Less than a week ago, notable Aussie author / illustrator and prodigious writer for children, Rebecca Lim, release her latest action-packed middle grade series, Children of the Dragon. Book One: The Relic of the Blue Dragon promises magic, mystery and martial arts and I know for one already has young primary aged readers perched avidly on the edge of their seats.
Today we invite Robyn Osborne to the draft table. Robyn has a penchant for pooches and writing for kids. Fortunately when she combines the two, magic happens.
Her latest picture book release, My Dog Socks is a winning combination of pure doggy delight. Robyn’s lyrical prose works in perfect harmony with Sadami Konchi’s animated illustrations. Together they gambol and scarper through the book filling every page with barely suppressed energy and exuberant colour. Pleasing alliteration, satisfying rhythm and an enticing parallel visual narrative invite readers into Sock’s secret world, where he is anything and everything in the eyes (and imagination) of his young owner. Konchi’s representation of Socks suggests an Australian Shepard type breed, however Sock’s irrepressible benevolent doggy nature could be any little person’s best four-legged friend. My Dog Socks is a winsome celebration of young people, dogs, the ineffable attachments they make and the incredible joie de vivre they both possess.
Grab yourself a copy, soon – here (paperback available next week). Now grab a cuppa and settle back with Robyn.
Bill Condon is a man of modest expectations that do not match his considerable abilities. He writes with charm, wit, sincerity and affection. His novels for young people, of which there are many resonate a genuineness that fascinates newcomers and for many older readers, transports them back to the idle days of their childhood, warts and all. We are fortunate to have Bill at the drafts table today to reveal some of the mental conflicts he still encounters prior to penning a new story (a predicament faced by nearly every author) and some insights behind the inspiration for his latest junior novel, All of Us Together.
All of Us Together is a tale of warmth, heartache, tragedy and hope all rolled up in one very threadbare blanket that was the Great Depression in the early 1930s. The heroes of this tale are ordinary folk trying to etch out a life during an extraordinary period of Australia’s pre-World War II history. Poverty and having to grow up sooner than you ought to thankfully are not issues many modern day Australian youngsters have to deal with on a day to day basis (although unfortunately they are never completely absent from any society). Condon manages to infuse enough hope into what appears an untenable and inevitable situation for Daniel and his family when they are forced to leave their family home and begin afresh, without being morose. All of Us Together is a realistic and unapologetic view of life with an emphasis on the positive power of sticking together through thick and thin.
Here’s what Bill has to say:
Recently I started to watch a movie called Me and Earl and the Dying Girl. I didn’t care for it very much and turned it off after a short while. The thing that struck me most about it were the very first words spoken. A teenage boy says: ‘I have no idea how to tell this story’. This is exactly how I feel every time I go into battle with the blank page. One of the problems I have is that usually my mind is blanker than the page.
Although I have been at this game for a long time and have published many books, writing doesn’t get any easier. In fact, it often feels like I’ve never written anything, and have no idea how to go about it.
As gloomy as it may sound, one of the great motivators for me has long been the prospect of death. From the early 80s I wrote children’s poems and plays, short stories, and non-fiction. This was my comfort zone, and I was fairly successful at it. However, I felt that a novel was beyond me.
One night I was talking to one of my two wonderful sisters, and she hinted very tactfully, that perhaps I should try to push myself a little with my writing. I think she even put it more delicately than that, but it was enough to stir me into action. When I was 50, I at long last took the plunge and attempted a young adult novel. I was afraid that I’d fail, but I was even more afraid that I’d die without having tried. The book was called Dogs and it won an Honour Award in the CBCA Book of the Year Awards. Awards are such a lottery, but I was lucky. Perhaps if it hadn’t done well I might have gone back to doing what came easier to me. Even so, it was another five years before my next young adult novel appeared. I’ve now written eight novels, and each one has been a huge struggle.
In 2014 I had a junior novel called The Simple Things published. I thought writing for younger kids would be easier than writing for teenagers, but I was so wrong. It seems any kind of writing is just plain hard for me. I’d written that book and had it accepted in 2012, but it took two years to get published. Then another two years went by, in which I was unable to write anything. So for four years the blank page won out. The one thing that finally got me going again was my old friend Death, or the fear of it.
