just can’t wait to be kiiiing” when no one is listening. Because it would be very nice to wear a crown. Agreed? Agreed. Until we accidentally inherit one, however, we can make do by admiring gorgeous crowns on YA book covers. And also reading the books so we’re not just judging books by their covers. (Although that’s kind of fun, I’m not going to lie.)
Honestly this cover is super flawless, with it’s gorgeous dusky colour scheme and that crown that is so entrancing and yet is a symbol of oppression and devastation. Theo’s nation has been conquered by an evil tyrant, and now she’s a tortured captive princess in her own castle — and on special occasion she’s forced to wear this crown of ashes that makes a horrible mess over her face and clothes to remind everyone she’s worth nothing. But secretly? She’s planning assassinations and rebellions.
THE CRUEL PRINCE by Holly Black
This is only one of my favourite reads of this year, but the faerie queen herself: author Holly Black! This is about backstabbing royals and cunning plots and a prince who is poisonous…and also a little bit tragic.
Our heroine, Jude, is a mere human in the vicious and gorgeously deadly faerie world…and the crown might be up for the taking.
FURYBORN by Claire Legrand
This is about two women’s lives, but it’s set milleniums apart, which is a twist I hadn’t read before! It features one girl, an assassin who’s past might not be as boring as she imagined.
And a queen, who made a deal with an angel and has to prove herself through terrifying life-threatening trials to prove her powers are under her control. Or are they?
THREE DARK CROWNS by Kendare Blake
And of course we can’t forget this one! The story of triplet sisters who have been raised differently and separately until they’re 16 and will make the fight for the crown. One is raised by a poisonous, cunning household of poisons and snakes. Another in the forests, who can control beasts and minds. And another who has the elements under her thumb with a simple wish. But what if they don’t all want to be enemies?
STARS ABOVE by Marissa Meyer
A quick swap from the normal fantasies over to this sci-fi! It’s actually a short-story collection from the Lunar Chronicles world to give you that last taste of Cinder & Co before the series ends! And the cover is just gorgeous and gives us a hint of what’s going to happen to the now-returned Princess Selene and where the ex-Princess Winter will end up. Plus it just is such a fairy-tale cover! With the crown on a pillow, like a glass slipper waiting for it’s chosen one.
Books featuring sisters are so important and totally winning! They can also remind you why you long for a sister or why, if you already have real-life sisters, that fictional siblings are usually way cooler. Or way more prone to starting the apocalypse. Who can say! It’s always exciting to find out.
Tiffany is reeling after the death of her mother when her estranged father agrees to take her in — and turns out he has 4 daughters already. This is pretty intense for Tiffany to firstly lose her mother who she loved so much and then suddenly become insta part of a very strictly religious and big family. Things are anything but smooth, with her new dad turning out to be super controlling and her sisters ranging from annoying to mean. Except the sister-bonds that form as the story progresses are so good! And I loved how this book focused on family.
CARAVAL by Stephanie Garber
This is one of the best books of ever, full of a magical game that you have to be careful not to be totally sucked in and entranced by. Scarlett escapes her abusive father and travels to play the game of Caraval…except she’s also looking for her lost little sister, Tella, who might’ve bet too much into this game and be in serious trouble. Not only does it feature sisters who’ll do anything for each other, the plot is so twisty. You can lose days of your life in exchange for a dress and the master of the game could be anyone…even the boy you might be falling for?
TO ALL THE BOYS I’VE LOVED BEFORE by Jenny Han
It’s always a good time to cheer over this old favourite because the finale came out last year and this year, we’re getting a Netflix movie adaption! Also this features the three Song sisters, narrated by Lara Jean, and she has a snarky little sister Kitty and a very rule-orientated strict older sister, Margot. They are all super close, but that doesn’t mean they all agree. And I love how the sisters are pivotal to the plot, while Lara Jean accidentally has all her (private, aka: no one can read these) letters sent to her childhood crushes.
THE CRUEL PRINCE by Holly Black
Nothing like a fae and knights and sword story to get your heart beating faster! Jude and her twin sister are swept into the faeries realms after their parents are murdered by a fae, but he decides to take them in and raise them…which obviously is going to create a huge tension when your new dad is your old dad’s murderer. Plus the world is full of backstabbing and poisonous fey plots and intrigue and Jude is doing her best not just to keep up, but to succeed her. She wants to be a knight. And if that means teaming up with the nasty Prince Cardan…maybe she just might do it.
Summer Bird Blue by Akemi Dawn Bowman
This is a pretty hard-hitting story about two sisters who are super close…until one of them dies in a car crash. Then Rumi is sent to Hawaii with her aunt while her mother spends some time grieving alone, which absolutely devastates Rumi as now is when she needs her mother the most. She really struggles in Hawaii, hating everything and scared she’ll lose the ability to create music like she did with her sister. It features the most adorkable boy next door, gorgeous scenery, pineapples and surfing, an ace-spec queer protagonist, friendship and healing.
One of my biggest bookworm weakness is, unsurprisingly, the lure of newly published books! I love seeing what’s just hit the shelves and reading the newbies as soon as I can. Plus when so many other people are devouring the new releases, it turns the world into one giant book club, which is downright awesome. So just in case you haven’t been keeping up with some of the new books to hit the shelves: here, let me help you.
(This doesn’t really help your to-be-read pile or your wallet, but pfft. Life is too short not to try and read all the books of ever.)
LEGENDARY (Caraval #2) by Stephanie Graber
This is such a highly anticipated sequel and it’s finally in our hands! I’m pleased to say I’ve already devoured this one and it is magical and intoxicatingly beautifully written.
The sequel picks up minutes after Caraval ends and follows Tella’s point-of-view as she plays another (more dangerous, alluring, and vicious) game of Caraval in order to unmask the villain (or hero?) Legend and also save her missing mother from a fate worse than death.
THUNDERHEAD (Sycthe #2) by Neal Shusterman
Although this has been out overseas for a while, Thunderhead is just gracing our shelves in Australia! So so excited for this sequel to the NYT selling Scythe story, which is about a dystopian world were there is no death unless you’re “gleaned” at random by a Scythe.
But corruption has stirred the ranks and two new apprentices, Citra and Rowan are about to be caught horribly in the middle.
A THOUSAND PERFECT NOTES by CG Drews
Look I’m being a bit cheeky here, but this is actually my book! I can’t help but add it to the list though so forgive the deviousness here! But hey this is a #LoveOZYA novel about a boy forced to play piano by his mother whose own career failed…but his failure to find perfection ends in violence.
I mean, moving aside the fact that I am horribly biased here, it’s made a lovely little splash as it’s entered the book world and it will hopefully make you laugh and cry…or both.
SUMMER OF SALT by Katrina Leno
This is one of my most favourite authors (!!) and her latest book is set on an aesthetically windswept isle where a family of (maybe) witches are facing some sinister changes. Georgina and her twin sister are about to leave for college, but the leaving is quite hard, especially when the family’s magic is under scrutiny and Georgina herself seems like she’ll never get powers of her own. Then something happens to her sister and the story takes a darker twist. It’s part contemporary and part adorable romance between Georgina and the amazing Prue, and it’s part commentary on some social issues that are so relevant to today.
LIFELIKE by Jay Kristoff
Jay Kristoff is such a big name amongst Aussie authors and well deserved! His Illuminae and Nevernight books are amongst some of my top favourites and now we get a new rabid robotic dystopian adventure, that’s part Mad Max and part scientists playing god.
It has powerful and snarky female friendships, not to mention gorgeous but deadly robots, rogue hunter preachers, persnickety AIs and an adventure that goes from wild to wilder.
For some readers, a satisfying book ending is knowing everything turned out well for the characters. For others it’s having the mystery solved and all the loose ends neatly tied up. Some readers love a happy ending and others – like me – hate it when the guy gets the girl in the end. It can be exciting when the villain gets away or a novel ends in a cliffhanger, knowing a sequel is in the works. I don’t usually enjoy ambiguous endings, but appreciate some readers like to imagine for themselves what happened to the characters. Here are my thoughts on some great book endings.
Glancing at my bookshelves, Stoner by John Williams has one of the most standout memorable endings for me. It is a sorrowful ending, but this melancholic novel slowly built to this point and it was so exceptionally written that it literally took my breath away. I hugged the book to my chest when I finished reading it and the final scene is still with me years and years later.
The Messenger by Markus Zusakhas a unique meta fiction kind of ending that has stayed with me long after reading it. Exploring themes of why we’re here and how we can make a difference, The Messenger is a moving – yet funny – novel that carries a powerful and important message. When I finished reading it, I was left in absolute awe at the meta ending and had to seek out fellow readers and their thoughts on the book. Don’t you just love when that happens?
Missing by Melanie Casey is the third novel in the Cass Lehman series set in Adelaide. It had such an unexpected ending I was left flabbergasted and positively hanging out for the next in the series. It wasn’t a cliffhanger in the strictest sense, however it was a character development that I didn’t see coming and desperately want to explore in the next novel.
I’m going to have to wait awhile though with the author taking a break from the series, but you can bet I’ll be keeping an eye out for the next in the series.
Reading the end of Cloudstreet by Tim Winton broke my heart but also made my soul soar with the release and bittersweet joy of the character Fish. Despite wanting to stay with the characters beyond the ending of the book, the event that closed the book really was the perfect ending. It brought the story full circle and I’ll always remember the ending with a combination of sorrow and joy.
What kind of book endings do you enjoy? Do you have any memorable endings?
Picture books have an incredible ability to not only reflect life but also reveal new and previously unknown aspects of it. For children, nearly everything they are experiencing is new and unknown, which is why these next few picture books are so incredibly useful for showing them the way. This selection features incredible journeys made by humans, animals, spirit and much more. Venture into a journey of enlightenment with them.
This superbly presented hardback picture book features 48 pages of astonishing animal journeys. Complete with easy to use contents page and a world map that depicts the actual trips each animal makes, this stunning collection is a must have on any classroom shelf.
Unwin prompts readers to imagine themselves as a baby swallow who, after just leaving its nest in England now must contemplate a flight over 10 000 kilometres away to Africa. Awarded travel and wildlife writer, Unwin then describes the migratory long-distance journeys of 20 different animals; why they make the effort and how they survive the trek. Some you’ll recognise like the monarch butterfly or the magnificent wandering albatross but did you know that the globe skimmer dragonfly performs a round-the-world trip of over 10 000 kms, as well?
Sumptuously illustrated by Jenni Desmond, Migration takes us across the planet, through its skies and over its oceans in the footsteps, wings and fins of some of the world’s truly greatest travellers. This is one literacy odyssey you and anyone five years and above must experience.
Waves is another visually arresting, historical picture book that presents in similar ways to Rawlins’ well-loved picture book with Nadia Wheatley, My Place. Following a time line commencing some 50 000 years before to the present day, Rawlins takes us across the seas with various children and their families as they embark on journeys of emigration, redemption, hope and escape. Each child shares a brief snapshot of their on board experience through captivating vignettes of narrative, allowing their stories to come alive. Their situations are not always pleasant indeed most are laced with tragedy and hardship, but for those who survive their trip across the waves, the destination is often a kind of salvation.
Rawlins includes descriptions at the end of the book about each of the fictional characters, their cultural origins and suggested reasons for setting off into the unknown in the first place. She points out that if you are not an Indigenous Australian, then members of your family must have made a journey across the waves to arrive at this island called Australia at some point in time. This really does give one pause for thought and invites energetic discussion between young people and their family members about heritage and ancestry, not to mention the issues of immigration and asylum seekers.
Thoughtfully illustrated by Potter and Jackson, Waves acknowledges the journeys of those who come across the sea in search of a better existence in a supremely considered and engaging way. Recommended for readers five years and over.
For those who prefer their travel infused with a bit more levity, cast your eyes on this fanciful non-fiction title. This contemporary A B C picture book dedicates a page to each letter along with accompanying verse and the most eye-stunning illustrations. Transportation has never been portrayed with such enthusiasm or detail. Animals from around the world ride, skate, vroom, sail, drag and float their way through the alphabet with non-stop vigour. I never even knew there were 26 modes of transport. Greene carries us across water, air, through ice and snow, by track and wheels with ease and planeloads of interest. Kirk cleverly includes a zoo-full of animals whose names share the same letter as the letter featured in each popping illustration. Kids from the age of two and above will no doubt have hours of fun hunting these down and matching them up – as I did! Top marks.
Sometimes not every journey takes us where we expect. Things happen, plans change. How do you cope when that happens? This is something very small children often struggle to accept. How they acknowledge these mental explorations of change and resignation is crucial in determining how they develop tolerance and empathy.
Spirit by debut author, Cherri Ryan, imbues a sense of determination within readers through the actions of a small child. This girl constructs a toy ship she names, Spirit and launches her in her backyard pond. Spirit’s maiden voyage is successful and the girl rejoices, dreaming of expeditions further afield or seas, as it were. Before each journey, the girl lovingly tends Spirit, oiling her decks; carefully trimming her sails, certain of her abilities to triumph every watery endeavour, each more challenging than the last, until one day, Spirit encounters rough seas, loses her way and capsizes.
This book tenderly captures the essence of childhood hope and the expectations built around it. It explores the notions of anticipating outcomes beyond our control, but remaining stalwart enough in spirit to find ways around life’s obstacles. The delicate correlative objective between the girl’s boat and her own will to succeed gently pulls readers along an emotional journey of exultation, despair, and finally celebration. Booth’s sensitive depiction of Spirit’s creator is both timely and thought-provoking. Her heart-warming illustrations add another dimension of lucidity and movement to this tale, which nurtures the notion of never giving up and remaining true to your spirit. Symbolic sublimity for 4 – 8 year olds.
No life itinerary would be complete without a journey of love. I reviewed this one earlier this year and recommend it as a rich way of exploring feelings, perceptions and relationships. Here’s a snippet of my former review. You can read the full review, here.
This story, celebrating the immense power of love, possesses an enigmatic quality that hums throughout the book from beginning to end.
Shelberg’s thoughtful poetic narrative balances beautifully with Edmonds’ poignant watercolour vignettes and spreads. The gentle balance of colour and emotion reveal memories and the child’s growing understanding that he need not fear strangers who appear gruff and scruffy, different and intimidating. That beneath the obvious differences of a person, there often dwells a story worth sharing and a reason to love. This is a mighty concept to grasp in our modern day world of stranger danger and our first world tendency to look the other way for fear of becoming too involved. The commendable thing about this tale is that it does not encourage reckless, unchecked interaction with strangers – the child is always within his mother’s supervision – but rather it promotes a phenomenal sense of humanity, of not judging a book by its cover and … of caring.
