Review: On The Java Ridge by Jock Serong

This a taut political thriller than isn’t ground down by the halls of parliament but instead plays itself out on the high seas as three people’s lives intersect as a storm bears down upon them, both literally and figuratively.

Isi Natoli is the skipper of a surf safari business that takes Australian tourists out to the reefs and islands off the Indonesian coastline. As her business partner makes a desperate trip home to Australia in search of more funds she heads out with a group looking for adventures and the perfect wave.

Roya is a young Afghani girl who along with her pregnant mother has been forced to flee her home after her father and brother disappeared. They have made their way to Indonesia and are about to embark on the next dangerous leg of their journey.

Cassius Calvert is an ex-Olympian turned Federal politician who is the Minister for Border Integrity (formerly Immigration). With an election taking place in seven days Cassius has just announced a major new policy shift in the way Australia polices its borders. A new policy which will shift responsibility away from the Government and the Navy and onto a privately contracted security firm.

These three stories are inextricably woven together with devastating consequences and in doing so creates a thriller unlike anything you have read before. What makes this book so good is that it is a political thriller that doesn’t define its politics. Cassius’s political party is never named, he could be Liberal or Labor. The attitudes of the Australian tourists who get caught up in Roya’s journey are also vague and indefinite. They all have differing views but it is their apathy more that anything that comes to the fore until they are each forced to face the reality of the situation they are confronted with and the ramifications their decisions and attitudes have.

Jock Serong’s third novel takes his writing to whole a new level moving him from the ranks of Australian crime writers to watch to writer’s you have got to read now.

Buy the book here…

Review: The Force by Don Winslow

I can still remember the first time I read Don Winslow. I had been given a copy of The Power of the Dog as a birthday present with the caveat “wait until you read this”. I was instantly blown away. My first thought was “who is this guy”. After devouring the book I got my hands on everything of his I could read (Warning: there is another Don Winslow who writes erotica, not the same author). I read into how he wrote The Power of the Dog and how close to the truth his novel was and how dangerous his research became. But on top of all this meticulous research was a novel that was entertaining, tragically infused and told with a style unlike anything I had read before. Winslow returned to the same heights with The Cartel but he has outdone himself with his new novel The Force.

Denny Malone is a hero cop in the NYPD. He is the self-declared King of Manhattan North. He heads a task force that fights gun and drug violence directly on the frontlines. Malone works in a world of violence and corruption and he does whatever it takes to defend his patch of New York City. But 18 years of bending the rules has taken its strain and many of those rules have snapped. In fact there’s not many rules Malone hasn’t broken now and he’s about to cross the one rule he never dreamed he’d cross. But Malone doesn’t have a choice. He’s burned all his choices long ago.

Winslow wrote two epics of the War on Drugs and has now written the first true epic cop novel. As always Winslow doesn’t mince the truth. We are not manipulated into liking Denny Malone or thinking that he’s really a good guy underneath. Both Malone and the reader know the good cop inside Malone died a long time ago. But what Winslow demonstrates is the different levels of bad guy, at all levels and on the both sides of the law. Everyone has a price to get what they want and everyone is paying a price in the hope they get paid for another. And the more they pay the more desperate they are to get paid, until there can only be one conclusion.

Don Winslow has written an explosive epic that doesn’t slow down one millisecond from it’s opening prologue through to the very last page. A story equally as shocking in the corruption it shows as the lengths people go to preserve it. A crime classic from an absolute master of the genre.

Buy the book here…

Natalie Haynes, Randa Abdel-Fattah & Yassmin Abdel-Magied at the SWF

As part of this year’s Sydney Writers’ Festival Student Sessions, I was fortunate to host a couple of sessions with British stand-up comedian Natalie Haynes and facilitate one with Randa Abdel-Fattah and Yassmin Abdel-Magied.

Natalie Haynes

Natalie became one of the most popular presenters at the festival. She’s probably better described as a performer, though, because she brings ancient history and the ancient mythic world alive and into the present for her audiences.

She reworks stories for her own purposes, drawing on her expertise in the ancient world and on making it relevant today. She stands out because she can share her knowledge on stage, screen and in her books in a rivetting way.

Natalie is a classicist and a comedian, an unusual combination. She used to be a stand-up comic, but retired when she realised she preferred tragedy to comedy. Her quick wit and incredible knowledge enabled her to effortlessly command the stage.

Natalie’s new novel The Children of Jocasta was published in May. It’s a re-telling of the Oedipus/Jocasta/Antigone tale and will make you fascinated by mythic history (if you’re not already). An earlier book, The Ancient Guide to Modern Life explores philosophers such as Plato, Ovid and Agrippina the Younger.

Natalie Haynes

Randa Abdel-Fattah & Yassmin Abdel-Magied

In our session about ‘Mono or Multi-cultured’ at the Wharf, Randa Abdel-Fattah, who examines issue of racism, multiculturalism and human rights in Australia through her novels and essays, explored what contemporary multiculturalism and racism look like in Australia today with activist and author Yassmin Abdel-Magied.

Randa has written Does My Head Look Big in This?, When Michael Met Mina and other novels, particularly for young adults, as well as essays. When Michael Met Mina is an important story because it gives both Michael’s view – a popular guy coming from a racist family – and Mina’s – an intelligent young woman whose family was killed by the Taliban in Afghanistan, forcing her and her mother to flee by boat. The novel airs many issues and opinions – true and false – such as people saying that ‘potential terrorists are hiding among boat people’ and people who want to be able to say, ‘Merry Christmas’ without offending anyone; to some darker-skinned girls feeling they have to use skin-whitening creams and others being intimidated and vilified. The novel gives diverse viewpoints. It’s great to read because we are exposed to different perspectives and then make up our own minds. It shows the power of literature to create understanding and empathy.

Randa has also been a lawyer and has a PhD in Islamophobia in Australia.

Yassmin is well known through her media appearances and I’ve learned from reading her memoir, Yassmin’s Story (which she wrote recently while in her 20s) that she loved reading Enid Blyton and her favourite character was, as you might expect, George; she deliberately created slang at school; she channels Beyonce in time of need; she loves sharing stories on stage and she learned in debating that she can argue any side of an argument!

Yassmin also won Young Queenslander of the Year in 2015; as a teenager co-founded Youth Without Borders; is an engineer; worked on a rig and loves cars.

I cannot do these intelligent and articulate authors justice in their explanation of structural racism and other issues here. I do suggest reading their books and online articles to gain a greater understanding of, particularly, racism in Australia.Image may contain: 3 people, people smiling, people sitting

 

NSW Premier’s Literary Awards & SWF Indigenous Voices

As always, the Sydney Writers’ Festival in May was an amazing week.

The NSW Premier’s Literary Awards were announced on the Monday night and I was thrilled to meet the Patricia Wrightson (children’s book) winner for the surrealist mystery Iris and the Tiger, Leanne Hall (who I interviewed for the blog here), photographed below with shortlisted Tamsin Janu and shortlisted Ethel Turner YA author Lili Wilkinson.

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The winner of the Kenneth Slessor Poetry award was Peter Boyle for the inimical Ghostspeaking, an intriguing mystery of finely woven stories and poems. The richly constructed characters are brought to life with interlaced poems. It evokes Borges’ Labyrinths with the brush strokes and ideas of artist William Robinson and the clear bold outlines and strokes of Matisse.

Congratulations to James Roy (who I interviewed for the blog here ) and Noël Zihabamwe, whose One Thousand Hills won the Ethel Turner award and all the other shortlisted and winning authors, including overall winner, Leah Purcell for The Drover’s Wife play script.

At the SWF, I was privileged to be in conversation with Dr Anita Heiss and Witi Ihimaera for the ‘Indigenous Voices’ sessions at the Wharf in Walsh Bay and at Parramatta Riverside Theatres. It was great to have the opportunity to discuss Anita’s new The Race for Reconciliation, a novel for children that celebrates Aboriginal hero Cathy Freeman and shares truths that many Australian children don’t know about stolen children, National Sorry Day and other aspects of Aboriginal recent history.

Anita has also shown Aboriginal women in contemporary Australian literature in new and important ways such as in Barbed Wire & Cherry Blossoms. This compares the WW2 Prisoner of War camp near Cowra in central NSW when Japanese soldiers broke out, with the local Wiradjuri people who also virtually lived under prison conditions – and had less food than the Japanese prisoners.

Also in this session was revered Maori writer Witi Ihimaera. He was the first Maori author to have both a novel and short stories published. In his memoir, Maori Boy, Witi uses a unique and powerful spiral thread structure. He also uses myths in his work.

Witi is well known for his book and movie from the book, Whale Rider and also now, Mahana. At times he wished he was brought up more in Maori traditions and he wasn’t great at the haka. But he was destined to do another kind of haka.

Anita and Witi made a fine team enlightening us about indigenous voices.

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Review: New Boy by Tracy Chevalier

9781781090329New Boy is Tracy Chevalier’s contribution to the Hogarth Shakespeare series which aims to re-interpret some of Shakespeare’s more popular works. So far the series has included retellings from bestselling authors Jeanette Winterson, Anne Tyler, Margaret Atwood and Ian McEwan. I have been thoroughly enjoying this series and I have been particularly looking forward to Tracy’s reinterpretation of Othello.

It is Washington DC during the 1970’s. Tracy transports us back into Primary school – year 6 to be exact. That awkward time when you are on the cusp of growing out of the friendships and alliances that have sustained you through your younger years. Fumbling attempts at relationships cause extra tensions and alliances are forged and broken with ease.

Osei Kokote is the new kid in school. It is not the first time he has been in this position. As a Diplomat’s son he has changed school regularly and feels like experience has given him a good grasp of how to survive the first day at a new school. He is also quite adept at dealing with being the only black kid in a predominantly white environment.

Dee Benedetti is the teacher’s pet. A good girl and rule-follower who is generally liked by her classmates and the school as a whole. Drawn to the new boy, she makes the brave and startling decision to befriend him unknowingly upsetting the chain of power in the playground and setting off a series of events that will end in disaster. As the children manipulate, use and betray each other over the course of the school day the tension grows drawing the adults, who should be immune, into the web as well.

Tracy Chevalier’s decision to place the drama of Othello ín a schoolyard is pure genius. The compounding of racing hormones, changing power dynamics and racism is a potent mix. I was completely drawn into the drama and taken straight back to the playground. To take a story so well known and make it so new, horrifying and powerful is an accomplishment. Even though I was prepared for things to not end well, New Boy left me shocked and gasping. This is going to be one of my top 5 books this year and I think New Boy easily outshines the other titles in the Hogarth Series.

Buy the book here…

5 Books About Twins

I love books about twins so much I thought I’d put together a list of some of my favourites.

  1. Flowers in the Attic by Virginia Andrews
    This was the book that started my love affair with twins in literature and is the story of 4 young children locked in an attic by their Grandmother. Their father has died and the children are living in their gothic grandparent’s house waiting for the Mother to successfully acquire some money from her strict Grandfather who detests the children. Gradually their mother visits less often and the children are largely left to their own devices. This is a classic YA novel with gothic undertones and themes of greed and betrayal.
  2. The Thirteenth Tale by Diane Setterfield
    This book is in my Top 10 favourite books of all time. Vida Winter is a successful author and has decided to tell her life story now that she’s dying. She’s given many interviews over the course of her life, but each time she tells a different story. This time she’s serious about revealing the dark truth about her past and Margaret Lea has agreed to be her biographer. But it won’t be easy.
    The novel makes countless delicious references to stories, books and reading and I revelled in the language.
    Here’s a sample from the book: “Do they sense it, these dead writers, when their books are read? Does a pinprick of light appear in their darkness? Is their soul stirred by the feather touch of another mind reading theirs? I do hope so.
    Naturally the plot includes twins and the wonderfully haunted Angelfield House forms the backdrop of the novel in a charming and menacing way. In addition to being a brilliant book, The Thirteenth Tale is also major BBC film starring Vanessa Redgrave and Sophie Turner (Game of Thrones).
  3. Beside Myself by Ann Morgan
    Beside Myself is a psychological thriller and suspenseful read looking at themes of identity and mental illness. Twin sisters Helen (domineering) and Ellie (submissive) play a game one afternoon to swap identities, but Ellie won’t change back. What happens next is an ever growing divide between the sisters and the subsequent decline of one of them. As the consequences of the game last a lifetime, I couldn’t help but wonder what I would have done in Helen’s situation
  4. A Dark Dividing by Sarah Rayne
    Continuing the suspense theme, A Dark Dividing is about conjoined twins born 100 years apart and how they’re connected. Alternating between the past and the present, and across 3 different periods, the novel reveals a number of shocking secrets as it progresses.
    Author Sarah Rayne loves to include a creepy building at the centre of her books and this time it was the suitably scary Mortmain House. Originally used as a workhouse for men and women who would otherwise die of starvation, the living conditions at the house were horrendous. Children abandoned at birth or born to families unable to care for them all ended up here and suffered terrible treatment as a consequence.
    As the title suggests, A Dark Dividing is a dark read and I enjoyed finding out how all the characters were connected.
  5. The Distant Hours by Kate Morton
    Another gothic novel featuring twins in a creepy estate is historical fiction novel The Distant Hours by Kate Morton. Edie is a book publisher and when her mother receives a long lost letter originally posted in 1941 from Milderhurst Castle, her curiosity is piqued. Her mother is secretive about her past, but Edie finds out she was billeted at the castle for a short time during the war.
    Edie visits the crumbling castle and meets the three elderly sisters residing there. Twins Percy and Saffy live together with their younger sister Juniper and the reasons they each chose to stay at the castle after the war and why they never married or had children inform the plot. Something happened to bond the sisters together for life and it was a thrill to discover. The characters love to read, write and tell stories, and all shared a love of books. The reference to the library in the castle made me weak at the knees.

I hope you enjoyed this list, but I’ve just noticed that almost all the twins in my list are female. I can’t even think of a novel with male twins, can you? Further reading: The Ice Twins by SK Tremayne and The Silent Twin by Caroline Mitchell.

Review: American War by Omar El Akkad

nullThis amazing book took me completely by surprise. When I read that it was about a second American Civil war my immediate first thought was Trump. My second thought was another dystopian novel but Omar El Akkad’s novel defied all my expectations and is a strong contender for one of the books of 2017.

What makes this novel so profound is Omar El Akkad’s ability to tell a deeply personal story about a huge, cataclysmic event at the same time as weaving a story that is relevant to our society today despite being set in a future 75 years from now. El Akkad’s novel works on so many different levels and has so many different layers that as a reader you get completely lost in the time and history the novel creates.

The novel’s second American Civil War breaks out when the US Federal Government bans the use of fossil fuels. Southern States rebel against the North and war quickly follows. America, North and South, then unleashes its political, economic and military war machine against itself. Drones, biological warfare, political indoctrination, enhanced interrogation, rendition which inevitably leads to terrorism, suicide bombings and other extreme acts of desperation as the war escalates and then ebbs and flows between atrocities.

The story focuses upon the Chestnut family, following them over the course of twenty years. They are from Louisiana, living on the banks of the Mississippi ‘Sea’. When the war reaches them they are forced to flee to a refugee camp. Despite the war being construed as North vs South, Blue vs Ref the Chestnut family begin to learn it is more nuanced than just two sides. And the children of the Chestnut family, who a growing up in this war, a forced to pick a side. A choice that will have irreconcilable consequences.

What makes this novel so powerful is how recognizable events and their reactions are. From drones haunting clear blue skies to the idealistic being recruited to blow themselves up in crowded squares. From how quickly each side dehumanizes the other to the extremes each side goes to in the name of ‘the right’ and ‘the just’. The heart of the story is Sarat Chestnut who will break your heart as hard as hers is broken. There are echoes of Katniss Everdeen and The Hunger Games but the context is much closer to home. This is a novel of sublime scope and passionate precision. It is a warning and a requiem. This is one of the best books you will read this year.

