Hadamar: The House of Shudders – Inspirational Beginnings by Jason K Foster

Despite its harrowing, heart-wrenching devastation, you can’t not be gripped by this piece of history that the world simply needs to know, to learn from, and by inspired by. Hadamar: The House of Shudders is a confronting story scattered with graphic conceptual imagery of an incomprehensible period dating back to 1938 – 1945 during World War 2. Author Jason K Foster grips his readership through the eyes of fictional character, Ingrid Marchand – a German-French-African born teen incarcerated into one of Germany’s horrific psychiatric hospitals, simply for the colour of her skin. Foster reveals in the following piece why he targeted this story to young adults, and what he hopes for future generations to understand about the past. Thanks, Jason!


Throughout my years of teaching it feels to me that children and young adults are fascinated by the Holocaust. Not because of the atrocities, but because they cannot understand how and one group of people could brutalise and systematically murder another.

In 2015, I was teaching a Year 9 Gifted and Talented class. They raced through the curriculum, wanting to know more about Nazi eugenics policies. I freely admitted to them that my knowledge on this topic was limited. I would teach them more but I would need to do more study. As such, I came across the Aktion T-4 program: the official Nazi policy to provide Gnadentod (a merciful death) to the people they classified as Lebenunswerte Leben (lives not worthy of living).

The more research I did the more I realised there were many scientific and psychology articles and books on Hadamar and other institutions like it but there was little in the way of novelised storytelling and even less meant for a YA audience. Given the interest shown by the children in the children of the past: I knew this was a part of history that I needed to tell.

I love to have children read my work.

They are honest, sometimes brutally so, and they keep me grounded and remind me why I write. When beginning Hadamar I wrote a few sample chapters based on my preliminary research and decided to test it out on my target audience, giving chapters to several students from my class.

Thankfully, their feedback was extremely positive, and I decided to write the remainder of the manuscript.

But, given the subject matter, what did I want the reader to take away after reading it?

History Extension is my favourite subject to teach and, within it, I teach students to see history from different perspectives. Questions that students have to consider include: who owns history? How is history told? By whom and why? How do we remember the past and why is it important that we remember it?

These were the questions that stayed in my mind as I wrote Hadamar.

I was teaching the HSC students about feminism and, therefore, deliberately chose a female protagonist. While there are evil women in Hadamar, I wanted to show the patriarchal side of history and have Ingrid as a victim of the power and dominance of men. Equally, I was also teaching the students about the Eurocentric view of history so I chose to make Ingrid of African descent to highlight the racist telling of history. Ingrid, thus becomes, the antithesis of this and it was my intention that her being so makes the reader think about the white, Eurocentric view of history.

I was acutely aware of trying to get the book as historically accurate as possible. Hundreds of hours of research went into the planning stage and, the longer I went, the more I realised there was actually plethora of information available from American military documents, court trials, museums and even American footage on YouTube of their time in the camp. Previously, I researched the role of African and African American troops in the Rhineland for unfinished and unpublished novels. Revisiting this, I read chose an African protagonist to clearly juxtapose racial differences.

In a modern world where racial tensions seem to be on the rise and people are forgetting the past, I chose to focus on the plight of Nazi Germany’s different children because I want today’s generation of children to understand that the events that took place in Hadamar were bullying of the greatest extreme. That, left unchecked, this is where pure hatred and fear of difference leads us. When young adults read the book, turn the last page and close the book, I want them to go out into the world and help to eradicate all forms of racism. If young people can have a greater understanding of the past and the dangers of hating those who are different then, perhaps, they can create a better future.

Jason Foster is an author, poet, freelance journalist and high school teacher. He is widely travelled having spent time in five continents and over fifty countries. He has taught in Australia, the United Kingdom, Spain and Argentina; experiences that bring a distinct range and unique world view to his writing.

Jason has published ten books in the true crime and historical narratives genres. He has also been published the world over with his work appearing in a range of mediums from History magazines in the United States to Australian travel magazines to Poetry Anthologies in the United Kingdom.

Jason K. Foster: www.jasonkfoster.com.au

Facebook: @Hadamar:TheHouseofShudders

Publisher: www.bigskypublishing.com.au

Books On Tour PR & Marketing: www.booksontourpr.wordpress.com

**WIN!**

For your chance to WIN a paperback copy of Hadamar: The House of Shudders by Jason K Foster, please head over to A Story to Grip Your Heart and enter via the contact form. Closing August 31. Australian residents only.

A Little Taste of Australiana – Picture Books to Whet Your Aussie Appetite

There are so many aspects that make our country great. From our exotic wildlife to our amazing landscapes and landmarks, and also our inspirational national treasures that become icons all over the world. With Australia Day fast approaching, it is a wonderful opportunity to not only research the past and celebrate the present, but also for our younger generation to think about their role in shaping a great, successful future. Here are little teasers of hugely beautiful picture books to honour the joys, wonders and beauties of Australia and all this country has to offer.

Yes, our country is great. But there are certainly ways to make it even better. Beck and Robin Feiner propose this ideology to our children; empowering them to build a vision for our future with their newest picture book, If I Was Prime Minister. This inspiring tale gives readers the opportunity to hear other kids’ ideas as they introduce themselves with concepts they’re passionate about. For example, Ziggy would hold NO CAR DAYS for scooters, bikes and skateboards. Each page encourages further thought and discussion into the benefits and practicalities over the long term. Illustrations are bright and bold, simple and straightforward, and brilliantly represent the narrative’s messages of multiculturalism, compassion, empathy, care and kindness towards each other and our sustainability. Imaginative, fun, insightful and powerful, a highly recommended resource for all our Aussie students to consider.

ABC Books, June 2018.

Joanne O’Callaghan and Kori Song are a dynamic author – illustrator pair from Hong Kong inspired by the beautiful and fascinating city of Melbourne. In Found in Melbourne, two children explore well-known, and not-so-well-known, must-visit places by counting and rhyming their way through the city and beyond. From ONE giant mouth at Luna Park to TWO people singing and dancing at the Princess Theatre, THREE trams past the Shrine, and so on. They reach TWELVE fancy cakes at Hopetoun Tea Rooms in Collins Street, 100 butterflies at the zoo, 1000 triangles in Federation Square, and 1,000,000 stories in the State Library. All sights are explained in the back of the book, which is lusciously illustrated with fine detail and sublime accuracy. A wonderful resource for young Melbournites to explore their own city, as well as visitors looking for superb culture, history and beauty of this vibrant city.

Allen & Unwin, March 2018.

Speaking of loving the place you’re in, The Gum Family Finds Home in this unique and remarkable Aussie tale by Tania McCartney and Christina Booth. The endpapers immediately draw the reader in with illustrated ‘photographs’ of proud and cheeky koalas enjoying their adventures in magnificent locations around Australia (Uluru, Karlu Karlu, The Bungle Bungle Range, just to name a few). McCartney’s language is just as magical with her lulling descriptions and whimsical phrasing, sweeping us up on the journey to find a safer, more suitable home for the Gum family – as opposed to the scarce, wind-swept tree they currently reside. Here is a gorgeous geological trip full to the brim with amazing facts, contemporary knick-knacks and stunningly illustrated landscapes with ancient ancestry. And all the while weaving in the characters’ conundrum, with a marvellous twist and ‘rock-solid’ ending to settle any questions regarding the perfect place to belong. Couldn’t be more exciting, interesting, informative and heartwarming than this!

NLA Publishing, August 2018.

Another book, which is absolutely gorgeous – a piece of art – by Tania McCartney, is Mamie; based on the upbringing of and celebrating the iconic May Gibbs and 100 years of Snugglepot and Cuddlepie fame. From the imaginative perspective of a little girl, Mamie lives and breathes fairies and pixies, singing, dancing and painting, until she is transported into another strange world across the sea to ‘creeks and dusty plains and the hottest of suns in high blue skies.’ But magic for Mamie is not far away and her dreams of reuniting with her beloved fairies and pixies becomes a reality, in the most amazing way possible. Together with the biography on May Gibbs, the gentle, inspiring tale and beautifully visual and playful illustrations, Mamie is an incredible culmination of fact and fiction and Australian native flavour. McCartney is the perfect choice to represent the supreme talent of this honoured creator and her legacy.

Angus&Robertson, November 2018.

Following picture books, The Singing Seal and Kung-Fu Kangaroo, third in the whimsical ‘True Animal Tales’ series by Merv Lamington and Allison Langton is the tenacious, Quite a Clever Quokka. Based on real life stories with value-based messages and featuring Australian wildlife, these fun rhyming tales always expose readers to a taste of the Australian landscape and our unique native animals. This one, set on Rottnest Island in W.A, circles around themes of chasing your dreams with Leonardo da Quokko, who becomes a famous artist and Archibald Winner, despite missing his home and friends. Clever by nature, clever by illustration, Quite a Clever Quokka certainly impresses with its energy, and ability to entertain, inform and capture the hearts and souls of any age reader.

Affirm Press, November 2018.

Happy Australia Day! 🙂

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Picture Books to Prepare for School – Part 2

In Part 1 of the ‘preparing for school’ series, we focused our attention on themes relating to new beginnings and gentle steps towards independence and new friendships. This post will include picture books with beautifully heartwarming sentiments of embracing our own and others’ individuality, uniqueness and personal preferences, what makes us human and advocating for equality. A value-driven start to the new year will set us all up for a peaceful, harmonious future.

Beginning with P. Crumble and Jonathan Bentley’s new release; We Are All Equal, this issue-based, prevalent topic in today’s society is a terrific resource to introduce to youngsters right from the get-go. Actress, comedian and LGBTQIA rights activist, Magda Szubanski, gives it “A resounding YES!” Here’s a book that truly celebrates the richness of difference and the reinforcement of equality despite lifestyle, origin, wealth, ability, size, shape, or gender or sexuality preference. We Are All Equal uses its gorgeous illustrations of a range of animals to highlight our wonderful diversity without preaching didactic messages. Rather, it phrases each rhyming verse gently and with the opening of “We are all EQUAL…” It dispels the idea of bullying and performance-based pressures, and focuses on sharing our hopes and dreams, pride and sense of community. A must-read for children and adults globally.

Scholastic, November 2018.

Ann Stott and Bob Graham address another current topic of today in Want to Play Trucks?. Acceptance, compromise and negotiation are all qualities that make the friendship between Jack and Alex so special. Here are two boys with differing preferences that encourage us as readers to challenge common gender stereotypes. They are excellent role models for our young children who may come to the playground with already-formed preconceptions on what is ‘typical’ behaviour. The narrative involves heavy dialogue between Jack, who likes noise, action and danger, and Alex, who enjoys “dolls that dance and wear tutus”. Graham further reinforces the notion of ‘getting along’ in this diverse environment with his subtle illustrative references to culture, ability and lifestyle in and around the sandpit setting. Want to Play Trucks? shows us a very raw and real look into a non-stereotypical world of imagination and pretend play. Recommended for pre-schoolers and beyond.

Walker Books, August 2018.

The pairing of Nicola Connelly and Annie White come together again following the gorgeous My Dad is a Bear in this fun, light-hearted tale of diversity and inclusivity; it’s Is It The Way You Giggle? This is a sweet rhyming story with whimsical, soft-palette and energetic illustrations that ooze with the magical essence of joy in childhood. The narrative begs a thousand questions for the reader to ponder, beginning (and ending) with the essential premise – “What makes you special?” There are a multitude of qualities, skills and characteristics that make us all unique, and this book is a beautiful discussion starter to have with your little one upon entering the journey of new experiences – to be able to be proud of and confident in who they are, as well as recognising and welcoming the similarities and differences in others. From the colours of your eyes or skin, to the shape of your ears, the things you enjoy like singing and dancing, the way you giggle or wiggle, your interests in painting, writing, reading or swimming, or how you love your family. Big, small, common or quirky, this book allows us the freedom and celebration of being unique. Is It The Way You Giggle? is a feel-good story for preschool-aged children that will certainly bring a smile to their face.

New Frontier Publishing, April 2018.

Filthy Fergal comes delivered in a whole league of its own when it comes to books on individuality. Sigi Cohen of the My Dead Bunny fame, together with illustrator, Sona Babajanyan, unapologetically present this disturbingly witty rhyming tale of a filthy boy thriving in the repugnant squaller of rubbish and flies. In similar vein to the legendary classics of Paul Jennings, through grime and repulsion and gag-worthy moments, there is love and family and an all-important ‘twist’ that aims to melt your heart. The text’s dark humour matches perfectly with the illustrations’ ominous and grungy mixed-media, multi-layered techniques. Filthy Fergal may not overtly promote good hygiene practices, but it does clean up in the areas of exploring belonging, commonality and difference, and being true to yourself. Suitably unsightly for school-aged children.