At the start of this year I had a lot of medical tests done and I’d convinced myself that the results wouldn’t be good. ‘Just one more book’, I told myself. So I went back to a story I’d tried to write the year before, only to give up on. This time I attacked it as if I had a very pressing deadline. From the outset I had a title, All Of Us Together. I knew it was a junior novel set in the Great Depression in Australia, but like the boy I mentioned at the start of this piece, I had no idea how to write it. Then memories kicked in.
When I was young my parents told me of their Depression experiences. If only I’d known that I’d need their help in writing a book one day I would have listened much more closely than I did. But as young people often do, I took them and their stories for granted. I’m sorry to say that it was pretty much a case of in one ear and out the other.
Luckily, some things stuck. I remembered my dad talking about Happy Valley, a ramshackle unemployment camp near Sydney. There were similar camps all over Australia, set up to cater for people who had lost their jobs and homes and had nowhere else to go. I remembered my mum telling me about the tramps who would regularly turn up at her parent’s door to ask for a handout. She said they were always given something to eat. Both of these memories – Happy Valley, and the tramp asking for food – made it into my book. And too, I borrowed from my own life, as I usually do. When Daniel, the main character in the story, gets into strife, his misdeeds are ones that I got up to when I was a child.
Slowly I got to know and understand Daniel and his sisters, Adelaide and Lydia, as well as their parents, and instead of dreading the thought of going to my computer, I actually wanted to spend as much time as I could with my fictional family. They had become almost real to me, and I hope readers will feel the same way.
Once I’d found my way into the story and the words were starting to flow, I received my test results. All is fine. This leaves me free to get on with life, and keep on hoping, for one more book.
We hope so too, Bill!
Thanks for visiting. Discover more bookish revelations about Bill as he continues his Blog Tour around Australia.
About Kids Books November 2016
BLOG TOUR DATES
17 November Di Bates http://www.diannedibates.blogspot.com.au
18 November Clancy Tucker http://clancytucker.blogspot.com.au
19 November Sally Odgers http://promotemeplease.blogspot.com.au
20 November Sandy Fussell www.sandyfussell.com/blog
23 November Elaine Ousten http://elaineoustonauthor.com/
24 November Melissa Wray http://www.melissawray.blogspot.com.au
25 November Susan Whelan http://www.kids-bookreview.com
26 November Romi Sharp http://www.justkidslit.com
Today, dedicated writer for children and father himself, Robert Vescio uncovers the story behind his latest picture book, Jack and Mia. In this special guest post, he reveals how his own family background influenced this story.
But first a little bit about Jack and Mia. I have to say I love the look and feel of this book. Claire Richards’ diversity aware illustrations make me want to reach out and stroke the cover and pages. They are vibrant, childlike and at the same time, visually satisfying, filling up the pages with joyful colour, kind of how I’d imagine kids would view their world. The pages themselves are thick and glossy, a delight to turn through. The generous finger feel somehow makes me want to start reading the story again immediately I get to the end which will put this book in good stead for those repeated read requests.
Vescio’s tale is reminiscent of other classic picture books addressing the friendship separation theme such as Amy and Louis by Libby Gleeson and Freya Blackwood but flips the concept in that Mia does not move away at first, but rather into Jack’s life. By doing so, suddenly ‘his days were full of rainbows’. He experiences a deep, rewarding friendship with Mia, unlike any other he’s ever had. They share everything together even a case of chicken pox and become King and Queen of their kingdom, until suddenly, Mia has to move ‘far, far away’. It’s not exactly clear where Mia’s family are transferred to however Richards’ illustrations suggest that it’s because of her father’s military postings.
Jack’s kingdom is in tatters, his world in ruin as he worries that Mia will no longer remember him being so far away. Little does he suspect that she shares the same despair as him until he happens upon one of Mia’s books, left behind in his toy box. It is this simple keepsake coupled with a bit of modern day technology that reunite the pair once again and allow their kingdom to flourish and grow…across the oceans.
Jack and Mia is an ideal book to share with young readers who may be experiencing their own emotional lows caused by separation of a loved one, either family member away for work or friend who’s had to move even just to a new school. A great class room and bedside book and possibly one of the most sensitive and well penned by Vescio to date. Now, here’s more from Robert:
‘I wrote Jack and Mia to show how friendships (rich in imagination) can survive distance by finding creative ways to stay connected.
Jack and Mia do everything together. They stick together like paper and glue. Then, one day, Mia’s family moves away – not to another suburb but to another country on the other side of the world.
This is a story that will resonate with children who are about to move or have moved and miss their friends. Unlike other picture books about this subject, Jack and Mia illustrates how today kids are finding it easier to keep in touch with friends and loved ones who live far away.