As Ian MacLaren once said, “Everyone you meet is fighting a battle you know nothing about. Be Kind. Always.”
I love the message of … connecting with ourselves through others. Of cultivating empathy; a mindset we should all aspire. Visiting You encapsulates this mindset exceptionally well. Full marks.
More information on this and the other shortlisted books will be available soon on an online CBCA platform.
Ideas for the English Classroom
Four types of writing are used in the novel 1. Writing in the voice of each protagonist 2. Wellness Journal entries (italics) (Students could analyse differences in voice from both these types of writing) 3. Wellness Worksheets 4. PSST – the source of cyber bullying
Wellness Journals give further insight into the three protagonists as they describe how they’re feeling; as well as what they think about the other girls. This gives another perspective. Read a selection of these entries.
Students write three journal entries from the point of view of Iris, Clem’s twin sister, or another character.
Wellness Worksheets Complete one of these e.g. self-esteem scale, page 147; Lou Reed’s song Perfect Day page 218; letter to future self, page 428.
Read other novels by these authors.
The Secret Science of Magic by Melissa Keil (Hardie Grant Egmont)
The Secret Science of Magic was longlisted for the Indies awards. I reviewed it for the Weekend Australian.
This novel has an equally strong male and female voice.
Ideas for the Classroom or Library
Magic Joshua is a magician who is trying to grain Sophia’s attention. Sleight of hand and, particularly, timing are the magician’s most important tools.
Students could try to replicate some of Joshua’s magic tricks in reality or using technology.
Playing-card optical illusions, pages 30, 40
Igniting a paper rose, page 82
Showing a Doctor Who Christmas special on a vintage movie projector, page 110
These tricks culminate in an illusion at school, where Joshua makes the school disappear.
Use Plotagraph (which creates a moving image from a single still graphic image) in Adobe Photoshop or other tools to demonstrate this or another magic trick.
Drama Sophia is forced to take Drama. The class studies All’s Well that Ends Well, page 74 – a prescient play title for this novel. Read the play.
Read other novels by Melissa Keil: Life in Outer Space and The Incredible Adventures of Cinnamon Girl
Several places are mentioned to show that this novel is set in Sydney, including ‘Sydney eats’, page 106, a group that feed the homeless. Meredith also helps them by running a Street Library, pages 69,121,222.
Meredith believes: ‘Books can save anyone. If they’re the right ones.’ page 164
Ideas for the Classroom or Library
Poems for each other Nola gives a poem to Tiny and vice versa. Read Nola’s poem for Tiny, page 97, and Tiny’s poem for Nola, page 133. In pairs, students write poems to give each other.
Writing Group The writing group at the homeless shelter tries the following activities, which students could do also.
Writing a group story using the Dada, Surrealist technique where each person writes a line and passes it on to the next person to write the next line to see where the story goes, page 108.
Use a ‘real-life media story you pick out to start your own story … Write it as a sequel, action adventure, poem, dialogue’, page 110. Only allow 20 minutes max.
Open Mic Night: Eddie performs his poem ‘Clean’ about his father’s death, pages 171,177. Students could write and perform their work, including poems, at an open mic night or similar event. (Read The Poet X by Elizabeth Acevedo about a girl who writes heartfelt poetry and performs at a poetry slam.)
The fact that all of this year’s CBCA shortlisted Older Reader novels are written by women reflects who is currently writing Australian YA. As a consequence, many of the novels have female protagonists, including Vikki Wakefield’s Ballad for a Mad Girl. However, debut novelist Charlie Archbold (who is female) has written Mallee Boys, a novel that epitomises masculinity.
-about the books and some ideas on sharing them with young readers –
Ballad for a Mad Girl has been longlisted for a Gold Inky Award—(Australian titles) and shortlisted for the Adelaide Festival Awards for Literature: Young Adult category and the NSW Premier’s Literary Awards: The Ethel Turner Prize for Young People’s Literature in 2018.
It is Vikki Wakefield’s fourth novel, a gothic Australian thriller, a murder ballad and lament in prose. It explores the effect of grief and loss on Grace, who is trying to mask her vulnerability.
It walks a tightrope – literally and psychologically as it balances the genres of contemporary realism with elements from the supernatural ghost tale.
Grace is the “mad girl” of the title but her madness springs perhaps from her struggle with anger and grief rather than mental illness; although the barriers may be permeable.
At times the writing is crystalline to show the shattered mirror-pricks of Grace’s rage; as well as sharp images of birds: living swallows butted against tiny bird sketches. Grace’s elusive childhood “dandelion” dreams as well as echoes from a past generation are sculpted into an aching ballad of melancholy and terror. The past and present also ultimately lay the path to a “bright and unbreakable” future with some signs of hope and grace.
Film An early scene where extreme prankster, Grace Foley, freezes at the pipe challenge crossing over the quarry at night is a pivotal scene in Ballad of a Mad Girl. It sets the confronting, haunting tone.
In small groups, students film a re-enactment of Noah, private school poster boy, breaking Grace’s record as he crosses the pipe over the quarry and then Grace crossing after him and freezing when she is distracted by thoughts of Hannah Holt – rumoured to have been killed by William Dean and buried in the gully below. Headlights are dimmed and stones are thrown.
Film Grace’s friends and the onlookers in their private and public-school factions.
Use different camera angles, particularly to give the illusion of the pipe over a height. NB don’t use a pipe high above the ground.
Film an establishing shot; the camera can scan characters and show close-ups of their facial expressions.
Use filters to create a night-time setting and lights to emulate the headlights. Show them dimming when Grace crosses. Include sound effects.
Ballad Students could write a ballad or murder ballad (lyrics that tell the story of a murder).
Not many readers seemed to be aware of this book until it was CBCA shortlisted. Feedback has since been very favourable.
It is set in the Murray Mallee area of South Australia and told by two brothers. Sandy is fifteen and a good student although dreamy. In an early scene, slapstick and terror merge when he’s almost drowned by a swollen dead cow. His older brother Red has left school and seems suited to life on the farm with his dog, Ringer. He is suffering from guilt, believing he contributed to the death of their mother.
Masculinity is explored with sensitivity and credibility, particularly relationships between father and sons. The author writes with warmth and humour and shows that rural men can be gentle and compassionate.
Mallee men/Mallee wood Mallee men are described as mallee wood. They are ‘men from any time … like stumpy mallee trees: nuggetty and resilient. A heritage of hard work’ (page 100)
Rhopalic Verse After reading about Mallee males, students write rhopalic verse to explore their characteristics of strength and endurance with mallee wood. In rhopalic verse, each word in a line has 1 more syllable than in the prior word e.g. ‘to avert dangerous situations’. The poem could be quite short, perhaps 5 lines, each with 4 words per line. (This is guide only.)
Country & City podcast Differences between life in the country and city are mentioned in the novel: e.g. in the country old and young mix. In the city ‘people stick to their age bracket’, page 119; in the country – people make inventions, page 124.
Students could use a microphone and smart phone to make a 1-episode podcast about the differences between country and city.
Bren MacDibble/Cally Black has blasted onto the Australian literary scene for youth with How to Bee for younger readers and In the Dark Spaces for YA. She is a fresh, authoritative talent; writing outside the mould.
-about the books and some ideas on sharing them with young readers –
by Bren MacDibble (Allen & Unwin)
How to Bee won the Patricia Wrightson Prize – NSW Premier’s Literary Awards & was shortlisted for the Griffith University Children’s Book Award (Qld) and Children’s Literature Award – Adelaide Festival Awards. Read a synopsis and the NSWPLA judges’ report here.
The novel circles around the importance of bees, children and community. The title is a pun with a double meaning. Some of the characters’ names reflect the almost-idyllic country setting where the story begins: Peony, Magnolia, Applejoy, Pomegranate …
The writing is sensory where it describes white cockatoos, fruit, a ‘face puckered like a burr on a tree trunk’ and Peony’s flawed Ma as a lemon, ‘You think it’s gotta be good coz it’s so big and has perfect skin but when you cut it in half you find out its skin is so thick there’s just a tiny bit of pulp inside and that it just ain’t got enough juice to go around’.
Students could write about other characters or people in their own families, describing them as fruit in lyrical style.
Themes & Issues
Domestic violence, making this novel most appropriate for mature, older children.
Wealth, deriving not from money but from loving people and family and living in community – a concern also of In the Dark Spaces
Hive/bees/pollination – another concern of In the Dark Spaces
Families or schools could investigate setting up a bee hive, particularly with native stingless bees. Compare the taste of commercially and local, unrefined and unheated honey.
Cycles There are a range of cycles within the tale: ‘the farm’s full of circles. Bees, flowers, fruit … all overlapping circles.’; seasons, places (from which characters leave and return); and a death is replaced by a new baby.
Concrete Poetry: Circle Shape Poem Children could write a Circle Shape poem about one of these or another cycle, where each line has an extra word, then decreases to make a circle shape.
In the Dark Spaces by Cally Black (Hardie Grant Egmont)
In the Dark Spaces has been longlisted for the Inkies award, highly commended by the Victorian Premiers Literary Prize, won an Aurealis Award, has been shortlisted for the Ditmars and shortlisted for the Ethel Turner Prize in the NSW Premiers Awards,
It is a sci-fi thriller/ hostage drama set in future space. Tamara lives in hiding on one of the intergalactic freighters. These are named after songs e.g. Lucy in the Sky, Jolene, My Sharona and Delilah. Her freighter is attacked by Crowpeople/Garuwa and she is kidnapped after witnessing mass murder because she is able to communicate with the Crowpeople. Through Tamara, we learn to understand the Crowpeople, who only take the resources they need to nurture the hives in their ships, which in return feed the inhabitants. Unlike humans who sell excess for profit.
Cally Black’s voice here is original – raw, strong and captivating.
Dinkus When I interviewed eminent Australia author Isobelle Carmody recently, I was excited to learn about the ‘dinkus’.
The simplest way to indicate a section break within a chapter is to leave a blank space between paragraphs, but designers often prefer to use a symbol or glyph. These are often three horizontally placed asterisks but asterisks can be replaced with other symbols.
Crowpeople in In the Dark Spaces have three ‘shiny talons’ (page 41) sticking out from their boots. This symbol is used as a dinkus in the novel e.g. on pages 183,270.
Students find the talon dinkus in In the Dark Spaces, and then look for symbols or glyphs in other novels.
Lightgraff Art (or lightgraffiti) is drawing or writing with light. It combines photography and calligraphy. It can be a live performance or recorded on video or time-lapse photographic stills. It is often used to embellish settings by highlighting or enhancing elements of the scene with colour, line, shape or script (using light).
Examples can be seen by searching online for ‘lightgraff images’.
The Elephant has also been shortlisted for the Patricia Wrightson Prize – NSW Premier’s Literary Awards. Read a synopsis and the judge’s report here. It is Peter Carnavas’s first novel, after an impressive output of picture books, and he has illustrated it with black and white line drawings.
Tree & Paper Planes Like Martine Murray’s two shortlisted books, a tree is a symbol here. It is Olive’s ‘thinking spot’. Her grandfather cares for her since her mother has died and her father become incapacitated by grief. Grandad makes and flies paper planes with her. Children could make coloured paper planes, write positive messages onto them e.g. ‘You have a wonderful laugh’ and tie them to a jacaranda (or other) tree to emulate some of the events in the story (see pages 125,142).
Other Symbols in the novel are the elephant, tortoise and the dog.
Elephant The elephant is the major symbol. Olive’s mother had made a clay elephant which is now broken.
Soap carving Children could make a soap carving of an elephant: Materials coloured and/or patterned rectangular soaps (note descriptions on page 138), scrapers & peelers can be safe for child use e.g. plastic knife, potato peeler, paper clip, teaspoon, pencil, paper. Method Trace around the soap onto paper. Draw and cut out the elephant on paper. Trace around the shape onto the soap. Cut away excess soap with plastic knife. Cut away more with paperclip. Etch details and texture with pencil. ‘MetKids’ have a useful video. https://www.youtube.com/watch?v=Y17RweezGi8
Typewriter (page 38) Grandad typed poems for Olive’s mother. Students choose or write poems and type them using a typewriter.
School Olive’s school is celebrating its 100-year anniversary, so the students are studying old things. Children could show and talk about old things that are important to them
Side by Side song. Grandad and Olive love this song. Children could also listen to it and sing along.
The Grand, Genius Summer of Henry Hoobler by Lisa Shanahan (Allen & Unwin)
The Grand, Genius Summer of Henry Hoobler won the Griffith University Children’s Book Award (Qld). I interviewed Lisa Shanahan about the novel for the bog here. Read the QLA judges’ report here.
Drawing Worry Henry is a worrier and describes worry as a ‘big round grey tumbleweed of dust, with skinny black-and-white-striped legs poking out of and red boots’, pages 10-11. Children could draw their own visual interpretation of worry.
The Beach using Green Screen Technology
The beach is the setting of many Australian holidays and is integral to this story.
Children could create freeze frames of characters superimposed over a green screen beach setting.
Students select a character e.g. Henry, his two siblings or his new friend, Cassie. Choose three scenes where they appear in the book.
Green Screen Superimpose students in their freeze frame poses onto virtual backgrounds or animated digital backdrops of the beach.
Equipment: iPad (a 1-stop movie-making device), green screen (could be made of green fabric or paper), lighting, tripod (opt), Veescope, Green Screen Pro or other apps for background videos, iMovie or equivalent. A useful resource is
Parents are important in the novel. Henry’s parents have different personalities. His mother is an introvert – understanding with some anxiety. His father is an extrovert – exuberant (page 47), with a big, wild love (page 141).
If completing the activity about the beach (above) at school, include the children’s parents by giving them the opportunity to upload the beach film using the ‘Seesaw’ app or equivalent.
– about the books and some ideas on sharing them with young readers –
Henrietta & the Perfect Night
by Martine Murray(A&U)
Henrietta is a big thinker. She’s a great go-getter, determined, adventurous, endearing and exuberant. She has a strong young voice. Yet she’s shy.
The book is well designed and is illustrated by the author.