Yellow Brick Books, October 2018.

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Picture Books to Prepare for School – Part 1

Whether your little one is a school starter or not, undoubtedly, they will need to prepare themselves for a new year of friendships, challenges, opportunities and exciting adventures. There will also be chances to inquire into and discover all new domains, hence raising even more questions about the world than ever. The following picture books are the perfect guides to helping with the navigation of unfamiliar experiences and the mastering of the already familiar. All the best of luck and success for the year ahead!

Philip Bunting is such a genius! In How Did I Get Here?, this author-illustrator pro takes us on an amusing and absolutely fascinating journey through life. That is, life as we never knew it before we came into existence. But what exactly was existence like back at the beginning of time? Well, according to Bunting, “our entire universe fit into a space smaller than an orange.” And then there was a really BIG BANG, and particles formed to create ginormous dust clouds. I love the language put so simply and whimsically, yet appropriately contextual and factual as to not undermine the intellect of our inquisitive readers. Scoring through the development of Earth to the first forms of life, we come to realise that we are all related, all created equal – that “All of life is one.” Over generations life forms adapted and changed, evolution brought on many species, including Homo sapiens, whose curiosity took them to all corners of the Earth (“Except Antarctica. We left that to the penguins.”). Bunting raises an important concept, and empathetic touch, in reminding us that our similarities and differences unite us as one. As well, he leaves us with a special, heartwarming feeling that the miracle of life – that is you – is a culminated creation from those particles that were once part of the stars and Earth. But imagine if any of those occurrences happened differently… another existential query to ponder!

With its endearing storytelling narrative, and funny speech bubble dialogue amongst the enchanting cartoon-style, stone-age characters and cute diagrams, How Did I Get Here? is incredibly insightful and entertaining for ages four and up. Here is a book to be utilised on repeat with a different insight, perspective or question to be gathered each read. Perfect for new beginnings, if you know what I mean!

Koala Books, August 2018

Maddie’s First Day by Penny Matthews and Liz Anelli reminds me of both my girls when they started school. Here’s a sweet story of taking those vital little steps to independence when faced with the mammoth journey into schoolhood. Maddie is excited about her new adventure and eagerly prepares all her essential items, including her uniform, pencil case and water bottle. But she also ensures she is not without her special security blanky – secretly hidden in her school bag for the first day. The expression ‘wobbly feeling in her tummy’ so accurately portrays the myriad of emotions these small children experience. The anticipation of an unfamiliar classroom to the comfort of seeing old friends, and the enjoyment of making new ones. It’s all part of Maddie’s growth towards adjusting to big school. When she is challenged about her maturity for bringing her blanky to school, Maddie finds common ground with another and shows great resilience and confidence in her ability to move forward… although, blanky is never far away, just in case!

Matthews outlines many common aspects related to starting school in a beautiful narrative that reflects its own individuality with plenty of heart. Her character’s surroundings emanate a mix of love and support, and this is equally shown in Anelli’s gorgeous illustrations mixed with patterned collage media and soft pencil detail. Maddie’s First Day is packed with gentle touches of reassurance and the comfort of knowing you are not alone on this exciting, and often nerve-racking adventure.

Walker Books, September 2018.

Many of us have been here at some point in our lives – it’s the feeling of invisibility (in the non-magical sense). Best-selling author Adam Wallace aptly highlights a concept that many have felt but not many want to talk about. In Invisible Jerry, sensitively illustrated by Giuseppe Poli, Jerry glides through school crowds totally unnoticed. No one says sorry if they knock him over, no one laughs at his jokes, no one listens to his opinion, and getting picked for sports teams… that just doesn’t happen. Jerry feels completely invisible, until he meets Molly. This little girl lights up his world, and he lights up hers. A beautiful relationship that shows us that it only takes one person who respects and appreciates you to feel like a real person – like someone with worth and plenty to offer. And the best parting message to take away is that any ‘Invisible Jerry’ can pay it forward to other shy and self-conscious kids who don’t like to stand out, just like Paul.

I love that Wallace was inspired to write this story from listening to children’s thoughts on the matter, as well as his own childhood experiences of similar nature. I also love that he doesn’t push readers of this personality to take giant leaps of confidence to achieve greatness, because that wouldn’t be realistic. His gentle approach with the reassurance that one’s talents and opinions will be noticed in time is the perfect message to impart for those quieter kids… and it’s totally okay to be you. Poli’s fluid illustrations beautifully support the text with his depiction of a small yet bright Jerry with potential, in amongst the shadows and crowds around him. And the colour and joy that oozes from the pages once Jerry finds Molly is so brilliantly uplifting.

Invisible Jerry is an important book for the reserved child with so much potential, who simply wants to be noticed… in an unassuming manner. Eye-opening and valuable, this book should be gaining attention all over our schools and homes.

EK Books, November 2018.

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Kids’ Holiday Reads that Make Great Gifts

Books are the gift that just keep on giving, aren’t they?! They’re worth so much more than the latest toy that lasts a whole five minutes. Here’s a small roundup of some great books for kids that make for beautiful gifts and can be shared over the festive season and well into the holidays.

Picture Books

All the Ways to be Smart, Davina Bell (author), Allison Colpoys (illus.), Scribble, October 2018.

This is the fourth time this superlative duo have come together, following the successes of The Underwater Fancy-Dress Parade , Captain Starfish and Under the Love Umbrella. Bell and Colpoys will be winning awards once again with this stunning picture book that is so intelligent in its own way. For all children wondering what their kind of smart is, this energetic rhyming guide reinforces a confidence that there is certainly more than one. From artistic endeavours to scientific explorations, using your imagination to skills in building, retaining important facts to showing compassion and empathy are all but a few. Coordination and music abilities, polite manners, ‘feeling scared but taking chances.’ The list is endless and these book creators have absolutely nailed it with their verve, humour, versatility and diversity. The language rolls off the tongue to perfection, whilst the neon colours draw your eye just the way an artist should. All the Ways to be Smart – adding much brightness to any child’s mind – in more ways than one.

What Do You Wish For?, Jane Godwin (author), Anna Walker (illus.), Penguin Random House, October 2018 (Paperback).

What Do You Wish For? puts a smile on every face and a glow in every heart. It’s that all kinds of fuzzy warmth, peace and togetherness that Christmas time really represents. Godwin’s intention for this book is for readers to understand that this time of year is, and should be, one of gratitude. The combination of her inspiring, tender words, and Anna Walker’s beautifully dreamy, intricate illustrations, is simply divine. There is an excited buzz in the air every Christmas. Ruby and her friends always put on a special show in the park, and write a wish to hang on the tree. But Ruby’s wish is too big to write on a little piece of paper. Her wish is of spirit; it’s made of smells of baking, candlelight amongst the dark, wonderful surprises and quality family time. But most of all, her Christmas wish is one of complete serenity, and a warm sparkle in the sky. What Do You Wish For? is the most magical treasure for any young reader and their family to cherish this Christmas.

It’s Not a Scribble to Me, Kate Ritchie (author), Jedda Robaard (illus.), Penguin Random House, 2018.

I always love books that encourage exploration of the imagination. In this one, it’s the walls, floors and windows that get to discover what the bear child is conjuring up in his mind – much to his family’s dismay. The little bear speaks a lyrical tongue as to what his crayon and pen scribbles represent. A red Santa makes an appearance above the fireplace, a green frog on the toilet, a black witch inspired by broomsticks, a blue frothy sea and yellow splotchy bumbley bees. It’s amazing what each colour of the rainbow can be turned into, and where they happen to turn up! But somehow, this cheeky bear is able to win over the family with his colourful, magical, whimsical, wonderful charm. A beautifully alluring, absolutely sweet, vivacious and child-centred book in its words and pictures. It’s Not a Scribble to Me is ideal for children from age three as a facilitator of self-expression, creativity and boundless possibilities.

Australia Illustrated (2nd Ed.), Tania McCartney (Author, illus.), EK Books, October 2018.

I absolutely adored this book when it was first released back in 2016. Now I (we all) get to relive the magic once again with this much anticipated 2nd edition recently re-published. Australia Illustrated is a visual festive celebration, the ultimate pictorial encyclopaedia of our beautiful land. Tania McCartney’s expansive array of detail and design, even if only a snippet, takes us on a wonderful journey around the country exploring major attractions to pockets of hidden gems we may have otherwise missed. My kids loved traveling around Australia; spotting familiarities, discovering new mysteries of the unknown, and giggling along at the cute and quirky nuances. Vivacious watercolours and a mix of media showcase the well-known to the unique. From the BIG and beautiful Queensland Mango and Big Banana in Coffs Harbour, the diverse native animals, bush tucker, sports, slang and weather, and a taste of idiosyncrasies from State to State. A gloriously scrumptious edition to pore over with the kids at home or away.

And another exquisite book from Tania McCartney that is a piece of art in itself is Mamie. Published by HarperCollins, November 2018. With her large, round gumnut eyes and angelic face, Mamie shares her story of adapting to change, fairies, pixies, elves and friendship. Celebrating the life of renowned and much-loved Australian icon – author and illustrator, May Gibbs of the Snugglepot and Cuddlepie fame, McCartney takes readers on a historical yet imaginative journey. She gently and expertly showcases the exceptional creativity, inspiration and achievements of Gibbs absolutely beautifully and with bunches of natural charm. Mamie is sure to win hearts abound, just as she has done over the past 100 years.

Chapter Books

The First Adventures of Princess Peony, Nette Hilton (author), Lucinda Gifford (illus.), Walker Books, 2018.

The attitude and tenacity of The Little Princess mixed with a quintessentially unique dialect like Lola (Charlie and Lola) together brings about this charming new face to the bookish world, Princess Peony. Partner that with the perfectly scruffy tomboy/girl-looking character in grey tones with pops of hot pink and you’ve got yourself a popular new series for girls (and boys) in the junior reader market. Princess Peony, the name which must be reminded to the audience every now and then, begins her fairy tale in front of her house, erm, Castle with her dog, no, Dragon; Totts. Her mission: to be Obeyed. But things take a wrong turn and her story is interrupted by Prince Morgan the Troll (aka, her big brother). Attempts to outsmart each other lead to some pretty hilarious events and a new mission to avoid child-eating bears. The text and pictures work brilliantly together providing plenty of visual literacy opportunities for readers to laugh about. And there is a remarkably True Princess Information and Quiz Sheet for all Princesses in Waiting to absolutely study and swear by. Just gorgeous! I will be buying The First Adventures of Princess Peony for my nearly six year old and all her friends!

The Tales of Mr Walker; a hotel dog with a nose for adventure, Jess Black (author), Sara Acton (illus.), Penguin Random House, 2018.

The Tales of Mr Walker is inspired by a real-life Labrador named Mr Walker who is a Guide Dog Ambassador and helper at the Park Hyatt Melbourne. This is an adorable book containing four enchanting stories about life working at the grandest hotel in town. Targeted at independent readers from age eight, we are delighted with the adventures this canine companion takes us on, viewed from the dog’s perspective. ‘Tracy must like parks as much as I do’. With his Guide Dog training behind him, Mr Walker is very well disciplined and loyal. But naturally, he has certain things on his mind, such as chasing balls, and food. Romp along on the fun adventures with Mr Walker. He doesn’t disappoint. Fluid and bright illustrations bounce in and around the text. The cover is appropriately high-end with its linen bound spine and gold trimmings. Royalties going to Guide Dogs Victoria is just another excuse to pick up this book as a gift for someone you love, and someone who loves dogs.

#ByAustralianBuyAustralian

Merry Christmas and Happy Holidays!

Even more great gift ideas for kids can be found at Boomerang Books here.

Picture Books for Christmas that Make Your Heart Sing

Looking for Christmas book gifts that aren’t necessarily festive-themed? Want beautiful stories of the heart that are perfect to share at a time of love, hope and togetherness? Here’s a little mix of brand new picture books that make your heart sing just as much as carollers on your doorstep.

Marvin and Marigold: A Stormy Night, Mark Carthew (author), Simon Prescott (illus.), New Frontier Publishing, October 2018.

Last year Marvin and Marigold did celebrate Christmas in A Christmas Surprise. This year they are exploring themes of friendship, kindness and overcoming fears when things get a little shaky. Being afraid on a wildly rainy night is a feeling many preschool-aged children know all too well. However, Carthew expertly leaves readers unrattled by this overbearing storm with plenty of reassurance and a loving message of the importance of family – very much inclusive of our beloved pets. Written with gentle rhyming couplets and sprinkled with humour, A Stormy Night takes the intensity of the swirling thunderclaps down a notch and rather reinforces the warmth of having one another and their grandparents to feel safe and sound. The final page further leaves a satisfying surprise to add to the warm and fluffies! A nice one to share with family these holidays.

