Today we’re joined by the remarkable Teena Raffa-Mulligan, author to a number of children’s titles including picture books, junior fiction and middle grade novels, as well as romantic reads for the adults. Always possessing a love of the imagination, magic, excitement and adventure, Teena has produced such engaging titles like Friends, True Blue Amigos, Mad Dad for Sale, amongst others, and her latest re-release edition of Who Dresses God? The latter is a gentle and touching story inspired by her daughter’s spiritual exploration of the practicalities of the higher being, that is, God. When years ago as a young child, this divine little soul sought philosophical insights into how God can hear, see and speak, how He transcends yet blends into everything, everywhere, without any physical connection. This is a tender and loving rhyming picture book that opens the gateways to enlightened discussion amongst families with preschoolers and beyond, and is particularly delightful to share around this holy time of year. And here’s Teena to share more with us…
Teena, you have had a long relationship with writing coming from a background in journalism. How did your path lead you to become a children’s author, and what do you love about the world of children’s books?
I knew from an early age that I wanted to be a writer. Books opened a door into the wonderful world of imagination for me and from the time I learnt to read my head was filled with story ideas of my own. The journalism came about by accident rather than intention. In high school when the vocational guidance officer suggested I become a journalist I dismissed the idea as I thought it would be far too boring to write news stories.
My ambition was to be a ‘real’ writer and I had dreams of living a Bohemian life in Paris and writing serious literary novels. However a good looking surfer came onto scene and instead I married and we bought a home and started a family. I’ve always loved books, so I read to our baby son from the time he was a few months old. That’s when I decided I wanted to write for children. I knew nothing about the publishing industry and it was long before computers and the Internet, so it was a learning journey. I received some lovely feedback about my ‘beautiful writing’ and ‘engaging characters’ but all my early manuscripts were rejected by multiple publishers.
That’s when I decided it would be easier to get freelance articles published than children’s books – and it was. Editors bought my stories, requested more and I soon found myself doing – and enjoying – the job I’d dismissed as ‘boring’ in my teens when local papers came on the scene. General reporting and feature writing evolved into sub-editing and editing and I learnt some invaluable skills that I was able to use in my creative writing.
I never lost my dream of becoming a published author, so continued to write, submit and learn everything I could about writing for children. In time the acceptances began to come in. I love the world of children’s books because imagination is unlimited and possibilities abound. It’s a world of magic, wonder, excitement and adventure and the kid in me revels in having the chance to explore it through writing and reading.
You’ve written a mix of articles, short stories, poetry, picture books, juvenile fiction and adult titles. Do you have a genre you feel most comfortable with? What do you find are the most common themes or influences in your writing?
I’m happiest writing for younger readers, and that can be a poem, short story, picture book or chapter book. I’m a bit of a butterfly so staying focused on a novel is a bit of a challenge for me. Many of my stories have themes of belonging, family and friendship, though I don’t set out with that in mind. Essentially, I look on the brighter side of life and my stories invariably have a lightness and optimism about them.
You have recently re-released your gentle and loving story, ‘Who Dresses God?’, originally published in 2012. What can you tell us about this book and what is your aim for readers sharing it with family members, particularly around this time of the year?
The book was inspired by my younger daughter, who asked me that question as a child after a conversation with my mum. We weren’t a religious family so the question came out of the blue for me. I answered it the best I could, we had an interesting discussion and I didn’t give the subject any further thought until a few days later when my writers’ brain clicked into gear. I didn’t consciously set out to write a picture book. It was one of those ‘gifts’ that turn up from time to time in a writing life; a story, poem or scene from a larger work that arrives without warning and the only effort on the author’s part is to commit the words to the page or screen.
I hope the story will start a discussion between children and their family members and encourage young people to think about the world we share and whether there is more to it than there appears to be.
What kinds of strategies, discussions or activities would you suggest for parents and educators to engage in following the reading of ‘Who Dresses God?’?
These two awareness exercises are simple for young children to do:
1. Close your eyes. What do you see? How does it feel? Cover your ears with your hands. What can you hear? How does that feel? Close your lips and cover your mouth. Try to speak. Does it work? How does it feel when you can’t use your mouth and tongue to speak?