It contains short stories – which are quite sequential but stand alone.
In the stories Henrietta’s mother is pregnant; she starts school; has a sleep over; stars in the school play; and awaits the birth of her new sibling. Henrietta pretends to be a spy; does ‘rescues’ e.g. a bee and the other new girl, Olive; and she stands up for ‘small things’.
She is patient; truthful; a good friend; and kind like Joey in Marsh & Me
Henrietta and Olive peg Olive’s brother’s pyjamas in the tree. Children could cut and decorate paper pyjamas, perhaps using a template provided by a teacher or parent, and peg these onto a tree branch standing in a pot.
Seasons are addressed as Henrietta waits for the baby and the tree shows how the seasons change.
The class play is about Noah’s Ark. Read about Noah’s ark from a children’s Bible or other book. The children could then perform a play – a number of scripts are available online if you search for plays, puppet plays or skits about Noah’s Ark. If possible, include a bat in the performance because Henrietta had a role as bat – ‘special and mysterious and different from regular animals. Which is a bit like me.’ (page 66)
Previous Henrietta stories are being republished in a 3 in 1 volume.
Marsh and Me by Martine Murray (Text Publishing)
I’ve not long finished reading Marsh and Me (Text Publishing), and couldn’t wait to write about it. It is a beautifully written, dense and imaginative work brimming with thoughtful and important ideas.
Joey believes that he is a nice, ordinary boy who wants to skip puberty. He doesn’t like the word ‘puberty’, thinking it ‘slightly pushy’ but he does like the word ‘luminous’. He’s shy and sensitive, a ‘noticer of feelings’ and has one friend, Digby, who likes science.
When Joey climbs the hill one day he finds someone occupying the treehouse. Marsh is a ‘wild girl’ and the ‘Queen of Small Things’. She has secrets and tells the story of the Plains of Khazar which may be history, fairy tale or folklore. She sings to Joey and the first note ‘rings like a golden bell’.
Even though Joey doesn’t always like Marsh, he is intrigued and concerned for her and realises that he must reveal more of himself in order to make friends and deepen relationships. The novel soars when they create music together using voice and guitar. Both characters are profoundly drawn.
Poems Joey’s mother sticks poems on the fridge. One is by Rumi.
Children could take excerpts from other Rumi poems or poems by other poets that they like or remind them of Marsh and Me and display them.
An example is from Rumi’s I Am Wind, You are Fire:
Oh, if a tree could wander
and move with foot and wings!
It would not suffer the axe blows
and not the pain of saws!
Nature Play Both Joey and Marsh love spending time in nature, particularly in the treehouse in the peppercorn tree. They listen to bird calls and other sounds and plant an acorn.
It seems that many children today don’t have the time or opportunity to play in natural environments, especially where there are trees. Parents or teachers could provide unstructured (or structured) opportunities for children (including primary aged children for whom this book is written) to improve their emotional, mental and physical health by spending time in the natural world. They could build treehouses, climb trees, watch the clouds and shadows, record natural sounds or plant a seed found in the local habitat.
Reading Both Marsh and Me and Martine Murray’s companion book Molly and Pim and the Millions of Stars feature a tree. Another lovely link between the two novels is the character of Pim Wilder. (I reviewed Molly and Pimhere.)
After reading Marsh and Me, it could be worth reading or re-reading Glenda Millard’s ‘Kingdom of Silk’ series, another thought-provoking yet tender and sensory exploration of childhood. All these literary works bring magic into the real world.
The shortlisted books for the CBCA Book of the Year: Younger Readers is a very strong list. Some have already won or been shortlisted for other literary awards. Shortlisting in the CBCA awards is prestigious, increases awareness of each book and dramatically impacts sales.
The long lead time between the announcement of the shortlist and the winners and honour books in August’s Book Week provides a wonderful opportunity to explore these books.
I will look at the 30 shortlisted titles in a series of blog posts.
The Younger Reader books are:
The Elephant by Peter Carnavas (UQP) Also shortlisted for the Patricia Wrightson Prize – NSW Premier’s Literary Awards
How to Bee by Bren MacDibble (A&U) Also winner of the Patricia Wrightson Prize – NSW Premier’s Literary Awards & shortlisted for the Children’s Literature Award – Adelaide Festival Awards
It is interesting to note that Martine Murray has been shortlisted twice in this category. Lisa Shanahan has also been shortlisted twice. Her other book Hark, it’s Me, Ruby Lee! is shortlisted in Book of the Year: Early Childhood.
There are four novels and one book of short stories shortlisted in this category.
The first I’ll look at is
The Shop at Hoopers Bend by Emily Rodda (HarperCollins Australia)
-about the novel and some ideas on sharing it with young readers-
Jonquil’s parents died when she was a baby. She’s now eleven and in the care of Aunt Pam who farms her out to boarding school and camps. She leaves the train unexpectedly at Hoopers Bend and is befriended by Pirate, a white and black dog. Jonquil is drawn to the shop at Hoopers Bend and Bailey, the older lady who has inherited it. Jonquil spins a tale and stays on, helping Bailey rent out the shop to different businesses for a short time. The shop exudes an ‘everyday’ magic.
Jonquils The protagonist’s name is Jonquil (shortened to Quil) and Emily Rodda chose this name deliberately because they’re unobtrusive with a ‘delicate beauty’ to suit a ‘reserved and sensitive’ character.
Plant jonquils. To compare these with other bulbs – daffodils, snowdrops and others could be planted as well.
Match these flowers with different personality and character types.
Stardust Quil invents a game, Stardust. She believes that all things, including people, contain the dust of long-dead stars and thinks that people whose stardust composition match closely have an instant affinity with each other. Conversely, people with very different stardust are unlikely to be friends.
Palaris – are people like Quil & Bailey; Aginoth – practical and confident; Broon – cheery but boring’ Kell – prickly but interesting; Derba – calm and reliable with no sense of humour …
After reading the novel, children could look more closely at the star names and corresponding personalities. They could use these names to categorise book characters from the shortlisted novels or other books (and maybe even themselves). As a group, they could compile results into a Stardust chart.
Bookplate Bookplates are an artform. Show children different bookplates. Examine the designs including space for name and possible date. Children design their own bookplates onto a sticky label (not post-it notes but labels that resemble bookplates from good stationers) to reflect themselves and their reading taste.
Now we all know they say “don’t judge a book by its cover”…but honestly, who doesn’t!? Plus covers tend to give us a great idea of what the book is about, which is helpful if you’re looking for a swashbuckling pirate adventure or a cute fluffy romance with, preferably, plenty of ice cream and cuteness. So today we’re going to amiably judge some covers on YA books that feature knives and swords! It’s very popular and honestly makes for a stunning visual. And will these books deliver the tales of adventure and war that we’re longing for?! One must just read them all and find out. (Excellent life plan. Do please go for it.)
This is a fantastic YA staple, really, as it just celebrated it’s 10th anniversary! It’s a sci-fi story starring a boy who can’t kill and a girl not from this planet. It’s one of those heartbreaking ones so the knife is A+ of a visual for how your feels are going to be stabbed. I also love how it features a world where all your thoughts can be heard! Talk about freeeaky.
This is a very brand new book with a southeast Asian setting, featuring Kyra who’s a novice of a religious group who bring justice to the clans. Their knives are actually a bit sentient and tell them things, which is fascinating! Everything goes wrong for Kyra, though, when her leader is murdered, so she steals the knife and takes off to find justice.
This just came out this May (!) which is super exciting and I can attest to how stunning a book this is! Now I realise the squid thing is holding the sword at this point, but believe me: this contains pirates and princes, sirens and sea witches. It’s a fantastic dark Little Mermaid retelling about a prince who wants to kill a siren and a siren who accidentally falls for him. Hate-to-love at its finest!
This is an epic fantasy about murderous angels and vicious queens. It’s told in two parts about two women, a hundred centuries apart, and how their lives not only connect but really rely on each other to tell the tale! A queen and an assassin! With unheard of powers and strengths.
Can’t help but mention a Cassandra Clare book in the infamous Shadowhunter world! Her latest series is a whirlwind of adventure and dark magic, featuring Emma who wants to find her parents’ murderer and Julian, sole carer of his younger siblings and desperate to keep them altogether when the Clave wants to rip them apart. As they dig into the murder mystery though, things get out of hand very fast with secrets coming out that no one should ever know. Also features a swoon-worthy forbidden romance!
A purely fantastic tale of a witch’s monster, called a “Heartless”, who has no choice but to serve her mistress. Zera longs for her freedom and will do anything to get it, even when her mistress sends her to kill the crown prince and take his heart, in order to control the upcoming war. Zera, part monster with a hunger for raw organs, has no qualms doing this…until she accidentally might be falling for the prince. It’s a fairy tale gone wrong and deliciously captivating!
I attended two standout sessions at the Sydney Writers’ Festival this year. Forest for the Trees is run by Writing NSW (until recently NSW Writers’ Centre) and Poetic Threads by Red Room Poetry (in conjunction with the Art Gallery of NSW).
‘Forest for the Trees’ is an annual seminar run primarily for writers but valuable for others in the industry. It’s a one-day forum held at the State Library.
Julie Koh gave an enlightening keynote titled ‘My Path Through the Forest’. Some of her short stories sound like my favourite books – experimental literary fiction with magic realism and speculative elements. She recommends that emerging and other writers attend festivals, courses and literary social events, use social media and subscribe to professional organisations such as Australian Society of Authors. “The longer I’m in the literary world, the more I realise it’s about connections”. She acknowledged that authors are often introverts (who generate energy from being alone) and should balance their time with others and their book publicity with time alone writing and re-energising.
Julie quoted The Sound of Music: “When the Lord closes a door, somewhere he opens a window” as a reminder to “scatter seeds everywhere” to find opportunities to promote work, only ask once and keep trying something new re publicity. Her published books arePortable Curiosities and Capital Misfits. She’s currently writing the libretto for an opera and, with Ryan O’Neill, Jane Rawson and others, is part of the exciting, audacious writing collective Kanganoulipo.
In ‘Staying on the Path’, Charlotte Wood (whose The Natural Way of Things I have written about a number of times on the blog) explained that she must “follow the energy” – have curiosity and interest in the work she’s writing itself; and, to maintain longevity in the industry, have tenacity and perseverance and behave professionally by treating everyone with respect and with humility.
In the session ‘Going Further Afield’, Kirsty Melville from US-based Andrews McMeel Publishing (who publish Rupi Kaur’s Milk and Honey and other books of poetry) told us that poetry is generated by the political environment and “people are looking to the arts to express their creative selves.” She has recently signed three emerging Australian poets, Gemma Troy, Courtney Peppernell and Beau Taplin.
The highlight of the festival was ‘Poetic Threads’, three poetic performances inspired by ‘The Lady and the Unicorn’ medieval tapestries. It was curated
It’s an exciting literary week in Sydney, beginning with the announcement of the winners of the prestigious NSW Premier’s Literary Awards at the State Library.
I was honoured to judge overall Book of the Year, as well as the Patricia Wrightson children’s book category.
Taboo by Kim Scott won both the Indigenous Writers’ Prize as well as Book of the Year. This is the third consecutive year that an Aboriginal writer has won Book of the Year, with Leah Purcell winning with her play script, The Drover’s Wife last year and Bruce Pascoe with Dark Emu in 2016.
Taboo (Picador Australia) is an exceptional work: dense, skilfully composed and darkly lyrical with some mystical elements. It traces the reunion of people affected by a horrific past massacre in a Peace Park. Teenager Tilly is the daughter of deceased patriarch Jim. Her backstory is confronting, intimating she has been treated like a dog. Twins Gerald and Gerrard may be her allies or threats. Multiple characters are introduced effectively and some unlikeable characters are rendered with affection and understanding.
Symbols of the curlew and other birds are powerful and I particularly appreciated the representation of words from the ‘ancient language’. They are alluded to but not shared on the page. Some can even animate objects. As Wilfred says, “Words, see. It’s language brings things properly alive. Got power of their own, words.”
Another multi-awarded title is Bram Presser’s The Book of Dirt (Text Publishing). It won the UTS Glenda Adams Award for New Writing, the Christina Stead Prize for Fiction and the People’s Choice Award. It is a holocaust novel which reads like non-fiction and includes transcripts of the author’s letters and replies with black and white photos. Ideas about the Museum of the Extinct Race, The Story of The Book of Dirt and images of dirt as the clay Golem’s heart will endure.
A clay Golem figure, Riverman, is also a feature of Zana Fraillon’s Ethel Turner Prize Young Adult winning book, The Ones That Disappeared (Hachette Australia). This is a salutary warning about child trafficking and slavery in Australia and elsewhere told in sensory language, with a sometimes-magic realism style. (I reviewed it for the Weekend Australian here.)
The winner of the Kenneth Slessor Prize for Poetry is Argosy by Bella Li (Vagabond Press). This is an exciting combination of words and exquisite, thought-provoking colour collage in evolving styles.
Congratulations to these and the other winners, as well as the creators of the shortlisted titles and thanks to the State Library of NSW, the coordinator of the awards.
Here is the link to the winning books and shortlists.
Author and playwright Maura Pierlot is no stranger to success with her most recent awards boosting her literary status beyond expectations. Last year she received high accolations, being announced Winner of the Charlotte Waring Barton Award and the CBCA Aspiring Writers Mentorship Program 2017 with HarperCollins. Maura went on to complete her winning Fellowship for two weeks in March at the Katharine Susannah Prichard Writers’ Centre in WA to develop her script, Leaving into a full length play. And most recently, her debut picture book, The Trouble in Tune Town, (illustrated by Sophie Norsa) received Joint Winner for Best Children’s Illustrated E-Book in the Independent Publishers Awards (IPPY). How thrilling! So today, Maura is here to discuss her writing life and the launch of The Trouble in Tune Town.
What do you enjoy about writing for children as opposed to your young adult and playwright work?
On some level, I find it more challenging to write for children than I do for young adults or for the stage. I have a tendency to overthink things – probably all those years of philosophy training – and writing for children forces me to tell a story simply – just an idea stripped back, pure, presented in a way that engages and excites … preferably in less than 500 words. I think that’s very difficult to do well.
Your picture book, The Trouble in Tune Town, is a lively, colourful and encouraging story with some impulsive music notes and a young girl practising persistence and self-belief whilst practising her instruments. What do you hope for readers to gain from their literary experience with Meg and her musical notes?