Wisp; A Story of Hope, Zana Fraillon (author), Grahame Baker-Smith (illus.), Lothian Children’s Books, August 2018.

A stunningly told and illustrated book that literally sends shivers running through your spine. Beginning with a world of people alone, poor and desperate, to guiding us with an aura of ambience to a place of memory, promise and hope. Wisp is an exceptional story of a young refugee finding a whispering light that is passed around to elders, returning the glint in their eye of a life that ‘once’ was. The tales they tell swell with uplifting memories, music and magic that quells the dullness they have come to know. The illustrations are simply breathtaking. Vast landscapes where shadows meet sparks of glow and colour. For a child of primary school age to read this book, Wisp provides them with a deeper understanding of war and a beautiful impression of the power of hopes, dreams and optimism for the future. Particularly relevant at this time of year.

The Christmas Choir: Silent Night, Lara Hawthorne (illus.), Lincoln Children’s Books, September 2018.

A beautiful rendition of the traditional Christmas carol – Silent Night – adorned with paintings reminiscent of a child-friendly style of Biblical graphics. Bold blocks of colour are draped over camel-riding shepherds, kings, virgin mother and child, with dark backdrops glittering with sparkling stars. The classic song spreads throughout this tale of the calm and beautiful holy night in which Jesus was born, and is also written in full verse at the finale. A background story about the song’s original composition in 1818 in Oberndorf bei Salzburg, Austria is also provided – funnily enough written in hast by Catholic curate, Joseph Mohr on Christmas Eve because of a problem with the church organ caused by mice. Reading (and singing) Silent Night to your children is a lovely way to teach them about the faith and also gain further insights into the meaning of the world famous and beloved carol.

The Aussie ABC Christmas, Nancy Bevington (illus.), New Frontier Publishing, October 2018.

Now here’s one with a mix of the traditional and the modern, but totally classic Aussie! The Aussie ABC Christmas will make your heart swell with pride for our true-blue Australian customs, natives and way of life. Bevington has done a brilliant job culminating all the quirks and nuances of our nation with Christmas through her adorable, humorous and clever illustrations across the alphabet. An Akubra-wearing Angel, a red bucket-topped ‘sandman’ on the Beach, Kissing Koalas under the mistletoe, Anzac biscuits and Milk for Santa and plenty more. Not to mention nods to the good ol’ Hills Hoist used as an Ornament, and famous landmarks like the Opera House as a resting place for the Reindeer. This is how to make your Aussie Christmas a celebration to splash out on! So much fun for children from age three.

Find even more fantastic Christmas book gifts via Dimity Powell’s roundups and the Boomerang Books gift guide for children here.

Merry Christmas!

A Touch of Spirit: Talking with Teena Raffa-Mulligan and Who Dresses God?

Today we’re joined by the remarkable Teena Raffa-Mulligan, author to a number of children’s titles including picture books, junior fiction and middle grade novels, as well as romantic reads for the adults. Always possessing a love of the imagination, magic, excitement and adventure, Teena has produced such engaging titles like Friends, True Blue Amigos, Mad Dad for Sale, amongst others, and her latest re-release edition of Who Dresses God? The latter is a gentle and touching story inspired by her daughter’s spiritual exploration of the practicalities of the higher being, that is, God. When years ago as a young child, this divine little soul sought philosophical insights into how God can hear, see and speak, how He transcends yet blends into everything, everywhere, without any physical connection. This is a tender and loving rhyming picture book that opens the gateways to enlightened discussion amongst families with preschoolers and beyond, and is particularly delightful to share around this holy time of year. And here’s Teena to share more with us…

Teena, you have had a long relationship with writing coming from a background in journalism. How did your path lead you to become a children’s author, and what do you love about the world of children’s books?

I knew from an early age that I wanted to be a writer. Books opened a door into the wonderful world of imagination for me and from the time I learnt to read my head was filled with story ideas of my own. The journalism came about by accident rather than intention. In high school when the vocational guidance officer suggested I become a journalist I dismissed the idea as I thought it would be far too boring to write news stories.

My ambition was to be a ‘real’ writer and I had dreams of living a Bohemian life in Paris and writing serious literary novels. However a good looking surfer came onto scene and instead I married and we bought a home and started a family. I’ve always loved books, so I read to our baby son from the time he was a few months old. That’s when I decided I wanted to write for children. I knew nothing about the publishing industry and it was long before computers and the Internet, so it was a learning journey. I received some lovely feedback about my ‘beautiful writing’ and ‘engaging characters’ but all my early manuscripts were rejected by multiple publishers.

That’s when I decided it would be easier to get freelance articles published than children’s books – and it was. Editors bought my stories, requested more and I soon found myself doing – and enjoying – the job I’d dismissed as ‘boring’ in my teens when local papers came on the scene. General reporting and feature writing evolved into sub-editing and editing and I learnt some invaluable skills that I was able to use in my creative writing.

I never lost my dream of becoming a published author, so continued to write, submit and learn everything I could about writing for children. In time the acceptances began to come in. I love the world of children’s books because imagination is unlimited and possibilities abound. It’s a world of magic, wonder, excitement and adventure and the kid in me revels in having the chance to explore it through writing and reading.

You’ve written a mix of articles, short stories, poetry, picture books, juvenile fiction and adult titles. Do you have a genre you feel most comfortable with? What do you find are the most common themes or influences in your writing?

I’m happiest writing for younger readers, and that can be a poem, short story, picture book or chapter book. I’m a bit of a butterfly so staying focused on a novel is a bit of a challenge for me. Many of my stories have themes of belonging, family and friendship, though I don’t set out with that in mind. Essentially, I look on the brighter side of life and my stories invariably have a lightness and optimism about them.

You have recently re-released your gentle and loving story, ‘Who Dresses God?’, originally published in 2012. What can you tell us about this book and what is your aim for readers sharing it with family members, particularly around this time of the year?

The book was inspired by my younger daughter, who asked me that question as a child after a conversation with my mum. We weren’t a religious family so the question came out of the blue for me. I answered it the best I could, we had an interesting discussion and I didn’t give the subject any further thought until a few days later when my writers’ brain clicked into gear. I didn’t consciously set out to write a picture book. It was one of those ‘gifts’ that turn up from time to time in a writing life; a story, poem or scene from a larger work that arrives without warning and the only effort on the author’s part is to commit the words to the page or screen.

I hope the story will start a discussion between children and their family members and encourage young people to think about the world we share and whether there is more to it than there appears to be.

What kinds of strategies, discussions or activities would you suggest for parents and educators to engage in following the reading of ‘Who Dresses God?’?

These two awareness exercises are simple for young children to do:

1. Close your eyes. What do you see? How does it feel? Cover your ears with your hands. What can you hear? How does that feel? Close your lips and cover your mouth. Try to speak. Does it work? How does it feel when you can’t use your mouth and tongue to speak?
2. Go outdoors to a nature area such as the park, bushland or seashore. Stand perfectly still and look around you. What do you see? Listen. What do you hear? Can you feel anything? Then go through the same process, only this time with closed eyes and blocked ears. How much of the world around you are you aware of when you do this? NB. This can also be done in a suburban shopping centre or city street; also while travelling in a car, bus or train.

Here’s one for older children:
Imagine you have the amazing power to create your own world and everything in it. How would it look and how would things work? Write a description or draw a picture of your world.

You and illustrator, Veronica Rooke, have not only collaborated on the development of this and several other books, but also conduct school presentations together. What has it been like working with her on these projects?

I met Veronica when I was working for a local newspaper and she was producing a weekly cartoon strip for the publication, so our friendship goes way back. Our paths used to cross from time to time and I knew she was a talented artist but our creative collaborations didn’t start until she moved into the street where I live about 12 years ago. I was looking for someone to illustrate the new edition of my stranger danger picture book and saw her jogging in the street so stopped to ask if she’d be interested. As it turned out, she’d recently made an employment change and the timing was right.

I was impressed with the way Veronica worked, because I had no idea how to brief an artist. I simply handed over the manuscript and said, “See what you come up with. I’d like it to be bright and colourful with cartoony characters.” She asked the right questions, produced wonderful illustrations, designed the book and organised it to be print ready for the printer.

I still take the same approach when I commission Veronica to create illustrations or book covers, though occasionally I will suggest a particular style or mood. I was thrilled when Serenity Press commissioned her to illustrate my picture book, Friends, and encouraged a collaborative approach, because we work so well together. I give her space to interpret my stories artistically and she is always willing to make changes if there’s something I feel isn’t right.
As for dual presentations, it’s great for a writer to have an artist in the room. We take turns to show how we work, interact with each other and the students, and while I’m talking, Veronica can add pictures to my words in the background. We’ve also put together a joint workshop presentation that gives young people the chance to make their own picture book.

Fun Question: If you could dress God, what would you choose for Him to wear?

Hmm. This one’s tricky! Because God isn’t like you and me, I’d dress Him in a rainbow, a symphony of birdsong and the gentle caress of a spring breeze.

What does Christmas time look like for you and your family? What are your favourite festive traditions?

We always have a family get together at our house in the evening for our children and their families. The meal is buffet style, with contributions from everyone: a selection of salads, sliced chicken and turkey, vegan and vegetarian options, trifle and fruit salad for dessert. Every year I make the chocolate snowballs and chocolate fudge my mother-in-law used to make, and the bean salad and nut meat pasties that my mum made at Christmas.

After the meal there’s gift giving, followed by a walk to the beach just over the hill and a cricket game in the cul-de-sac opposite our house. I love that our family can be together at this time.

For many years there was another tradition on Christmas Day, and that was a visit to the Italian family home in Fremantle. It began in my childhood and long after my grandmother died my bachelor uncle continued to hold open house there. My father’s side of the family would all turn up at various times, gather around the enormous table that filled the big kitchen and catch up on all the news. Sadly, after my uncle died eight years ago the house was sold and that tradition is no more. I miss it.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

I have a new picture book in production and scheduled for release by Daisy Lane Publishing in mid-2019. When the Moon is a Smile is about the special times a small girl spends with her dad, who no longer lives with them. I’m thrilled to be working with publisher Jennifer Sharp, who spent a week exploring London with me last year after we both attended the Serenity Press writers’ retreat at Crom Castle in Ireland. I also can’t wait to see what illustrator Amy Calautti comes up with for the illustrations.

Thank you very much for your time, Teena! It’s been wonderful learning more about you! 🙂

It’s been a pleasure chatting with you. You asked some great questions and the dressing God one put me on the spot!

Visit Teena Raffa-Mulligan at her website, and on her blog tour for Who Dresses God? here.

Sea Song Publications

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Brimming with Bounce: Interview with Robyn Osborne

Robyn Osborne is a children’s author and early childhood teacher from sunny Brisbane. She also happens to be a huge animal fanatic, with a particular love towards the canine variety. That’s why you’ll find dogs featuring in almost all of her books, including Dog Logic, award-winning My Dog Socks, and her latest bouncy tale, Bruno, the Boisterous Blue Dog from the Bush.

Today Robyn is here to discuss her writing adventures and to celebrate the release of Bruno; a book of busy alliteration and beaut Aussie slang, all bundled in a bold and bubbly tale of mateship and appreciating the simple life. Find Dimity’s bonzer review here.

Thanks for joining us, Robyn! 

Robyn, have you always been passionate about writing? How did your career path lead to becoming an author?

Like many authors, I was a keen reader from an early age and I was always going to become a writer when I grew up. My first publishing success came in my final year at high school when my angst ridden poem (I was a teenager) appeared in the yearbook. While university beckoned, I opted for a job in the public service, still dreaming of being a writer one day. Unfortunately, life got in the way, and it wasn’t until I became a teacher that I reignited my love of words and started to write in earnest. The release of my junior novel D.O.G. in 2005 was a huge confidence boost and I have gone on to have seven books published since then. At the beginning of 2018 I took a leap of faith and resigned from teaching to devote my time to writing, so after many, many years, my childhood dream has come true.

You’ve written a mix of short stories, picture books, junior fiction and young adult titles, many that have been influenced by your love of dogs. Do you have a genre you feel most comfortable with? Why are dog-themed stories such a strong influence in your writing?