Buy the book here…

Review: The Boy on the Bridge by M. R. Carey

nullThe Girl With All The Gifts is one of the best zombie novels in recent years. It totally blew me away while at the same time turned the zombie genre completely on it’s head. There were so many elements to the novel I loved but I was curious how M.R. Carey was going to return to the world he created and tore down.

The Boy on the Bridge is more a prequel than a sequel, set ten years before the events of The Girl With All The Gifts and ten years after what has become known as “The Breakdown”. The story centers upon a scientific mission which is headed north into Scotland to explore what has happened to the rest of Britain following the collapse of London, England and the rest of the world.

A band of four soldiers, four scientists and an incredibly intelligent teenage boy have set out in a converted tank/mobile laboratory called the Rosalind Franklin. Their mission is to explore the countryside and take samples of the infection that has all but wiped out humanity to discover any anomalies in the hope of finding a possible cure. But what they find is contingent on what they have brought with them. And the cure they are hoping to find might not be for the disease they were looking to cure.

All the elements I loved about the first book are here again in spades. Carey has set everything firming in a scientific universe. There is nothing supernatural about the zombies, or hungries as they are known, that are taking over the world. This means there is hope that there is something scientific in which to combat the disease. Carey also cleverly constructs this novel so new readers and old fans can enjoy it alike. Carey provides just enough information for those who read The Girl With All The Gifts and all its twists while keeping surprises for those who want to start here first.

Carey also meticulously builds the tension on a number of fronts. Firstly the claustrophobic nature of life inside Rosie, as she affectionately is known. To this he adds numerous secrets members of Rosie’s crew are keeping from one another and even themselves. This gets ratcheted up through the discovery of some unknown hostiles that has massive ramifications for their mission. A mission which then has to try and get home.

I couldn’t get enough of this book and literally want to turn around and read The Girl With All The Gifts again. (If only you could see the movie in Australia!) I never expected a sequel the first time around and definitely not one this good. I will even go out on a limb and declare this book even better than the first one! Which I didn’t think was remotely possible. Forget The Walking Dead, M.R. Carey’s series is streets ahead on every level.

Buy the Book here…

Review: Vicious Circle by C.J. Box

It all begins when when Dave Farkus — longtime troublemaker and unlikely partner in many of Joe Pickett’s inadvertent escapades — phones Joe from Stockman’s Bar to say he’s overheard a conversation about Joe and his family. He’s cut off before he can provide any concrete information, but the implication is clear: the Pickett clan’s a target. And when Farkus turns up dead — brutally executed by unknown assailants — Joe know something is amiss. He quickly ties it together — presumably at least — when he discovers Dallas Cates, the disgraced rodeo star who ran off with Joe’s daughter April, dumped her out of his truck, and ended up in the prison, has just been released, and is out for vengeance after the deaths of his father and two brothers. But is everything really as open-and-shut as that scenario suggests?

Vicious Circle will resonate most for those who are keenly aware of the two families’ fraught history; readers who’ve been waiting for the final showdown for a couple of books now, knowing it would be vicious and bloody. There isn’t much new here — this is the C.J. Box formula perfected — but the Joe Pickett series is one that hasn’t surpassed its use-by date, and still provides plenty of action and excitement.

8 books set in cemeteries

There’s something eerie yet somewhat peaceful about cemeteries, and the untold tales of those resting there for eternity. And if you’re a taphophile – someone who takes an interest in cemeteries, funerals, tombstones, or memory of past lives – you’ll agree with me. I’ve always enjoyed books set in cemeteries so I’ve compiled a list for like-minded readers.


8 Books Set in Cemeteries


  1. The Graveyard Book by Neil Gaiman is a fantasy novel for children about a young boy who escapes the night his family is murdered in their home. He wanders up the street and eventually into a graveyard. The ghosts in the graveyard discuss his predicament and agree to raise the young boy as their own. That’s how the life of Nobody Owens (Bod for short) begins. The Graveyard Book has won a tonne of awards, including the Newbery Medal and Carnegie Medal.
  2. Pet Sematary by Stephen King is a horror novel known to many readers. A horror story that only Stephen King could write, it’s about a young family and an ancient Indian burial ground. It’s also been made into a film. No more needs to be said.
  3. Pure by Andrew Miller is an historical fiction novel set amidst Les Innocents, the oldest cemetery in Paris. In 1875, the cemetery has been closed to burials for 5 years because it’s overflowing with 2 million corpses and emitting a foul stench.
    Jean-Baptiste Baratte is employed by the Minister to demolish the cemetery and relocate the human remains outside the city of Paris. We witness his struggle with the dark task of disturbing the final resting place of thousands of Parisian occupants. The descriptions of the cemetery and surrounds (including church, charnel houses and graveyards) were deeply evocative of this grisly yet soulful place.
  4. Falling Angels by Tracy Chevalier is an historical fiction novel set in Edwardian London between January 1901 to May 1910 with many of the scenes taking place in Highgate cemetery. Told from the perspective of different characters, the novel covers the journey of two girls from different families.
    The chapters are narrated in the first person by several of the main characters (including my favourite character, the gravedigger’s son). It includes themes of mourning, mourning etiquette, class and the suffragette movement.


    While I enjoyed reading the above, I have plenty more in this genre to look forward to, including:

  5. Her Fearful Symmetry by Audrey Niffenegger, is set in and around Highgate Cemetery and is a novel / ghost story about twin sisters, love and identity, secrets and sisterhood.
  6. Necropolis: London and Its Dead by Catharine Arnold has been on my TBR pile forever. It’s a non fiction look at London’s dead through the lens of archaeology, architecture and anecdotes. London is filled with the remains of previous eras – pagan, Roman, medieval and Victorian and I look forward to learning more as soon as I can get to it.
  7. The Restorer by Amanda Stevens is a paranormal novel about Amelia Gray – a cemetery restorer who sees ghosts – and is the first of six in the Graveyard Queen series.
  8. Lincoln in the Bardo by George Saunders is a new release historical fiction novel about Abraham Lincoln and his grief at the death of his son. It is said that Lincoln was so grief-stricken over the loss of his beloved son, he visited the family crypt several times to hold his body. Lincoln in the Bardo takes place in a single night.

    I hope you’ve enjoyed this collection of books set in cemeteries. What have you read or hope to read in the future?

Review: Crimson Lake by Candice Fox

Australian crime fiction is experiencing something of a renaissance thanks to a handful of fresh female voices. Jane Harper’s The Dry was 2016’s darling and rightfully so — I called it “the year’s best achievement on the Australian crime writing scene” in my review, and named it my Book of the Year — and in 2015 I was absolutely blown away by Emma Viskic’s Resurrection Bay: “stripped-down and raw, and packs one helluva punch.” And then, of course, there’s Candice Fox, who has carved out a distinctive square on the map of contemporary crime writing with her Bennett / Archer trilogy (Hades, Eden and Fall), and  who ranks as one of my absolute favourite authors. Perhaps it’s too early to predict 2017’s Aussie crime fiction blockbuster, but one thing is for certain: Candice Fox’s Crimson Lake will feature in the conversation.

Crimson Lake introduces former Sydney-based police detective Ted Conkaffey, who was accused, but not convicted, of abducting a 13-year-old girl. But the accusation is enough. To his wife, his peers, and the general public, a lack of conviction isn’t proof of innocence, just evidence of a lack of proof. Ted is an outcast. The life he had is over, and so he flees Sydney to Cairns: specifically the steamy, croc-infested wetlands of Crimson Lake. There he meets Amanda Pharrell — an accused and convicted murderer now operating as a private detective — and partners with her to investigate the disappearance of local author Jake Scully.

Veteran Fox readers will notice some thematic similarities between Crimson Lake and her Bennett / Archer trilogy. She is the absolute master of the enigmatic protagonist: characters with deep, dark secrets, who readers will follow and support, but with occasional hesitancy; because what if the worst is true? What if we’re  actually cheering on a killer in Amanda Pharrell? And Ted — our narrator — what if he’s hiding the truth from us? What if he is guilty of abducting the girl, and leading readers astray? We’re never quite certain — not totally — until the novel’s very end of how trustworthy and reliable Ted and Amanda are, which makes Crimson Lake incredibly compelling and propulsive.

Candice Fox’s prodigious ability to keep coming up with unforgettable characters elevates Crimson Lake beyond the standard police procedurals that proliferate the genre. Oh sure, Ted and Amanda’s investigation into Jake Scully’s disappearance is effectively handled — plenty of twists and red-herrings, and a heart-stopping climax to satisfy plot-focused readers — but it’s their uneasy comradeship, and their secrets which threaten to bubble to the surface, that make the novel a blast. It boasts Fox’s signature style, edge and humour to delight established fans, and will surely win new ones, too.

One of the best Australian crime writers just levelled up. If you haven’t jumped on the Candice Fox bandwagon, now’s the time. Crimson Lake will be one of 2017’s best crime novels, and Candice Fox has quickly established herself as one of our finest talents operating in the genre. That’s not hyperbole. It’s fact. Read Crimson Lake — you’ll see.

Buy the book here…

Review: Police at the Station and they Don’t Look Friendly by Adrian McKinty

Book 6 in the Sean Duffy “trilogy” is an absolute cracker. Each book in this series has gotten better and better and when you consider at what level he kicked the series off with The Cold, Cold Ground that is saying something.

It is 1989 and Sean Duffy must tackle his most complex case yet. A drug dealer has been shot and killed in Belfast. On the surface there is nothing startling about the case in a city where drug patches are drawn along sectarian lines and those that crossover to the wrong patch are swiftly and violently dealt with. However what makes this case different is that the murder weapon is a crossbow. In a country flooded with illegal guns, someone has taken the trouble of using a crossbow to kill their victim. Duffy’s interest is piqued but he is quickly stonewalled by witnesses and the victim’s wife who all know to keep their mouths shut and a murder weapon that is seemingly untraceable. With his new family, the media, special branch and even an IRA hit squad after him something might finally snap for Sean Duffy, that is unless he does what he does best, which is use his wits to fight back.

I have to say I think the Sean Duffy series has to now be ranked as one of the best crime series of all time. How this isn’t a mega-bestseller around the world is beyond me. This is an outstanding series on so many levels; plot, characters, politics, history to name just a few. Once again McKinty keeps the humour deliciously black and has you guessing until the final pages. I was instantly lost in this book and began to dread the book’s ending once I had read beyond the halfway point. I love Sean Duffy as a character and did not want the book to end and I do not want this series to end. Fingers crossed Sean Duffy makes it into the 1990s.


If the previous Sean Duffy novels earned Adrian McKinty the right to belly up to the bar alongside Ian Rankin, Michael Connelly, and the other contemporary crime writing greats, Police at the Station and They Don’t Look Friendly guarantees his place at the table forevermore. This is a sophisticated, stylish and engrossing crime thriller, which rips along at a cracking pace, and packs more twists and turns than a street map of Belfast. Not to mention the heart-stopping climax…

Belfast 1988: a drug dealer is found murdered in front of his house, killed with a bolt from a crossbow. Sean Duffy, of the Royal Ulster Constabulary, is called to investigate. Now a family man – girlfriend and baby daughter living at home – Duffy is initially grateful to be working a homicide; something a tad spicier than his recent fare. But solving this case leads Duffy to a confrontation with the dangerous villains he’s ever faced; the kind who won’t just be satisfied ending his life, but those he cares for most deeply. Duffy remains a superbly drawn character, sardonic yet assured, and now struggling to cope with his new responsibilities as a father.

McKinty writes laconic, sophisticated, well-paced thrillers, and Police at the Station and They Don’t Look Friendly is his most refined novel yet. Some authors make you laugh; others make you gasp. McKinty can do both, usually in the space of a couple of paragraphs. His latest is multifaceted, layered, and intense – the kind of novel you’ll blow through in one sitting.

In the past, when interrogated on my favourite crime writers by friends, family, and indeed customers at Pages & Pages, I’ve always said McKinty is up there with the best writers in the business. With Police at the Station and They Don’t Look Friendly he has set down a potentially unsurpassable marker.

Buy the book here…

2016 – The year that was

2016! What a year! Many people view it as one of the worst in recent history, with the death of numerous influential celebrities and some worldwide political craziness. And in a lot of ways, it certainly was. But, personally, on the book front, it was a pretty awesome year for me. I read some damn fine novels. And I had a few books published. So here is my literary take on the year that was.

READING

It was a good year of reading for me. I read lots of stuff for research, lots of stuff to my daughters and lots of stuff for my own pleasure. So here is my list of favourite 2016 reads…

Favourite children’s book

Wormwood Mire by Judith Rossell (read my review in Words and Pictures)

The second of the Victorian-set Stella Montgomery Intrigues, it follows on from Withering-by-Sea (2014). I loved the first book, but I like this one even better. I can only hope there will be more in this series.

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Favourite Young Adult book

Gemina by Amie Kaufman and Jay Kristoff.

This is the second book in the epic, game-changing Illuminae Files series. Using a dossier of documents, rather than the traditional novel narrative, these books are mind-blowingly amazing. Loved the first book (read my review in 2 Awesome YA Books). Dare I say it… I loved this one even more. It maintains the approach of the first, but extends it, adding extracts from an illustrated journal into the mix. There is a whole bunch of new characters, as well as some returning from the first book. There’s not much more I can say, except… Wow! Just… WOW!

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Favourite Grown-up Book

Okay, I’ll be honest here… I hardly read any grown-up books in 2016. I mostly read stuff for kids and teens. But there are two books that really stood out.

Not Just a Piece of Cake: Being an Author by Hazel Edwards

This one was actually published in 2015 (I was just a little late in getting around to it). This is a memoir rather than an autobiography, by one of Australia’s best loved and most respected children’s authors. It’s an excellent read for anyone interested in the behind-the-scenes of a writing career. It’s also wonderfully personal and engaging. Loved it!

And then there was this book from 2009 (okay, so I was a lot late with this one)…

Patient Zero by Jonathan Maberry

A hard-edged, fast-paced techno-thriller with terrorists, bio-weapons, zombies and a special ops government agency called The Department of Military Sciences. It’s the first book in a series, which follows the adventures of Joe Ledger – a cop who goes to work for The Department of Military Sciences. I’ll definitely be reading the rest of the series.

I have mini-review of both these books here.

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9781742378527Favourite comic/graphic novel

Yet another book from 2015 that I didn’t get around to reading until 2016…

KidGlovz, written by Julie Hunt, illustrated by Dale Newman

A clear winner for me. An extraordinary graphic novel about a musical prodigy on a journey of self-discovery. (read my review in Words and Pictures)

sparkFavourite picture book

Another very clear winner…

Spark, written by Adam Wallace, illustrated by Andrew Plant.

A perfect harmony of words and pictures. [Read my review: This picture book is on FIRE!]

Favourite media tie-in book

Spoilt for choice this year. I simply could not make a decision. Go read my post about media tie-in book instead.

Overall Favourite Book

[insert drum roll]

Gemina by Amie Kaufman and Jay Kristoff.

WRITING

2016 was great year for me as a writer. Books 11 and 12 in the YOU CHOOSE series were published – Extreme Machine Challenge and In the Realm of Dragons. There was also a new four-book series about the Royal Flying Doctor Service. And my first picture book ­ Meet… the Flying Doctors. I had stories in several anthologies (which you can read about here), including Dog Stories, Cat Stories and A Toy Christmas. Topping it all off was my fan-boy highlight… a story in THE X-FILES: Secret Agendas.