I hope young readers appreciate the magic and wonder of music, seeing it as a source of joy, not one of stress or obligation. I hope they accept the challenge of learning new songs in a balanced way – doing the best they can, knowing that it’s not a race, and remembering to have fun along the way. I hope they learn to dig deep and persevere because sometimes in life it’s just too easy to give up. Rather than strive for perfection, I hope kids are never afraid to try new things, or to make mistakes, and learn to pick themselves back up when things don’t go to plan. That’s where the real growth comes from.
What has the response been like so far from the audience of The Trouble in Tune Town? What kind of public appearances have you made to share your book?
The response to the book has been overwhelmingly positive. Readers of all ages seem to identify with the story and the message, which is heartening. It’s been a big hit in families with music-playing children, also with grandmothers and aunties who seem to think it’s the perfect gift.
Until now, due to other commitments, I’ve only been able to do a few school visits. The book took a while to produce, particularly the early sketches, because we all saw the potential of the book and wanted to work hard to make sure we did it justice. Unfortunately, when the book was finally released, I had to head overseas for a family illness and, by the time I returned, it was too late to schedule a launch before the Christmas holidays. I have always had my heart set on a launch at the National Library of Australia but there was no availability for several months, hence the 6 May launch date, somewhat ironically during the Canberra International Music Festival.
I’ve sold quite a few books at local markets. And two local businesses have purchased large quantities to include in gift hampers for their clients, so there’s been a nice follow-on effect from that. The book is available for sale online, but I haven’t done a lot of publicity to drive traffic to my websites. I’m a late starter to social media – I think I was Amish in another life – so I need to learn how to use those tools effectively to spread the word.
Last year you were named the winner of the CBCA Aspiring Writers Mentorship Program. Congratulations! What was your process in applying for this and how has the win affected your writing life?
I’ve been working on my young adult novel, Freefalling, on and off for about four to five years. On the strength of an early draft, I was selected for HARDCOPY, the inaugural (fiction) professional development program run by the ACT Writers’ Centre. The next year I was shortlisted for a Varuna Publisher Introduction Program, then in late 2016 I was named Runner Up for the NSW Writers’ Centre Varuna Fellowship (both for Freefalling). I was pleased with the attention the manuscript was receiving, but slightly frustrated that I hadn’t found an agent or publisher. I did get quite a few ‘nice’ rejection letters. One agent told me she loved the story 95%, but in today’s harsh commercial climate she really had to love it 100%. Virtually all last year, I went on a hunt for the missing 5% and one day, the answer came to me so clearly that I was amazed I hadn’t stumbled upon it sooner.
I was in the process of reworking the manuscript when applications opened for the CBCA Aspiring Writers Mentorship Program so I submitted my current version, which has subsequently undergone further revision. I was thrilled to be named the winner of the AWMP 2017. The award told me I was on the right track, and that message couldn’t have come at a better time. The mentorship involves spending time with HarperCollins staff (in editing, marketing and publishing). I’m currently talking to the publisher about how my mentorship will work, and I’m pleased that there is interest in customising an approach based on what my manuscript needs at this point in time. It’s too early to know the precise mentorship details, or the outcome, but I have no doubt that the process will be worthwhile, and that my manuscript will be much stronger as a result.
Looks promising! Congratulations again, and look forward to all the exciting news coming from your end!
To follow the blog tour and go in the draw to win a hard copy of The Trouble in Tune Town please visit here.
Perfect World and Beast World are the first two books in my new series, OTHER WORLDS. Aimed at children eight and up, they are about kids who find mysterious keys that open doorways into other worlds – thrilling adventures follow. For more info, check out my previous blog post. But now, here’s your chance to win a signed copy of one of these books…
How? Simply send an email with “OTHER WORLDS comp” in the subject line to [email protected]
The giveaway closes at 5pm (Melb time) on Friday 27 April 2018, after which I will randomly draw two winners, each of whom will get one signed book.
You must be an Australian resident with an Australian postal address to enter, and you can only enter once.
The winner will be contacted by email, as well as being listed in the comments section of this post. No correspondence on the matter will be entered into. Got that? Good! Now… go and enter. 🙂
A perfect world full of identical clones. Steampunk London inhabited by well-dressed, talking animals. Robots and humans fighting a war in virtual reality. A seemingly ordinary world threatened by a mysterious darkness. To discover these worlds, all you need is a key to open a doorway. This is the setup for my new series of sci-fi/fantasy books for kids – OTHER WORLDS.
I’ve been a long-time fan of portal fiction – stories that, through the use of a portal, transport ordinary people into extraordinary worlds. These worlds are sometimes similar to our own, with key points of divergence, sometime bizarrely different. Books like CS Lewis’s Narnia series or His Dark Materials by Philip Pullman, and television shows like Sliders, have taken audiences on splendid adventures between worlds. Now, finally, I get the chance to play with portals and other worlds.
The first two books in the OTHER WORLDS series, Perfect World and Beast World, were released in March this year. The next two books, Game World and Dark World, will be published at the end of May. If these four books do well enough, then there is the potential for further books in the series.
So what goes in to writing a kids’ series like this? There is a lot of thought and planning, beyond the actual plot.
The biggest consideration was what actually constitutes a series? The books in my previous series You Choose, were linked by format rather than the story. Each book had a completely different plot, covering a range of different genres, about completely different characters. What made the books a series, is that they were all interactive and written in second person (like the old Choose Your Own Adventure novels and the Pick-a-path books). I enjoyed the freedom of playing with different genres and having individual stories, and I wanted to retain some of this freedom for the new series.
This time around, I wanted a story link… but not too much. Not all kids are going to be interested in reading every book in a series. For this reason, I wanted to give each book the ability to be read on its own and still be understood. I also wanted to give each book an individual feel. So I decided that each one would feature a new set of characters and a completely different world. Perfect World is straight science fiction with a serious message about our own world. Beast World is steampunk fantasy. Game World is adventure sci-fi. Dark World mixes science fiction and fantasy with a dash of horror. But every story begins with a kid finding a key that opens a doorway into another world. So there is a pattern to the books, which gives the sense of being part of a greater whole, but individual stories so that each book can be read on its own.
But I wanted a little more to link the books… to provide some sort of reward for those readers who did read all the books. So in each one there is an epilogue, separate from the main story, to tantalise readers with a mystery that doesn’t get solved until the fourth book.
It was important for me to write a series that would appeal to both girls and boys. In addition to making sure there was a balance of male and female characters in each book, I decided to alternate the gender of the main POV character from book to book; with the secondary character being the opposite gender. So each book has a prominent boy character and a prominent girl character. This also ensured that there were both male and female characters on each cover.
While I was aiming for these books to be thrilling adventure stories, I also wanted some depth. I wanted to touch on subjects that were meaningful to me. The importance of individuality and diversity, and the need to be who you really are, are themes that run through these stories, sometimes in the background, sometimes a little more overtly. There are also themes of co-operation, of not judging others and of the importance of ethics in science.
Most importantly, I wanted these books to be fast-paced and fun, and perhaps a little bit quirky. I’m an odd person. My mind is constantly whirling with bizarre ideas and idiosyncratic images. I like putting these into my books. So… Reject clones living in a massive pile of trash called The Dumping Ground. A vegetarian tiger plotting treason. A robot boy who’s forgotten that he’s a robot. A zombie struggling to learn how to make a good cup of coffee. These are just some of the weird things you’ll find in the OTHER WORLDS books.
And if you happen to be a Doctor Who fan (I happen to be a HUGE fan)… there is a hidden reference in each one of the books. 🙂
I think I’ve put more of my interests, more of my hopes and beliefs, more of myself into this series than anything else I’ve ever written. I’m hoping that readers will enjoy reading them as much as I enjoyed writing them.
Catch ya later, George
PS. Keep an eye on the Boomerang Books Blog for your chance to win signed copies of Perfect World and Beast World.
An exciting thing about books is that they can cover such a variety of lengths of times! Some take place over years. Others weeks. And still, the very special and few others, just a mere days or hours. It takes talent to tell a whole story that fits into a 24 hour period, so today I want to list some Young Adult books that were written about one-day-in-the-life-of their respective protagonists!
I HAVE LOST MY WAY BY GAYLE FORMAN
This is a brand new Forman book (out just this month!) and it’s set over one day in New York City. It covers 3 protagonists who all feel like their lives are folding in and how they meet and how they support each other. Freya has just lost her voice and this is super bad news for an upcoming rising star singer. Harun is hiding the fact that he’s gay from his conservative Muslim family and he’s just broken his boyfriend’s heart. Nathaniel has been neglected all his life by unfulfilling parents and now he’s taking a last journey into the city to carry out a plan that will change him forever. The three have a fateful meeting (aka Freya falls on top of Nathaniel and knocks him out) and they set out across the city together for one fateful day of change.
LONG WAY DOWN BY JASON REYNOLDS
This one doesn’t just take place in one day, it actually takes place over one elevator ride downstairs! How incredible is that right?! It seems mind-bending that it could actually work, but trust me it really does! The story follows Will whose brother has just been shot and he’s taken his brother’s gun to go get revenge. But as he rides the elevator down, ghosts of his past enter and share their stories. All the people who get on the elevator have been affected by gun violence and the more they talk to Will, the more he realises this hate cycle is absolutely not going to fix anything. This book is in prose and it’s heartwrenching. An absolute must read by an acclaimed author!
SAM AND ILSA’S LAST HURRAH
This story takes place over one evening where Sam and Ilsa host a “last” dinner party to celebrate the finishing of school and how their lives are about to diverge and change forever. They’ve always hosted really interesting dinner parties (inspired by their eclectic grandma) and each invites three people and doesn’t tell the other who’s coming. Adds a lot of spice. However for this fated party, the mix of people soooo do not mesh. Sam’s ex is there as well as his new crush, a random boy he met on the subway. Ilsa’s snarky best friend comes to cause havoc and a boy Ilsa’s planning to set Sam up with…but who turns out to only speak through a sock puppet!? As lasagna fails and there are black outs and bitter secrets leaked…the twins learn a lot about each other and maybe to stop trying to meddle in each other’s wants and dreams. It’s co-written by the famed David Leviathan and also Rachel Cohn, the same duo that brought us Dash and Lily’s Book of Dares!
The 2018 NSW Premier’s Literary Awards shortlists have just been announced. I’m enamoured of literary works across ages but am here featuring the books in the two youth shortlists because I’ve already read them all. And I’ve read them, not just because I chaired the judging panel of the Patricia Wrightson Prize for Children’s Literature with insightful co-judges Robin Morrow and Tohby Riddle, but because these are books worth reading.
The Patchwork Bike by Maxine Beneba Clarke and illustrated by Van T Rudd (Hachette Australia)
The Patchwork Bike is a stunning, ground-breaking picture book; an exuberant fusion of words, colour and texture. It has already won a CBCA Honour book award and I’ve mentioned itseveral times on the Boomerang Books blog.
The Elephant by Peter Carnavas (University of Queensland Press)
The profound theme of a child grieving for a parent is told in finely crafted words and images, with simpatico black and white line drawings.
Blossom by Tamsin Janu (Omnibus Books for Scholastic Australia)
Tamsin Janu has been shortlisted twice in the Patricia Wrightson category this year. Blossom is an exciting, original novel set seemingly in the real world but with subtle sci-fi content. It brilliantly alludes to the plight of aliens and refugees.
Even though very young, Tamsin Janu is an old hand at the NSW PLA. Since her first novel Figgy in the World co-won the Patricia Wrightson award a few years ago, her two subsequent Figgy books (all set in Ghana) have also been shortlisted.
Tamsin Janu will be speaking in Strathfield, Sydney, on Saturday 7th April at an IBBY event.
A timely and thoughtful dystopia set in the near future when bees have become extinct. It is engaging for children as well as being a fine piece of writing. The issue of domestic violence makes it most suitable for older children.
Bren MacDibble is also shortlisted as Cally Black in the Ethel Turner Prize.
A consummate thread of magic realism, including a golem creation, runs through this novel to diffuse the horror of the important and harrowing issue of child trafficking. I reviewed it for The Weekend Australian here.
Warcross by Marie Lu is the rainbow explosion of gaming, bounty hunting, and secret identities that you’ve all been waitingfor. I’ve read a few Marie Lu books but I feel this is my new favourite! I picked it up on impulse and devoured it a day, so if that doesn’t say something, what does?!
The story follows Emika Chen, a bounty-hunter who’s absolutely broke and looking at eviction and a life of nothing since she’s been a convicted criminal. Oh joy. She lives in a world in the not-so-distant future where everyone is obsessed with this nation-wide phenomenon game called Warcross. It’s a virtual reality that you can tap into with just a pair of glasses and it changes lives and worlds. Plus it was created by a genius teenager, who also happens to be Emika’s idol. But all that is far away in her life, when just surviving day-to-day equals eating packaged noodles and hunting for criminals the cops can’t quite catch…except that all changes when Emika accidentally hacks into Warcross and draws the attention of the billionaire genius creator himself: Hideo Tanaka.
Hideo ends up hiring her to catch a rogue player in his virtual reality Warcross game, and she travels to Japan to compete in the championships. But the things she uncovers while poking about behind-the-scenes of the company and game…well, wow. That’s not what she expected.
The settings and the descriptions were really the stand-out highlights for this book for me! For starters, I loved getting to “see” Japan, and it was made a little more incredible by the sci-fi elements thrown in. When wearing the Warcross glasses, you can see another reality on top of this one, so it could just make everything a bit more surreal and special. Emika goes from being dirt poor to having anything she could want while working for Hideo and those rags-to-riches stories are always captivating.
Plus of course we know there’s going to be a little something between Emika and Hideo. He’s been her idol forever, but now she’s met him, she can see the stressed teen side that he has to hide from the media. His life isn’t as golden as it seems and I loved these dimensions of Hideo that we got to find out! The romance is also sweet and light and doesn’t draw away from Emika’s struggle to find an attacker hidden inside a computer game while not giving herself away.
However the gaming aspect didn’t really light up my world...which, I mean, it didn’t stop me from enjoying the book?! But I’m not a gamer! And I also struggled to believe that, in this future, 90% of the world would be playing a virtual reality game…I feel like there’d be more people who wouldn’t be interested in it? But maybe that’s just me who’s always had my nose in a book instead of gaming! Still I think this’ll really excite gamer-bookworms.