There is no particular genre I prefer to focus on, but certainly my four legged furry friends are a common theme throughout most of my writing. As a self-confessed dogaphile, it seemed natural for me to incorporate them into my writing. I often wondered what went on in the heads of my two rescue dogs, Socks and Snowy. This pondering eventually led me to a couple of co-pawthored books. First up was the canine created and related Dog Logic: a pooch’s guide to dogs behaving badly (Big Sky Publishing, 2011). Dog Logic is a training book written from a dog’s perspective. I enjoyed the process of channelling my inner dog immensely, and in 2014 Snowy’s memoirs (Midget Bones’ Diary) were released. My latest two picture books (My Dog Socks & Bruno, the Boisterous Blue Dog from the Bush) were inspired by dogs I have known. The experts do say to write what you know, so I’m sure there are a few more dog stories to come.

You have won many accolades for your writing and books, including outstanding awards for My Dog Socks with the prestigious CBCA Notable Book 2018 and Speech Pathology Australia Book of the Year Shortlist Book 2018! Congratulations! How did you come to learn of these nominations? How did you feel, and how have these awards boosted your authorship status?

Thanks very much for your kind words. I have been thrilled with the continuing success of My Dog Socks. The CBCA Notable Book award came through via my publisher, Ford Street, as did the Speech Pathology Shortlist. It is hard to gauge what impact these awards have had on sales of the book, but I do love to see the stickers adorning the cover.

Your latest release, Bruno, the Boisterous Blue Dog from the Bush (Big Sky Publishing), challenges the tongue with its bouncy alliteration and embraces our national culture with its Aussie colloquialism. What teaching and learning experiences can you suggest for parents and educators of young readers? What is the most significant point you’d like children to understand from reading Bruno?

First and foremost, I want the book to be enjoyed. Teaching and learning experiences should flow on from what the children are interested in. If it is alliteration, have fun making up nonsense sentences using the letters from their names. Discussing the meaning of the slang terms could lead to exploring more of our wonderful Australian colloquialisms. There are free downloadable teaching notes for Bruno the Boisterous Blue Dog from the Bush available on the publisher’s website. I can vouch for their quality, as I wrote them!

Did Bruno go through many re-writes or did you have it nailed pretty quickly? How easy or challenging was it to include a book full of alliterated ‘b’ words? Are you a natural at the Aussie slang or was a dictionary on hand?

Combining my love of alliteration with a main character called Bruno Bright meant the rough draft went down quickly. Once I had this basic story, I tinkered with it over a number of years. My thesaurus and dictionary became invaluable for helping me find additional ‘b’ words and appropriate slang. The story was quite long, and when Big Sky Publishing said they were interested in the manuscript, I had the difficult job of cutting it down in size. Indeed, there were bountiful ‘b’ words that were banished from the book!

Fun Question: If you could describe yourself in only words beginning with ‘b’, what would that be?

‘Bright’ – it is my maiden name and my teacher’s enjoyed saying ‘Bright by name, bright by nature’. My husband suggested ‘boring’, as I do spend considerable time at the computer ignoring both my pets, i.e. him and the dog.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

No book news, but I am very excited to be heading off to Tasmania very soon for three months. Jack the dog and writer’s muse extraordinaire will be accompanying me, along with my trusty laptop, so I am hoping to get some creative inspiration while taking in the delights of the Apple Isle.

Brilliant! Thanks very much, Robyn! It’s been a pleasure! 😊

You can visit Robyn Osborne at her website here, and on blog tour here.

Big Sky Publishing

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A Telling Future with Cameron Macintosh

Cameron Macintosh is the author of the exciting fantasy adventure series for future detectives in the making, steadily churning them out with number three being recently released. Having qualifications in Psychology and Professional Writing, and specialising in the educational publishing market for almost two decades, it is no wonder Macintosh knows exactly what makes an engaging and perfectly suited read for the junior to middle grade audience. With over 80 books released for the education field under his name, his break into trade publishing has been both rewarding and well-received.

The three Max Booth Future Sleuth books are a fun trip set 400 years into the future, including uncannily relatable characters (a history-buff youngster Max on the run with his robotic, yet loyal dog Oscar). They have demonstrated their keen interest in all things ‘ancient’ and ‘vintage’; sleuthing out the mysteries of objects from the past like a cassette tape in Tape Escape, photos on a mobile phone in Selfie Search, and an old postage stamp from 2019 in Stamp Safari. Macintosh has carefully weaved in suitable language, plenty of humour and suspenseful quests that will hook any tech-loving, sci-fi and mystery-hunting fans, with a clever enticement to finding out about artefacts and technology from the past. Imaginative, creative, the ability to emotionally connect, and so much relevant and important learning potential – the Max Booth series certainly tick all the boxes.

Big Sky Publishing

Cameron Macintosh is back for yet another amazing interview (here’s the last one) to discuss his books and writing life with us once again. 🙂

Coming from a background in writing for the education market, did you have teaching and learning purposes in mind when you started writing the Max Booth series?

Initially, I was trying to avoid any particular educational purpose beyond just getting kids reading – a major educational objective on its own. I just wanted the stories to be page-turners with lots of laughs along the way. But it didn’t take long before I realised they had their own educational potential – not in a didactic way, but in the possibilities they offered for classroom discussions about technology and sustainability, and a range of other issues. The stories deal with future people looking back at objects from our present day, so I figured pretty quickly that they’d offer teachers some interesting angles to discuss technological development, and the positives and negatives that go along with it.

How did you decide what kinds of technological developments to incorporate into the series?

I always intended the series to be episodic, so that any title could be plucked off a shelf and read without any prior knowledge of the characters or their world. I’m glad I chose this option, but it does mean that a little bit of world-building needs to be done in each book. Because of that, I haven’t pushed the technological changes too far, except for a few very big ones that don’t need too much explanation, including hover-vehicles, floating suburbs, robot companions, and the rarity of a few presently common things such as paper.

Who is the series aimed at?

As far as interest level goes, it’s aimed at readers around 7 to 10 years of age. I’ve tried to make the vocab manageable for less confident readers too, so I especially hope the series can be helpful in encouraging these readers to tackle longer texts. The Max Booth books are all around 12,500 words each.

How did you find the gap to write technology / futuristic-based junior fiction?

Before I fully drafted the first Max story, I did some research to see what future-based books were already out there in the marketplace. Although there was plenty of brilliant futuristic stuff, I couldn’t find anything that used the future as a lens to look back at our present day, so I figured I’d potentially found a bit of niche there.

The Max Booth Future Sleuth series makes a great point for readers to connect past and present technology with the possibilities of the future. What are the most significant aspects you’d like your audience to take away from the series?

I’d love readers to think about what a wondrous time we’re living in, with regards to the staggering pace of technological development. I’d also love them to consider the potential pitfalls of this development, in terms of environmental ramifications, and also in terms of the potential that technology holds to bring humanity closer together, or possibly divide us further.

I also really hope the series will spark lots of interesting discussions about technology between kids and their parents, grandparents and teachers – particularly about the way some items or ways of life have evolved over the last few generations, and others have remained pretty much the same. (Although, I don’t recommend describing pre-internet life to a school-aged person unless you want to feel extremely ancient!)

Do you think that setting stories in the future presents any disadvantages to a storyteller?

There’s always the risk of an emotional disconnect with the reader if you let the technological side of things take too much precedence. I’m constantly getting frustrated by sci-fi movies that are so clever and complicated that I lose any real empathy for the characters. And even though you have a lot of freedom in world-building in sci-fi, readers will still expect the world of the story to be believable, and to have its own logical consistency, so there’s a lot of balancing to be done along the way.

The Max Booth series is brilliantly and shrewdly illustrated by the talented Dave Atze. By Book 3, was there anything in particular you needed to collaborate on or did he basically have it all covered?

Dave’s incredible, isn’t he! We’re so lucky to have him on board – to have an illustrator who amplifies the pathos, action and humour is a massive privilege. It’s always very exciting to see how he interprets the illustration briefs, and to see what fun surprises he adds in. Dave had all of this stuff well and truly nailed in the first book (Tape Escape), so by book 3, it was really just a case of keeping out of his way!

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

Well, the wheels are currently turning to make Max Booth book 4 a reality. I’ve already seen the cover, which is always a big moment in the journey. As expected, it’s rather brilliant – thanks again to Dave, and the incredible team at Big Sky Publishing.

The TBR pile is getting out of hand but it’s not a bad problem to have! At the top of the pile is Ottilie Coulter and the Narroway Hunt by Rhiannon Williams, and Jane Doe and the Cradle of All Worlds by Jeremy Lachlan, and Markus Zusak’s Bridge of Clay (Aussie authors are really knocking it out of the park at the moment). Also, Joyce’s Ulysses has been sitting there for five years daring me to tackle it (I have a feeling it’ll be sitting there at least five more).

Thanks so much for your thoughtful responses, Cameron! It’s been a pleasure! 🙂

It’s been my great pleasure too. Thanks for such an interesting chat!

Cameron Macintosh can be found at his website, and on blog tour here.

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Sharing the Spirit of Australia Remembers with Allison Paterson

Allison Paterson has always had a deep connection to Australian history and culture, and her writing reflects more than just research or fiction. Her picture books include Granny’s Place and Shearing Time; reminiscent of her childhood memories of growing up on a farm. Allison also immortalises her ancestory with her wartime, award-winning books, Anzac Sons; based on letters written on the Western Front.

Using her teacher-librarian status and forseeing a gap in the market, Allison has gone on to produce a new series for primary school students. The first of the nonfiction titles includes Australia Remembers: Anzac Day, Remembrance Day and War Memorials. This is an absolutely stunning documentation of colourful facts, phenomenal photographs – old and new, illustrative posters, quotes and glossary, all presented like a beautiful magazine with easy-to-digest and visually engaging chunks of information across twelve short chapters. The book covers topics and proposes readers consider commemoration and showing gratitude, what ANZAC and its spirit means, the importance of annual ceremonies and the significance of symbols and traditions. It also includes relevant hands-on learning activities to further deepen the readers’ understandings. Australia Remembers is an important resource that emanates with a sense of engaging the community spirit and extending the legacy of those we ought to always remember. A must-have for Remembrance Day and Anzac Day.

Allison Paterson discusses her writing life and tribute to her ancestors with us today!

How did you come to be a writer? How have you managed the shift from teacher-librarian to author and presenter?

Writing has always been in my life, but the decision to resign from an awesome job as a teacher-librarian to pursue writing as a career came only a couple of years ago. It all began with the publication of Anzac Sons – the story of my ancestors in WWI and a collection of hundreds of letters they wrote from the Western Front. I quite firmly believe that I wouldn’t be a full-time writer today if it had not been for my grandfather and his brothers – they were writers too!

The transition from being a teacher-librarian was not difficult. I’m very comfortable with author talks and workshops in schools. I love inspiring kids to write! Being prepared to diversify and look for opportunities, such as mentoring, editing and writing for magazines all helped the financial shift. The toughest things for me are marketing, and I’m slowly learning how to run a business! I also found that being available and saying ‘Yes!’ opens more doors as well, including doing some casual educational consultancy work with Big Sky Publishing.

You’ve written several non-fiction titles on the Anzac history for children and adults, as well as fictional picture books that tie memories together with a great Aussie flavour! Do you have a style or genre you feel most comfortable with? Why is the Australian culture such a strong influence in your writing?

I spend most of my time lurking around in the past so historical fiction and non-fiction are certainly my favoured writing genres and where I gravitate to in a book shop or library. I’m a very proud Australian. I love the people we have become and our awesome landscape. I feel very connected with the land and when I travel to the place where I grew up it always feels like going home. My place!

Australia Remembers: Anzac Day, Remembrance Day and War Memorials is a valuable resource for primary students to be able to connect with the traditions of Anzac Day and Remembrance Day, in essence, to keep the memories of war and its recipients forever alive and celebrated. What are the most significant points you’d like your readers to take away from this book? What do you hope it will achieve?

I hope that readers develop both an understanding and respect for the role that our armed services have in the development of our wonderful country and the way of life we enjoy today. It is designed to ensure that the next generation shares the history and traditions of our important commemorative occasions. I also hope it encourages children to find out about the experiences of their own ancestors.

There are bountiful resources available for teaching and learning about Australian war history. What are your favourite educational lessons or resources to suggest for parents and educators following the reading of Australia Remembers?

Australia Remembers has inbuilt activities and discussion starters and is supported by extensive teacher notes which are available on my website, or on the Teachers page at Big Sky Publishing. My favourite lessons can be found in the notes, but if there was one I would pick it would be to explore your local memorials. Find out about the service of those in your local community.

The next book in this marvellous series is Australia Remembers: Customs and Traditions of the Australian Defence Force. What can you share about your research for this title? How many more titles in the series have you got planned?