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Hand in hand with the writing, was speaking about writing – school visits, library talks and festival appearances. I had a total of 116 sessions over the course of 35 school visits, 7 festivals/seminars/conferences and 2 promo tours. You can read about some of my favourite experiences in these blog posts:

Oh, and I won an Honour Award at the KOALAs for You Choose: Alien Invaders From Beyond the Stars. 🙂 Here’s my schlocky alien invasion acceptance vid…

2017 is already shaping up to be an extraordinary year. More reading! More writing! More speaking! I’ll be sure to blog about some of it. Onwards and upwards!

Catch ya later, George

PS. Follow me on Twitter

Check out my DVD blog, Viewing Clutter.

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Review: Police at the Station and they Don’t Look Friendly by Adrian McKinty

Book 6 in the Sean Duffy “trilogy” is an absolute cracker. Each book in this series has gotten better and better and when you consider at what level he kicked the series off with The Cold, Cold Ground that is saying something.

It is 1989 and Sean Duffy must tackle his most complex case yet. A drug dealer has been shot and killed in Belfast. On the surface there is nothing startling about the case in a city where drug patches are drawn along sectarian lines and those that crossover to the wrong patch are swiftly and violently dealt with. However what makes this case different is that the murder weapon is a crossbow. In a country flooded with illegal guns, someone has taken the trouble of using a crossbow to kill their victim. Duffy’s interest is piqued but he is quickly stonewalled by witnesses and the victim’s wife who all know to keep their mouths shut and a murder weapon that is seemingly untraceable. With his new family, the media, special branch and even an IRA hit squad after him something might finally snap for Sean Duffy, that is unless he does what he does best, which is use his wits to fight back.

I have to say I think the Sean Duffy series has to now be ranked as one of the best crime series of all time. How this isn’t a mega-bestseller around the world is beyond me. This is an outstanding series on so many levels; plot, characters, politics, history to name just a few. Once again McKinty keeps the humour deliciously black and has you guessing until the final pages. I was instantly lost in this book and began to dread the book’s ending once I had read beyond the halfway point. I love Sean Duffy as a character and did not want the book to end and I do not want this series to end. Fingers crossed Sean Duffy makes it into the 1990s.


If the previous Sean Duffy novels earned Adrian McKinty the right to belly up to the bar alongside Ian Rankin, Michael Connelly, and the other contemporary crime writing greats, Police at the Station and They Don’t Look Friendly guarantees his place at the table forevermore. This is a sophisticated, stylish and engrossing crime thriller, which rips along at a cracking pace, and packs more twists and turns than a street map of Belfast. Not to mention the heart-stopping climax…

Belfast 1988: a drug dealer is found murdered in front of his house, killed with a bolt from a crossbow. Sean Duffy, of the Royal Ulster Constabulary, is called to investigate. Now a family man – girlfriend and baby daughter living at home – Duffy is initially grateful to be working a homicide; something a tad spicier than his recent fare. But solving this case leads Duffy to a confrontation with the dangerous villains he’s ever faced; the kind who won’t just be satisfied ending his life, but those he cares for most deeply. Duffy remains a superbly drawn character, sardonic yet assured, and now struggling to cope with his new responsibilities as a father.

McKinty writes laconic, sophisticated, well-paced thrillers, and Police at the Station and They Don’t Look Friendly is his most refined novel yet. Some authors make you laugh; others make you gasp. McKinty can do both, usually in the space of a couple of paragraphs. His latest is multifaceted, layered, and intense – the kind of novel you’ll blow through in one sitting.

In the past, when interrogated on my favourite crime writers by friends, family, and indeed customers at Pages & Pages, I’ve always said McKinty is up there with the best writers in the business. With Police at the Station and They Don’t Look Friendly he has set down a potentially unsurpassable marker.

Buy the book here…

Mick Herron’s ‘Slough House’ Series: A review of books 1 – 3

1. Slow Horses

Banished to Jackson Lamb’s personal fiefdom, Slough House, from the higher echelons at Regent’s Park for a variety of shortcomings and vices, the ‘Slow Horses’ are a unit of MI5 misfits, desperate to atone for their past mistakes in order to escape purgatory, not entirely convinced Slough House isn’t an inescapable hell; that whatever they accomplish won’t be enough to circumvent their malpractice.

In erudition, action and temperament, Slow Horses proves Mick Herron is among the top tier of spy thriller writers. I ploughed through this first novel in the series and immediately started the second so I’ll be up to date when the fourth book, Spook Street, is published in February. In Slow Horses a boy is kidnapped and held hostage, and his beheading is scheduled for live broadcast on the internet. Whatever their personal and professional failings, Jackson Lamb’s team — if you can really call them that — can’t just sit on their hands when it’s within their capabilities — well, maybe — to do something. So they break from their remit and get involved. But this isn’t a novel about the redemption of spooks, nor a straightforward action thriller, in which the good guys serve deserved justice to the bad guys, and everyone goes home happy. This is a novel full of greys; it exposes the intricacies of inter-agency turf wars and puts human faces and human costs on those who make it their life’s work to shield us from those who seek to do us harm.

Despite the economy of Mick Herron’s work, the large cast is fleshed out, and although few are likeable — Jackson Lamb, in particular, is a bastard — they’re characters readers will root for, despite their flaws and foibles. Most impressive is Herron’s graceful prose, which reminded me of Daniel Silva’s long-running Gabriel Allon series. There’s an elegance to Herron’s storytelling, rarely seen among his contemporaries, many of whom rush to the explosion without lighting a fuse.

Slow Horses is packed full of evocative detail, movie-tense action sequences, and a credible plot. I’m so glad the book was shoved into my hands. As I write this, I am halfway through Dead Lions and enjoying it just as much as Slow Horses.

Buy Slow Horses here…
2. Dead Lions

Slough House — a disregarded echelon of MI5 — is comprised of disgraced and incompetent agents, who are assigned an endless supply of demeaning and feckless tasks in an effort to wear them down until the pull the pin on their careers. Ruled by the legendary Jackson Lamb — possibly the most abominable protagonist to have ever been spotlighted in espionage fiction —  the inhabitants of Slough House are skilled operators, whose vices and mistakes have demolished whatever usefulness they might have to the service. But when a former agent, Dickie Bow, is found dead on a London bus, Lamb and his subordinates take it upon themselves to investigate. Bow’s final text message — “cicadas” — has ominous repercussions:  it signifies the awakening of a sleeper cell of foreign agents, which dates back to the Cold War. Suddenly, Lamb’s Slow Horses are in a race against against time to determine their enemy’s target, and stop it from taking place.

Slow Horses was a remarkable spy novel, and this second in the series, Dead Lions, is a fine sequel. With the pieces already set up on the board, Mick Herron wastes no time in thrusting readers into a whirlwind, multi-stranded plot, which is orchestrated with Bach-like precision. Herron’s stories have the same complexity as Le Carre’s, but are written with the economy of Richard Stark, and this combination makes for an incredibly page-turning read. There is a large cast of characters involved, but each are fleshed out, and boast distinctive personalities; a rarity in this genre, when one could easily swap out James Bond for Jason Bourne, or Sean Dillon, or Jack Ryan, and not really notice any discernible difference.

Mick Herron has breathed new lie into the landscape of the espionage novel. I haven’t breezed through a series of books this quickly in a long, long time. As I write this, I’ve started the third novel, Real Tigers, and may well dig into Herron’s other novels while I wait for Spook Street in February.

Buy Dead Lions here…

3. Dead Lions

Over the course of a month I’ve smashed through Mick Herron’s three ‘Slough House’ novels — Real Tigers being the third in the series — as well as the standalone Nobody Walks. Prior to that, I’ll admit, I’d never heard of Herron, but thankfully, as a bookseller, I get to pay my newfound adoration forward, by shoving his books into customers’ hands and insisting he’s the modern equivalent of John le Carré. Which isn’t hyperbole, in case you were wondering: it’s a nailed-on fact.

So, for those who don’t know: Slough House is a disregarded echelon of MI5,  comprised of disgraced and incompetent agents, ruled by the abominable Jackson Lamb. But when one of their own is abducted —  Catherine Standish,  scooped into the van of her ex-lover, Sean Donovan — the Slow Horses leap into action amidst savage narcissistic in-fighting within the halls of her majesty’s government.

Real Tigers is visceral, gritty and cinematic. It’s Mick Herron’s novel best novel to date, which makes it something truly special indeed. The fuse is lit in the first few pages of the novel and burns through the rest of the story until its explosive ending.

Buy Real Tigers here…

Review: Normal by Warren Ellis

9780374534974“He was a futurist. They were all futurists. Everyone here gazed into the abyss for a living. Do it long enough, and the abyss would gaze back into you.” So writes Warren Ellis in his novella  — originally published as a digital short — Normal, a concise but immensely satisfying psychological thriller.

When futurist Adam Dearden suffers a nervous breakdown, he is taken to a secret hospital — the “Normal Head Research Station” — which is a recovery station for those whose minds have come apart as a consequence of their occupation. When you spend your life contemplating the direction of mankind — are we circling the drain or reaching for the stars? — you’re bound to unravel, and that’s precisely what’s happened to the patients at Normal. The futurists are themselves divided into distinct types, and their differences essentially boil down to those who’re optimists and those who’re pessimists; is the glass half full or half empty? Are we headed for catastrophe or greatness? Ellis’s text doesn’t provide an answer, but will certainly make you wonder…

After one a fellow patients disappears in impossible circumstances, the patients at Normal are advised that government officials are launching an investigation — which is something nobody wants. So Adam forms a necessary alliance with a section of his inmates in order to get to the bottom of this mystery: and the answer might just break him once and for all.

It’s rare for me to wish a book was longer — I’m always so quick to advise cuts and merges rather than more pages — but Ellis’s premise deserves more room to truly shine. Normal is a novella that’ll make you quiver, but really, it could’ve been something shook you to your core. It’s a blast while it lasts, and I suppose it’s always best to leave an audience wanting more rather than having them glancing at their watches, but with some expansion, Normal could’ve rivalled Ellis’s fantastic novel Gun Machine. Instead it’s a solid detour, and a fun sampling of the writer’s work. Bring on his next novel.

ISBN: 9780374534974
Format: Paperback (191mm x 127mm x 12mm)
Pages: 200
Imprint: Farrar, Straus & Giroux Inc
Publisher: Farrar, Straus & Giroux Inc
Publish Date: 11-May-2015
Country of Publication: United States

Words and Pictures

Words and pictures can be so much more powerful together than apart. Comics, graphic novels, picture books, illustrated novels. So many possibilities.

As a writer, I love art. I love handing over my words to see what an illustrator will do with them. I had my first picture book published in October this year – Meet… the Flying Doctors. It was illustrated by Ben Wood, who did such a wonderful job. Each and every double-page spread is a stunning work of art worthy of gallery exhibition. I feel extremely lucky and privileged to have these illustrations inside a book with my name on it.

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Books 11 and 12 in my YOU CHOOSE series of interactive stories will hit the shelves on 3 January 2017. The covers and internal illustrations for this series are by the talented James Hart. Even after twelve books he still manages to impress and surprise me with his dynamic covers. The success of these books is in no small part due to the fact that James’s art grabs casual book browsers and screams “PICK ME UP”!

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As a reader, I love art. There are so many wonderful works out there. Here are a few I’ve read recently…

9781742378527KidGlovz (2015) by Julie Hunt, illustrated by Dale Newman

An extraordinary graphic novel for kids in glorious black and white. A musical prodigy is a prisoner of his talent, until a young thief helps him escape. What follows is a magical journey of discovery. This book won a 2016 Queensland Premier’s Literary Award and was shortlisted for both the CBCA Book of the Year and the Crichton Award for New Illustrators. It certainly deserves all the accolades.

 

9780670078684The Greatest Gatsby: A Visual Book of Grammar (2015) by Tohby Riddle

Who would have thought grammar could be fun? It certainly is with this book. What is remarkable, is how Riddle uses a combination of words and pictures to make even the most complex oddities of grammar quite simple and understandable. This book would be great for kids who are struggling with grammar. But it’s also a pretty wonderful book for grown-ups who want to brush up on their gerunds, reflexive pronouns and superlative adjectives. But is this book GREAT? GREATER? GREATEST?

Withering-by-Sea (2014) and Wormwood Mire (2016) by Judith Rossell

These Victorian-set Stella Montgomery Intrigues are magical! A young orphan girl, raised by her three ghastly aunts (Aunt Temperance, Aunt Condolence and Aunt Deliverance) finds herself caught up in all manner of supernatural events. These books are beautifully written and illustrated with a light, old-fashioned touch. They are hard to put down as they transport you into the past and plunge you into their mysterious intrigues.

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9780330404365The 13-Story Treehouse (2011) by Andy Griffith, illustrated by Terry Denton

Kids have been going nuts for the Treehouse books ever since they hit the shelves… and I’ve been meaning to get around to reading one of them for ages. I wanted to see what all the fuss was about. Well, I can certainly see why kids love them so much. This book is so RANDOM. It’s full of MAD, BONKERS FUN! The words and pictures working seamlessly together. Loved it!

 

9781627389877The Chilling Adventures of Sabrina (2016) by Roberto Aguirre-Sacasa, illustrated by Robert Hack

The writer behind the rather awesome zombie apocalypse re-imagining of Archie and his fellow Riverdale residents in Afterlife With Archie (see my review) now sets his sights on Sabrina. Set in the 1960s, it takes a rather dark and gruesome approach to the story. Perhaps not as immediately engaging as the Archie graphic novel, this one takes a while to warm up… but once it does, it’s pretty damn good. Another comic book character, Madam Satan, is also re-imagined and woven into the story.

 

9781401245009Injustice: Gods Among Us, Vol.1. (2013) and Vol.2. (2014) by Tom Taylor, with art by Jheremy Raapack, Mike S Miller, Tom Derenick and Bruno Redondo

Wow! This has got to be one of the best superhero comics I’ve read in ages. Bold, dark and relentless, it looks at what might happen if superheros decided that they knew what was best for the human race, and that the ends justified the means. Will have to seek out the rest of this series.

Well, that’s it from me for 2016. See you all in the New Year.

Catch ya later, George

PS. Follow me on Twitter

Check out my DVD blog, Viewing Clutter.

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Media Tie-in Books

9781405926508I’m a bit of a pop culture junkie. So I tend to read a fair few books that are tied in to other media – film, television, games. Mostly Doctor Who, as this is my particular area of obsession. This year I’ve read less than I normally would. But here are a few that I’ve really liked.

Night of the Kraken (Doctor Who: Choose The Future) (2016) by Jonathan Green

Looks like we’re getting a new series of interactive Doctor Who books. Yay! BBC Books tried this a few years ago with the Decide Your Destiny series. I only read a couple of those and found them a little disappointing. Night of the Kraken is the first book in the new Choose The Future series, and it’s showing a great deal more promise. Rather than putting the reader into the story with a second person narrative (which is what the previous series did), this book is in third person with the reader making decisions on behalf of the Doctor. It works well and moves at a good pace. Not all the plot strands fit together neatly and I found too many of them being a bit same-ish, but overall it was a fun read. More please!

Lethbridge-Stewart: The Forgotten Son (2015) by Andy Frankham-Allen

This is the first in a series of spin-off books about Alistair Gordon Lethbridge-Stewart from Doctor Who, prior to him being promoted to Brigadier and put in charge of U.N.I.T. (United Nations Intelligence Taskforce). Set immediately after the events of the television story “The Web of Fear”, L-S must deal with his own past as well as the Great Intelligence making another invasion attempt. So the Yeti are back! This is an excellent start to the series. There is a wonderful sense of time and place, a great build up and pretty much perfect characterisation. The plot gets a little muddy towards the end, but not enough to prevent this book from being a wonderful read for Doctor Who fans.