Emika was also a hopeless do-gooder with a badass side and rainbow dyed hair. I mean how awesome is that all together?! She was definitely the smart and capable heroine you want to root for, and with Hideo’s complex and interesting backstory and actions, the two make a plot you don’t want to look away from.
Basically Warcross is the kind of book that should definitely be on your radar! It’s clever and fast-paced, with a futuristic Tokyo of gorgeous colours, technology and the dark side that comes with a world that’s mostly online.
Being a Piscean, secrets and small spaces do not faze me much. I’m one of those little fishes who loves a bit of enigmatic seclusion and the stimulation of guesswork, which is why I absolutely, nuts and crackers enjoyed the following titles. Each possesses a fluidity of story and cast of characters so cleverly crafted, I felt like I was sharing their experience as if it were my own. These books take you in deep, which for me makes them terrifically satisfying and just a little be frightening – in a can’t-get-enough-of-way.
Fire – both compelling and repelling. Catastrophic and cleansing. This sums up the sweep of emotions and characters Weetman explores with Clem Timmins. Clem’s secret begins with a flicker but soon ignites into something she struggles to contain upon losing everything after her house burns down – her clothes, her treasures and her mum. Timmins and her pre-pubescent peers totter on the edge of change with remarkable poise and a raw, heart-wrenching genuineness that will bring the sting of tears to your eyes and a smile to your lips. They clutch at various emotional straws, each wanting happy outcomes but in Clem’s case, too frightened of losing even more, thus retreating into secrecy. This is good old honest storytelling, where enigmatic poignancy tempers robust reality.
Side-splinteringly silly, this jocularly illustrated romance features Stick (a stick insect) and his infatuation with the most beautiful stick insect he has ever laid eyes on. He immediately launches into a reverie of what ifs with his newfound love despite Butterfly’s repeated proclamations that it’s ‘just a stick’. Readers merrily hurtle along with Stick and his runaway imagination until he finally twigs his embarrassing mistake. Eye-catching candy that will tickle the funny bones of 2 – 5 year-olds.
Valentine’s Day may seem an unlikely celebration for monsters and ghouls yet young Fran has other notions. He sets his heart on creating a pretty, pink paper heart for which he receives cutting ridicule. His vampish friends fear that Fran might be in love, that icky, gross, mushy, kiss-on-the-lips emotion that they frankly all find ‘terrifying’! Fortunately, for Fran, he turns the other bolted cheek and remains true to his real feelings. Despite its monochromatic overtones and comically Goth characters, Valensteins oozes charm and meaning, showing young readers that real love is about what you feel in your real heart. This is a lovely expression of being true to your feelings and creating meaningful relationships.
We’re well into 2018 now, and in the process of setting new reading goals for the year I’ve been thinking about my varied reading success last year. Here are 5 unexpected books I read in 2017.
Most anticipated read
My most anticipated release and read of 2017 was A Column of Fire by Ken Follett. Being a loyal reader of the Pillars of the Earth series, I was keenly awaiting the third in the series and coming in at more than 750 pages, it was an impressive tome. While it was greater in scope than the others in the series, it was a great read.
Most disappointing read
I’d been savouring my signed copy of Prince Lestat by longtime favourite author Anne Rice for ages, delaying the gratification and joy I was sure would ensue from the first page until the last. Unfortunately when I finally picked it up to read last year this wasn’t the case.
This is the 11th in the Vampire Chronicles series and the plot contains chapters from different vampires as they begin to face a crisis threatening their kind. I should have been thrilled to rediscover favourite characters again, but the cause uniting them was a complete bore. Such a shame.
Long overdue I don’t mean overdue library books here, but a book I should have read long before now. For me, this was Past the Shallows by Australian author Favel Parrett. Set on the coast of Tasmania and dealing with themes of grief, this is a coming-of-age story about brotherhood. Shortlisted for the Miles Franklin Award in 2012, it’s a haunting and often sad story, but it’s also a very quick read so I don’t know why it took me so long to get to it.
Least favourite book My least favourite read of last year was Artemis by Andy Weir. Main character Jazz is living in a settlement on the moon and I just didn’t care about her or what she was doing. The attempted humour fell flat and the plot was uninteresting. It clearly lacked the humour and interest of The Martian – one of my favourite books in 2014. If I didn’t know the novel was by Andy Weir, I would have stopped reading early on.
Taught me something new The Four Tendencies by Gretchen Rubin was one of my favourite books last year and I still think of her theories several times a week, almost six months after reading her book. You can take the quiz for free and determine your own tendency, you’ll be either an Upholder, Obliger, Questioner or Rebel. I’m an Obliger and learning that helped me understand myself and others better and I highly recommend it.
I’m a little late with this… but, better late than never. The year of 2017 was rather busy for me and while I didn’t do much blogging, I did a lot of reading. I may not have managed to keep up with all the new releases that I wanted to read (I still have a few key ones on my to-be-read stack), but I did get around to enough of them to do my annual top reads list.
So here goes…
I didn’t read all that many picture books this year. Both my kids have out-grown them. I keep telling them that you’re never too old to enjoy picture books, and I hope that one day they will return to them. But for the moment… I’m just reading them myself. So I’m not reading as many as I used to. My favourite for 2017 is…
I defy anyone to read this book and not tear up. It’s about a young girl and her dad, the Fit-It Man of the title. He can fix anything and everything, and she relies on him to do so. Until… Mum dies. And things are not so easy to fix anymore. This is not a situation Dad can repair on his own. It’s going to take the two of them together. This is such a lovely book, that says so much, even with pages where there are no words. Dimity Powell weaves this story with grace and gentleness, supported by gorgeous, whimsical illustrations from Nicky Johnston.
I write kids’ books. So I read a lot of kids’ books. And I have a clear favourite for 2017…
This is the sixth and final book in the amazing DragonKeeper series. Full of adventure and heart, fantasy and history, it is an absolute joy. Tao, former novice monk and now DragonKeeper, and his dragon Kai complete their journey of discover begun two books earlier. I read it with mixed emotions. I loved it, but was so sad that there will be no more in the series.
Teenage ghost hunters in Melbourne! Quirky, charming, exciting and utterly delightful, it is a perfect balance of character interplay and engrossing story. I adore the Melbourne setting, which had me going “Oh, I know where that is” almost every chapter. It is thoroughly contemporary and yet manages an old-school charm as well. I love Pryor’s take on what ghosts are – it makes them kinda sad, but also really frightening when necessary. I feel there is so much potential in the characters to go further. I’m desperately hoping there will be more books about Anton, Rani and the other ghost hunters.
This book weaves together the Commedia dell’Arte form of thearte, bits of history and fantasy into one of the most original ideas I’ve seen in a long time. Mina has an amazing talent for storytelling, which means so much more than she realises. Leaving her small town, she sets off with a troupe of travelling actors in the hope of finding her missing brother, who left with a similar troupe ten years earlier. Ahead of her, is adventure and intrigue as she discovers that her storytelling ability can lead her to the amazing realm of Tarya. I am so looking forward to the remaining books in this trilogy.
Luke Miggs lives in Ulah, a small town that loves its football. When the mysterious Adam Pride literally walks out of the night to join the local team, everything changes. Ambitions are kindled. Dreams are chased. Choices are questioned. And the past is revealed. This book is not just about football. It’s about small-town life (its ups and its downs). It’s also about friendship and choices and racism… and the past refusing to stay buried. Vivid characters, and an intriguing story, make this an absolutely gripping read.
I don’t read a huge number of grown-up books. I tend to be VERY choosy and stick with books from writers I’m friends with, writers whose work I know and love, and books recommended to me by people whose opinions I value. Also, keep in mind that Just Another Week in Suburbia by Lez Zig (alternate name for Lazaros Zigomanis, author of Pride) is still on my to-be-read stack. Having said that, I have a very clear favourite for 2017…
Call it a short novel or a novella or whatever you want… I call it brilliant! It is tense, imaginative, edge or your seat stuff that is hard to put down. Without giving away too much… it’s about a man whose wife goes missing. She simply doesn’t come home from book club one night. Not willing to leave things to the police, he investigates and discovers that it was no ordinary book club that his wife belonged to. I love the way Baxter reveals the characters’ twisted back-story, then weaves it into the main plot of the club and disappearance. I read this is 2017, and it’s still buzzing around in my head a month in to 2018.
As a writer of educational books, I read a lot of non-fiction for research. But I also read a bit off my own bat. Interestingly, I didn’t read anything that was published in 2017… it was all older. So, my favourite non-fic book written prior to 2017 but read in 2017 is…
This is a book of interviews with and photographs of transgendered young people. It’s very common for people to dismiss or ridicule or fear or even hate people who are different. Books like this promote understanding. And once you understand the difference, and understand that people who are different are still people, and that they have hopes and fears and dreams just like you… well, it gets hard to dismiss or ridicule or fear or hate. And that’s why this book (and others like it) are so important. Quite apart from that, this book is also a really fascinating insight into the lives of six interesting and diverse people. This is the sort of book that really should be on the shelves of every high school library.
I love short stories, but for some reason didn’t actually read all that many of them in 2017. But out of the collected works I did read, this is my favourite…
This book is the result of the #LoveOzYA movement and features some of this country’s best YA writers. Such a variety of styles and genres and topics… and every story in this anthology is a gem. My personal favourites are Lili Wilkinson’s hauntingly beautiful tale of drain exploration, “Oona Undergraound”; and Gabrielle Tozer’s bus trip story of the past being revealed and understood, “The Feeling From Over Here”.
OVER ALL FAVOURITE
Very difficult decision, but I’m going with Alan Baxter’s The Book Club. As I said, it’s still vivid in my memory. And even now, I can feel my heart begin to race and a niggle of panic at the back of my mind as I recall those first moments when the main character realises that his wife is missing.
A big part of my writing life revolves around speaking about writing. In 2017 I did 161 individual sessions that included festivals, school visits, library visits and promotional tours. You can read about some on my experiences in these blog posts:
2018 is looking to be an extremely exciting year for YA book-to-movie adaptions! Of course these adaptions always come with their fair share of nail biting and high expectations, because how can a film properly capture our favourite books?! But we can live in hope, right?!
Here are some YA books that are being adapted for 2018 and I’m pretty excited for these! The important thing to do is to remember the word: adaption. They’re never scene-for-scene recounts, but as long as they capture the heart of the book, then they’re on the right track!
This one is actually being changed to the title of “Love, Simon” which is super cute and really captures the essence of the book, which is full of a boy’s emails to his secret lover. Except he gets busted for it at school and a fellow classmate blackmails him with the email info. Why? Because Simon is gay but not out yet and not ready to be out and now that power has been taken from him.
One reason I’m super excited for this movie is how much the author seems happy with the adaption! And also for the fact it stars a gay protagonist in a mainstream movie. About time!
A Wrinkle In Time has been adapted before, but this latest version looks absolutely phenomenal with an all-star cast that includes Chris Pine, Oprah Winfrey, Reese Witherspoon and Mindy Kaling! The trailers are so stunning the visual effects look amazing. Plus it’s nice to see the older cult-classic books coming back to hit a new generation with their amazingness, right!?
Sci-fi and magic collide when Meg’s father goes missing and she bends time to find him and bring him home.
This is the final movie in the Maze Runner trilogy! There was a bit of a wait between movies #2 and #3 due to an accident and injury of the star (which is pretty sad, but seems to have worked alright!?) so we finally are going to see how the books conclude this absolutely epic YA dystopian trilogy. The trailers look really epic and include huge cities and lots of shootouts and high-tech weapons and that feared zombie virus.
Although this trilogy has deviated quite a bit from the books, it’s still super exciting to see how they’ve interpreted it. And of course cast is freaking awesome with Dylan O’Brien starring, with Kayla Scodelario, Ki Hong Lee, and Thomas Brodie-Sangster.
OTHERS TO WATCH OUT FOR
These ones don’t have trailers yet, but they’re reportedly coming out in 2018 and we are EXCITED for this line up! All The Bright Places promises to be an emotional roller coaster and The Darkest Minds (starring Amandla Stenberg) will be a superpower / dystopian action film that’s definitely going to awe us! And also Every Day by bestselling author David Leviathan, which features a teen who wakes up every day in a different body!
Get set for some 70s retro comic book bizarreness, as Jaime Sommers from The Bionic Woman television series meets the 1977 small-screen version of Wonder Woman. It’s a completely oddball concept… and yet, it works!
I think you need to be a fan of these two shows, or 70s genre television in general, to really get this graphic novel. If you are, then there is so much gold hidden within these pages. References to past eps of both shows abound, as a bunch of previously encountered villains band together to wreak havoc. Only the two most heroic ladies of the 1970s can save the world, along with some assistance from the Office of Scientific Intelligence, the Inter Agency Defence Command and the inhabitants of Paradise Island.
For me, the big thrill was the return of the Fembots. I loved watching these menacing robots as a kid in the 70s. They featured in 5 bionic eps (including the epic “Kill Oscar” crossover of The Bionic Woman and The Six Million Dollar Man), so it was great to see them back in action in the pages of this book.
There are also other wonderful pop-culture references. My favourite being a direct nod to Superman: The Movie. As Jaime rescues a woman from a burning building, jumping several stories to the ground, she says “Hold on tight, Ma’am. I’ve got you.” To which the woman replies, “You’ve got me? Who’s got…” 🙂
But my favourite line from the whole book is when Jaime says to Wonder Woman…
“A costume change now? Seriously?”
Of course, this sort of comic needs some completely OTT action sequences. And top billing goes to Wonder Woman lassoing a missile.
Comics are, of course, known for their text-based sound effects, from the ordinary BANG! and BLAM! through to the more creative BIFFO!, KA-POW! and many, many more. But this one also gives us the iconic bionic sound of DEENEENEENEEE. It made me smile every time. And I love the way Wonder Woman’s famous costume-change twirl is represented in pictures.
This graphic novel certainly isn’t for everyone, but if you remember 70s television with any fondness, then you’ll probably find Wonder Woman ’77 Meets The Bionic Woman a bit of a nostalgic gem.