Australia Remembers: Customs and Traditions of the Australian Defence Force is underway and will be released in 2019. It explores the history of the Army, Navy and Air Force in Australia, along with the shared and specific customs and traditions which have developed, sometimes over centuries! It will be a terrific resource for answering the questions which arise around our commemorative services. The whole series plan is a work in progress and we have lots of ideas that we are exploring for future titles.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

I’m very excited that my first YA novel will be released early in 2019 with Big Sky Publishing. We’ve just finished the edit and the cover is awesome! Follow After Me is about finding a lost part of yourself in the spirit, words and actions of those who came before. Its themes include family, Anzacs, the Australian landscape, rural life and the past! This time though there are two coming-of-age protagonists, one of today and one enduring the events of World War I. It is written in a parallel narrative that converges with the discovery of a collection of WWI letters and a growing sense of connection to place that cannot be ignored. Here’s a snippet from the blurb:

A war to end all wars, a tiny key and a rural Australian property that binds across the generations. Two young women living a century apart discover who they are and where their hearts belong.

Wow! Brilliant! Thanks so much, Allison, for your generous answers to our questions! All the best with your writing! 🙂

Visit Allison Paterson at her website, and on her Australia Remembers book blog tour here.

Big Sky Publishing

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Setting the Scene with Rachel Nightingale

Rachel Le Rossignol, aka Rachel Nightingale, is the debut novelist of young adult fantasy fiction series, Tales of Tarya, including the first two in the trilogy – Harlequin’s Riddle and Columbine’s Tale. She also happens to be an award-winning playwright, with a musical she wrote set for the stage next year. Rachel has a background in theatre as well, which, when you bring all these creative elements together, you have the perfect blend for a magical series underpinning the gifts of artistry and storytelling and their boundless possibilities. The Tarya Trilogy is about the power of creativity and where it can take you, exploring the states of being within two different realms of another time. Rachel states, ‘it was inspired by a quote by Broadway actor Alan Cumming about that in-between place you discover just before you step onstage and enter a different world – a place where anything is possible…’ 

Rachel is here to discuss her writing journey and the culmination of her passions for the arts and storytelling in her books. Thanks Rachel!

How did you come to be a writer?

Little eight-year-old Rachel decided for me. Sometimes I want to go back in time and talk her out of it and other times I want to pick her up, swing her round and go ‘wheeeee!’. It’s a fun job but it has its tough moments. Of course, it took many years, lots of writing, two creative writing degrees and a lot of persistence to actually get to the point of being published.

Please tell us a bit about your fascinating background in performance, and how you feel this helps with your storytelling abilities.

I did my first theatre show when I was 17. I was in the chorus of Cinderella, and I was hooked. Over the years I’ve done just about everything possible, from acting to lighting, sound, direction and stage management. It all feeds into being about to create the atmosphere and reality of theatre in my books. Working for a number of years on the improvised ‘Murder on the Puffing Billy Express’ show was really important for bringing the players to life on the page, because the Commedia dell’Arte, the travelling players I’m writing about, do improvised shows. Understanding how improv works, and what it feels like to perform something and make it up on the spot, was really important. Plus improv stretches the creativity muscles, which is really helpful.

What kinds of books do you naturally draw inspiration from? Has your series been influenced by any of these titles or their authors?

I love all sorts of books, but if I’m particularly looking for inspiration I go back to Ray Bradbury’s short stories. He is a master of language, he understands the human condition so well, and the ideas in his stories are fascinating. I dream of being able to write like him. I think the book out there that is most like mine is The Night Circus, by Erin Morgenstern, since it’s about performers and magic, with a dash of romance, but Harlequin’s Riddle was written a long time before it was published so it wasn’t a source of inspiration.

Columbine’s Tale follows the gripping first title, Harlequin’s Riddle. What was your process in developing each title and subsequent series? Did you have your plots consciously mapped out beforehand?

The books have changed so much from my original conception, but I think by the time I’d finished Harlequin’s Riddle I was pretty clear on the overall story. After that it was just fine-tuning the details. Aside from Mina’s quest to find her brother, there’s a very strong element of mystery related to the travelling players that Mina has to solve, and to do that properly I needed to be able to put some things in the first book that would only make sense in the third book. So plotting rather than pantsing (flying by the seat of my pants) was definitely the way to go. It means readers can look for clues early on, which is something I always love in a book.

What does the artisan life, costumes and drama mean to you personally?

I would love nothing more than to have a gypsy caravan and travel around, visiting many different places and offering up my stories. I used to pretend I was a gypsy when I was a teenager to make the walk home from school more interesting. I’d picture what I was wearing, and how I would cook over an open fire when I got home. I wish I could spend all my time creating, not doing the shopping or the other mundane tasks of life.

What has your publishing experience with Odyssey Books been like for you? How have they supported you throughout the process?

It’s been a sharp learning curve – being a writer and being an author are two different things. The main difference is learning about marketing and social media. But Odyssey have been great – there are company manuals that are super-helpful for knowing how to approach that side of things. And my publisher has a brilliant strategy, which is that she puts new authors in touch with the Odyssey author community, so you suddenly have an amazingly supportive network who can help you negotiate the whole ‘being published’ thing.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

I’m pretty excited at the moment that a musical I wrote is going to be debuted in Auckland next year. It’s a re-telling of Aristophane’s classical Greek play, The Birds but with funky Spanish rhythms and a lot of comedy. Bach Musica are going to stage a concert version, with a full orchestra, soloists and forty-person choir. I will be travelling over to New Zealand to see it. I can’t wait, but I’m terrified at the same time – such a public performance of my work!

Thank you so much for your time, Rachel! It’s been a pleasure getting to know more about you and your books.

Rachel and the Tarya Tales can be found at her website, and her book blog tour is taking place here.

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Not So Scary Picture Books for Halloween

Children love a splash of spook, a gash of ghoul and a dash of danger, but only if it’s laced with humour and courage. If you’re looking for some creepy crawlies, menacing monsters and terrifying trolls to give you the shivers this Halloween, then check out these wild picture books… don’t worry, they’re not actually so scary.

A Monster in my House is written by the internationally acclaimed comedians The Umbilical Brothers, so you know you’re in for an amusing feast rather than a nightmarish one. Their undeniably popular wit is clear with their multi-layered twists that pleasingly surprise. The first-person narration warns of the danger associated with having a different monster in each room of the house. However, upon inspecting the images, Berlin artist Johan Potma has done a brilliant job to capture a mix of the classic, old-style horror with a beautiful warmth and humour that just does the opposite of chilling. He neatly infuses newspaper collage with pencil sketching and oil paint in subdued browns, reds and greens with the loopiest of monster characters you’ve ever seen. And take note of the little mouse in each spread… it holds some very important clues! In a charming rhyming text, the suspense is thrilling, leading us to a conclusion that is totally unexpected.

A Monster in my House is a delightfully playful romp abound with some pretty cool characters that will simply warm your soul.

Penguin Random House, October 2018.

With a nod to the legendary We’re Going a Bear Hunt comes this exasperatingly satisfying Beware the Deep Dark Forest by Sue Whiting and Annie White. Sure, there are creepy bits, with carnivorous plants and venomous snakes and all. But that doesn’t stop Rosie from being the heroine in this suspenseful adventure tale. Braving it out through the sublimely detailed and juicy scenes, the young girl sets off to rescue her pup Tinky through terrifying obstacles, including a bristly wolf, a deep ravine, and an enormous hairy-bellied, muddy troll. But rather than shy away and run like the children did with a certain shiny-eyed, wet-nosed Bear in another story, Rosie stands tall and defiant proving her saviour qualities. Then she can squelch back through the deep and dark and muddy forest back home.

Beware the Deep Dark Forest captures just the right amount of creepiness with the rewarding inclusion of excitement and adventure and a strong female character determined to get her hands dirty and tackle the tough stuff. This is how you face your fears for children from age four.

Walker Books, October 2018.

Following the long-lasting success of The Wrong Book, Nick Bland has come out with this latest cracker, The Unscary Book. It follows a boy, Nicholas Ickle, suitably costumed in an alien / skeleton attire, attempting to introduce us to his ‘scary’ book. So, prepare to be frightened! However, each page turn sends readers into fits of giggles rather than a state of alarm. Poor Nicholas is more terrified at the nice-ness and bright-ness of what is revealed behind all his pre-prepared props. ‘But ice-cream isn’t scary, it’s delicious!’, he shouts. ‘I’m trying to scare people, not make them hungry!’. The brilliantly colourful and energetic (non-scary) book continues to amuse our young audience as Nicholas becomes more frustrated with things that are NOT spooky, terrifying, frightening, or horrifying. And just when you think he’s finally won, well, you’ll just have to read it to find out!

The Unscary Book has plenty of animation and visuals to pore over, as well as fantastic language and comprehension elements to explore. Comedic bliss that all went wrong in just the right way. No preschooler will un-love this one!

Scholastic, September 2018.

Not so much scary, but more like stinky! Which is actually helpful for scaring those unwanted pests away. Tohby Riddle has got this story spot-on with his knack for harnessing the powers of philosophy with humour and an understanding of human complexities – although in the form of bugs and critters. Here Comes Stinkbug! is completely captivating with its brilliantly simplistic plot and dry wit about the unpleasantness of a smelly Stinkbug. None of the other crawlies want to be around Stinkbug because, well, he stinks. They try to raise the matter with him, but that makes him worse. Until he tries to charm the others with a lot of effort. However, it seems Stinkbug has attracted the wrong sort… Maybe it’s best to just be yourself.

The aptly hued garden tones and textures combined with a mixture of typed narrative and handwritten speech bubbles elicit a nature that is both endearingly casual and candid. Here Comes Stinkbug! empowers readers to consider embracing who you are, playing to your strengths and being wary of those who might take advantage of you. Children from age four will find this book utterly and proposterously reeking with the sweetest kind of comedy, bugging their parents for more.

Allen and Unwin, September 2018.

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Forever Inspiring; Elizabeth Mary Cummings on The Forever Kid

Children’s author and poet, with a background in education and psychology, Elizabeth Mary Cummings is known for her sensitive attention to difficult topics including mental health and anti-bullying issues. Following titles, such as The Disappearing Sister and Dinner on the Doorstep, Elizabeth has recently released her picture book on grief, The Forever Kid. She has paid careful consideration as to celebrate the life of a family’s son and brother in a joyous way, rather than treat this story as a sorrowful tragedy. Johnny, their forever kid, is beautifully and authentically remembered on his birthday – an event they honour every year, despite his absence. Vince, narrator and younger brother, portrays a host of emotions, including sadness, guilt and joy as the family look both back and forward on life with and without their Johnny. A narrative genuinely thought-through via the child’s perspective. Equally, the illustrations by Cheri Hughes add an extra layer of depth with their angelic, water-wash qualities to represent the softness and tenderness of the emotion and the family’s  tradition of telling ‘cloud stories’, as well as the vivacity that reflects their strong memories of their loved one. The Forever Kid is undoubtedly a book that children from age four will strongly remember and gain solace in knowing there are positive ways to cope in difficult situations.

Big Sky Publishing, October 2018.

Elizabeth is here today to talk with us at Boomerang Books!

Congratulations on the release of your heartfelt picture book.

A powerful and beautiful story such as The Forever Kid would grip the hearts of any audience coping with grief or change. What was your motivation for writing it, and what do you hope is gained by readers?

The story came to me one night when my parents were visiting, I woke at about 2a.m. and the story was there and I wrote it down immediately before I lost it. The trigger was probably talking through family times as well as having at that time just lost a dear friend to cancer. The idea of grief was right at the surface of my emotions I guess and being with my parents had made my mind turn to the story of my father losing his younger brother who was a teenager at the time of his death.

What have you found to be effective strategies in dealing with grief? How does your book show the processing of such sadness and mourning in a positive way?

In dealing with grief there is more of an understanding that this is complex and that does not go away once time passes. For those who have suffered loss and grieving, it is a process but it is also a state in which they live after the initial loss.

In The Forever Kid, Vince and his family celebrate and remember Johnny on the day of his birthday. On talking to many families who have suffered the loss of a child I have found that this is common practice. Although sadness is certainly present this can be the day where there is a reflection on the life of the loved one. This celebration of life in itself becomes the positive coming together and of that opportunity to talk about that loved one.

For children it is vital that they have access to the truth as well as have a chance to be involved in the grieving process both around the time of death and after. It is important that [children] have a safe adult or older sibling or child to talk to about how they feel.

What is your involvement in the community regarding help with family and mental health situations?

I have no official role. I obviously write on the topic and am a great believer in narrative therapy.

Your previous titles (the Verityville and Elephant in the Room series) were all published independently. This time you have gone down the trade publishing route with Big Sky Publishing. How have your experiences differed in terms of support and marketing opportunities?