Lethbridge-Stewart: The Schizoid Earth (2015) by David A McIntee

The second book in the series doesn’t get off to as great a start as the first. I found the style a bit hard to get in to. But once I got used to it, the story hooked me in and I really enjoyed it. This story again involves L-S’s past, this time with some time travel to get the plot moving. I’m looking forward to reading more in this series.

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The X-Files anthologies edited by Jonathan Maberry – Vol.1: Trust No One (2015); Vol.2: The Truth is Out There (2016); Vol.3: Secret Agendas (2016).

Fans of The X-Files rejoice! This is a glorious set of anthologies, with stories set in a range of time periods – from before the series, to each of the seasons, and beyond. Not all the stories were to my taste, but they were all well-written and well thought out. No stinkers in these collections. And I’m sorry, but I can’t help bragging a little here… I have a story in Vol.3. – “An Eye For an Eye”. I’m very proud of it and super excited to be included alongside so many famous writers. My story was recently reviewed on THE X CAST blog, and I am thrilled with getting such a great review that picks up on all the things I was trying to achieve with the story.

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9781772752045Guardians of the Galaxy: Castaways (2016) by David McDonald

I never really read the comic books, but I loved the Guardians of the Galaxy film… and since I knew the author and liked his work, I thought I’d give this book a go. I’m so glad that I did! This is a fun, fast-paced, rollicking adventure, but with a good sense of character. It’s funny and exciting. Although focussing on Star-Lord Peter Quill, each of the team gets relevant time in the plot and moments in which to shine. I particularly loved Gamora’s sub-plot as protector of a monastery. And the ending! It’s an explanation I could easily imagine in an ep of Doctor Who (which is high praise in my book). This is not some quick cash-in on a hot property… it’s a quality read!

I’ve got a really tall to-be-read stack for 2017, and a good chunk of those book are tie-ins. Looking forward to reading them… and telling you all about them.

Catch ya later, George

PS. Follow me on Twitter

Check out my DVD blog, Viewing Clutter.

thedeepLatest Post: DVD Review  — The Deep: Monsters & Myths

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Review: Slow Horses by Mick Herron

Banished to Jackson Lamb’s personal fiefdom, Slough House, from the higher echelons at Regent’s Park for a variety of shortcomings and vices, the ‘Slow Horses’ are a unit of MI5 misfits, desperate to atone for their past mistakes in order to escape purgatory, not entirely convinced Slough House isn’t an inescapable hell; that whatever they accomplish won’t be enough to circumvent their malpractice.

In erudition, action and temperament, Slow Horses proves Mick Herron is among the top tier of spy thriller writers. I ploughed through this first novel in the series and immediately started the second so I’ll be up to date when the fourth book, Spook Street, is published in February. In Slow Horses a boy is kidnapped and held hostage, and his beheading is scheduled for live broadcast on the internet. Whatever their personal and professional failings, Jackson Lamb’s team — if you can really call them that — can’t just sit on their hands when it’s within their capabilities — well, maybe — to do something. So they break from their remit and get involved. But this isn’t a novel about the redemption of spooks, nor a straightforward action thriller, in which the good guys serve deserved justice to the bad guys, and everyone goes home happy. This is a novel full of grays; it exposes the intricacies of inter-agency turf wars and puts human faces and human costs on those who make it their life’s work to shield us from those who seek to do us harm.

Despite the economy of Mick Herron’s work, the large cast is fleshed out, and although few are likeable — Jackson Lamb, in particular, is a bastard — they’re characters readers will root for, despite their flaws and foibles. Most impressive is Herron’s graceful prose, which reminded me of Daniel Silva’s long-running Gabriel Allon series. There’s an elegance to Herron’s storytelling, rarely seen among his contemporaries, many of whom rush to the explosion without lighting a fuse.

Slow Horses is packed full of evocative detail, movie-tense action sequences, and a credible plot. I’m so glad the book was shoved into my hands. As I write this, I am halfway through Dead Lions and enjoying it just as much as Slow Horses.

Buy the book here…

Hope Farm, A Guide to Berlin, Between a Wolf and a Dog and other awarded lit fiction

hope-farmAward long and short lists continue to showcase our excellent Australian contemporary literature, much of which is written by female authors. Peggy Frew’s superlative Hope Farm (Scribe) has just been longlisted for the 2017 International Dublin Literary award and this year has already been longlisted for the Indie Book award and shortlisted for the Miles Franklin, Stella Prize, Australian Book Designers’ award and won the Barbara Jefferis award.

Hope Farm is narrated by thirteen-year old Silver who lives a peripatetic life, moving each time her mother Ishtar’s relationship breaks down. They follow Miller from warm Queensland to freezing Victoria but the situation becomes inflammatory.

An unnamed character’s point of view is revealed in notebooks. These entries describe a naïve, poorly educated young woman who falls pregnant and is cast out of her family, taking refuge in an ashram.

The descriptions of the Australian bush are tactile and inspired. The sense of dread is perfectly crafted. The character of Silver is portrayed as longing, awkward and yet knowing, as befits a girl with vulnerable and disrupted life experiences.

berlinAnother outstanding work of literary fiction still being nominated for awards this year is A Guide to Berlin (Penguin Random House Australia) by Gail Jones.

Protagonist Cass meets regularly with five other foreigners in Berlin who share their lives through story. The writing is exquisite. There are references throughout to the work of Vladimir Nabokov who “likened the bishop’s move (in chess) to a torchlight, scanning in the dark, swinging into angles”. There are butterfly motifs and exploration of rich words used by Nabokov such as “lemniscate” – the shape of infinity; “conchometrist” – one who measures the curves of seashells and “drisk” – a drizzly European rain. The novel’s title also comes from a short story by Nabokov. The beautifully crafted insights remind me that I need to re-read Hermann Hesse’s The Glass Bead Game.

A Guide to Berlin has been shortlisted for the 2016 NSW Premier’s awards, longlisted for the 2016 Stella Prize, ABIA awards and the Sisters in Crime 2016 Davitt award. In October it won the 2016 Colin Roderick Award.

housesTwo other acclaimed books, which I applaud for their fine writing, are The Life of Houses (Giramondo) by Lisa Gorton (which jointly won the 2016 Prime Minister’s Award for Fiction with Charlotte’s Woods’ The Natural Way of Things – reviewed here), and Between a Wolf and a Dog (Scribe) by Georgia Blain (which has just been shortlisted for the 2017 Victorian Premier’s Literary Award for Fiction and won the 2016 Qld Literary Award for Fiction).

Like Hope Farm, The Life of Houses is a dual narrative, one strand of which is from the viewpoint of a teenage girl, Kit. Her mother, Anna, is a most unlikeable character.

Georgia Blain’s writing in Between a Wolf and a Dog has a sparkling clarity and beauty. It addresses euthanasia. It is devastating that this gifted writer has just been felled by cancer. wolf

Between them these books have won and been long and shortlisted for many awards. We no doubt have a surfeit of fine Australian contemporary female writers of literary fiction.

Mini-reviews

As the end of the year approaches and I desperately attempt to catch up on telling you about what I’ve been reading, may I present another bunch of mini-reviews…

Grimsdon (2010) and New City (2014) by Deborah Abila
9780857983220   9781742758558
Is it possible for a book to be both a dystopian sci-fi and a charming kids’ story? These two tales certainly manage it. Plus they throw in some environmental messages. A captivating read about kids in a flooded city after an environmental disaster, and their subsequent move to a new city as refugees.
thriveThrive (2015) by Mary Borsellino

An intriguing YA dystopian novel. Interesting characters and world, but the story is a bit disjointed and oddly paced. I enjoyed it, but it didn’t quite gel for me. It’s one of those books that I really wanted to love more than I actually did.

9781760154035300 Minutes of Danger (2015) by Jack Heath

Ten linked short stories that are fast-paced and EXCITING! Suspense, danger and action are the driving forces here. I love the concept of linked story collections like this. You get the immediacy of short fiction with the bigger picture of longer fiction, all in one book.

9780575086937Patient Zero (2009) by Jonathan Maberry

This is the first book in the popular Joe Ledger series, about a cop who goes to work for a special ops government agency, The Department of Military Sciences. This is a hard-edged, fast-paced techno-thriller about terrorists using a bio-weapon that turns people into zombies. Ledger is a wonderfully engaging character and Maberry is a master of this genre. The rest of the series is lined up on my to-be-read pile.

51gqzolrwll-_sx354_bo1204203200_Just Plain Cat (1981) by Nancy K Robinson

A nice story about a young boy and his newly acquired pet cat. Below this surface story are family relationships and the experiences of starting at a new school. All handled with quite a lovely old fashioned touch.

9780994469335Zombie Inspiration (2016) by Adam Wallace, illustrated by James Hart

Mad, bonkers fun! During a zombie apocalypse, with much brain-eating, Adam, James and Stacey run, hide, dispatch zombies and learn a little about themselves. A unique and innovative idea, this book is linked to an online course about using zombies as inspiration to be all you can be. Check it out!

9781741663099The Laws of Magic: Moment of Truth (2010) by Michael Pryor

This is the second-last book in Pryor’s wonderful, magical, engaging and totally awesome series set in an alternative history Edwardian period, where magic and science co-exist. I love then so much, I’ve been reading one book a year in order to try and make them last. I’ll read the final one next year.

thumb_cover_not_just_a_piece_of_cake_jpgNot Just a Piece of Cake: Being an Author (2015) by Hazel Edwards

Hazel Edwards, author of the famed picture book, There’s A Hippopotamus on Our Roof Eating Cake, has dipped into her own life story for this engaging memoir. It has a lovely conversational tone that makes you feel like you’re privy to a private chat rather than reading a book. Edwards doesn’t shy away from difficult topics, presenting a warts and all story. Loved it!

9780994358356Hijabi Girl (2016) by Hazel Edwards and Ozge Alkan, illustrated by Serena Geddes

Fiction, especially children’s fiction, can do extraordinary things. It can often achieve outcomes that no amount of lecturing or shouting from rooftops can. It can be enlightening while also being entertaining. It can promote understanding while also telling a good story. And this is what Hijabi Girl does. It’s a good story about kids in a school. Like all kids they have their friendships and difficulties; they deal with teachers and teasing; they have their likes and dislikes. They are ordinary kids doing ordinary things. But one of them happens to be Vietnamese. And another is a Muslim girl who wears a hijab. The cultural differences among these kids are simply part of everyday life, along with all the other little differences between them. One character likes soccer, another likes drawing; one character is into princesses, another likes Aussie Rules footy; one character eats rice paper rolls, another eats only halal food; one character has a pet rat, the others don’t; one character wears a hijab, the others don’t. In the end, difference is not only accepted, but celebrated. As it should be in real life. More kids books like this please!

Catch ya later, George

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thedeepLatest Post: DVD Review  — The Deep: Monsters & Myths

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Review: The Mothers by Brit Bennett

mothers-britThe Mothers is an outstanding debut novel: an engaging, poignant, and thought-provoking read about the importance of motherhood, and the hardships faced by girls who don’t have a female figure in their lives to help guide them. Bennett’s novel explores friendship, the impact of secrets, and the consequences of disloyalty, as three teenagers grow into young adults. Most importantly, it bestows insight into the lives of middle-class people of colour; a viewpoint I’ve rarely seen explored in all my years reading fiction, which is possibly my own fault — I don’t go looking for such stories, when I really should — but equally, such stories don’t seem to be published, which says a lot about the state of the industry, sure, but also about readers’ willingness to read such tales. As author Angela Flournoy put it in a New York Times article: “Writing about ordinary black people is actually extraordinary. It’s absolutely its own form of advocacy.” That’s the point, I think: teenagers Nadia, Luke and Aubrey could easily be characters of any race. Their coming-of-age story — their interwoven destinies — has nothing to do with their race.

Few novels are as poetically searing as Brit Bennett’s The Mothers. Few books are able to say so much with so little. These three teens are united by the hardships they’ve already been exposed to: Nadia’s mother committed suicide, leaving no note, no explanation; Luke’s promising football career was ended by a freak injury; and Aubrey was forced away from home because of her abusive stepfather. When Nadia learns she’s carrying Luke’s baby, she decides not to keep it; Luke reluctantly scrounges the money for the abortion. It becomes their secret, which endures, leakily, for decades; it brings them together and tears them apart, time and time again, trailing them into adulthood. Even though I sensed where the story was headed, and the heartbreak that awaited, I couldn’t put the book down. I was crushed, repeatedly, by the ill-fated decisions made by the trio; but I continued reading, hoping for the best.

The eponymous “mothers” of the Upper Room church community serve as the novel’s narrator — their introspection frames Bennett’s novel — but if I’m honest, the conceit feels a little forced and unnecessary. There’s no need for the meta narrative, and it can be a tad intrusive at times; but in no way does it detract from the brilliance of Bennett’s debut.

Truly one of my favourite books of the year.

Buy the book here…

The Best Books of 2016

best-books

The 18 books you need to read this year, as selected by the well-read staff at Boomerang Books (and our 11 year-old reviewer!)

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commonwealth

BEST FICTION

COMMONWEALTH BY ANN PATCHETT

Ann Patchett is fast becoming one of my all-time favourite authors, and Commonwealth takes her talent to a new level, totally engrossing you in the lives of two families who themselves get tangled up over the years due to a few choices of fate.

The novel opens in 1964 at a seemingly innocuous christening party. An uninvited guest arrives bearing a bottle of gin and a chain of events gets set in motion. Patchett jumps around with her timeline and doesn’t immediately follow the most sympathetic characters choosing instead to flesh out the least as you piece together how two completely separate families join together and how a tragic event begins to unwind them apart again.

Ann Patchett has written a novel of immense beauty, charm, sadness and tragedy. She will have you laughing out loud as you read one minute and wiping a tear away the next. This is a book I could have, and still want, to read forever. I did not want it to end so lost I became, not just in the story and the characters Ann Patchett so vividly brings to life, but also in the words and way she tells her story. This book is quite simply marvellous. This is an American Classic in the making.

— Jon Page

dryuBEST CRIME FICTION

THE DRY BY JANE HARPER

A small farming community in the grip of drought is rocked by the murder-suicide of a young local family. Farms are failing, tensions are high and almost no one is surprised that the stress has finally gotten to Luke Hadler. It is his final actions which have filled the town with horror.

Aaron Falk returns to farewell his childhood friend but he’s not welcome. His family were run out of town when Aaron and Luke were just kids and he’s never been back. Questions surrounding a 20 year old suicide and Falk’s part in it are reignited and an already tense situation becomes a tinderbox. The community is split and those who wish Faulk gone are not shy in making their opinions felt. All he wants is the truth and in finding that to maybe bring comfort to Luke’s grieving parents… and to himself. Yet finding the truth among so many secrets and lies is never an easy thing.

Jane Harper vividly portrays the harshness and beauty of the Australian landscape and the small-town prejudices and petty grievances which escalate under the unrelenting Australian sun. The twists and turns will leave you in turns gasping from surprise and then in anticipation as each time you think you have it all worked out and you realise you don’t. This is a page-turner in the truest sense of the word. You will not be able to put this book down.

A single spark is all it will take to ignite a whole town. A single page is all it will take to have you hooked!

— Kate Page

everyone-braveBEST HISTORICAL FICTION

EVERYONE BRAVE IS FORGIVEN BY CHRIS CLEAVE

This is a truly wonderful novel that captures the outbreak of the Second World War in London. We follow Mary North, who from the war’s outset, is determined to use this tumultuous time to change the status quo. Mary is from a well to do family and rather than rest on her family name she wants to get involved in the war effort. She signs up immediately with dreams of becoming a spy or being involved in the newly forming war machine. Instead she is assigned as a school teacher and sent off to prepare the school children of London for evacuation. Mary takes this all in her stride and is even more determined to throw herself wholeheartedly into her new vocation.