It’s so exciting – being on the cusp of Christmas. If you are still anxious about the book-sized gaps left in your children’s Christmas stockings though, worry no more. Here is my final list of cracking good Chrissy reads for the year. We’ve covered meaningful and moving, so here are some just for fun titles, to fill you with all the merriment the season entails. If they don’t quite make it to you in time, save them for next year; there’s nothing like getting ahead with Santa! I hope you’ve enjoyed our Kids’ Book Bests this year and can’t wait to share even more fabulous titles from the world of children’s books with you in 2018.
We’ve met Sage and her sassy cooking-based series before but this one takes the cake, or rather Pavlova! Frolicsome fun ensues after Sage and her celeb chef parents arrive in Western Australia to record a world-record attempt by Chef Myra to make the world’s largest ever pavlova. In spite of the fiercely debated origins of this quintessentially Christmassy summertime dessert and some irksome ghostly going ons, Sage eventually wades through gallons of meringue to save the day – and the record attempt. Best bit, of course – the delicious pav recipe in the back. A jolly addition to any Christmas stocking.
Well it wouldn’t be Christmas without mentioning this little ripper now, would it. Can Sam and Tobii save Santa’s reputation and Sam’s kidnapped little sister before the Delivery Book is closed for the year? This light-hearted Christmas mystery, chockers with elves, weird smells, stolen Christmas wishes, nasty rashes and disappearing mailboxes is a spirited stocking filler ideal for 7 – 10 year-olds that is guaranteed to sustain the magic of believing. Just ask the author if you don’t believe me!
This picture book is positively exploding with festive fun. Based on the popular memory game and akin to the Twelve Days of Christmas, this story begins with a young boy who, with his new glasses, spies an outlandish assortment of Christmassy things including penguins, reindeers and snowballs. With a faint acknowledgement of beloved Christmas pantomimes, this is a jolly crowd pleaser great for 4 – 7 year-olds.
It’s gratifying see good old Santa in his boardies catching waves albeit a little unconventional. This is, after all, the way many Aussie kids picture Christmas. Crumble’s bonzer rhyming ditty starts with one hot grumpy Santa throwing a major wobbly. He abandons his red suit and boots for boardies and zinc cream leaving poor, barely qualified, emergency Santa, Trevor to recruit a new sleigh-pulling team (a flock of beady-eyed Emus if you don’t mind) and commission a new sleigh (obligatory rusty ute) with which to complete the Southern Hemisphere deliveries, which he does, brilliantly. It’s a jovial win win situation freeing up more surfing time for Santa every year. Littlies and surfers alike will warm to this chipper tale.
Ruby is back in all her glorious glittery naughtiness. It’s not that she deliberately tries to derail Christmas; it’s just that Ruby’s intentions always end up a little askew. This year, she is determined to get a head start with the deliveries but inadvertently gets horribly, hilariously sidetracked. It’s not until she is centre stage in a school musical that she remembers there was something important left undone. Delightful mayhem for fans of this ruby red-nosed reindeer.
Pig the pugnacious Pug is back, this time competing with his little mate Trevor for Santa’s affections. Actually is not affection Pig is after at all, but rather sackfuls of presents. His greed and overt excessive selfishness is what makes Pig so utterly unlikeable and yet so fantastically addictive. I have used this book in early childcare centres and Kindergartens where it has huge crowd appeal. An excellent example of naughty and nice and how you may only end up with ‘just desserts’ if you are too greedy. Obnoxious hilarity in the highest degree, recommended for pre-schoolers and above.
This cheerful collection of predominantly animal inspired Christmas tales will make a gay addition under any Christmas tree. Popular children’s authors and illustrators have created stories that neighbour tales from not so well known writers yet are all redolent of that delicious Christmas spirit. From wombats to pudding making bears, turtles to curious sausage dogs, this anthology of short stories is lusciously illustrated and ideal to read aloud with younger readers or as a meaningful gift for more confident readers. Heartedly recommended reading.
This book declares that Christmas is far too important to leave in the hands of Santa and a bunch of elves. It urges you to ‘take control of your festive destiny’, and what better way to do so than to cut, colour and construct your OWN CHRISTMAS! I love the premise of this definitely-not-boring activity book. Every single colour-saturated page is packed with things to make and do. Advent calendars, decorations, Chrissy cards, Christmas crackers, party hats, gift tags, Santa launchers – it’s all here in with instructions to make mess and have FUN! Just what you need to keep them occupied for longer than it takes to baste a turkey. Have fun with it, this Christmas.
Christmas is a great time for plum pudding and tinsel and muted panic about trying to find the right gift for everyone. So the best and most logical option is obviously to just buy everyone you know a book. And what could be better than an Aussie book!? It goes really well with plum pudding. Total guarantee.
Today I want to list some really great Aussie Young Adult books that have been published in 2017 and might suit someone in your family’s fancy. Or just, you know, gift it to yourself. Christmas is a time for giving after all. (Even to yourself, shh, this is fine.)
BEAUTIFUL MESS BY CLAIRE CHRISTIAN
This is definitely one of my new all time favourite books and it’s about two teens struggling with depression. It involves slam-poetry and a kebab shop and healing and learning to accept you’re not broken, but rather love yourself and let other people help you on your journey. Gideon is an absolute sweetheart and you’ll adore Ava’s determination not to collapse under her grief.
THIS MORTAL COIL BY EMILY SUVADA
This is a brand new book that’s just hit the shelves and it’ll hit all your sci-fi cravings SO well. It’s about a dystopian world where a virus is wiping everyone out, and a genius scientist’s daughter is suddenly left alone after her dad is kidnapped by a dark organisation. Catarina has to crack the code to release the antidote to the world, with the help of a super-soldier named Cole and her own intelligence in science and technology. Definitely features lots of guns and running and small explosions.
GAP YEAR IN GHOST TOWN BY MICHAEL PRYOR
This book is just downright hilarious, so if you’re looking for something that captures Australian wit and humour — like just drop everything and buy this book. Probably buy it for yourself too. It’s just so so funny. It’s about Anton who’s family is a long-line of ghost hunters. They help them move onto the afterlife as quietly and calmly as possible…until a girl from the “elite” British branch comes over and tries to shake things up with her sword and more violent but effective way of controlling ghosts. Mysteries unravel about the different ghost-hunting groups and there’s an extra spiteful rise in malevolent spirits. Except swords and bucket loads of coffee and quips in the face of death and a lot of ghosts.
NIGHT SWIMMING BY STEPH BOWE
This is such a sweet and lovely contemporary set in a small outback Australian town where Kirby is set for a boring existence until the most beautiful new girl moves into town. Kirby’s best friend, Clancy, immediately is ALL eyes for this new girl (options are limited okay) and Kirby promises to help play matchmaker…but the problem is she’s falling for Iris too. The book is the actual cutest thing and features quirky writing and goat soap and delicious Indian food and a protagonist who adores books which is, quite frankly, relatable.
QUEENS OF GEEK BY JEN WILDE
Now this book is set in the USA, but it features 3 Australian teens who travel to a supercon to embrace all their nerdy glory. It swaps points-of-view between Taylor, who is an anxious booknerd with autism, and Charlie, who is a bisexual indie movie star trying to ditch a horrible ex-boyfriend (also, unfortunately, a costar) while she crushes hard on a local youtuber. The book takes place over 3 days and it’s full of action and amazing character devleopment and tons of pop-culture references. It’s super fun and you’ll root for Taylor and Charlie to get their dreams and speak up to their crushes. Definite must-read for all nerds and geeks!
Books about sisters are absolutely fantastic things! Especially if they manage to capture the complexities of having a sister…AKA you love them and also sometimes want to strangle them. It’s all incredibly good times. I particularly like it when books dive into the complexities of family and siblings, so today I want to list a few YA books that feature sister relationships.
THREE DARK CROWNS
This is a very twisty and dark story about three triplet sisters who have to fight for the throne. These aren’t the kind of sisters you should probably model your life on…but they are super interesting to read about! One is a poisoner, one is an elementalist, and one controls animals. The story follows their journey after their 16th birthday when the time comes to start the battle to claim the throne. Except maybe they’re not what each other expects.
This story not only features two sisters, but it’s also a Little Red Riding Hood retelling! Except instead of little girls skipping through the woods to find Grandma’s house…these sisters are actually hunters of werewolves. So be prepared for axes and blood.
And some super loving girls who dearly adore each other but are so intent on protecting each other they end up causing some catastrophic riffs.
Ramona feels pretty stifled by her small town and her life that seems way out of her control. She really loves her older sister who’s also pregnant with a dead-beat teen husband and…honestly Ramona struggles to support her sister. She feels she can’t leave to have her own life when her sister and the soon-to-be-born baby are going to need her. This is definitely a loving but messy sisterly-bond, but full of support and girls who are there for each other!
Now this one is a little different because Em’s little sister isn’t present for a lot of the book, BUT Em’s #1 goal in life is to get her sister out of prison! It’s set in a fantasy world were two warring people are trying to wipe each other out. Em disguises as one of the enemy in order to “marry” the enemy prince and sabotage them from the inside. This book is so so amazing, clever, plot twisty, and also downright hilarious. You know you’re going to love the “evil” prince when it turns out he only trusts people who love cheese bread as much as he does. #Relatable Also the sequel, Avenged, features sisters Em and Olivia in full catastrophic glory.
THINGS I SHOULD HAVE KNOWN
This story features Chloe, who is a the local Popular And Perfect girl at school and who also has an autistic older sister named, Ivy. The girls are super close and lovely together and Chloe realises that Ivy is pretty lonely and would love a boyfriend but her disability leaves her unsure how to actually go about doing this. So Chloe decides to help out. She ends up setting Ivy up with another autistic boy from Ivy’s school…which means Chloe ends up spending a lot of time with the boy’s older brother — also Chloe’s enemy. Except he’s not so bad the more they hang out and maybe Chloe’s matchmaking is going to take a different turn.
If you are like me, knowing there are only 41 days left until Christmas fills you with silent terror. You know it’s not about the presents. You know you’ll want (have) to give some, anyway. You’ve heard books tick all the enduring, educational, entertaining boxes as far as kids’ gifts go, but how do you choose without going crackers? During the next 41 days, I’ll share a cluster of the best kids’ books of 2017. Hunt them down for your Christmas stockings. Hold on tight though, we’ll be going faster than a turbo-charged reindeer over black ice.
List # 1 Non-fiction Picture Books
At the Beach I See by Kamsani Bin Salleh
Striking board book series featuring elegant artwork and lyrical text. This one is useful for forging connections between our beautiful seashores and new creatures. Ideal for 2+ year-olds.
Jellett’s character-filled illustrations bring this fascinating assortment of historic aviators to spectacular life. From Lawrence Hargrave to John Flynn, ‘Smithy’ to Nancy Bird, numerous significant figures in the history of flight and aviation in Australia are described using first person narrative and fact-based prose. Amazing facts are included along with modern day updates. Perfect for aeroplane enthusiasts from 8 years upwards.
If you love Deadly 60, you’ll be mad for this beefy full-colour collection of some of the world’s most formidable predators. Ridiculously fearsome and astounding photographs accompany an incredible list of hunters from apex predators such as lions and sharks to the less ubiquitous platypus. Scientific facts and stats provide just enough information without obscuring the teeth baring drama and are paired in side-by-side showdowns – anglerfish vs. pelican eel, for example. An awesome addition (with stickers and poster!) for the would-be marine biologists and nature lovers aged 6 – 14.
Move over Orient Express, the Discovery Express has arrived, platform one. This is a glorious pop-up, pull, and flap creation allowing readers to embark on a thrilling journey back in time with Nancy Delaney, geographer, explorer and all-round adventurer. Choco-block with puzzles and fascinating facts, Nancy escorts you from Paris to England, the US and beyond on a spellbinding journey of discovery about trains, planes and yes, automobiles. Even submarines are included in this book, which is more of a code-busting adventure romp through history. Highly recommended and ideal for sleuths and transport spotters from 10 years+.
The Martian was one of the funnest and funniest reading experiences I have ever had. So there was a little trepidation when I picked up his next novel. It had been pitched as a crime novel set on the moon which left me not really knowing what to expect. Would this book be as funny? Would there be the same level of scientific explanation? Would I be completely hooked again? The answer is yes, yes and YES.
Right from the opening sentence I was in. The smart-ass, slightly sarcastic tone that permeated through TheMartian was there from the get go. And as with Mark Watney in TheMartian I fell quickly and easily into step with Jazz Bashara, the heroine of this new novel. Once again Andy Weir puts the SCIENCE into Science Fiction. Brilliantly creating the first city on the moon: Artemis, population 2000. As with The Martian Weir talks you through the science of how and why Artemis exists making everything sound plausible and authentic to this scientific layman’s ears. Andy Weir then adds the economics of how and why Artemis exists and that is where Jazz fits in.
Jazz Bashara has grown up on The Moon and has no desire to return to Earth. Most residents of Artemis are there to serve its economy; the tourist trade of the rich and wealthy or the construction and smelting trade. But Jazz has found her own niche: smuggling. There are a number of contraband items on The Moon and Jazz is the person that can get them for you. When she is offered the score of a lifetime she jumps at the opportunity only realising too late that this time she may have gotten herself in way over her head.
I couldn’t get enough of this book. I was completely fascinated by the way the city on the moon operated and all its various residences and was constantly laughing out loud at the same. The story rolicks along at a cracking pace and will have you literally have you holding your breath towards the end. This is everything that made The Martian so brilliant and then some. I can’t wait to see where Andy Weir is going to take me next!
Raising awareness about mental health through books is an absolutely excellent thing! It gives you a personal perspective about conditions that are on a hugely varied spectrum. Plus you get a fantastic story that will probably make you feel all the things.
Today I’m going to list some books that are about characters on the OCD spectrum. OCD is different for a lot of people and it’s super interesting how these books portray it. So if you’re looking for book recommendations, just sit down a second and prepare yourself for incoming fantasticness.
TURTLES ALL THE WAY DOWN BY JOHN GREEN
Of course John Green is super famous and you’ve probably heard of his latest novel (just released this October!). I really loved the portrayal of OCD because it came directly from John Green’s experiences, which I think gives it a super personal touch…and you also know it’s accurate. The label “OCD” isn’t mentioned in the book but John Green talks about it extensively in his vlogs (which you should 500% go check out. Immediately.)
The book follows the story of Aza Holmes who reunites with a long-lost best friend after his father goes missing. She’s battling though-spirals that control her life and the portrayal of anxiety is so spot on.