Well, when publishing independently one has all the control and all of the responsibility. It is a double-edged sword. Traditional publishers have bigger budgets, more control and wider reach. The decision as to how to publish (independently or trade) and who to publish (publisher selection) much be made in the light of what one is writing about and what one’s intention is for the story. As I have been working on my own marketing for almost four years now I understood the publisher’s considerations better than a first time author might. Publishing is no easy task and it takes a team to develop a book all the way through. Even when working independently I am working with others – designers, beta readers, editors and other professional services I may need to contract in to help produce a book as best possible.

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

Some of my new projects include: two poetry collections, a new picture book called The Green Striped Hoodie about bullying and resilience, finding a publisher for a project I have been working on to do with trauma and recovery as well as a couple of environmental projects and some more Verityville stories!

That’s all very exciting! Thanks so much, Elizabeth! It’s been a pleasure!

Elizabeth can be found at her website, and on blog tour here.

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Dimity Powell Takes Us on a Trip Down Holyrood Lane

 Dimity Powell, author of evocatively and beautifully written (and illustrated by Nicky Johnston) titles including The Fix-It Man (my review and interview) and At the End of Holyrood Lane (my review) is here to discuss the creation of the latter in an insightful interview. Dimity is a well-established presenter in Australia and overseas and a strong advocate for literacy as a workshop leader and Books in Homes Role Model. As you would be aware from her Boomerang Books reviews, Dimity has a flair for exquisite language, and her picture books are conveyed no differently. I’m grateful for this opportunity to talk with you, Dim!

Congratulations, Dim, on your newest, very special picture book, once again collaborating with the gorgeous Nicky Johnston!

Thank you, Romi!

Following your successful partnership on The Fix-It Man, was this second joint venture something you always planned or just a lucky coincidence?

It is something we both secretly always wished for – we adore working together – but was definitely more of a case of fate than design. When EK Books accepted Holyrood Lane, the first person publisher, Anouska Jones and I thought of to illustrate this story was Nicky. Her style was just right for projecting the type of feeling this work required.

Your story deals with a delicate topic on domestic violence and emotional safety through the metaphorical torment of a thunderstorm. We know Nicky has the knack for capturing the deep and true essence of a story. How do you feel she portrayed your intention? Was there much collaboration throughout the process?

She portrayed every intention brilliantly! Nicky has a phenomenal initiative grasp of the story behind my stories. It’s as if she has direct access into my head and is able to see exactly how I’d love the characters and their emotions be displayed. This occurs with little to no consultation at all, which stuns me. I can only paint with words. Nicky’s illustrations do all the rest of the work.

What I really enjoyed about working with her on this project was when I happened to be in Melbourne last year (for the Victorian launch of The Fix-It Man) and was invited into her work studio. Oh, what a sublime experience that was. She had a query about a certain spread of Holyrood Lane and invited me to offer solutions. Together we nutted through the various ways of portraying the message. It was a turning point in the story for the main character, Flick and for me. I have never experienced such joy working so closely with such a divinely talented creator as Nicky. I know this is not everyone’s experience so I feel very blessed.

As mentioned, At the End of Holyrood Lane is an intensely moving and powerful tale that prevalently and superbly brings an awareness to its readers. What was your motivation in writing this story and what do you hope your audience gains from reading it?

I hope first and foremost readers engage with Flick’s story in a way that is meaningful for them and leave it feeling more hopeful and reflective. I was prompted to write this book after a meeting with a prominent children’s charity founder, who proclaimed more mainstream, accessible picture books addressing this subject matter were needed. I rose to the challenge. But in doing so, had to clear tall hurdles. Most mainstream publishers felt this type of story was ‘too hot to handle’. Fortunately, for me, EK Books had the foresight and determination to take it on with me.

Did the story go through many re-writes? How did you perfect the language and level of emotional impact for an audience that may be as young as three or four?

Oh, yes! After several knock backs, I set about restructuring Flick’s story into a more metaphoric one, one that would appeal to children worldwide regardless of their situation and whether or not they were victims of abuse. If it wasn’t for the initial reactions and the feedback received from those publishers, I would not have had the impetus to fight on so determinedly nor explore my story from a different perspective. Reasons to be grateful for rejections!

Each rewrite brought me closer to that sweet spot, where words and emotions sing in perfect harmony. To ensure that the words matched the emotional maturity of my audience I sought the help of my erstwhile writing critique buddy, Candice Lemon-Scott. Normally when we assess each other’s work, it only takes one or two feedback sessions to understand the strengths and weaknesses of a particular manuscript. Working on this one was like slogging it through the finals of a tennis match; there was much back and forwarding, but finally after about six rewrites and months of massaging, I knew I had a winner.

What is the significance of the title? Is there a hidden meaning behind it?

Yes and no. I love the term Holyrood, having noticed it on my travels and always thought I’d love to incorporate it into one of my books one day. After rewriting Holyrood Lane a few times under the old working title of Holding On, I realised I needed something better, stronger and more meaningful. Holyrood has various religious connections, appropriated to be an ancient Christian relic of the true cross and was the subject of veneration and pilgrimage in the middle ages. It is also the placename of several notable locations throughout Europe. I liked the subtle spiritual connotations and the sense of venturing away from the norm into a potentially better unknown that this title evokes.

The excitement of your book launch in Brisbane is imminent! What do you have planned for the big day?

The launch is taking place at the Brisbane Square Library, which is smack bang in the middle of Brisbane on the 23 September – a Sunday – so hopefully young and old will be able to make it. In addition to the usual cupcake consumption (they’ll look and taste gorgeous I can assure you!), there’ll be kids’ activities, special guest speakers from various domestic violence organisations, book readings, signings and a raffle with over $1,040 worth of terrific book prizes to be won. Kids’ Lit guru, Susanne Gervay is also travelling up from Sydney to launch this book with me for which I’m eternally grateful. This industry thrives on the support from people like her so I look forward to celebrating this with everyone at the launch.

You are hugely active in the literary community with workshops, festivals, school visits and the like. What other kinds of events and presentations have you been involved in recently? What value do you see for authors presenting to children?

I’ve been facilitating and conducting a few school holiday kids’ writing camps this year in addition to bookshop appearances and workshops. I really love these camps because on a personal level they consolidate what it means to write and how to do it well. They are also heaps of fun and put me in touch with tomorrow’s writers in a very real and exciting way. I’m not really teaching them to write; it feels more like a privileged position of mentoring; guiding and nurturing young raw talent is unspeakably satisfying.

One of the camps I facilitate is the Write Like An Author Camps designed by Brian Falkner. The immense value of having published active authors presenting to kids is that validation they gain from linking facts, tips, tricks and methods with real world experience. We (authors) are the living proof of what we do and say!

Anything else of excitement you’d like to add? News? Upcoming projects? TBR pile?

My TBR pile is tall enough to crush an elephant should it ever topple which it has, toppled that is, not killed any elephants, yet. My Christmas wish would be for more time to read AND write. I’m bubbling with new picture book ideas but have been writing in snatches since entering pre-publication mode for Holyrood Lane. There are a couple more publications on the horizon for 2019 and 2020 though, which makes me happier than a bear with a tub of honey ice cream.

Things are also ramping up on the SCBWI front as we prepare for the next Sydney-based Conference taking place in February 2019. Bookings for this immensely popular conference have just opened and are filling fast. I have the enviable task of coordinating a dynamic team of Roving Reporters again next year whose job is to cover every inch of the conference and it share with the world. It’s another time gobbling occupation but a thrilling one nonetheless.

Thanks so much for chatting with me, Dimity! And congratulations again on such a special book! 🙂

It was my absolute pleasure, Romi!

Purchase At the End of Holyrood Lane

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Review: At the End of Holyrood Lane by Dimity Powell and Nicky Johnston

If there ever was a story that so finely balances a highly delicate topic with exquisitely gentle language and a resolution that makes your heart swell, it’s At the End of Holyrood Lane written by Dimity Powell and illustrated by Nicky Johnston. So brilliantly does this book combine the rawness of agonising fear and anxiety in a case of domestic and emotional violence with a ray of uplifting hope and courage, depicted amongst the darkness of the metaphorical thunderstorm that causes such torment.

Through Powell’s powerful narrative and Johnston’s visually arresting illustrations, we experience the juxtaposition of a normally vibrant young Flick with this little girl troubled by the daunting uncertainty of her safety. Where a home should be a consistently sheltered environment, Flick has to weather the wrath of fierce storms that “smother sunshine and ransack fun.” They “make Flick feel smaller than she really is.” The rising intensity of the fuming rage accented with looming, dark faceless shadows brings the arc to a screeching crescendo, until the call for help allows the sunshine to glow and spill over a vibrant young Flick once again.

RizeUp Australia and Act for Kids are proud supporting organisations of this book and of families experiencing domestic violence in the home. At the End of Holyrood Lane, in essence, raises a gentle touch to readers in empowering them the ability to seek help in times of suffering.

Highly evocative and dramatically moving, the value of this book to homes and schools is unquestionable. Flick and her toy unicorn are a symbol of hope and sunshine that early years children will quite quickly warm to.

EK Books, September 2018.

Dimity Powell will be joining us in an insightful interview, coming shortly!

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Make Some Noise for Debut Author Sonia Bestulic

Crashing onto the scene is first time picture book author, Sonia Bestulic. Her whimsical tale is all about NOISE! It’s a triumphant take on the joys of music making, and the joys of motherhood in an exuberantly loud household. Sonia’s background in Speech Pathology serves her well in this rollicking rhyming story focused on the development of oral language, speech and instrumental exploration. Sonia is speaking with us as a part of her Reece Give Me Some Peace! book blog tour. Thanks, Sonia! 🎷🎻🥁

Congratulations on the release of your debut picture book, Reece Give Me Some Peace! Please tell us a bit about your background and how you came to be a writer.

Books and writing have always been an integral part of my life since early childhood, I loved the experience of new worlds books immersed me into, as well as the joys of sharing a book that was read to me. From childhood I have relished in writing in its various formats, and always had a particular passion for rhyming and the creative fun you could have with language.

My love of language and drive to help others succeed led me to a career as a Speech Pathologist. My work has predominately been with children who have difficulties with their speech, oral language and literacy. Within my work as a Speech Pathologist I heavily incorporate books as a tool to build and foster oral language development, and getting children ready to read, spell and write.
Working so dynamically with books and with children, I have been privileged to experience time and time again the wonders that a book can create in young people, and so honing my writing within the children’s picture book genre seemed a natural pathway of evolution.

What is your personal experience or relationship with music? How does this come together with your background in Speech Pathology?

I have always had a love of a wide variety of musical genres. Music has been an accompaniment in my life’s journey; listening to it, singing with it, dancing to it, and making it too! I started learning the violin when I was 7 years old, and continued it through to my late teens, before periodically entwining it during adulthood. Music generally is such an integral part of so many aspects of our lives.
The writing of Reece Give Me Some Peace! has brought together my musical background and professional Speech Pathology background, as the text is intentionally very stimulating at an auditory level, and features rich oral language and pre-literacy aspects such as rhyming, alliteration, repetition and rhythm, whilst introducing children to a new vocabulary of orchestral instruments and the sounds they make.

As a Speech Pathologist I often train carers and educators on strategies to develop and enhance oral language and pre-literacy skills; and being able to share in a book such as Reece Give Me Some Peace!, that invites an interactive experience certainly parallels to the interactive experience we can have with music.

How did you find the publishing process with Big Sky Publishing? What has been the most rewarding and the most challenging aspects of your journey so far?

Big Sky Publishing have been such a lovely team to work with; facilitating a smooth and engaging publishing process.
Most rewarding has been the opportunity to be involved in the various stages of the publishing process – it is pretty amazing being a part of it all and experiencing the evolution of the book from ‘conception to birth’. I certainly got a little teary at the first sight of the initial illustrations, such a personally moving, emotional moment.

In terms of challenging aspects, as this is my debut picture book, I’d say it’s been getting a better understanding of the industry, it’s workings and learning the marketing ‘where to’ once published.

Nancy Bevington has brilliantly captured the movement, energy and charisma of Reece Give Me Some Peace! What do you love the most about the way she has portrayed your lively story and boisterous main character?

I love that Reece is portrayed as such a relatable young boy, just doing his own thing, in his own space with such cheekiness and curiosity; the way in which his manner of play is illustrated, so perfectly aligns with so many children.

Nancy has also beautifully captured the strong auditory component of the story and I love the visual build-up of instruments as the noise crescendos.

I have to make mention of the clever portrayal of one of my favourite characters, and that is Reece’s cat; who appears throughout the story and adds such a wonderful element of endearing humour!