“Growing up, I had friends that moved half the world away – common for working parents and military families – and the only way to connect with them was to write or call,” said Robert. “Today, technology is changing the way we stay connected. Everything you need is in the palm of your hands.”
Skype hangouts have become a common occurrence in today’s society. It’s as easy as grabbing a coffee with your computer screen. In fact, Skype has become so popular that people use ‘Skyping’ as a verb to connect with people.
Of course, social media has also revolutionised how people talk. Facebook connects over 1 billion worldwide every day.
But, of course, not everyone embraces high tech gadgets. Some people prefer the human touch – a hug, for instance. Jack and Mia is all about how kids can use their imaginations to play together, even when they’re an ocean apart.
Jack and Mia (illustrated by Claire Richards and published by Wombat Books) is a warm and entertaining tale about the power of a child’s imagination and to keep a friendship long and strong, regardless of distance.’
Robert Vescio picture books include, Barnaby and the Lost Treasure of Bunnyville (Big Sky Publishing), Marlo Can Fly (Wombat Books) listed on the NSW Premier’s Reading Challenge for 2015, No Matter Who We’re With (IP Kidz). He has more picture books due out in 2016 and 2017.
Wombat Books October 2016
Halloween is a time of frights and treats, tricks and magic, guises and remembrance – All Saints’ Day Eve. A fitting time to indulge in a little fantasy and fun. Karen Foxlee’s latest mid grade novel, A Most Magical Girl combines all of these things and will have primary aged readers biting their nails in delicious anticipation. Utterly charming, frightful in places and marvellously magic in others, this is an adventure both girls and boys will find spell binding.
Annabel Grey is a proper little lady of the Victorian times. She devoutly attempts to follow the sermons delivered by Miss Finch’s Little Blue Book, a bible of Victorian social etiquette and expectations but her good intentions derail after she is sent to live with her two aunts in London. They are Shoreditch witches and apart from being Annabel’s new guardians, unlock a heritage Annabel had no idea about, her ability to perform magic.
However, Annabel has no time to dispute their proclamations because her unusual abilities allow her to foresee a terrible future for London and all who dwell there. Mr Angel, evil warlock of the underworld has built a sinister device to use with his black magic to destroy all of the good magic in the world and those who practise it. Only a most magical girl can stop him.
Foxlee’s use of language is bewitching. Annabel’s adventure is fast paced and divinely otherworldly both in spirit and in setting. I thoroughly adored flying along on her desperate quest with Kitty and her strong-willed broomstick. I’m sure children will find A Most Magical Girl just as enchanting.
Today Karen joins us at the draft table to reveal the magical places A Most Magical Girl sprung from.
Welcome Karen! Tell us a bit about kids, authors and story ideas…
The Big Leap
I love to tell my young audiences that kids and authors are pretty much the same when it comes story ideas. They always look dubious at first. Authors surely have a special library of previously unused ideas I can see them thinking. It’s locked away somewhere at the top of a turret beside their quills and their perfect first drafts.
“It’s true,” I assure them. “You tell me where you get your ideas from and we’ll see if we’re the same.”
Their hands shoot up: from life experiences, from dreams, from things you see! From things you read, things that happened a long time ago, from things you hope for, from television! Story ideas start from things you overhear, from facts, from songs, from comic books, from movies, from computer games, from mixing your own life with the life of book characters that you love! From day-dreaming!
I always love hearing that one. It validates all my hours spent lying quietly day-dreaming. “Oh my goodness,” I cry, ticking off each one. ‘How weird! My ideas come from all these places too! They come from everywhere!”
Authors let ideas come, we day-dream, we are open to them. We store them away in our brain machine never knowing when we might need them. We put an idea from a year ago with an idea from today. We percolate ideas. We write them down without knowing what they mean.
But, I tell them, there’s also another way that authors and kids are the same when it comes to story ideas. Their dubious expressions return. I clamber up onto a table. Now they start to look down-right worried.
A Most Magical Girl came about as a combination of several ideas I explain.
- From an experience (a visit to a museum many years before)
- From a life-long love of history and from reading lots books with historical settings
- From a love of magic and heaps of little ideas about how magic works
- A good old-fashioned daydream.