Through Mary we meet Tom whose job it is to organise the schooling of those not evacuated. We also meet Tom’s roommate Alistair, an art restorer at the Tate, who also signs up immediately and is sent to France. Through Tom and Alistair we explore another side of the war; the guilt of those who stay behind and the transformation of those from civilian to soldier. After surviving the disaster at Dunkirk Alistair is transferred to Malta, where like those in London, he must survive the endless siege from the air of the Germans.

Cleave expertly captures the early days of the war with everybody disbelieving it can possibly be as bad as the government is trying to prepare them for. When the blitz does begin, much to everyone’s shock and sincere disappointment, he skillfully portrays the change of mood and stiff upper lip attitude employed by Londoners to get by. He contrasts all this with Alistair’s experience of the war showing that despite the contrasts between the Homefront and the frontlines there are also many similarities. Survival and sanity the key ones in both. As the war progresses Cleave conveys the steadfastness of this demeanour, both in London and in Malta, despite everything that happens to the contrary.

This is a truly amazing novel that left me shattered at many different moments. I haven’t read such an original take on the Second World War like this since Life After Life and A God in Ruins by Kate Atkinson, and those were both streets ahead of any other novel of the last ten to fifteen years. Cleave captures the spirit of a people so subtly and honestly and how that spirit is harnessed in order to survive. The sense of humour in the book is pitch perfect; dark, sardonic, self-deprecating, infused with camaraderie. At the same time Cleave also shows the darker side of human behaviour.

— Jon Page

 secret-recBEST ROMANCE

THE SECRET RECIPE FOR SECOND CHANCES BY J.D. BARRETT

Lucy’s husband is a liar, a cheat and a recipe stealer so she is leaving him and their popular Sydney restaurant. The only problem is she has no money and no idea what comes next! When she stumbles across the dilapidated remains of the once famous Woolloomoloo restaurant, Fortune, it feels like fate. Except there is a catch – and he’s moody and handsome with a penchant for women. Which is exactly what she doesn’t need. With a lovable, quirky cast of characters JD Barrett’s debut is a little bit Mostly Martha and a little bit Ratatouille!

— Kate Page

dark-matterBEST SCIENCE FICTION

DARK MATTER BY BLAKE CROUCH

Dark Matter is an unabashed science fiction thriller. If the thought of multi-dimension travel – of our protagonist traversing alternate worlds – is too much of a leap from the grounded reality in which you prefer your fiction, okay, fair enough, perhaps this one’s not for you. But for everybody else, willing and able to suspend their disbelief, and accept the parameters of Crouch’s fiction, Dark Matter is a relentless and thrilling ride. What glues it together – what makes this novel work – is its heart. Dark Matter is a love story – punctuated with action and science fiction elements, certainly – but its romantic core, one man’s desire to reunite with his wife and son, is what makes the novel tick along.

Dark Matter is about the roads not taken. It’s about the choices we make – those large, momentous decisions we identify as important, and the smaller ones we barely recognise. Jason Dessen chose his family over his career as a physicist; so too his wife Daniela, who gave up her dream of being an artist. It’s not a decision they regret – they’re a content family unit, blessed with a teenage son – but inevitably there are moments when they wonder what might have been. And thanks to the Jason Dessen from an alternate reality – a world in which he focused on his career in science rather than his family, and created a multidimensional travel device – our Jason is about to discover what might’ve been.

Crouch sends Dessen to a range of close-but-not quite realities as he attempts to find his journey home, to his wife, to his son. In putting Dessen through such an emotional rollercoaster we bear witness to some truly gut-wrenching and poignant scenes. And just when you think the novel’s demonstrated all it’s got to offer – that Crouch is leading readers down a thrilling, but somewhat routine path as Dessen attempts to return to his world – he throws a curveball; an unforeseen plot twist that raises the states even higher, and propels the narrative through to its fitting climax.

Plenty of fiction has explored the idea of multidimensional travel, but rather than focus on the science, Dark Matterkeeps the reader riveted because of its heart. How far is one man willing to go to reunite with his family? How much can he witness before he loses himself? You’ll tear through Dark Matter in one sitting to find out. Truly, it’s one of the best thrillers I’ve read in years.

— Simon McDonald

fireman-joe-hillBEST HORROR

THE FIREMAN BY JOE HILL

Cormac McCarthy’s literary masterpiece The Road presents a hopeless, post-apocalyptic world navigated by an adult and a child. The specifics of the extinction event are not clarified. It doesn’t matter why society crumbled, just that it has, because all that matters for its populace now is survival. The Road is a novel about the repercussions of the unspecified catastrophe that decimated society; decidedly post-crisis. Joe Hill’s The Fireman takes a different route, set at the very beginning of society’s decline, as the Dragonscale pandemic seizes hold, drawing patterns on people’s skin and eventually literally igniting them, causing them to spontaneously combust. Whereas the characters in The Road are surrounded by nothing but absolute despair, in The Fireman trappings of pre-pandemic lives still exist; tangible reminders of what once was. Both worlds are perpetually dangerous and unpredictable. And both novels are hallmarks of the narrative malleability of the post-apocalyptic concept.

Though operatic in scope, The Fireman is centred firmly around Harper Grayson, a school nurse who becomes a volunteer at her local hospital when society starts to decay, and school becomes a thing of the past. When Harper discovers she, too, is infected by Dragonscale — and pregnant! — she vows to bring her baby safely into the world. Her husband Jakob has other ideas, disgusted by the mere thought of bringing another human into a world such as this, and attacks Harper, determined to abort her life and their child’s. During her escape she encounters John Rockwood — the near-mythical figure known as The Fireman — who welcomes her into a secluded camp of infected survivors, who have learned to control their infection. Jakob, meanwhile, joins the Cremation Crews; marauders who kill the infected on sight. Thus, the board is set, the terrain unknown. Husband and wife are destined to meet again; the question is, in what circumstances?

Survival in a Dragonscale-infected world is unglamorous, and Joe Hill doesn’t pull any punches as he exposes readers to the bleak reality of a world beginning its rapid spiral. He showcases a warped evangelical religion based on ‘the bright’ – an aftereffect of the Dragonscale infection – and demonstrates, as these types of stories so often do, that man’s greatest threat to its own survival is itself rather than the wider crisis. The characters that populate these pages are diverse and vibrant, with distinct follies and histories. Harper is an empathetic heroine, far stronger than we (and she) first realise; desperately clinging onto survival against all odds, as everything she’s ever known degenerates. The Fireman is a mammoth tome: to work, it needs a superior protagonist, and Hill has granted his readers a supremely memorable one.

The Fireman is Joe Hill’s most ambitious novel yet, and will inevitably be compared to his father’s seminal work. The thing is, these comparisons are warranted. Hill’s latest novel is indeed reminiscent of Stephen King’s greatest work – but never derivative. Like King, Hill is a master storyteller – it’s in his blood, clearly – and this novel elevates him into a new literary stratosphere. It has been a long, long time since I was last able to lose myself in an epic like this.

— Simon McDonald

mothersBEST DEBUT

THE MOTHERS BY BRIT BENNETT

The Mothers is an outstanding debut novel: an engaging, poignant, and thought-provoking read about the importance of motherhood, and the hardships faced by girls who don’t have a female figure in their lives to help guide them. Bennett’s novel explores friendship, the impact of secrets, and the consequences of disloyalty, as three teenagers grow into young adults. Most importantly, it bestows insight into the lives of middle-class people of colour; a viewpoint I’ve rarely seen explored in all my years reading fiction, which is possibly my own fault — I don’t go looking for such stories, when I really should — but equally, such stories don’t seem to be published, which says a lot about the state of the industry, sure, but also about readers’ willingness to read such tales. As author Angela Flournoy put it in a New York Times article: “Writing about ordinary black people is actually extraordinary. It’s absolutely its own form of advocacy.” That’s the point, I think: teenagers Nadia, Luke and Aubrey could easily be characters of any race. Their coming-of-age story — their interwoven destinies — has nothing to do with their race.

Few novels are as poetically searing as Brit Bennett’s The Mothers. Few books are able to say so much with so little. These three teens are united by the hardships they’ve already been exposed to: Nadia’s mother committed suicide, leaving no note, no explanation; Luke’s promising football career was ended by a freak injury; and Aubrey was forced away from home because of her abusive stepfather. When Nadia learns she’s carrying Luke’s baby, she decides not to keep it; Luke reluctantly scrounges the money for the abortion. It becomes their secret, which endures, leakily, for decades; it brings them together and tears them apart, time and time again, trailing them into adulthood. Even though I sensed where the story was headed, and the heartbreak that awaited, I couldn’t put the book down. I was crushed, repeatedly, by the ill-fated decisions made by the trio; but I continued reading, hoping for the best.

The eponymous “mothers” of the Upper Room church community serve as the novel’s narrator — their introspection frames Bennett’s novel — but if I’m honest, the conceit feels a little forced and unnecessary. There’s no need for the meta narrative, and it can be a tad intrusive at times; but in no way does it detract from the brilliance of Bennett’s debut.

Truly one of my favourite books of the year.

— Simon McDonald

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homo-deusBEST NON-FICTION

HOMO DEUS BY YUVAL NOAH HARARI

The author of Sapiens — also a must-read — returns with another enthralling work of potent brain fuel. Seriously, whatever Yuval Noah Harari writes, I will read. And I’m not a guy who reads a ton of non-fiction.

This time, Harari explains humanity’s rise and ponders our future. He poses that humanism is the dominant ideology of the modern age, but warns it carries the seeds of its own destruction.  Homo Deus is less of a prophecy and more of a conversation: what sort of future do we want? Human nature will be transformed in the 21st century — into what? 

Whether or not you agree with Harari’s assertions and proclamations, his latest work is highly captivating.  Will his outlandish visions come to pass? Well, who knows? But the very idea of it’s possibility — that it might happen — is chilling.

— Simon McDonald

paul-ham-paschBEST HISTORY

PASSCHENDAELE BY PAUL HAM

Paul Ham reaffirms his status as one of the best current Australian historians writing today, taking his astute eye to the devastating battle of Passchendaele. This is not a history book solely about Australia’s involvement in the Flanders campaign of 1917. This is an all-encompassing look at the events and the situation that led to the battle and the wholesale slaughter of over half a million men. Ham combs through the histories and memoirs of those involved on both sides and all ranks, wading through the lies and falsehoods, myths and legends, excuses and justifications that have festered over the decades to put together a picture of a battle that somehow exceeded the horrors of The Somme and Verdun only a year before.

Paul Ham primarily explores how a toxic relationship between Prime Minister Lloyd George and Field Marshall Douglas Haig allowed an offensive to go ahead whose only true goal was absolute attrition. He shows how the lessons learned during the butchery of The Somme about tactics (tactics that could preserve men’s lives and actually gain ground;  the creeping barrage, bite and hold) were not employed due to the weather and in some cases battles went ahead with no artillery support at all. Ham demonstrates that the immense casualties on both sides were not some catastrophe or blunder of leadership but planned for, expected and deemed necessary and shows how those in a position to stop the carnage did nothing, putting personal grievances ahead of the lives of over 500,000 men.

This is a book not only for all Australians to read but New Zealanders, Britons, French and Germans as well. Paul Ham puts this battle and consequently The First World War in its context of the time, not some revisionist context in light of subsequent events and conflicts. This a cutting, insightful and moving look at one of the bloodiest and most futile battles of the First World War.

— Jon Page

hate-raceBEST MEMOIR

THE HATE RACE BY MAXINE BENEBA CLARKE

I don’t read short story collections and I certainly never read biographies or memoirs. Maxine has now blown me away writing both. She has been described as “a powerful new voice in Australian literature”. I’d like to make a few adjustments to that quote. Maxine Beneba Clarke is the powerful voice of Australian literature. Reading Foreign Soil was like being introduced to a raw power. Like most short story collections there were stories that burst out of the book and others that slowly simmered but in every story Maxine’s power as a writer was apparent and you came away from the collection knowing that when she turned her attention to one subject, one narrative for a whole book, it was going to be something to behold. And that is exactly what she had done with The Hate Race turning her attention on herself and her childhood growing up in Western Sydney.

Maxine recounts the story of her parent’s emigration to Australia from England in the early days after The White Australia policy was dismantled by The Whitlam Government of the 1970s. She tells her story growing up in Western Sydney as one of the few families of colour and the systemic, casual, overt and unrelenting racism she had to deal with from kindergarten through to high school; from teachers, parents and classmates alike. She shows how that affected her, how that changed her, how that made her who she is and how it unmade who she is. At times it is painful to read and at other times infuriating. Anger that is tempered by your own shame when you remember similar incidents from your own childhood growing up where you looked the other way, did or said nothing or maybe even contributed in one way or another through your own ignorance of what was going on around you and the pain it was causing. Maxine recounts all this with humour, humility and honesty.

For anyone who thinks Australia isn’t a racist country, read this book. For anyone who thinks casual racism isn’t hurtful, read this book. For anyone who thinks Australia has changed a lot in the last 30 years, read this book. For anyone that has ignored a racist comment because they haven’t wanted to get involved, read this book. For anyone who wants to know what Australia is really like, read this book.

There are books that are often described as important. It is a phrase that can get thrown about a bit too much and it’s true meaning gets lost or is diminished. But every now and then a book comes along that makes you sit up. A book that quite literally takes your breath away. Sucks it out of you and it is not until you stop reading that you truly notice what the book has done. A book that opens your eyes to something you knew was there but have failed to really acknowledge. A book that confronts you with its honesty and raw emotion. A book you wish everybody around you would read so that they too can have the same realization. A book like that is important. Maxine Beneba Clarke has written a very important book. An extraordinary book. A truly remarkable and powerful book. A book I hope as many people as possible will read.

— Jon Page

cooks-tableBEST COOKBOOK

THE COOK’S TABLE BY STEPHANIE ALEXANDER

In this milestone book, The Cook’s Table, Stephanie Alexander shares some of her favourite menus, most precious memories, and decades of experience in the kitchen, to make any dinner party you are planning a special occasion.

Featuring 25 menus ranging from far and wide to close at hand, Stephanie begins each menu with an introduction, sharing the particular moments from her life that inspired each one. From trips to Peru, Italy and Istanbul to memories such as creating a ground breaking Valentine’s Day menu at Stephanie’s Restaurant and remembering Elizabeth David.

Each menu provides a meticulous timetable for the cook, starting days leading up to your dinner party, to the morning of, right up to minutes before your guests arrive. The essence of Stephanie’s planning is to be away from the table as little as possible, so as not to miss out on those valuable moments and stories shared with friends and family.

Every dish in this book can be successfully made by a careful home cook. They are seasonally minded and cater to modern palates while respecting traditional methods and flavours. The vibrant photography from acclaimed photographer Mark Chew bring Stephanie’s wonderful menus to life.

The Cook’s Table will sit alongside all your other Stephanie Alexander favourites to be read, shared, cooked from and enjoyed for years to come.

patienceBEST GRAPHIC NOVEL

PATIENCE BY DANIEL CLOWES

In Daniel Clowes’s Patience, things go terribly awry when Jack Barlow attempts to travel through time to circumvent his wife’s murder.

In 2012, mere days after discovering he is going to be a father, Jack returns home from his dead-end job and finds Patience sprawled out on their living room floor. Immediately the police’s number one suspect, when Jack is eventually cleared of the crime, he makes it his life’s mission to avenge his wife’s death. Patience was the one good thing in life. Without her, he has nothing.

But things don’t quite go as Jack planned. When the book smash-cuts to 2029 we find a much harder, far more jaded – and older, obviously – Jack Barlow sitting in a futuristic bar, relaying his crapped out life to a barman. He never avenged Patience – though he tried, the crime remains unsolved – and the passing of time has only further sullied his soul. A chance encounter with a hooker leads to his discovery of a time machine, and the concoction of a new plan: why take vengeance when he can eradicate the entire event from the timeline?