What kinds of teaching and learning experiences would you suggest for parents and educators reading Reece to their children?

• Overall the teaching and learning experience can be themed on music and musical instruments, and reinforcing auditory/ listening skills
• The book builds anticipation, as the sounds are heard before the instruments are revealed; so really get children engaged in joining in with the sounds and guessing what the instrument may be that is making the sound
• Discuss the various instruments;
> what they are
> how they are played
> what category they belong to e.g. flute is a wind instrument, drums are a percussion instrument, violin is a string instrument etc.
​Extension activities can include;
• Drawing feelings of how different pieces of music evoke different emotions
• Listen to and watch the actual instruments being played on YouTube to extend the experience
• Listen to an orchestral piece of music and play ‘spot the instrument’ naming various instruments as they are heard
• Grab some instruments you may have at home or create some (upside down empty bucket and sticks make for an easy to assemble drum!)

Anything else you’d like to add? Your upcoming projects? News? Reading pile?

I have another Picture Book due for release in 2019 with Big Sky Publishing; and the talented Nancy Bevington as illustrator. It is coming together beautifully!

A recent news item is the launch of my podcast Chatabout Children with Sonia Bestulic! I launched at the end of August, and I am really enjoying the creative process so far and the new skills I have picked up along the way. It is all about empowering parents/ carers and professionals to grow with the children in their life; through education, enlightenment and entertainment. I am also looking at this avenue as an opportunity to periodically chat to Children’s Authors and discover all the wonderful things they have been up to in the world of Children’s Books!

That sounds brilliant! Thanks so much for speaking with Boomerang Books, Sonia! 😊

Sonia can be found at her website, and on blog tour here.

#ByAustralianBuyAustralian

Fatherhood in Picture Books

What does fatherhood mean to you? Is it about the shared moments that make you laugh? Or the ones that incite your curiosity about the world? Is it teaching them a new skill? Or bestowing some secrets about life that you learned along the way? Is it simply being present to watch them grow and succeed? Whatever your definition, there is no doubt that gorgeous picture books can draw out and encourage special bonds in a way that is meaningful to you. Here are a few that do just that…

From Him, To Me, To You. This beautiful book is a lyrical dedication to our littlest loved ones. A book to be shared across the generations. And one that will bring a tear to your eye. Things My Pa Told Me is written with a wise and astute hand by Anthony Bertini, told in a gentle and pertinent manner. Illustrator Jonathan Bentley comes in with an interpretation of his own, brilliantly re-imagining the text to another level of wonder, warmth and adventure. His amazing sketch work creates this extraordinary atmosphere of movement, light and shade, colour and energy that perfectly reflects the perspective of a small child in a big world.

The message imparted is one of strength, support, security and love. Of a father reinforcing his little girl’s journey through childhood – all the growth, fears and challenges and power she is to face. The possibilities that await and the wisdom needed to set her own path. But most importantly, to “enjoy this brief time, just you and me.” One day she will be able to reach, and he (father) will remain in her heart, watching along the way.

Things My Pa Told Me accomplishes a profound and timeless tale of embrace and hope in a way that leaves the reader to their own interpretation and meaning. A stunning book for children from age four to share with their own Pa.

Little Hare Books, August 2018.

The title says it all – bonding with Grandpa, adventure, and the wildest of imaginations. Read on and you’ll find plenty of action, fun and play (including a brilliant play with words!). Grandpa’s Space Adventure is created by such a masterful duo following their Grandpa’s Big Adventure; Paul Newman and Tom Jellett hilariously bring this star-filled adventure rocketing into life.

Grandpa tells his grandson about the time he and dog Rover flew to the moon. He took his ‘launch box’, had ‘high tea’… ‘very high tea’ every day, and even split his side on laughing gas instead of oxygen. He played ‘fetch-the-stick’ with Rover, but it never came back. Joke upon space-themed joke float across the pages paired with Jellett’s characteristically comical cartoons that will literally have your own sides splitting with giggles. Grandpa makes the young narrator feel totally safe in the dark. Now, here’s to another ‘wild’ adventure…

Extremely clever, playful and absolutely cracking with humour, Grandpa’s Space Adventure will leave no space for fear of the dark when you’re sharing this planet-tastic book with your loved ones. For space-travellers aged three and up.

Penguin Random House, July 2018.

The oblivious dad. The one that thinks he knows it all. You know the one! What a glorious day out for Sally and Max in Sara Acton’s Dinosaur Day Out. Dad thinks he’s taking his children on a peaceful day trip to the museum, only to find the dinosaur exhibition is closed. Little does he know that, despite his efforts to treat them instead to a day in the park and a spot of ice cream, Sally and Max in fact encounter all the species of dinosaur listed in Dad’s book. How extraordinary! He’s got his head so engrossed in his ‘Did you know’ facts that he misses every trick, glimpse and illusion that only the children, and us readers, so astutely notice.

The little comical elements in the illustrative details give the text even more irony and humour. And Acton’s softly textured paintings and simple colour palette ensure a gentle and playful feel as opposed to some of those slightly scary dinosaur facts that Dad apprises.

Dinosaur lovers everywhere will adore this whimsical and informative story with all its comedy and adventure. Dinosaur Day Out is the ideal book for preschoolers to share with their ‘know-it-all-not-so-know-it-all’ dads.

Walker Books, September 2018.

This is the perfect guide for new arrivals. If you’ve just landed on this earth, you’ll need this handy manual to ensure you have the best stay possible. Totally brilliant – Welcome; A Guide for New Arrivals by Mo Willems – narrated by parents with wit, verve and unconditional love.

The guide begins with a mirror and a fact sheet on how YOU came into being: a unique combination of LOVE + TIME + LUCK. Filled with a range of enlarged headings, diagrams in the form of signposts, and bright, bold colours, the book humorously outlines a myriad of life’s pleasures and complications. For example, a few upcoming highlights include: Music. “Here is an example of a song” (insert printed music). Cats. “We are pleased to inform you there will be cats… And not just cats. There are Mountains + Friends + Bagels + Infinite Remarkable Things.” Stories. “There are True Stories + Made-Up Stories + Silly Stories.” Each identified by an amusing symbol, and completing the page with ‘while we read this book together.’ There is a guide on ‘We Regret to Inform You’, followed by ‘Rest Assured’. But there is a note for parents to absorb, too. And that is to simply ‘stop’ and ‘be’, because we all know this precious time in our little ones’ lives doesn’t last too long, so enjoy it.

Welcome is a must-have book for every first-time father. Thank you for joining us.

Walker Books UK, July 2018.

Happy Father’s Day!

For more amazing Father’s Day Books for kids check back to read Dimity‘s reviews.

Animals at Work – Picture Book Reviews

Kids are all too quick to grow up these days, but yet to realise the complexities and oftentimes, inequalities, that go with grown-up responsibilities. Sure, life in the playground can be tough, too. No doubt there will be times they feel under-valued, misunderstood or lonely. Whilst these references may seem quite grim, the following ‘adult-work-life’ picture books paint these dark hues to meet a bright and hopeful light at the end of the tunnel.

Ok. It will be called… Next award-winning picture book of the year. Phenomenal artist. Phenomenal storyteller. Shaun Tan wins over the masses with his latest picture book, Cicada. Considering its haunting themes, this book has a definite star-quality appeal that is sure to set a glow in every reader’s heart.

You heard it… ‘Tok Tok Tok!’. Time marches on for hard-working cicada. Seventeen years. Stuck behind his computer desk hidden amongst a concrete jungle of office carrels – hardly noticed, immensely unappreciated. Treated as sub-human, despite the fact he is not human at all. But honestly, his pay is docked for being forced to use the bathroom twelve blocks away! Work life for cicada is dire with no thanks, no living support (he lives in an office wallspace), colleague abuse and eventually a retrenchment with a figurative kick in the butt.

Seventeen years imprisoned in this grey, lifeless cell of despair. There’s nothing left… but to transform. And all you can do is laugh! Tok Tok Tok!

Cicada breathes intense concepts and colourless imagery that is far from dull, mixed together with sharp language spoken in a broken English. However, it embodies a fiery life within that speaks universally to humans about the power of self-worth, about courage and respect. An impressive, evocative picture book for older readers (5-9 years).

Lothian Children’s Books, June 2018.

Work life at Baggage Handlers United is pretty fun for Marvin. He loves the routine of putting things on and taking things off. He has friends that work there, too. But what happens when his ‘friends’ start laughing at his expense? Missing Marvin is a meaningful and sensitive story about the hurtful effects practical jokes can have when taken too far.

Sue deGennaro beautifully captures the heart and soul of this story through her gentle, multi-faceted illustrations and leading language that carefully directs readers to ponder the emotions being explored. When Barry, Shelly and Ivan set up what they think are amusing shenanigans, it is upon closer inspection that we see the heartrenching damage done to Marvin. “… he wonders if a joke is only a joke when everyone is laughing.” All too often, people (at work or at school) go about their day ‘pretending’ they are okay. And all too often, ‘the signs’ go unnoticed. Learning strategies to avoid emotional and physical isolation are nicely handled here when Marvin decides to come out of hiding (after succumbing to his bed) and open up to his friends about his feelings.

All it takes is a conversation. Missing Marvin brings about a light-hearted simplicity on the cusp of complex issues related to bullying and depression. Presented in a sweet and satisfying way, this book will help preschool-aged children find compassion, sensitivity and courage when needed most.

Scholastic, April 2018.

With a gorgeous setting based on the Greek islands of Andros and Mykonos, who wouldn’t love to live and work there? Originally from Greece, author illustrator Elena Topouzoglou paints a charming picture of friendship emerging out of loneliness.

In Mr Pegg’s Post, a little girl, Anna, longs for interaction from the outside world beyond her lighthouse home. The only visitor is Mr Pegg – the pelican postman. One stormy night, from the darkness Mr Pegg comes thumping into her life, serendipitously changing the world as she knows it. The ability to work effectively can be difficult when faced with a crippling injury. However, Anna’s eagerness to help deliver letters by boat serves them well in his recovery and her social connections. Anna receives more than just letters now. She has friendships, and a job!

The soothing blue wash of the water represents a beautiful link between the isolation of the lighthouse and the community spirit of the mainland. Mr Pegg’s Posts delivers a message of support, appreciation and value to the hearts of children from age three.

New Frontier Publishing, July 2018.

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Under the Sea, Under the Sea – Picture Book Reviews

With all the latest talk on plastic pollution and contamination in our oceans and waterways, it seems fitting to bring further awareness and appreciation for our beautiful marine and plant life to light. These following picture books not only give us the colourful scoop on the abundance of amazing life under the sea, but also the incentive and empowerment to protect them in the best ways we can.

Somewhere in the Reef, an ideallic scene of freedom and serenity – just the way it should be. Following the classic rhyme, ‘Over in the Meadow’, Marcello Pennacchio sings up a swirling wave of sea animal counting fun. A host of gorgeous ocean creatures splash vividly about the pages, brought realistically to life by artist Danny Snell.

Starting with a mother dolphin and her little calf one along the Great Barrier Reef, daubs and splashes of movement ‘leap’ from one page to the next. With another verb, ‘wiggle’, we encounter two little sea snakes jiggling amongst the blue. Consistently, action meets numbers as the rhythm of verse and marine life treat us to an underwater spectacle in the crisp and clear waters of the lagoons and reefs.

Somewhere in the Reef is a playful and joyful experience to sing along to and recognise the importance of conservation of these beautiful creatures. Swimmingly good fun for preschool-aged children.

Scholastic, March 2018.

Another underwater counting parade propelled by poetry and learning potential is Jasper Juggles Jellyfish by Ben Long and David Cornish. With a title bound for alliteration activity, text tossed with rhyme and numbers flicked here, there and everywhere, you’re all set for a jovial, educational experience.

Set at the bottom of the ocean with textures reflective of the sun glimpsing through the water on creatures so adorably cute, Jasper the octopus drags himself off to school. A less-than-confident Jasper struggles with his counting abilities, but juggling is no problem. One friendly jellyfish encourages a strategy that Jasper can surely handle – “it’s best to start with one.” And with that, adding jellyfish to tossing tentacles means Jasper’s counting problem is solved with a total of twelve (3 jellyfish per every 2 arms).

Jasper Juggles Jellyfish would be a juggle between a simple adding-on strategy for preschoolers and more advanced problem solving for junior primary aged children. Nevertheless, an exuberant story about confidence and different ways of learning that children will be bouncing to read again.

Ford Street Publishing, July 2018.