I was lying on my sofa thinking about a museum I’d visited a decade before. This museum was in London and it contained a recreated Victorian era street, where I wandered for hours. Years later, on my sofa, I closed my eyes and day-dreamed a carriage arriving on that street. I imagined a girl stepping down. She was pretty and a bit posh and also, I knew as I watched her, the owner of a secret. She stood before a shop window and read the words printed there. Miss E & H Vine’s Magic Shop. Wow, I thought. Magic. I love Magic. This seems good. What’s going to happen here?
“What do you think authors do when they have some ideas that excite them?” I ask from my table top perch. “What do you do?”
A chorus of replies: Just start! Just start writing! Just start even if you don’t know the answer!
“Do you just LEAP into the story?” I ask.
“Yes!” they shout, because they really want to see an author jump off a table.
And so, because it is the absolute truth about authors and ideas and how they really are not much different to children, I LEAP!
Fastastical, thanks Karen.
Allen & Unwin September 2016
Tania McCartney is no stranger to the world of Kids’ Literature. Her knowledge and ability to produce entertaining, endearing and enduring picture books is nothing short of remarkable and now sitting comfortably in her enviable arsenal of accreditations, is a re-discovered gift – illustration.
Sumptuously rich in detail and stuffed with enough iconic charm to make both Banjo Paterson and Con the Fruiterer feel at home, her first self-illustrated picture book, Australia: Illustrated delivers a (very satisfying) slice of all things Aussie to an audience who might still remember what a frog cake is as well as those young enough to regard the Wheel of Brisbane as their first Ferris wheel ride.
It is a magnificent compendium of facts, landmarks, foods, cultures, flora, fauna, natural wonders, celebrities and attractions playfully illustrated in Tania’s unique, considered hand. Her drawings do more than just tell a story and describe a caption. They fill my visual soul. New South Wales’s Snowy Mountain region is resplendent with wild silver Brumbies (skiiing, horse riding and snowboarding as it were!) for example, revealing Tania’s cheeky take on life and no doubt, her own personal reflections of a land she clearly adores.
Her affection is contagious. From the divinely cloth-bound cover and very first end pages, clean and devoid of the congestion of civilization (a nod to the pre-settlement days of Australia perhaps), to each State and Territories’ four to five page expose of their specific peculiarities, Australia: Illustrated draws the reader in and, sublimely, educates and entertains along the way. The final end pages, a testament to the diversity and wonder that fills this wide brown land (with green bits, girt by sapphire seas) we call, home.
Today, we leave the draft table for a pair of comfy armchairs, a delicious cup of tea and a few precious moments with the gifted creator behind EK Book’s newest non-fiction picture book release, Australia: Illustrated.
Welcome, Tania. It’s great to finally spend some ‘virtual’ time with you.
So lovely to visit, Dim!
Your very first self-illustrated picture book, Australia Illustrated, is out any moment. Has this been a dream come true?
In a word: yes!
Have you been suffering heart palpitations? I know I’d be more anxious that than
Yes. How did you know??
I could hear them all the way up here in Brisbane.
I’m not surprised. They’re pretty thunderous.
Has this book been a bucket-list kind of thing?
Yes and no. It was more of a meant-to-be than a bucket-list-thing, though now it’s been ticked off my bucket-list, I’m happy it got onto that list!
It has actually just been a long-buried seed of an idea but it may not have even grown if the circumstances hadn’t been right. There was a grant I wanted to apply for, I needed a contract to do so, my publisher just happened to think the idea was fabulous at the time (this changes, as you know!) and I got a contract the next day.
I know! If only all contracts were like that! This was a little scary, though, because the idea was quite ethereal at the time. I mean, I knew it would unfold okay… and it did. But I did it all the wrong way.
What do you mean?
I basically winged it. I had an outline, of course, but the content was pretty much an organic process. I was SO lucky to have this kind of opportunity. And I did the cover first. I mean, who does the cover first?
I don’t much about the illustrative process, but that does sound a little dotty.
SO dotty. But it worked because that cover was one of my favourite things to create, and it set the scene for the style and layout of the entire book. I highly recommend up-ending processes!
I am for the fact that I finished it. It took a year and contains over 1000 hand-drawn images over 96 pages. Half of the finished pages are digitally illustrated, too, so it was a lot of work and I was also in learning mode at the time (re-learning my illustration skills and also learning digital skills—I basically learned as I went).
I’m also proud of it because it’s my first self-illustrated book and I think first self-illustrated books take a lot of courage. Like, a lot. It’s scary because I’ve had years to get used to writing criticism, but illustration criticism is a whole other colour on the palette.