Like everything else Jack touches though, he ends up making more of a mess of things. As he bears witness to key events in Patience’s teenage years – learning about the multiple hardships and abusers she encountered – his incessant interventions start affecting the timeline. And veteran science fiction readers, and those schooled on time travel will know: it’s not a good idea to mess with what’s come before, because there’s no telling where the new chips might fall.

Part science fiction epic, part love story, Patience brims with heart and soul. Clowes’s focus on the emotions of his characters rather than the physics of time travel elevates the book above stories of a similar ilk. While Jack’s quest to change the timeline is the book’s driving force, it’s the insights into Patience’s youth that proves the most captivating aspect. Truly a stunning graphic novel, and a worthy addition to Daniel Clowes’s collection of stunning masterworks. This sits proudly alongside Adrian Tomine’s Killing and Dying as one of the best graphic novels of the year.

— Simon McDonald

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deep-blueBEST YOUNG ADULT BOOK

WORDS IN DEEP BLUE BY CATH CROWLEY

This is a beautiful book about love, loss, literature and growing up.

After moving away and losing touch with her friends, Rachel Sweetie returns to town. She is working at Howling Books, grieving for her brother Cal, and trying not to be in love with Henry Jones.

— Talie Gottlieb



fennBEST BOOK FOR YOUNG READERS

FENN HALFIN AND THE FEARZERO BY FRANCESCA ARMOUR-CHELU

One of my passions as a bookseller is reading fantastic kids books. I have always felt that some children’s books are have better storylines than adult books. Fenn Halflin and the Fearzero is one of those titles.

Fenn Halflin has spent his life hidden away in the swamplands with his Grandfather. He longs for the freedom to live in the world outside – to have a bit of excitement in his life. The world however is not safe and he is in danger if anyone finds out about him.

Water levels are rising and land is becoming scarce. The land dwellers have built a wall and without a permit no Seafarer is allowed to live on land. Life is tough. Resources are dwindling and the dreaded Terra Firma, under the control of their leader Chilstone, patrol the waterways destroying boats always searching for something (or someone). The Resistance was crushed years ago but there is a rumour of a baby that escaped Chilstone’s clutches. They say this baby might save them all.

Francesca Armour-Chelu has created a world at once recognisable, yet not. Fenns world could be a very real future for us all if we continue to ignore the environmental damage we are creating. I am not normally a fan of kids books that deal with “Issues” however, Francesca explores the themes of migration, refugees, the uneven distribution of the world’s resources and global warming with subtlety. Kids will read Fenn Halflin and the Fearzero purely as a great adventure story but hopefully subconsciously they might take away some ideas about how we need to look after our planet and the people on it in equal measures.

Fenn Halflin and the Fearzero is a rollicking adventure story which had me completely hooked from the very first chapter! Resistance fighters, bad guys, kids using their wits to outsmart evil adults, friendship, sacrifice, and fulfilling ones destiny – Fenn Halflin and the Fearzero is at times part Mad Max, part Oliver Twist and part Waterworld. I absolutely cannot wait for part two to find out the conclusion of this thrill-ride of a book.

— Kate Page


OUR ELEVEN-YEAR-OLD BOOK REVIEWER RECOMMENDS….

turners-1THE TURNERS BY MICK ELLIOTT

On his thirteenth birthday, Leo grows a tail and turns into a Komodo Dragon in the middle of the library! He finds out that he is a Turner, and can turn into any animal he thinks of, but must keep it a secret! He must fight Vipermen, hairless hamsters and flesh eating pigs! I enjoyed this so much and it was very funny, too! I couldn’t put it down!

turners-2THE TURNERS: CAMP FREAKOUT BY MICK ELLIOTT

Leo has finally persuaded Vernon and Abbie to go to school camp, but he soon finds out that it’s a big mistake! Disgusting camp foods (which might be poisonous), turnimals (animals that can turn!), a strange shy boy and nasty bullies. Will Leo survive the horrors of school camp?

The Turners are in danger! An evil mastermind has made a monster race and Leo is the secret ingredient to finish these horrible monsters! Will he stop the fiendish plot? Find out in the 2nd book in this awesome series!

I loved this book even more than the first one! The Turners Camp Freakout is such a funny adventure and I couldn’t put it down! It has a surprise twist at the end AND a cliffhanger til book 3! This series is truly amazing! The turnimals are a very creative idea and it came at the perfect time – just before most schools go for camp! I can’t wait for book 3 to find out what happens next to Leo, Abbie and the rest of the turners whose secret lives are at stake!

— Molly (age 11)


rabbit-and-bearBEST BOOK FOR EARLY READERS

RABBIT AND BEAR BY JULIAN GOUGH AND JIM FIELD

They say don’t judge a book by its cover, but it’s hard not to when you see this fabulously illustrated book!

It’s my favourite children’s book of the year because of the laugh-out-loud, fun, tale of friendship, not to forget a little bit of poo. Young children will delight in this new series (the second book is out in January 2017) brimming with humour and adventure, with a wild fox chase, snow men and avalanches.

— Jan Ekins

ada-twistBEST PICTURE BOOK

ADA TWIST, SCIENTIST BY ANDREA BEATTY

It only takes a few seconds to fall in love with this curious little girl. Inspired by scientists, Ada Lovelace and Marie Curie, Ada Marie Twist starts exploring the world around her as soon as she turns three. Ada’s constant questions and curiosity teaches children that the most effective way to know the world is through exploration and asking questions. Similar to Iggy Peck, Architect and Rosie Revere, Engineer, Ada inspires children to follow their intuition and be creative. Ada Twist, Scientist is among the few examples of picture books that wisely depicts a powerful passionate girl who wants to learn more about science.

— Mahsa Salamati


WHAT WERE YOUR FAVOURITE BOOKS OF THE YEAR?

Review: Kill the Next One by Federico Axat

With more twists than a double helix, Kill the Next One is a relentlessly-paced, unputdownable psychological thriller. It zigs one way, then zags another, providing the kind of stomach-clenching, unsettling suspense readers associate with Lauren Beukes and Stephen King. Nothing should be taken at face value, but rest assured, Federico Axat is a brilliant guide.

Just like Blake Crouch’s Wayward Pines series, Kill the Next One needs to be read unspoiled. This is a book that relies on the potency of its labyrinthine twists, and prior exposure has the potential to ruin the whole experience. The set-up barely scratches the novel’s surface: family man Ted McKay is moments away from pulling the trigger on the Browning pressed against his head. Then the doorbell rings, and Ted is presented with the notion of becoming part of a suicidal daisy chain: in exchange for killing someone who deserves to die, he will be killed, making his passing easier for his family. Easier to live knowing your husband / father was the victim of a random act of violence than by self-inflicted means … right? Things spiral wildly from there, quite brilliantly, and nothing is what it seems.

There’s a delightful boldness – – an incredible audaciousness — to Kill the Next One. Expertly paced and plotted, and extremely visceral, with bucket-loads of surprises and genuine chills, it’s sure to be one of the most-talked about thrillers of the year. Let’s hope Kill the Next One isn’t Axat’s only book to receive an English translation. He’s a writer to watch, and this book is one to savour.

Buy the book here…

Who are The Good People?

Hannah Kent is a master of atmosphere and of extracting her characters’ souls. Her new novel The Good People (Picador, Pan Macmillan Australia) is set in 1825, in a dark and dank Irish valley where, “Mushrooms scalloped out from rotting wood in the undergrowth. The smell of damp soil was everywhere”. The community has a peasant culture of simple rituals governed by the seasons, alliances and health. The effects of petty, and more serious, quarrels are balanced by small daily kindnesses.

good-peopleCould The Good People be shadowing the author’s Burial Rites as the second in a possible trilogy based on true stories about women living in wretched poverty whose fates are controlled by powerful men and others?

In The Good People, Nóra’s husband Martin has died inexplicably at the crossroads. The tale opens with his wake. Nance Roche comes to keen and wail for Martin. She is a “handy woman”, the gatekeeper of the thresholds between the known and unknown who lives in an isolated mossy cabin dug into the mud. She keeps it as clean as she is able, cares for her goat and collects healing herbs. She has inherited “the knowledge” of the Good People, fairy knowledge that cures people from the folk whose lights are seen near the whitehorn trees by Piper’s Grove.

With both her husband and daughter Johanna dead, Nóra is left alone with Micheál, an ill-formed child who can’t speak or walk and continually soils himself. She employs red-haired Mary Clifford from the north to help her care for Micheál. The gossips believe that someone with red hair has the evil eye. Nóra’s daughter also had red hair and some insist she was “swept”, taken by the Good People.

Mary cares for Micheál selflessly but Nóra and Nance believe he is a changeling, a fairy child who has been exchanged for a human child, bringing bad luck on the village. They resolve to “put the fairy out of him”, taking him to be dunked in the river three times.

Superstition escalates when a cow is found dead, chickens are left headless and an egg is filled with blood. Nance is accused of making piseóg, curses, and of poisoning people with her treatments of “bittersweet” and foxglove. And yet she describes the dying year as, “The night was falling holy, as though the glory of God was in the changing of the light”.

Former priest Father O’Reilly protected Nance but the new priest Father Healy preaches against her.

burial-ritesWhose viewpoint is right? Hannah Kent makes us believe in the veracity of the superstitious Nance and Nóra because she has plunged us into their lives and thoughts. But if we extricate ourselves from their powerfully constructed beliefs and peer through the eyes of their opponents, could the latters’ views be equally valid? One of the author’s gifts is to coax us into relinquishing our, perhaps more reasoned, views and to accept those of her protagonists.

The Good People of the title are alluded to but never seen. But are they more or less integral to the story than the human good people we meet: kind neighbour Peg O’Shea and steadfast Peter, as well as the multifaceted major characters? Goodness, grief, mercy and truth are wound with verisimilitude into The Good People.

Clade, still being shortlisted for awards …

I have been keen to read James Bradley’s Clade since hearing about it pre-publication. James Bradley has come through the ranks of exciting Australian authors-to-watch after great responses to his novels Wrack and The Resurrectionist. I adored his novella Beauty’s Sister, a memorable retelling of Rapunzel.

cladeHis most recent novel, the dystopia Clade, is still being nominated for awards, most recently the 2016 Western Australian Premier’s Award for Fiction. It has also been shortlisted for the Christina Stead Award for Fiction  at the 2016 NSW Premier’s Literary Awards; the 2016 Victorian Premier’s Literary Awards Prize for Fiction; Australia’s oldest literary award, the ALG Gold Medal; and the Aurealis Award for Best Science Fiction Novel.

The cover with its image of bees in a surreal hexagon sets the tone for a slightly futuristic setting where bees are at risk (as they are in many places already). Climate change has caused disasters such as blizzards and flooding, leading to the disappearance of birds, crop failures, power cuts and overcrowded hospitals.

Adam and Ellie become a couple and eventually give birth to Summer. Ellie and Summer spend fractious times with Maddie, Ellie’s stepmother at Maddie’s beach house. This setting also epitomises the natural world.

beautyThe author employs time-shifts, moving between Summer as a young girl, a teen who sneaks into houses and as a young mother of Noah who is on the autism spectrum.

A pivotal scene occurs when Adam plans to attend a conference in London but instead finds Summer and Noah, his unknown grandchild. Summer feels that she can’t deal with Noah. The three generations of family flee from the approaching storm, avoid soldiers and roadblocks, shelter in a church and an apartment and are able to escape the fate of the thousands of people killed in the flood.

Themes of aging, life cycles, death, grief and erasure of the past complement the major issue of the effects of climate change. The analogy of ‘boiling the frog’ is used to represent people’s slow response to gradual change. People don’t seem able to think clearly because they are caught up in falling from one disaster to the next.

Sci fi elements include genetically engineered trees known as ‘triffids’ that resemble baobabs.  People use ‘overlays’ to communicate as well as screens. resurrectionist

The writing moves quickly without being superficial. It is engaging and lean yet also poetic.

Clade is an ideal Christmas gift, appealing to those who would appreciate an important story, beautifully told.

Author James Bradley is a literary critic for the Weekend Australian and blogs at City of Tongues.

Review: Rather Be The Devil by Ian Rankin

Although John Rebus’s  name is emblazoned on the cover of Rather Be the Devil, Ian Rankin’s ensemble cast is becoming increasingly intrinsic to the irascible detective’s world. And that’s not a bad thing. Thanks to the distinct personalities of Rebus, Siobhan Clarke, Malcolm Fox, and two Edinburgh gangsters – Big Ger Cafferty and Darryl Christie – this is a multilayered whodunnit that will keep even the sharpest readers asking questions until the very last page. Rest assured, loyalists: Rankin and Rebus remain as peerless as ever.

Rebus’s mortality has been hinted at in recent novels, but in Rather Be the Devil, it’s like a slap in the face. There is no avoiding it. Our mate Rebus isn’t doing so well. Prone to violent fits of coughing, he’s given up the cigarettes and limited his boozing. Which isn’t to say he’s a changed man. Rebus is like a dog with a bone; once he latches on, he won’t let go. The bone, in this instance, is an unsolved murder dating back forty years. Maria Turquand was murdered in her hotel room on the night a famous rock star and his entourage were staying in the same establishment. It’s stuck in Rebus’s mind for all that time, marinating. And now, retired, free as a bird, he uses his contacts at Police Scotland – hello Siobhan! – to access the file.

Meanwhile, Darryl Christie – Edinburgh’s wannabe criminal kingpin – has been viciously attacked outside his home. Is this a new player making a run at Christie’s territory? Or an old enemy looking to move back in? Fox and Clarke are on the case, which of course, clashes with Rebus’s seemingly unrelated and unsanctioned investigation.

Throughout Rather Be the Devil, Rankin flits confidently between characters, painting a portrait of modern day Edinburgh as he weaves a smart, brisk mystery. He combines Rebus’s hard-nosed cynicism with moments of real sentimentality, which coalesce into an exceptionally good read, with an ending that suggests Rebus it won’t be too long between drinks before and his cohorts reunite.

This is vintage Rebus and Rankin. It’s always such a treat to enter the mind of one of the most interesting personalities in crime fiction. Stay healthy, John!

Buy the book here…

Review: The Four Legendary Kingdoms by Matthew Reilly

SAW print.inddThe Four Legendary Kingdoms begins with Jack West Jr. waking up in an unknown location and immediately thrust into battle. We quickly learn he has been chosen, along with a dozen other elite soldiers (including a very familiar face, much to my surprise and delight), to compete in a series of spectacularly deadly challenges in order to fulfil an ancient ritual with world ending consequences. So, yeah; the stakes, as always, are astronomically high. This isn’t a game West can escape from. For the sake of his loved ones — for the sake of everyone — he’s got to compete.

Reilly delivers fantastic stunts and vehicular mayhem in incredibly creative combat arenas. The plot and characters are ludicrous, but its all stupendous fun, and it moves at the velocity of a speeding bullet. Faster, actually. Reilly rarely lets his readers — or indeed his characters — rest. There are brief interludes between all the thrills, when the unflappably indestructible West gets the chance to lick his wounds, and Reilly gets the chance to feed readers background information. Sure, it can be a little clunky at times  — only Reilly could get away with the sentence, “Vacheron grinned evilly,” and the book is entirely void of subtext — but The Four Legendary Kingdoms is a rollicking blockbuster ride and perfect weekend fodder.

When it comes right down to it, other authors can try (and have tried) to emulate him, but nobody is better at the high-octane-high-body-count thriller than Matthew Reilly. It’s his domain, exclusively. Fans will delight in Jack West Jr.’s return, and of course, plenty of thread is left dangling for the inevitable sequels.