2. Go outdoors to a nature area such as the park, bushland or seashore. Stand perfectly still and look around you. What do you see? Listen. What do you hear? Can you feel anything? Then go through the same process, only this time with closed eyes and blocked ears. How much of the world around you are you aware of when you do this? NB. This can also be done in a suburban shopping centre or city street; also while travelling in a car, bus or train.
Here’s one for older children:
Imagine you have the amazing power to create your own world and everything in it. How would it look and how would things work? Write a description or draw a picture of your world.
You and illustrator, Veronica Rooke, have not only collaborated on the development of this and several other books, but also conduct school presentations together. What has it been like working with her on these projects?
I met Veronica when I was working for a local newspaper and she was producing a weekly cartoon strip for the publication, so our friendship goes way back. Our paths used to cross from time to time and I knew she was a talented artist but our creative collaborations didn’t start until she moved into the street where I live about 12 years ago. I was looking for someone to illustrate the new edition of my stranger danger picture book and saw her jogging in the street so stopped to ask if she’d be interested. As it turned out, she’d recently made an employment change and the timing was right.
I was impressed with the way Veronica worked, because I had no idea how to brief an artist. I simply handed over the manuscript and said, “See what you come up with. I’d like it to be bright and colourful with cartoony characters.” She asked the right questions, produced wonderful illustrations, designed the book and organised it to be print ready for the printer.
I still take the same approach when I commission Veronica to create illustrations or book covers, though occasionally I will suggest a particular style or mood. I was thrilled when Serenity Press commissioned her to illustrate my picture book, Friends, and encouraged a collaborative approach, because we work so well together. I give her space to interpret my stories artistically and she is always willing to make changes if there’s something I feel isn’t right.
As for dual presentations, it’s great for a writer to have an artist in the room. We take turns to show how we work, interact with each other and the students, and while I’m talking, Veronica can add pictures to my words in the background. We’ve also put together a joint workshop presentation that gives young people the chance to make their own picture book.
Fun Question: If you could dress God, what would you choose for Him to wear?
Hmm. This one’s tricky! Because God isn’t like you and me, I’d dress Him in a rainbow, a symphony of birdsong and the gentle caress of a spring breeze.
What does Christmas time look like for you and your family? What are your favourite festive traditions?
We always have a family get together at our house in the evening for our children and their families. The meal is buffet style, with contributions from everyone: a selection of salads, sliced chicken and turkey, vegan and vegetarian options, trifle and fruit salad for dessert. Every year I make the chocolate snowballs and chocolate fudge my mother-in-law used to make, and the bean salad and nut meat pasties that my mum made at Christmas.
After the meal there’s gift giving, followed by a walk to the beach just over the hill and a cricket game in the cul-de-sac opposite our house. I love that our family can be together at this time.
For many years there was another tradition on Christmas Day, and that was a visit to the Italian family home in Fremantle. It began in my childhood and long after my grandmother died my bachelor uncle continued to hold open house there. My father’s side of the family would all turn up at various times, gather around the enormous table that filled the big kitchen and catch up on all the news. Sadly, after my uncle died eight years ago the house was sold and that tradition is no more. I miss it.
Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?
I have a new picture book in production and scheduled for release by Daisy Lane Publishing in mid-2019. When the Moon is a Smile is about the special times a small girl spends with her dad, who no longer lives with them. I’m thrilled to be working with publisher Jennifer Sharp, who spent a week exploring London with me last year after we both attended the Serenity Press writers’ retreat at Crom Castle in Ireland. I also can’t wait to see what illustrator Amy Calautti comes up with for the illustrations.
Thank you very much for your time, Teena! It’s been wonderful learning more about you! 🙂
It’s been a pleasure chatting with you. You asked some great questions and the dressing God one put me on the spot!
Visit Teena Raffa-Mulligan at her website, and on her blog tour for Who Dresses God? here.
Sea Song Publications
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In Wilam: A Birrarung Story, we enter an Indigenous world which is presented in full page colour illustrations in acrylics, by Indigenous artist Lisa Kennedy. As the Woiwurrung language does not translate directly into English, many of the words used in this stunning book are in their original language. There is a detailed glossary with miniature illustrations at the end with all the definitions of the words used.
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