HISTORY IS ALL YOU LEFT ME BY ADAM SILVERA
This is another #ownvoices portrayal of OCD and the story is equal parts beautiful and brutal. So basically, read it if you want to feel your heart being squished and also rebuilt.
The story follows Griffin whose ex-boyfriend and ex-best-friend just died in a tragic accident. Despite being separated, this rocks Griffin completely and he ends up following a journey of healing with his ex’s new boyfriend. It dives back through their history to see how things went wrong and it was completely heartbreaking and just perfectly written.
THE UNLIKELY HERO OF ROOM 13B BY TERESA TOTEN
I was completely caught up by this incredibly written book about Adam who’s going to therapy for his OCD. He meets a girl called Robyn and immediately decides he needs to get to know her better (is this love?!) and even though his home life is complicated and messy and his mum has habits that worry him, he’s determined to help himself and find a way to fall in love.
It’s so heartwarming and sweet, featuring a 14-year-old protagonist which was really nice as YA usually focuses on the older teens. It’s told with a lovely voice and it’s equal parts bittersweet and fantastic.
SAY WHAT YOU WILL BY CAMMIE MCGOVERN
This follows the story of a boy with OCD and a girl with cerebral palsy as he ends up being an aid assistant to her during school. They both feel like misfits and they struggle with things that hold them back. Amy can’t walk or talk without a voice box and she feels alienated and overlooked by people she desperately wants to befriend. Matthew is caught up in so many rituals he can feel it crushing his world. When the two decide to help each other, their friendship turns to more and it’s super sweet.
Thank you, Joy! And many thanks for having me on the blog.
But first, where are you based and what is your background?
I live in Sydney, with my husband and our three sons, not far from where I grew up as a kid. I initially studied Communications straight out of high school at UTS, where I majored in writing and media theory, before then going on to train as an actor at Theatre Nepean, UWS. Towards the end of my acting training, I taught drama to a group of kids out at Mount Pleasant and I wrote them a play. It was then that it finally dawned on me that I didn’t want to be an actor after all, that in fact I wanted to be a writer but for young people, rather than adults. So not long after, I enrolled in a writing course with the acclaimed children’s author Libby Gleeson. That course felt both like a complete revelation and a homecoming. It was there that I workshopped a picture text I had written on my honeymoon of all places, about a little boy and his ice cream van driving dad. Libby Gleeson was a wonderful teacher and she instinctively knew how to draw out the possibilities of both a writer and a text and because of that early encouragement, here I am sixteen books later.
Do you give many presentations to children? How do you make them interesting? Have there been any particularly memorable responses?
I’ve spoken to thousands of kids over the years, presenting talks and writing workshops. In my general talks, I’ll often share funny stories about my life, what kind of kid I was growing up and especially some of the funny stories about bringing up my boys. There’s lots of acting and hilarity, especially when I share the inspiration behind stories like Sleep Tight, My Honey or My Mum Tarzan. I always bring along some of my writing journals and I usually explore the growth of at least one book in detail, from first seed to final story. I’m keen for kids to hear about the writing process but I’m also especially passionate for them to grasp how curiosity about ordinary moments can lead to the creation of juicy stories.
Funnily enough, some of the loveliest moments happen when I’m not speaking at all, when little clusters of kids sidle up at the end of a session to confide about a book they’ve been writing, or how they’re going to go out and buy their own writing journal that very afternoon, so they can write about the idea they have for a funny story about their own crazy mum, grandpa or dog. Because just as much as I want kids to love my books, at the end of the day, I want to inspire them even more so to discover the beauty and worth of their own stories.
I adore your laugh-out-loud YA novel My Big Birkett (it’s one of my all-time favourites) and love reciting parts about the animals that mate for life, The Tempest and gorgeous Raven and the meals he makes using mince; as well as your wonderful picture books. Could you tell us about some of these books?
Thanks Joy! It makes me especially happy to know that you are a Raven fan!
I’m often asked what I prefer to write most and I always say I love writing both picture books and novels and that I couldn’t choose between them. The best part of writing picture books for me is the absolute thrill of collaboration. I’ve been fortunate enough to work with so many brilliant illustrators over the years and each one has taught me so much about the power of the visual text. Some of my picture books that have been especially well-received include the Bear and Chook books, illustrated by Emma Quay, Gordon’s got a Snookie, illustrated by Wayne Harris and Big Pet Day, illustrated by Gus Gordon, who was also on the QLA shortlist too, for his gorgeous picture book, Somewhere Else. My most recent picture book is Hark, It’s Me, Ruby Lee! illustrated by Binny Talib. This was such a tough text to illustrate, mainly because of the fairly swift juxtaposition of the scenes of school life, with Ruby Lee’s fervent imagination. I’m just so delighted at what a marvellously beautiful job Binny has done.
I will say that one of the unforeseen joys of my writing life has been the steady, heartfelt emails I have received over the years from teen readers regarding My Big Birkett. These emails about Gemma and Raven and the De Head family have been incredibly sincere and poignant and they have often left me with a huge lump in my throat.
I know this is a tricky question but how do you incorporate humour into your writing?
This is a tricky question! As a kid, I looked into books like they were real windows. The books that spoke to me most were always the ones that captured acutely the laugh-out-loud jumbly nature of life, alongside the bittersweet ache. In terms of writing humour, I always keep an ear out for those little things that will make kids laugh. Not so long ago, my sister told me a story about how her four-year old son crept into her bed in the middle of the night and snuggled up tight to her, saying, ‘I love you so much Mummy, I want to shoot you out of a cannon!’ When I tell that story to kids, they roll around on the floor, laughing their heads off. But at the same time I know they recognise the vehemence of that kind of love, because they’ve felt it rocketing around in their own chests. I think humour has this remarkable capacity to encourage true connection and I’m always keen to incorporate it in my work, because it radically paves the way for readers to engage more fully and tenderly not only with a character’s dreams, fears, hopes and sorrows but also perhaps, with their own.
The Grand, Genius Summer of Henry Hoobler (A&U) has just won the QLA Griffith University Children’s Book award. The judge report says:
“The Grand Genius Summer of Henry Hoobler is structured as a quintessential Australian beach camping holiday but the exceptional storytelling soars to welcome the reader into both the setting and young Henry Hoobler’s rites of passage. We are given a heart-warming insight into introspective Henry. He is a genius at noticing things, surprising his fellow campers with his success in board and card games. He is also ‘Mr Worst-Case Scenario’, dreading the bugs, stingers and sharks of the beach but, most of all, dreading learning to ride his new silver bike. The bike is a symbol of fear, but its significance changes as Henry discovers courage and freedom. Courage can be found when friends are ‘straight-up and true’, embodied by free-spirit Cassie. This tale reminds us that everyone is different and everyone has gifts. Some, like Henry, prefer to learn quietly but even extroverts can be fearful.
The writing is literary and metaphorical, encompassing a vast emotional range whilst being utterly engaging for children. It is rare to encounter a novel for mid-primary children characterised by such perception and cadence.”
What was your reaction when you realised you had won?
I was astonished and delighted. It took quite a few days for it to truly sink in. Then I was just overcome with immense gratitude that the judges had seen something special in Henry.
It was wonderful to meet your young son, Rohan, at the awards presentation in Brisbane (and others there loved seeing him reading The Hobbit as the night wore on). Why was he there and what was your dual experience of the awards evening?
One of the initial nudges for writing Henry Hoobler was watching Rohie develop as a reader. After a slow start, he had a very sudden and rapid acceleration over a single year and I knew he was in this slippery in-between stage, where the books he was capable of reading were still quite a huge stretch for him emotionally. I began to wonder if I could write something that would speak directly to his life. As I wrote Henry, I read chapter after chapter out loud to Rohie. When I had finished the book and before it had been published, he persuaded his class teacher that I should come to school and read some chapters to his whole class as well. I dedicated the novel to Rohan because I wanted to acknowledge just what an incredible gift it was to have his enthusiastic encouragement along the way.
Rohie is an avid bookworm and so hanging out at the QLA awards ceremony for him was suddenly like meeting all of his people, all at once. He was especially touched that I mentioned him in my speech and I was especially touched when Rebe Taylor, the winner of the QLA History Book Award asked him to sign her copy of Henry. I can safely say that if Rohie’s class teacher had seen that handwriting, he would have been granted his official pen licence on the spot!
What is the significance of the title The Grand, Genius Summer of Henry Hoobler?
Early in the novel, Henry discovers that his rather unique talent for noticing things, makes him almost unbeatable when it comes to playing cards and board games. After Henry convincingly and unexpectedly smashes all the men and the older boys at games, Patch, his rather begrudging older brother finally acknowledges that Henry might be bit of a grand genius. It’s the beginning of a radical shift in the way Henry sees himself. Although Henry has replayed every worst case scenario in vivid detail regarding his camping holiday, what he has never considered is all the ways this summer might turn out to be the best one yet, the grand, genius summer of all summers.
Could you tell us about your protagonist Henry and some other characters?
Henry is a sensitive, imaginative and thoughtful nine-year old boy. He is the middle child, slotted right in between his athletically gifted, funny, know-it-all fifteen-year old brother Patch and his rambunctious, My Little Pony obsessed younger sister Lulu. Both Henry and his mum share some anxious traits and tend towards self-reflection and to feeling things deeply. Henry is very keen to please his exuberant dad, who is a real enthusiast for life. But Henry is filled with dread at the idea of learning how to ride his new bike without training wheels, especially in front of prickly Reed Barone, another boy who is close to Henry’s age and who is prone to sneering. Eventually, Henry meets ten-year old Cassie, who lives onsite in a caravan with her Pop. Cassie is a free spirit and alive to the world in ways that astonish Henry. Finally, Cassie’s straight up and true courage rubs off and with an unexpected Lulu intervention, Henry learns how to summon up his own courage and to do a whole series of adventurous things that he never imagined.
For what age-group is this novel intended?
Henry is intended for 7-11 year olds. I’ve been really pleased though by the numbers of reviewers that have also recommended it as a read-aloud for the whole family or the school classroom too.
How did you balance fine literary writing with the other elements of the narrative?
I was keen to write in a way that was hospitable to all kinds of middle grade readers, those that were confidently independent and those newly finding their feet. As a result, the story contains lots of snappy dialogue, which helps to give the text an easy, engaging flow. In terms of metaphoric imagery, I kept in mind some feedback given to me around another novel, regarding the importance of restraint. I was conscious that any poetic moment really had to serve the story and forward the action. At the same time, I wanted the novel to contain a certain richness of vocabulary because something the American writer Madeleine L’Engle once said has stayed with me for years, ‘We think because we have words, not the other way around. The more words we have, the better able we are to think conceptually.’ So balancing all of these elements was challenging, a little like prancing across a highwire tightrope.
As well as being good fun to read, Henry Hoobler has some important underpinning themes. Could you share some of these?
I’m always a little cautious when discussing themes because I know the writer is sometimes the least insightful person on that subject! With Henry though, I was keen to explore the nature of courage, the way one young boy discovers how to be brave over the summer, by learning how to make a tiny bit of room for the worry in his life, without giving it the whole house. The novel examines the transformative nature of unexpected friendship, the contagiousness of courage, the way we need one another in order to learn how to become brave and the way courage always arrives through the actual taking of considered risks. The novel celebrates the importance of family and community and the value of perseverance, forgiveness and kindness. I was keen to write about the beauty of the natural world and how to recognise and treasure the true significance of small ordinary moments.
Which awards have had particular significance for you?
Whenever a book of mine is either shortlisted or receives an award, I’m always extraordinarily surprised and grateful. I know it’s such a hard job to make those kinds of choices, especially when there are so many equally deserving and beautiful books out in the world. Writing a book does take a significant investment of energy and time and winning an award always means that a book will have a much greater chance of being widely read. I was particularly thrilled in 2010 when Bear and Chook by the Sea won the CBCA’s Book of the Year for Early Childhood, not just because it was a moment I got to share with my good friend the illustrator Emma Quay but also because as a kid, I drew a poster every single year for Oatley Library’s celebrations of the Children’s Book Council’s Book of the Year Awards. I was desperate to win a book prize in that poster competition, never dreaming that I would one day write a book that would win an award from such a long-established and hallowed institution.
What are you writing next?
I’ve been writing a series of picture book texts and I’m just returning now to a novel for teenagers that has been patiently waiting it’s turn.
What have you enjoyed reading recently?
I’ve loved Elizabeth Strout’s Anything is Possible, Karen Foxlee’s A Most Magical Girl, James Rebanks The Shepherd’s Life, Brian Doyle’s collection of essays Leaping: Revelations and Epiphanies and the picture books Oi, Frog by Kez Gray and Jim Field and Once Upon a Small Rhinoceros by Meg McKinlay and Leila Rudge.
Thanks so much for having me on the blog and for asking such astonishingly good, stretching questions. It was lovely to take the time to reflect and ponder.
Thanks for your very thoughtful and insightful responses, Lisa and all the very best with your excellent novel, The Grand, Genius Summer of Henry Hoobler, and your other works. We greatly look forward to what your imaginative mind will bring us next.
And thank you for blogging me. It’s blogging exciting to be here.
Where are you based and what is your background?
I’m in Sydney and have a background in documentary and TV. I also do copywriting and write for an educational publisher.
What sort of music do you like and do you play any instruments?
What sort of music don’t I like might be an easier question to answer. There’s not really any types of music I don’t get into. Well except Opera and music that involves men dancing in long socks with bells attached. Struggle with that a little.
Basically I like good music. And a lot of bad music too come to think of it! I just like music.
But I don’t play myself.
I think Dr Boogaloo & The Girl Who Lost Her Laughter is my love letter to music. It expresses all my pent up love which I can’t express by playing an instrument. Kitchen dancing keeps it in check most of the time but sometimes it just needs to come out.
What have you learned about the importance of music?
I believe humans are musical beings. It’s an intrinsic part of who we are. We need music.
What led to you writing a children’s novel?
I started writing for children when I had my own. I kept getting ideas for books and when they slept I would rush upstairs to the attic and try to write. Unfortunately all my children were terrible sleepers so my output is hardly prodigious. Hard to write a book in 45 minutes. But I’m on a roll now!
Could you tell us about ten-year-old Blue, her horrible mother and some other characters?