Buy now >>

Review: A Closed and Common Orbit by Becky Chambers

9781473621435Becky Chambers blew me away with her amazing debut The Long Way to a Small Angry Planet. It was science fiction at is best and was longlisted for literary as well as science fiction awards, and rightly so. So when her follow-up fell into my hands I was giddy with excitement and anticipation. Could it match the emotional resonance of the first book? Especially as it is a “stand-alone sequel” meaning the crew I fell in love with in the first book wouldn’t feature? The answer is YES and then some!

Sidra was an Artificial Intelligence on aboard a spaceship who has been transferred to a human “kit” body and must now learn to navigate the sentient world. She must keep her existence secret as it is highly illegal to transfer an AI and she will be shut down and her system wiped if she is discovered. Helping her navigate through this new life is Pepper, a highly skilled technician who can fix and rebuild almost any machine. Pepper has a vested interested in helping Sidra adjust to her new life in part due to her upbringing. Both Sidra and Pepper are searching for their place in this crazy universe and together they might just find it.

Becky Chambers once again sucks you into the world and universe of her two main characters. She alternates Sidra’s story with that of Pepper’s upbringing. We get the ups and downs of Sidra discovering her new life, her new capabilities and new limitations. And we learn about Pepper; who she is, where she came from and why she cares so deeply about what happens to Sidra. We live through both characters joys and heartbreaks, new experiences and frustrations. And I guarantee you will shed at least one tear by the end.

Once again Becky Chambers builds a world full of alien species, futuristic technology and space travel but truly amazes you with her characters and emotional resonance. A science fiction novel that isn’t battles and adventures but a wonderful exploration of humanity and belonging.

Buy the Book Here…

Review: The Wrong Side of Goodbye by Michael Connelly

Harry Bosch’s journey with the LAPD came to a fittingly acrimonious ending in the final pages of The Burning Room a couple of years back. But while his departure made sense from a character perspective, I had my concerns for the future of Michael Connelly’s long-running series. We’ve seen Harry leave the LAPD before (which produced one of my favourites Bosch novels, Lost Light) but the blue religion and department politics play such a key role in Connelly’s work. How could Bosch possibly endure?

We got a partial answer with last year’s The Crossing; a rollicking team-up with the Lincoln Lawyer, Mickey Haller. It set up the obvious question: who is Harry Bosch without the badge? And how can he carry on his mission without it? Because working for Haller wasn’t sustainable; not in the long-term. The Wrong Side of Goodbye provides all the answers we need, and sets the series up for the foreseeable future. Bosch’s LAPD years are over, but the character’s best years might still be ahead of him.

The Wrong Side of Goodbye follows two distinct investigations, which unravel around each other but never intersect. One involves mega-wealthy industrialist Whitney Vance, who hires Bosch as a private investigator to locate a potential heir. His other case involves a serial-rapist dubbed the Screen Cutter, which Bosch is working as a part-time reservist for the San Fernando Police Department. Although it’s an unpaid position, it allows Harry the chance to once again wield a badge and carry on his mission, which is all the payment he needs.

The novel delves into Bosch’s Vietnam years, and his early years in an LAPD uniform. While Connelly has touched on these background details in the past, it’s never been to this extent, and he leaves a ton left over to excavate in future instalments. I always wondered whether Connelly might produce a novel set in the Vietnam or just after, focused entirely on Bosch’s war years or his early years with the LAPD; The Wrong Side of Goodbye is a far more nuanced approach, and I hope we see more information drip-fed to us in future books.

Michael Connelly’s latest is another masterpiece of crime fiction. Some authors get to a point where you run out of superlatives for their fiction; Mr Connelly reached that point long ago. The Wrong Side of Goodbye is the standard to which police procedurals should be held. No doubt the author will raise the bar even higher with his next release.

Buy the book here…

Review: Tell The Truth, Shame The Devil by Melina Marchetta

9780670079100I have to confess to some reticence in picking this book up. I hadn’t read Melina Marchetta in years (since Saving Francesca in fact) and even though Looking For Alibrandi was one of the best books I had to read at school I had some reluctance picking up her first novel for adults. But after Kate started reading and RAVING about it it was next on my pile and I was instantly hooked. This isn’t just a good thriller, this is a top class thriller easily equal to the great stuff Michael Robotham writes.

The novel opens with a bang and doesn’t look back. DCI Bashir ‘Bish’ Ortley’s life is slowly falling apart. He still grieves for the son he lost in a drowning accident. His marriage, already on rocky ground, didn’t survive the tragedy and his relationship with his teenage daughter Bee is on tenterhooks. He’s been hitting the bottle to get through each day but that has resulted in his suspension from The Met on disciplinary grounds. Everything is put to the test though when a bomb goes off on a tourist bus in Northern France.

His daughter is on the bus and Bish immediately races to the scene. He soon becomes the liaison between other frantic parents, the French police and British officials. Bish is relieved to discover that his daughter is unharmed but that cannot be said for others onboard the bus. When he discovers that also on the bus is the daughter of a bombing suspect he locked up thirteen years ago his, and others’, suspicions are raised. When she disappears soon afterwards those suspicions seemed confirmed by her actions. Bish has his doubts though and his search for the missing girl not only reopens old wounds but may also reopen an old case.

Marchetta unfolds this thriller with the skill of a veteran crime writer. I especially like the way she explores the role social media plays not just on people’s quick judgements of guilt but also in reconstructing the timeline of the events leading up to the bombing. Marchetta puts this up against the role of the traditional media in the earlier case showing how the media’s rush to judgment, both old and new, then and now, haven’t changed that much and that guilt and innocence are blurred and lost very easily with devastating consequences.

I could not put this book down and I hope it is not the last we are going to see of DCI Bish Ortley, a fantastic new character to add the crime genre by a writer we knew from growing up was something special who can no-show off that skill to a whole new audience both here and around the world..

Buy the Book Here…

Review: So Say the Fallen by Stuart Neville

Stuart Neville is a crime writer at the absolute top of his game at the moment and is doing things in the crime genre few others would attempt. After bursting onto the scene with The Twelve, an IRA hitman thriller with a supernatural edge, Neville has challenged himself and the crime genre with each subsequent book. I thought he hit the heights with his historical crime novel Ratlinesbut his new series featuring DCI Serena Flanagan has gone to new levels of brilliance.

In the first DCI Serena Flanagan novel, Those We Left Behind, Neville created a crime thriller that skillfully demonstrated that a crime story doesn’t ever end. The effects are always long-lasting and neither truth nor justice can ever provide the closure required by those left behind. Neville again shows this when we catch up with DCI Flanagan in the new novel with the events of that novel continuing to have ramifications on both her professional and personal lives.

9781910701522The second DCI Flanagan novel deals with a classic tale of the crime genre; a wife and her lover knocking off her husband, killing him to make it look like suicide, with the wife set to inherit a fortune. But Neville plays this story out with a couple of differences. Firstly as a reader we know straight up it is a murder not suicide. There is no mystery to unravel. We know who is guilty and it is up to DCI Flanagan to work out if there has been foul play or not. Secondly, the lover is a priest. Neville plays all this out while DCI Flanagan struggles to keep her family together while giving her job the dedication she knows it requires.

I never thought a crime novel without a central mystery could be so tense and page-turning. I surprised myself a number of times with how much I got sucked into this novel. The way Neville explores the burden placed on a detective is superb and an angle that has fallen into cliché in too many other crime novels. The tension of the story also builds unawares, on both sides of the story, as Neville tells the story from both the detective and the killers’ points of view with completely different tension on both sides that all comes to a dramatic head by the end of the novel.

Those Left Behind was an outstanding piece of crime fiction. Unfortunately as the story dealt with two teenage boys handselling the book proved a challenge. Hopefully with this new book passionate crime readers will discover a fantastic new series that is doing things in the crime genre few others are attempting and fewer still are able to pull off. If you haven’t read Stuart Neville yet now is the time to start.


Last year I called Stuart Neville’s Those We Left Behind “a true hallmark of the genre,” and have spent the months since its release desperate to read his next. You know what it’s like when the shadow of an absolutely brilliant crime novel casts over subsequent books in your reading stack: oh, there’s stuff there you’ll enjoy, but nothing quite matches up to the quality of that effervescent goliath.  So when an ARC of the second Serena Flanagan novel dropped in my lap, it was very much a case of drop everything and read! Expectations were high — hyperbolic, in fact — and I felt a slight twinge that I’d placed too much of a burden on Neville’s shoulders. I hadn’t, though. Like its predecessor, So Say the Fallen is a brilliant crime novel, and further underlines Stuart Neville’s credentials as one of the best contemporary crime writers.

When So Say the Fallen opens, DCI Serena Flanagan is still dealing with the fallout from her last major case, detailed in Those We Left Behind (which I won’t delve into here – this is a safe place, readers, free from spoilers). Suffice to say, her home life is suffering as a result, and the breakdown of her marriage seems imminent. The new case thrust into her hands doesn’t appear to have the same significance: a severely disabled local businessman has committed suicide, and Flanagan is called to the scene to sign off on the cause of death. The scene is clean, and all evidence points to suicide – but something about the businessman’s widow troubles Flanagan. So too the edginess of the reverend, with whom the widow is suspiciously close to. Despite the wishes of her superiors, Flanagan digs deeper, unravelling the tragedies that have plagued the widow’s life — and eventually the cold, dark truth.

9780099578383 (1)Faith plays an integral role in So Say the Fallen —both the reverend’s, and Flanagan’s — and it’s a theme that is explored with incredible deftness. I’m always wary of being preached to when religion pops up in books, but nothing like that is evident here; it’s beautifully unobtrusive, and adds a new layer to Neville’s protagonist. At multiple points during this story, Flanagan finds herself questioning her path, and trying to fill a void in her life: faith in a higher power would go some way to restoring her. It’s not as cut-and-dried as that, of course – but I truly admire Neville’s willingness to dive into the subject.

In terms of narrative structure, So Say the Fallen isn’t so much a whodunit — we know the truth, or at least shades of it, very early on in the piece —but an extrapolation of motive. Indeed, motive is the driving force behind the novel, as Neville seeks to answer what inspires Flanagan to put her life on the line – and the sanctity of her family – every single day; why does the reverend continue to preach, given the dissipation of his own faith; why would a disabled businessman, who had apparently accepted his fate, suddenly decide to end his own life? This is less a novel of who, but rather, why. And it offers a nice change of pace from the archetypal mysteries clogging bookstore shelves.

So Say the Fallen is a damn fine novel, blending high personal stakes and character depth alongside traditional genre elements. Without question it will rank as one of the best crime novels I read this year. Anything that tops it will have to absolutely blow my socks off. It’s really that good.

Buy So Say the Fallen Here…

Buy Those We Left Behind Here…

Review: The Good People by Hannah Kent

9781743534908 (3)Few debuts have garnered as many accolades as Burial Rites, so if “second novel syndrome” is a real thing, it must apply doubly for Australian author Hannah Kent. Thankfully we’ve not had to wait long for Kent’s second novel — no decade-long interlude á la Donna Tartt — and it’s every bit as immersive as its predecessor. The Good People is a sparkling examination of Irish folk medicine and a lapsed belief system, and what happens when the real world – cold, stark reality – intercedes with these once-cherished folk traditions.

Set in south-west Ireland in the year 1825, tragedy unites three women together, and instigates an irreparable expedition that will challenge their beliefs, and see them clash against contemporary ideals. The tragedy in question centres around Nóra Leahy, who has lost her daughter and her husband in the same year. She is now burdened with the care of her four-year-old son, Micheál, who is severely disabled, both physically and intellectually. Micheál cannot walk or speak, and Nóra, knowing what will be said about the child, keeps him hidden from those who might consider his nature the evidence of otherworldly interference — touched by Them, the Good People.

Unable to cope on her own, Nóra hires a teenage servant girl, Mary, who quickly learns what sections of the community are saying about Nóra’s grandson: he is the cursed creature at the epicentre of their town’s grief. And in such circumstances, there is only one person they can turn to for help; one person who can force Them from Micheál, and return the young boy to his true self: Nance Roche, a woman with ‘the knowledge,’ who consorts with Them, and has demonstrated her healing abilities before. But her neighbours grow increasingly weary of Nance; the town’s new priest, in particular, is vehemently against her practices, and is gradually twisting the people’s opinion of her. Nance is determined to heal Micheál and prove her abilities to the township.

As with Burial Rites, the true genius of The Good People is Kent’s massaging of history — her many months of gruelling research — into her narrative. The Good People is layered with historical accuracy, bringing to life countless Irish customs without ever becoming bogged down in the verisimilitude. The plot is straightforward — the trio of women hurtle towards a conclusion most readers will anticipate but won’t be able to turn away from — and the characters, and their choices, will resonate long after you’ve put the book down.

Indeed, The Good People is a novel that will leave you marvelling at long-forgotten Irish customers and traditions, and have you question how the religious beliefs of today intercede with mankind’s increasingly practical and scientific nature. Kent’s artistry is that she needn’t tangibly pose the question; it’s the nuanced message of her novel, which will be enjoyed, and cherished, purely for its narrative alone.

Readers will inevitably ask, “Is it better than Burial Rites?” But I’m not sure it’s a question I can honestly answer. They’re both standouts; wonderful novels by an author with the world at her feet. The Good People boasts beautiful prose coupled with a brutal landscape and memorable characters. It’s a real literary treat.

Buy the book here…

Review: Dr. Knox by Peter Spiegelman

isbn9781782066934Peter Spiegelman’s Dr. Knox is an immensely satisfying noir thriller. Though the details of the plot add up to your typical potboiler story of conspiracy and corruption, of the rich and powerful preying on the poor, Spiegelman’s slight (but distinctive) twist on the formula elevates Dr. Knox above its competition.

Dr Adam Knox is a hero in the Philip Marlowe mould — but armed with a stethoscope instead of a gun. Abiding by the tropes of the noir hero, he is a well-intentioned man with a dark past, using his skills and his limited facilities to provide medical care for prostitutes, junkies, and other street dwellers of Los Angeles for whom visiting a hospital is not an option. To help make ends meet — to pay his staff, as well as rent — Knox provides an ambulatory service for LA’s shadier elements, working alongside his friend and former Special Forces operative Ben Sutter.

Knox’s life — and quite literally everyone he knows — is thrown into turmoil when a young woman named Elena deposits her son at the clinic, rushing out the door before questions can be asked. Clearly frightened, and visibly injured, Knox is certain Elena’s life is in danger — and therefore her son’s, too — so instead of contacting child services or the police, he hides Alex, and decides to unravel the mystery of Elena’s whereabouts, and her reasons for abandoning her child. The trail leads Knox into the path of violent Russian gangsters and an overtly corrupt corporation —both of whom will stop at nothing to terminate Knox’s investigation, and locate the mother and son.

Adam Knox is an enjoyable and compelling lead. We are in his headspace for the entirety of the novel, and’s the right mix of capable and completely out of his depth to make him likable. And while some of his past is unshrouded during proceedings, there’s plenty left for Spiegelman to uncover in future novels. The action and medical procedures are suitably hard-core, but never gratuitous (or overplayed), and while there’s some occasional monologuing, it’s thankfully never plodding.

Gritty, intense, and wildly entertaining, Dr. Knox is a damn fine crime novel. If Peter Spiegelman wasn’t on your radar before, he should be now.

Buy the book here…

Unforgettable YA tales that stick

Live throws up some questionable situations at times, which, for young people especially can result in unforgettable experiences. I love young adult novels that encapsulate such experiences in stories with unreserved candour and humour. Here are some unforgettable examples.