So, my nerves are on standby, for sure—and I have to consistently tell myself I created this book for me, no one else—and that if kids and adults happen to take pleasure in it, that will please me very, very much. In fact, ALL creators should create books for themselves first and foremost. If we created them for other people, we’d never enjoy it as much or do our best work. And once our books are published, they become someone else’s anyway, so it’s nice to hang onto ownership during production!
Oh gosh, Dim, this tea is so good.
Thanks! Isn’t it divine? You’ve written several books about Australia. Will there be more?
Probably not. I do have ideas for books about Australian people (biographic), plants and animals but they won’t be Australia-centric, if that makes sense.
I don’t know why I’ve written so many books on Australia. It’s not a conscious decision. Perhaps it’s because the world is full of so much negativity right now—I fully realise and accept that our country (any country) is far from perfect, but it just feels so nice to celebrate what’s good here sometimes. And there’s so much that’s good. Australia Illustrated is a celebration of what’s good.
Hear hear! What brought you the greatest pleasure when creating Australia Illustrated?
So much. The creative freedom. The ability to play and allow things to unfold. I know it’s not realistic, but it would be incredible if all books could be created in this way! It’s just so much fun. I loved relearning skills and meeting my characters and learning so much about this country that I never knew.
I loved the digital illustration and the layout and design. I also loved doing the finishing art in Photoshop. Creating the fonts was fun.
How did you do that?
With an app called iFontMaker. It’s fabulous. You can get so creative. You can even create fonts for your kids, using their handwriting.
Sounds fascinating, I’d love to give it a go.
You must. I also loved pulling the pages together. It’s so satisfying.
So, hang on, you did quite a bit for this book. Not just writing and illustrating?
I did heaps. I researched, wrote, fact-checked, drew, painted, did digital illustration and mono-printing, scanning, touching up, photography, fonts, layout, design, typography, cover layout and design—all to print-ready PDF. I LOVE doing all this. It’s so satisfying and skills-building. Then I had the wonderful Mark Thacker from Big Cat Design take all the PDFs and whack them in InDesign for the printer.
And my gorgeous publisher Anouska Jones was my editor and second eyes and ears, and I had a group of other eyes and ears, too, and then there was the team at Exisle and our printing coordinator Carol and publicist Alison and all the fabulous book reps and all the wonderful friends and colleagues who helped me authenticate things and help me out with research.
I have an entire page dedicated to thank yous! I also had the backing of the ACT Government—artsACT—for their grant to help produce this book.
So while I did a lot, I certainly didn’t do it alone. No one ever does it alone.
Gosh, we have an amazing bunch of people in this industry.
We do. I feel privileged to be part of it. This really is great tea, Dim.
Of course it is, it’s from Queensland! What’s next for you, Tania?
Well, I’ve just come out of a long rest! I took a lot of winter off, other than ongoing obligations and a little bit of production on some upcoming titles.
Oooh – can you share them with us?
Well, one is a sequel to Smile Cry with Jess Racklyeft. The other is a follow-up to This is Captain Cook with Christina Booth—and we’re also in the middle of another picture book for the National Library. Tina Snerling and I have been working on books 6 and 7 for the A Kids’ Year series.
I’ve been planning my illustration style for my first illustration commission with the National Library and I’ve been working on a non-fiction pitch for them, too, which I’ll illustrate. And I’ve been finalising a junior fiction manuscript after talks with a gorgeous publisher. Oh—and just like you would, I have several thousand other little bits and ideas floating around.
Yes, something I can relate 100% to! But would you have it any other way?
No! Well, yes—I really needed that time out after Australia Illustrated. It was an enormous amount of work. 96 pages!! So happy to have my energy and mojo back now, though.
Mojo back is good! Tania, thanks so much for stopping by today. I’ve really enjoyed the chat.
Me, too, Dim! And thanks for the tea!
The kettle is always on…
This is more than a picture book, more than a resource; Australia Illustrated is a meaningful, beautiful, thoughtful, piece of art.
EK Books November 2016
Today we welcome author, Wai Chim to the draft table. Her motivation to write Freedom Swimmer, stems from the little known history of her father and the need to understand more about the horrific events that took place during the period of China’s Cultural Revolution. Here is her story about his story.