Ah the lovely Blue. I’m very fond of Blue. She has a quiet strength and she tries to keep her chin up no matter how hard things get. She’s not one to complain – unlike her awful mother. Blue’s mother is somewhat self-obsessed. She thinks having a daughter who can’t laugh is an absolute bummer! It’s ruining her life and simply must be fixed. If not she plans on shipping her off to a boarding school in Switzerland somewhere. One of those ones where they don’t come home in the holidays. Costs a bit more but well worth it obviously, under the circumstances.
Now, let me introduce you to the wonderful Dr Boogaloo and his glorious wife Bessie. They run The Boogaloo Family Clinic of Musical Cures. You may not have ever thought of music as medicine but according to the Boogaloos, music can cure anything!
Of course, you need the right dose of the right music. No point listening to a jive if you’re in need of some boogie-woogie, and you can’t just substitute a hum for a chant, or an opera for a ballad, or a toot for a blow. Absolutely not! Musical medicine is an exact art. And it’s extraordinarily complicated. The way Dr Boogaloo explains it is this – everyone has their own tune but sometimes, for one reason or other, we get all out of tune. We lose the beat, you might say. Unfortunately, your tune is just like your fingerprint. No two are the same. Which is why fixing tunes is SUCH a tricky business!
Dr Boogaloo describes Bessie as the magic in his wand and it’s true they are a great team. Dr Boogaloo reminds me a bit of a brand new pencil – he’s very straight ahead – which is perhaps not what you would expect for a musical doctor. Bessie on the other hand is a little more eccentric. She reminds me of a rainbow caught up inside a tornado. Bessie looks after the Doctor’s instrument collection which is so enormous they keep it in a shed about as big as an A380 aircraft hanger.
I particularly enjoyed Blue’s introduction to the Snorkel Porkel Crumpety Worpel Laughter Clinic. Could you tell us about how people enter it and about some of the Laughter Detection Tests?
Well entry is via a giant slide with a vertical drop that would make your nose bleed – hence the need for padded pants to avoid a really good buttock burn –followed by the the tickle machine which helps sort out the wheat from the chaff in terms of laughter issues. Then, once you get past the lobby guy who has a seriously good aim when it comes to snot olives, you’re off to the testing rooms. They are very thorough at the Snorkel Porkel. There are not many places they won’t venture to ensure an accurate diagnosis. Can we just say, strange animal farts, blooper reels, hula-hooping cats in bikinis, Youtube videos of epic fails and a gentleman called Gassy Gus who can blow up balloons with his bottom! You did ask!
Music is important in your novel but what about colour?
Well Blue’s mother has a thing for colour. She goes through colour ‘phases’. You can probably guess what ‘phase’ she was in when she named Blue ‘Blue’. At this point in time, she’s in a white phase. Phases generally involve a lot of shopping, redecorating and pouring over paint charts. Blue is finding her mother’s white phase particularly challenging. Absolutely everything in the house is white so even finding the fridge can be quite tricky. There’s a lot of falling over the couch, that sort of thing.
Could you tell us about the role of musical imperfection?
Well I can only tell you what I’ve learnt from my time at The Boogaloo Family Clinic of Musical Cures but according to Dr Boogaloo, imperfection is an essential ingredient in any musical cure. One of the many musicians who work’s regularly at the clinic is a Canadian called Neil. He’s famous for the perfect bum note or loose string and exactly when to drop one in. Quite a skill.
Have you paid homage to any other authors in your plot, setting or characters?
Not authors so much but songwriters and songs seem to be scattered about the place. That’s my silly love thing again. You don’t need to get the musical references to enjoy the story – I’m sure most of the kids won’t – but if you’re a music fan reading to your kids, hopefully they might amuse you. Some are obvious, others not. For example, Blue’s globetrotting, game-hunting father sends her a pair of high heels covered in diamonds. There’s even diamonds on the soles! And of course Bessie would name her pet pygmy pocket possums after some of her favourite singers – Dolly & Makeba. Tupelo trees, weeping songs, I’m wearing my musical heart on my sleeve I’m afraid….
Are you planning anything special for the book launch?
Of course. Blue’s mother’s favourite – bubbles. And my favourite – music. We have Gramophone Man coming along to play some very old tunes on his steam-powered turntables. That should give most people’s musical immune systems a jolly good boost before the silly season begins.
What are you writing about now or next?
My next book is called The Crumples of Shambolstown. It’s about some very crumpled folks who live next to some very Crisp folks. A gang of Crumple kids venture into Cripsville and things go very, very wrong. It’s a crumply thriller!
Stories about characters who write are a special sort of bookish-inception. And we love it, c’mon just admit it. So today I’ll be listing some delicious Young Adult books that have characters who write in them! They might inspire you to keep working on your own novel and also give encouragement that all writers, whether real or fictional, spend most of the time staring out the window and crying to ice cream. It’s normal. We’re doing great.
FANGIRL BY RAINBOW ROWELL
Perhaps this is one of the most iconic stories about writers, because HELLO. It’s Rainbow Rowell! Author extraordinaire! Fangirl is about Cath who is newly at college and also a very enthusiastic and popular fan-fiction writer.
She has to struggle with the questions is fanfic “real writing” and defend her beloved fandom and keep up with her huge following for her book plus handle college plus try to cope with severe social anxiety.
ELIZA AND HER MONSTERS BY FRANCESCA ZAPPIA
This is actually mostly about a comic book artist and writer named (surprise) Eliza! She’s actually very depressed and withdrawn and her life is all about drawing the next comic strip for her online book which has exploded into the most massive fandom ever. She’s so famous online, and yet in real life no one knows who she is. Then she meets a boy at school who is a selective mute and has severe anxiety. She discovers he writes fanfiction for her comics….but he has no idea who she is. Does she sacrifice her anonymity and tell him? Or just enjoy having a friend for the first time in forever?
BEAUTIFUL MESS BY CLAIRE CHRISTIAN
This is a fantastic novel about anxiety and depression and follows the dual-POV of Ava and Gideon. They’re both struggling to stay afloat: Ava dealing with the death of her best friend, and Gideon with a life of sever anxiety that’s lead him down some dark paths. But Gideon is into slam-poetry and writes the most beautiful words and lyrics and preforms them.
He and Ava also begin writing letters to each other to build their friendship so the level of word-love in this book = MAXIMUM.
WORDS ON BATHROOM WALLS BY JULIA WALTON
This book is written as a diary by Adam, a 16 year old boy with schizophrenia who’s trialling a new drug. He refuses to talk to his therapist so he writes his daily experiences instead. The journal is raw and beautiful and painful as he tries to fit into a new school without revealing his heavily-stigmatised illness. He’s desperate to have a “normal” life as he falls for a girl and makes friends. But the trail of hallucinations never seems to leave. Are they growing again? This book is absolutely excellent and definitely with break a few heartstrings.
OUR CHEMICAL HEARTS BY KRYSTAL SUTHERLAND
This is a super bittersweet tale of Henry, who is an absolute hilarious dork, and finally gets his dream to run the school newspaper. He’s avidly into writing although gets hugely distracted by his co-editor, a very mysterious girl who walks with a cane and seems 0% interested in being friends with anyone. He gradually coaxes her into friendship and discovers some demons you can’t fight for your friends or lovers. It’s a very poignant story with some dark, messy themes, but parts are also hysterically laugh out loud! The balance is very well done.
The 2017 Queensland Literary awards shortlists have recently been announced. They are a good reflection of the quality of current Australian writing.
The Qld Premier’s Award for a work of State Significance and The Courier-Mail 2017 People’s Choice Queensland Book of the Year show an exciting cross-section of Qld authors. The University of Queensland Fiction Book award category is also notable this year for its Qld authors such as Nick Earls with Vancouver, Ashley Hay with A Hundred Small Lessons and Melissa Ashley with The Birdman’s Wife.
My particular interests are literary fiction, children’s and YA so I’ve read all but 1 of the 15 books in these 3 categories. In the Fiction category, authors Heather Rose and Nick Earls have already been scooping awards in this year’s NSW Premier’s Literary awards. I’ve previously reviewed Hannah Kent’s The Good People for the blog.
Wendy Orr is shortlisted for the Griffith University Children’s Book Award and I learned at the Brisbane Writers Festival this weekend that she also lives in Qld. Dragonfly Song has already been awarded a CBCA Honour prize this year. And I believe that Richard Yaxley, whose YA novel This is My Songis shortlisted, is based in Qld.
In the Griffith University Young Adult Book category, two books in particular have been generating attention in other awards. The Bone Sparrow by Zana Fraillon was shortlisted for two international awards: the Guardian Children’s Fiction Prize; and then it went even higher to win an Honour Book award in the CILIP Carnegie Medal. It has received Australian commendations as well, including an Honour prize in the CBCA awards. I reviewed it for the Weekend Australian. Words in Deep Blue by Cath Crowley won the Indies award and was also an Honour book for the CBCA. I also reviewed it for the Weekend Australian.
Australian literature for young readers in the past few years has been particularly strong in the YA novel and children’s picture book categories. The QLA Children’s shortlist shows a turnaround towards novels for younger readers. Hopefully this is the beginning of a renaissance in Australian children’s novels.
Brisbane Writers Festivalhas had a new lease of life with the appointment of CEO and Artistic Director, Zoe Pollock for the festival’s 55th anniversary. The festival was about “The big stories – and the little ones in between” and the biggest story of them all was probably the recognition of Indigenous literature and creators, particularly the tenth anniversary of Alexis Wright’s novel Carpentaria, which won the Miles Franklin award. This was uniquely celebrated as an immersive dramatic and visual performance inside “Angel’s Palace”, a specially constructed “art-tent”, designed by Gordon Hookey.
The opening address was given by Alec Doomadgee, who spoke about “Indigenous knowledge creation”. He showed excerpts from his seminal film Zach’s Ceremony. Alec said that “reading books gives you a real history of the country you’re in”. He uses the arts and culture to tell stories and create change and urged us all to go away and do something for change. My family has something planned …
I was fortunate to moderate a panel session about “Connecting to Place” which explored how three authors create place as a character (or not – as we discovered) in their stories.
Melissa Lukashenko spoke about the significance of land in her beautifully written, award-winning novel Mullumbimby. Ashley Hay let us look inside a special Brisbane house, peopled over time by two vulnerable women whose lives interconnect. Her novel, A Hundred Small Lessons, has just been shortlisted for the Queensland Literary awards. Kate Mildenhall’s debut novel, Skylarking, was one of my best books of 2016 for the Weekend Australian. It is set on a windswept, isolated cape and is a fine piece of writing about friendship between two young women. Kate is destined for big things in the literary world if she continues to write at such a high level.
I also attended a session about the Australian book industry, “Published in Oz”. It was exciting to hear how writing and reading is the biggest art form that people engage with in Australia. 20% of Australians attend a book event annually and Australia has the highest per capita attendance at writers’ festivals in the world. Reading books is the number 1 favourite leisure activity of Australians. Double the number of Australians enjoy reading books to attending sporting events, playing video games or other pursuits. Australia also has the world’s top independent bookseller market.
Another enlightening session was a workshop for adults on visual literacy by James Foley. He has illustrated Sigi Cohen’s, My Dead Bunny, The Last Vikingby Norman Jorgensen and other books.
The BWF also hosted “Word Play” an outstanding program for young people. My highlight was hearing Wendy Orr, author of the Nim’s Island series (the genesis of the movies), Peeling the Onion and the masterful historical fantasy based on the Minoan myths of bull-dancing, Dragonfly Song. This novel has also just been shortlisted for the Queensland Literary awards.
Thanks to the organisers of the 2017 BWF and to those involved. There was a very special buzz in Brisbane.
It’s turning out to be the year of the most glorious Wonder Woman and no one’s complaining! In honour of Leigh Bardugo’s upcoming book Wonder Woman: Warbringer(which is just released and it’s so exciting!) I’m putting together a list of other superpowered YA novels that you can gnaw on while you get your hands on the famed Wonder Woman novel.
There’s nothing quite like reading about superheroes to make you realise what your future career goals should be. Now just go fall in a vat of toxic waste or get bitten by a very special spider. You’ll be good to go.
STEELHEART BY BRANDON SANDERSON
This trilogy centres around a fallen USA, where those with superpowers are rather evil and like to conquer and destroy the humans. David is just your average regular nerd, who’s also good with a gun, and would like to stop the evil superhero (villain?) who murdered his father. David teams up with the mysterious Reckoner superpower-killing team — even though they pretty much do not want him around. His next step is to try not to get killed from (a) his team, and (b) all the psychotic superpowers blazing around.
I really adore this book, particularly because it’s funny! David is witty and dorky and the plot moves at a cracking pace with plenty of action. And the superpowers are really unique and doubly interesting.
V IS FOR VILLAIN BY PETER MOORE
Superheroes are pretty cool and all that, but what about villain origin stories?! This stars Brad, who’s just a puny little worm in the shadow of his superpowered older brother. Brad is pretty smart, but since he can’t throw cars around or save screaming civilians, he’s pretty much a nobody. He ends up being caught in an undercurrent of criminal activity and has to decide which who are really the “good guys” and who is truly corrupt.
C’mon! Villains! And this is such a classic super villain vs hero story line that it was a real pleasure to devour. Also quite fun with lots of dialogue quips and fantastic explosions.
ZEROES BY SCOTT WESTERFELD
This is a collaboration project by three authors, Scott Westerfeld, Margo Lanagan, and Deborah Biancotti. And it follows the point-of-views of 6 kids with powers in a world where they have to hide them. The team of six has recently been busted apart but are now slowly clawing back together at the insistence of Scam, who hears voices that tell him what to say to make people happy. Which is a handy power but also gets him into a lot of trouble.
The exciting part about this series is definitely how interesting and creative the super powers are! From controlling crowds, to seeing through other people’s eyes, to being forgotten instantly — the book is so creative!
Okay so these are actual comics and not novels of prose, but I had to include them since they’re some of my favourite comics ever! Ms. Marvel is all about Kamala Khan who has extraordinary skills (like shrinking and growing at will) who’s also just a teenager trying to do well in school, please her family, and also save the world. They’re fantastic because they’re so funny and relatable + superpowers. Of course.
I’m holding out hope for someone like Leigh Bardugo to write a novel-formatted story for Kamala or for her to get her own movie! It’s high time we had more diverse teens saving the world between homework and teaming up with the famous Avengers we all know and love.