Forgetting Foster by Dianne Touchell

Touchell’s ability to reach deep into the grey sticky bits of both adults and seven-year-old boys and extract meaning from them for us in ways both poetical and moving is awe-inspirForgetting Fostering. This is a powerful and intelligent fiction for young readers written with precision and heart. As Foster’s world of stories and thus reality recedes into a place he can’t identify, he is forced to farewell the other most important thing in his life, his father.

Foster may inhabit a seven-year-old’s body and possess a sweet naivety and omnipresent reverence for his father still, but when his father begins to forget everything including Foster, Foster’s outlook on life, school and relationships is sent akimbo. For the first time in his life, he is adrift in a place where his father can no longer accompany him. To make matters worse, his mother is barely able to cope with their unexpected and irreversible demise let alone Foster’s feelings.

Losing a parent to (early onset), Alzheimer’s disease is no straightforward matter as Foster discovers. How it affects his position in his family is the question Touchell throws at us again and again with poignant force. At times brutally honest and real and at others stoically proud and witty, Forgetting Foster focuses on surviving battles we were not meant to fight.

Forgetting Foster is a sort of grown up version of Lisa Genova’s Still Alice; it is no less intelligent and revealing however translates the angst and ludicrous frustrations and realties of Alzheimer’s from the carers’ point of view instead of the sufferer’s. How Foster comes to deal with these realisations is the resolution for a story that has no real happy ending.

Focusing on a younger character but with buckets of lower secondary school reader appeal.

Allen & Unwin June 2016

Another Night in Mullet Town by Steven Herrick

Poetic, raw and real, I savoured every syllable of this verse-coming-of-age novel by Herrick. Mullet Town is an intelligent narrative about surviving on the peripheral of lAnother Night in Mullet Townife, both emotionally and materialistically.

Mates Jonah and Manx exist in a one mullet town, content to throw a line in the lake every now and then and wade through the treacherous bog of teenage parties and relationships. For Manx, who may aspire to more but is also driven to defend his simple existence from the ‘wealthy blow-ins’ who want to sell the town out, life suddenly becomes more complicated. How he manages to keep his head about water and remain supportive for Jonah plays out in an emotional journey Herrick cleverly wallpapers with gentle, lyrical wit.

The end petered out a little too matter-of-factly for me but life is not always full of neat and tidy endings. As long as the mullet continue to swim, there remains a glimmer of hope for the residents of Mullet Town – this is the departing assurance, which is in itself enough.

Gritty and extremely readable, a highly recommended verse novel for older readers.

UQP June 2016

My Australian Story: Black Sunday by Evan McHugh

Black Sunday is riveting and tactful. I thoroughly enjoyed McHugh’s account of one of the most unexpected and largest mass (beach) rescues in Australia in the late 30s. Ironically, I had come across old newspaper reports about this day in February 1938 whilst researching another topic. I was astounded and shocked by what I uncovered. Black Sunday

McHugh’s use of simple diary entries by 12 year-old David McCutcheon aka Nipper to detail the events leading up to Black Sunday, entreats intimacy and candour whilst painting a vivid picture of Bondi and its surrounds on the eve of WW II. Even those who have never swam in Bondi’s ever changing waters or basked on her golden beaches will gain a strong sense of place and time thanks to McHugh’s thoughtful epistolic prose.

The actual event itself is not over dramatized rather occurring naturally after a nine-month relationship with Nipper whose life ambition is to be a surf lifesaver like his grandpa, his diary, and the colourful cast of characters that people his life. There is a beautiful balance of emotion, history, and humanity in this Australian Story, which pays homage to heroes in every guise not least of which those that serve Surf Lifesaving Australia. Respect in the highest. Well suited for primary and lower secondary readers, Black Sunday is a fitting and vivid unforgettable tribute to Australia’s not so distant past.

Omnibus Books August 2016

#ByAustralianBuyAustralian

 

 

Review: Home by Harlan Coben

9781780894218I slipped into hyperbole earlier this year when I reviewed Harlan Coben’s Fool Me Once. Deservedly so, upon reflection. I stand by it.  This isn’t an apology for my extensive praise. Nor is this review what you’re possibly expecting: “but wait, his latest novel, Home, is even better!” No, when juxtaposed, Fool Me Once is certainly the better thriller. It’s got that brilliant final twist, which hasn’t been topped by any other novel I’ve read this year, and certainly validates Coben’s ranking as the consummate master of the modern day thriller.

That’s right. He’s not just a master. Anybody can master something. But to be a consummate master? Wowzer.

But – and forgive the obvious pun – there is something special about coming home. About reuniting with a cast of characters you haven’t read about for some time. Myron Bolitar and Windsor Horne Lockwood III are two of my favourite characters in all of fiction, and we haven’t seen them (besides brief appearances in Coben’s YA Mickey Bolitar trilogy) since 2011’s Live Wire.

2011, guys and gals. That’s five years ago. God, we were do damn young. And look at us now. No, don’t – – !

Home brings these characters back, alongside the classic cast: Esperanza; Big Cyndi, Myron’s parents. Heck, even the kids wh0 starred in Coben’s YA series play a vital role in proceedings, and it’s great to be reunited with Mickey, Ema and Spoon. Their presence adds a cool continuity to things. So, sure; this book is for the fans. The readers, like me, who clamour each and every year for a new Myron novel. But there’s plenty here for “non-Myron” fans to enjoy. If indeed there even are such people out there.

The premise is straightforward: 10 years after two 6-year-olds vanished from a suburban New Jersey home, one of them is spotted in London. Obvious question: where’s the other? Myron gets involved because one of the kids, Rhys – – the boy who wasn’t spotted — is (or was) the cousin Windsor Horne Lockwood III, Myron’s best friend, and the friendliest psychopath you’re likely to encounter. In the past it has always been Myron’s lust for justice – – for righting wrongs, for doing the supposed right thing – – that pulled Win into deadly situations. This time the shoe is on the other foot. Win has always been there for Myron. And despite his pending marriage, Myron will always be there for Win. That’s the bro-code, didn’t you know?

Yes, there’s a big mystery here, and there are surprising twists (unleashed rather late in proceedings, admittedly, but no less effectively than in other novels) but it’s the emotion of the characters that really lifts Home above the rank and file. The heart and soul of this novel are the twin families coping with the loss of a child, and the extremes parents go to in order to protect them.

Ultimately, it’s just great to be back with Myron and the gang. The novel’s ending is possibly conclusive – – with a real lump-in-the-throat moment – – so who knows when we’ll see these characters again? In many respects, I wish I’d taken my time with the novel and truly savoured it. Instead, I smashed through it in less than 24 hours. That’s the true evidence of Coben’s class: his books are so gripping, you can’t put them down.

BUY THE BOOK HERE

Review: Rise the Dark by Michael Koryta

isbn9781473614581Rise the Dark, the second book in the Markus Novak series, is a masterful suspense novel, replete with crackling prose, nail-biting thrills, and a crackerjack pace. Dangling the plausibility of physic possibility, and pushing its characters to their physical and mental limits, Michael Koryta has crafted a thriller that will induce an unprecedented kind of page-turning compulsivity. In other words, it’s very, very good.

Picking up soon after the end of Last Words, Markus returns to Montana in pursuit of his wife’s murderer, Garland Webb, who has joined a cult hell-bent on bringing down the electrical grid and blaming it on Islamic terrorists. During his pursuit of Webb, Markus meets Jay Baldwin, who has been pulled into the cult leader’s nefarious plans following the abduction of his wife, Sabrina. Jay is a former lineman, whose knowledge of electricity and the grid is essential to the cult pulling off their spectacular feat; and as long as his wife is in danger, Jay will do precisely what they command, regardless of the consequences. Also involved with the cult is Novak’s mother, Violet – a physic reader, whose supernatural proclivities appear to be manifesting within Markus in the subtlest of ways, much to his chagrin.9781444742619

This hodgepodge of elements is thrown together and seamlessly blended into a damn fine thriller, with high doses of intrigue and tension. Novak’s mission of vengeance gives the novel severe personal-stakes, but the larger implications of the electrical grid going down skyrockets the potential implications of his failure. While Novak’s a fairly flat protagonist, the supporting cast adds much-needed colour and vibrancy. Uncle Larry, Violet’s shotgun-wielding brother, is a particular hit, but kudos needs to go to Kortya for allowing his two female leads to demonstrate genre-defying strength in their captivity. Rather than being utilised as stereotypical damsels-in-distress, and waiting to be rescued, they’re given ample opportunity to flex their sizable muscles, and kick plenty of ass.

With a genuine cliff-hanger that’ll leave you exasperated when you realise you’ll have to wait a year for any semblance of a resolution, Rise the Dark is one of the year’s best thrillers. Koryta is quickly climbing the ladder as one of my favourite authors.

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Review: The Best of Adam Sharp by Graeme Simsion

adam-sharpHow does Graeme Simsion follow-up his dual smash-hits of The Rosie Project and The Rosie Effect?  By penning a novel that is just as funny and poignant, but with a tumultuous moral core. Unlike the Rosie novels –  which I always pegged as romantic-comedies, or as ‘dramedy’ to enquiring readers – The Best of Adam Sharp is far more profound. There’s a lot more for the reader to marinate over. There is greater thematic depth. And it will resonate long after you’ve closed the book.

The Best of Adam Sharp introduces our protagonist – the titular Adam Sharp – as an almost-fifty IT contractor, whose life has reached that gliding point when there are few surprises left. It’s not a bad life – he lives comfortably, has a loyal partner at home, and has a few close friends – but it’s not what it could have been. Even so, it’s not like he is pining for something different; he’s made his bed and he is sleeping in it contentedly. Until he gets an email from his great lost love, Angelina Brown…

Two decades ago, on the other side of the world in Australia, Adam’s part-time piano playing introduced him to the aspiring actress and the two engaged in an unlikely love affair. It was never meant to be a long-term thing – their lifestyles prohibited a lifetime together – but despite the odds, they fell in love. Adam could’ve made a life with her – should’ve, he later things – but did not. They went their separate ways, out of touch, until now, when their extended email communique leads to Adam reuniting with Angelina in the flesh . . . alongside her husband.

The Best of Adam Sharp is about lost love and second chances. My feelings towards Adam varied during my reading; initially I was rooting for the guy, fist-bumping the air thinking, “Yeah, go get the girl, be with the person you’re meant to be with!” Then, later, my tune changed; I realised that Adam reforming his relationship with Angelina would break up a family, and those consequences seemed too grand for the sake of one man’s happiness. As I learned more of Angelina’s relationship with her husband, I reflected and decided, “No, Adam is definitely the right man for her, consequences be damned!” Only for my opinion to change twenty pages later…

This is a novel that will make you ponder the choices you’ve made. It will make you nostalgic, and reflect on where your life might be if you’d stayed with a former girlfriend; stayed in your hometown; moved to a big city; taken that job you turned down. And then it will force you to question how far you’d go for a second chance? Would you sacrifice all you have for what could be? And just because you can do something – should you?

The Life of Adam Sharp isn’t as laugh-out-loud funny as the Rosie novels, but humour still shines through, and plenty of moments had me guffawing. In fact, I feel like the comedy is more potent here because it’s sprinkled, rather than soaked through the text. Music plays a vital role in the narrative too, and it’s mainstream enough – The Beatles, Dylan, The Kinks – to ensure just about every reader will appreciate their references. Even when I couldn’t imagine the tune of a referenced song, I understood the subtext.

Graeme Simsion has done it again; authored a poignant, funny novel, that can stand proudly beside the Rosie novels, if not entirely outshine them.

Buy the book here…

Ruins and Rajith Savanadasa

RajithIn a sold-out session at the weekend’s Brisbane Writers Festival, Rajith Savanadasa spoke to me about his assured debut novel Ruins (Hachette Australia). Amongst other things, I was fascinated to hear that his favourite place is a quiet room in which to read.

Ruins gives an arresting insight into Sri Lanka at the end and aftermath of the Civil War. Rajith uses an intriguing cast of five main characters, four from the one family, to provide different perspectives. Rajith explained how his characters of husband/father Mano, wife/mother Lakshima, daughter Anoushka, son Niranjan and servant Latha are archetypes.

Her recently discovered brother is perhaps coercing Latha to return to the village and help care for his children. She serves the Colombo family of four well but feels that perhaps they don’t care for her in the way she hopes. It was interesting to hear Rajith’s comments on his own family servant Yasa and the novel is dedicated to her. She will always be looked after.

RuinsMano works for the newspaper, publishing only what will keep the staff safe, and is a voyeur until the woman who attracts him dies suddenly. He and Lakshima have a mixed marriage, He is Sinhalese and she is Tamil. He is Buddhist and she is Hindu, but also believes in Buddha. The family savings were used to send Niranjan to study in Australia but he doesn’t seem to be one of the “good children” who return and work hard. Anoushka has many of the difficulties faced by a gay teenage girl who doesn’t follow the demands of the popular group. Rajith revealed that he does share some of her taste in music.

Mano is shocked when Anoushka doesn’t realise there’s a difference between Tamils and the terrorist Tamil Tigers. “The war was against terrorists, not Tamils.”

The novel is ingeniously structured around the ancient artefact of the moonstone where animals represent elements of the life cycle, the vine is desire, the fire-ring shows life’s difficulties and the lotus flower is nirvana. Latha’s thoughts go around and around, becoming cyclic like the structure until she learns to let go of everything and just be.

It was enjoyable to watch the enthusiastic faces of the audience, particularly Rajith’s co-writers from the Queensland Writers’ Centre/Hachette Manuscript Development Program. He would have felt well supported.

Rajith was also on the panel with Sudanese-born Brisbane author Yassmin Abdel-Magied and Korean-American author Suki Kim, which was formed quickly by the BWF as a right-of-reply to Lionel Shriver’s infamous opening address.

 

Midge Raymond and My Last Continent

Midge_Raymond_photoOne of the most delightful and enthusiastic authors at the Brisbane Writers Festival this year was Oregon-based Midge Raymond. I was fortunate to moderate one of her sessions in front of an informed and interested audience. We spoke mostly about her new novel My Last Continent (Text Publishing) but Midge also told us about her boutique publishing company Ashland Creek Press, which publishes books about the environment.

My Last Continent is one of those novels that is enjoyable and thought provoking and also lingers afterwards. I missed it after I’d finished reading, particularly learning about and understanding Antarctica and human interaction with the continent. I wanted to read more, so it was wonderful to have Midge continue the action, adventure, danger, science, history and romance of her tale in person.

People have a range of reasons for visiting Antarctica. They run out of places to hide or, in contrast to early explorers, want to be the last to see its sights and inhabitants. Midge celebrates the untamed beauty and danger of Antarctica and also offers a personal and literary affinity with its creatures, mainly here through her protagonist, naturalist Deb, whose personality, longings and hopes are shared with the reader. The major relationship in the novel is between Deb and Keller, an elusive man who also comes to love the far south and its creatures. He even discovers an Adelie penguin who sits in his lap to be stroked and Midge revealed how this is actually based on a penguin in Argentina, Turbo.

ContinentThe structure of the novel builds to the pivotal episode of the shipwreck of a cruise ship. Chapters oscillate expertly between ‘5 Years Before Shipwreck’, ‘5 Days Before Shipwreck’, ‘One Week Before Shipwreck’, hours before shipwreck and ‘Afterwards’. Foreshadowing also creates an ominous tone.

Tension from how far south ill-equipped ships travel for sights and experiences to thrill their passengers and when they should turn back for the sake of safety is threaded into the story.

A scientist and Antarctic voyager in the audience endorsed the accuracy of Midge’s research and her tale in glowing terms.

Midge is also the author of Forgetting English, which won the Spokane Prize for Short Fiction, has taught communication writing at Boston University and has written two writers’ guides, Everyday Writing and Everyday Book Marketing.

As well as reading My Last Continent, it is worth exploring Midge’s blog. I feel privileged to have met her.

midge-turbo