Writing my father’s story
As a child, my father’s journey from a poor farming village near Shenzhen to ultimately living and working in a small Chinese restaurant in Long Island was fascinating to me. But for the most part, he was tight lipped about his past. While I can recount so much detail about my mother’s family and her childhood in Hong Kong (from her primary school friends to how she was always in the trouble with my grandmother) – I knew very little about my father’s past.
Part of this was because he was pretty much the typical ‘Asian dad’ – quiet, emotionally distant and he didn’t talk about his feelings or say much about his life.
Back then, I could probably tell you three things about his life in China:
- His parents had passed away when he about sixteen and he only had a younger sister left in China
- His family had been very, very, very poor
- As a teenager he had left his village and made the swim to Hong Kong
I was particularly fascinated by ‘the swim’, probably because I was (and still am) such a terrible swimmer. I knew from a very young age that ‘the swim’ was an important part of his life story – and that terrible things must have happened for him to have made that choice.
A large part of my initial inspiration and motivation for writing Freedom Swimmer was to come closer to understanding my father’s history and this important piece of his past. However as I started writing, it became so much more than that.
My father was a great resource and opened up about a lot of the details of his life, but through my research, I found out there was so much more going on behind the scenes. My father and his family suffered greatly as a direct result of some of the horrible policies that were put in place at the national level. The events that transpired weren’t isolated to my family, a single village or even one particular region. An estimated 45 million deaths occurred as a result of the manmade famine caused by Mao Zedong’s Great Leap Forward while millions more suffered at hands the Red Guards during the Cultural Revolution.
And like my father, the people who went through it all simply weren’t talking about it.
I was shocked. The loud-mouthed, ‘my first amendment rights are sacred’ American in me was floored that that this had happened and people like my dad were just keeping quiet. As I delved deeper and deeper into the past, I wanted to wrap my arms around the young boy that was my father and cocoon him from some of the tragedies of his past.
My father, of course, is an incredibly strong and amazing man – he couldn’t have made it this far if he wasn’t. And it was because of his dreams of a better life, of finding better opportunity for himself and his future that I can even be sitting here today, writing a book based on his past. That I could be so shocked by some of the things I learned, and that all of his suffering is completely unfathomable compared to the silly #firstworldproblems that I complain about.
And for that, I am eternally grateful.
Thank you Wai.
Read the full review of Freedom Swimmer, here.
Thank you to Boomerang Books for inviting me to write a blog post to celebrate the launch of my latest action and conspiracy thriller, Devour. I’d like to share with you a little about the inspiration for Devour, which is primarily set in Antarctica.
‘Three kilometres beneath the camp, subglacial Lake Ellsworth, and whatever secret it may hold, is sealed inside a frozen tomb.’
Devour was inspired by real events in Antarctica, in December 2012. A British expedition, led by Professor Martin Siegert, set up camp on a remote ice sheet. Their mission? To drill down through three kilometres of ice to reach a subterranean lake, known as Lake Ellsworth. They believed that in that lake, cut off from the rest of the world for centuries, in total darkness, they would find life never before seen, known as extremophiles, because they can survive such hazardous conditions. Sadly, the team did not manage to reach the buried lake and called off the expedition. But, the question remains: what if there is ancient life down there? And, for me as an author, the big question is: what if bringing this life-form to the surface has unexpected and devastating consequences? This is the premise of my novel.
The central character of Devour, and future books in the series, is Olivia Wolfe, an investigative journalist who travels the world exposing crimes, conspiracies and corruption. This makes her unpopular with some powerful and dangerous people. But Wolfe is resourceful and resilient, and she knows how to defend herself, thanks to training from a retired detective and martial artist, Jerry Butcher. When Wolfe is sent to Antarctica by her editor to look into claims of sabotage and murder by scientists at Camp Ellsworth, she little realises she will become the target of an assassin and the ally of a man the Russian military wants dead.
I was inspired to create Olivia Wolfe by a real investigative journalist, Marie Colvin, who reported from war zones for The Sunday Times in London. Colvin was tragically killed in the bombardment of Homs in Syria in 2012. Whilst Wolfe bears no resemblance to Colvin, I hope my fictional character demonstrates some of the amazing courage shown by Colvin during her reporting career.
They say that life is often stranger than fiction. A few days ago, I read an online blog post on The Daily Beast, in which it seems that evidence has surfaced confirming journalists like Marie Colvin were deliberately targeted by the Syrian Government, which may indeed have been responsible for her death. So the conspiracy continues.
Devour is published by Constable / Hachette Australia.