In Ori’s Clean-Up, Anne Helen Donnelly provides all the right tools for an entertaining and environmentally-focused reading experience for early years children. Teamwork and meticulous organisation are highlighted in a war on waste, as we know it, where Ori the octopus and his friends find systematic ways to manage the rubbish in their underwater home.

Repetitive language and clear, vivid and friendly cartoons assist in delivering the message of cleanliness and working together. Terms and images specific to recycling, re-using, composting and donating are scattered throughout to reinforce this awareness and utilisation in everyday life.

Ori’s Clean-Up is brilliantly simple, accessible and universal to help affect change for the good of our planet.

Anne Helen Donnelly, July 2018.

Next, we are delving deep into a procedural text of the imaginary kind! But first, note the shiny, shimmering cover that is sure to lure in any young child with a penchant for mermaids. How to Catch a Mermaid is a cool and snappy rhyming tale  from a series written and illustrated by the New York Times bestselling team, Adam Wallace and Andy Elkerton.

With the persistence, creativity and audacity of a young whippersnapper, a little girl and her buddies make several attempts at ensnaring the pretty mermaid at the depths of the ocean. Trap after trap, their scheme fails. But who will help them out when they are themselves trapped by some nasty, yellow-eyed sharks?

Witty, bold and lively, How to Catch a Mermaid is one your little ones will want to snatch up as quick as they can! For ages four and up.

Sourcebooks Jabberwocky, June 2018.

Jarvis is a talanted international author-illustrator with books including Poles Apart, Alan’s Big, Scary Teeth and Mrs Mole, I’m Home! Continuing our underwater theme, Tropical Terry serves up a flashy, fishy tray of mesmerising goodness to feast your eyes on. Eyes, not mouths! 😉

Swishyness and swooshyness of colourful tropical fish swirl in flurries in Coral Reef City. And then there was Terry. Living the simple, plain-coloured life with his best sea friends isn’t enough when the fancy fish constantly parade their fanciful snobbiness. So, Terry transforms himself. And forgets his friends. Until there is danger. How will he escape?

Being yourself always reaps the best rewards. Tropical Terry casts an important net on playing to one’s strengths and embracing your individuality. A plain and simple message in an underwater forest of colour and spirit. Ages 3+.

Walker Books UK, June 2018.

Big Cats and Small Cats – Picture Book Reviews

No doubt, cats have attitude – aka ‘cattitude’. They may tend to be arrogant, vicious or just plain naughty. But if you really think about it, they are in fact, loveable and soft-at-heart. The following few kitty-inspired picture books take a look at the different personalities of our feline friends.

The gentlest of the lot, Maya and Cat is evocative, heartwarming and heavenly. Caroline Magerl transcends beyond beauty with her poetic language and mesmerisingly enchanting illustrations in amongst a gripping tale of friendship, responsibility and trust.

The fine line and watercolour paintings in a style so charismatic aptly portray the dramatic moodiness and intense atmosphere of a lost cat drenched with rain and anguish. It is with her determination and good will that Maya searches for its rightful owners. Long, yellow scarf blazing behind her, Maya eventually follows Cat’s nose to an unexpected fate; where a long, yellow windsock atop a rocky boat leads Cat home and Maya a treasured reward.

Intriguing, beguiling and warming for the cockles of your heart, this loveable tale between Maya and Cat will be welcomed into your home with an outpouring of love and affection many times over. Beautiful for ages four and up.

Walker Books, August 2018.

Another cat to love, despite its size and demeanour. In It’s Hard to Love a Tiger by Anna Pignataro, a little girl knows all the difficulties associated with owning a tiger for a pet. The rhyming couplets and adorably hilarious illustrations actually make this story so endearing, that it’s hard not to love it at all. So much glorious detail hidden in the pictures demonstrate the very effect a roaring, growling tiger makes on a crowded street, when brushing his teeth, and feeding him sticky treats in a pastry store. The tiger carries on with his inappropriate gestures and anti-social behaviours that would make any small child cringe. But guess what? There’s plenty of love to go around.

I love the premise that renders It’s Hard to Love a Tiger so relatable for young children. The tiger could be a toddler or a kitten, both of which can be frustrating but oh-so charming and forgiveable at the same time. The text includes enlarged, bold words that literally leap out in a fashion to encourage terrific talking points. Deceptively loveable for children from age three.

Scholastic, June 2018.

Here you’ll find a most arrogant cat. A cat with only one thought. A narrow mind and a rumbling stomach. Cat Spies Mouse is a simple yet ingenious tale about the power of lateral thinking, tolerance and, well, copping a comeuppance.

Rina A. Foti writes a humorous dialogue with minimal text facilitating a curiosity for the nuances of our behaviours and encouraging challenge for streams of closed thought. In this case, Cat wants to eat Mouse because “that’s the way it is.” Cat is not open to Mouse’s positive suggestion for a possible friendship, and his stubbornness certainly lands him in a dark place.

The illustrations by Dave Atze create high impact with their bold and animated energy, brilliantly offsetting the wittiness of the tale and the deeper meaning of the underlying philosophy. Cat Spies Mouse would empower its early years readers to question the ‘why’s’ in life and how much of those can or cannot be controlled.

Big Sky Publishing, July 2018.

Another take on the trustworthiness of the stereotypical fierce character is this whimsical story featuring one big cat, a hat and an umbrella. The masterful Polly Dunbar nails the humour, the energy, the interactivity, all with a very important message to preschool-aged children – beware of deceptions and don’t fall for trickery. Trust your gut, and not that of a sneaky lion.

A Lion is a Lion sweeps us up in a rhyming romp of linguistic and aural goodness, questioning the real character of a ferocious lion. “Is a lion still a lion… if he skips down the street singing, “Hoobie-doobie-doo”?” Poshly dressed in hat and coat, the lion visits two young children and delights them with all the charm and savviness in the world. He treats them to a dance in their living room and requests a polite bite to eat… until the fiery redness of the pages emerge, and so does the true nature of the lion. It is pleasing to see that the children have just as much spunk and verve to show him who’s boss!

Splattered with spirit, fast-paced and funny, A Lion is a Lion is a charming delight with a big message (and a big appetite).

Walker Books UK, February 2018.

Did you love The Cat Wants Custard and The Cat Wants Cuddles? Of course you did! To jog your memory you can read my review here. The third instalment in this series with the wonderfully precocious feline fiend is The Cat Wants Kittens. What a surprise! Kevin is back with more grumbling ferocity than ever. He’s super unimpressed with the couple of balls of adorable fluff that invade his space, but we expected that, right?

Yet to be released but most anticipated. I would expect no less than brilliance once again from the dynamic duo, P. Crumble and Lucinda Gifford.

Pre-order your copy here.

Scholastic, August 2018.

Kate Simpson Shares her Story on Finding Granny

 Finding Granny is a touching and heartwarming story about a young girl dealing with her Granny’s stroke, yet underneath the surface it so much more about the emotional impact it has on every character in the book, and even those behind the scenes. Granny’s convalescence is beautifully captured through the uplifting illustrations and the playful tone in which the story is told. The words were artfully written by debut author, Kate Simpson; mum, writer, engineer and podcaster, who joins us as a part of her blog tour to talk about her journey thus far. Thanks, Kate! 🙂

Thanks for talking with us, Kate, and congratulations on your debut picture book, Finding Granny!
Can you tell us a bit about your background and how you came to be a children’s writer?

I didn’t always dream of being a writer. I always loved books and thought it must be amazing to be an author, but it simply didn’t occur to me that this was something I could do. I felt like writing was something for people with ideas, and I didn’t have them.

When my children were born, I took maternity leave with each, and then worked part time. With less happening at work, I started looking for something more to challenge me intellectually and creatively. Because my own children were so young, I was reading mountains of wonderful picture books and somehow, something just clicked and I thought that perhaps writing for children could be the thing I was looking for. And it was.

What does having Finding Granny published mean to you? How do you hope it will touch its readers?

It’s incredibly exciting to have a book published and to be able to see it and touch it and read it to my children. Like many writers, I’ve been chipping away at this over a number of years and it’s such a thrill to see the fruits of my labour in physical form.

In terms of how it might touch its readers, I feel like it’s the type of book that may find a different place in each reader’s heart depending on their own experience. A family touched by stroke or by another illness or disability might get different things out of Finding Granny than a family with different experiences. But I hope that the love between Edie and Granny really shines through for everyone and that the emotion of the story rings true.

Do you have any personal experience with art therapy? How much research did you need to undertake in developing your story, combining the emotional and physical impact a stroke has on a person, and how art therapy can aid in their recovery?

I don’t have any experience of art therapy. In fact, in my first draft of Finding Granny, Granny underwent physiotherapy rather than art therapy. But I just couldn’t find a way to bring out Granny’s playfulness in that setting in the way that I wanted. I don’t remember how the idea of art therapy came to me, but I remember doing a quick Google search and finding a news article from the UK about an art therapy group for stroke survivors that was holding an exhibition. From there, it just clicked.

I did do a little bit more research after that. There’s not a great deal of detail in my book, but I wanted to be sure I wasn’t including any glaring factual errors. It was also interesting to read people’s personal stories of creating art after stroke. Some were already artists, who needed to re-learn their skill with their non-dominant hand after the dominant hand was affected by stroke. Others had never had any experience of art before beginning art therapy after stroke. I came across a few news articles and blog posts that included photos of the art work created, and I was blown away.

As a first time author, how did you find the publishing process with EK Books? Were there any surprises or challenges along the way?

I really didn’t know a huge amount about the process going in. The few things I’d gathered from conferences and friends were that it would be slow and that I would be involved very little. Largely, I suppose that was true. There were certainly gaps of many months where I heard nothing at all. But I was pleasantly surprised to find that my publisher at EK Books did consult me on the choice of illustrator and that I was given the opportunity to comment on the roughs. As for the waiting, it seems like that’s just part of every stage of the publishing journey. It’s excruciating, but it can’t be avoided.

Gwynneth Jones is obviously a talented illustrator, absolutely capturing the heart, joy and love in Finding Granny. What was it like collaborating with her, and what do you love most about the way she has portrayed your sensitive story?

What’s not to love about Gwynne’s illustrations? I remember in the early days, my publisher emailed me some rough pencil sketches that Gwynne had done of Granny and Edie, and I was just over the moon. She has really brought the characters to life and I just can’t imagine them any way other than as she has drawn them. That’s definitely the thing I love most about her work.

In some ways collaboration seems a strange word to use for the process of creating a picture book. Of course, in the end the words and text work together to create the reader’s experience of the book, but as the book is created we really work largely alone. I created the text before Gwynne was involved at all, and most of her work was done independently of me as well. The publisher did give me the opportunity to comment on the roughs, and I made a couple of comments, but I don’t remember asking for any substantial changes (Gwynne may remember it differently!).

Do you have a favourite memory with one of your grandparents?

Many! My maternal grandmother lived with us for much of my childhood, and I remember her fretting over us climbing trees and jumping over rocks. My sister and I took positive delight in terrorising her with our exploits, but now that I have kids of my own, I can absolutely understand where she was coming from!

You’re one of the trio in the popular podcast for kids, One More Page. Has there been a stand out moment, or piece of advice from a guest that changed you or your thinking, or reinforced what you do as a children’s writer/presenter?

I think the biggest thing I’ve taken away from the podcast is how incredibly supportive the children’s book community is. We’ve had organisations like the Society of Children’s Book Writers and Illustrators going out of their way to promote what we’re doing, and established authors and large publishers really getting on board to be part of our interviews and our Kids’ Capers segment. And then of course there’s the constant cheer squad of emerging writers, teachers, librarians and general book lovers who listen to the show and share it on social media, tell their friends and send us messages via our website. It’s such a delight to be a part of such a wonderful community.

Anything else of excitement you’d like to add?

Everything seems a little bit exciting at the moment. I’m doing my best to remember it all so that I can feed off that in the moments when I’m alone in my lounge room tearing my hair out over my latest manuscript. I have another couple of picture books coming out over the next two years, and I also have some ideas for some middle grade novels that I’m keen to get started on. I’m really hoping to build this little spark of success into a career.

Thanks so much for the interview, Kate! Congratulations again on your new release, Finding Granny, and enjoy the rest of your book blog tour!

Join the tour here. 🙂

Find ‘Finding Granny’ in Dimity’s reviews here.

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Misconstrued Mishaps – Picture Books about Communication

Language and social cues can often be tricky to identify when the intention or motivation is not clear or masks a double meaning. Assumptions can also very easily lead to misunderstandings, so communication and an open mind are key. These two picture books so astutely point out our human errors in the most hilarious and relatable ways. Must reads!

Duck!, Meg McKinlay (author), Nathaniel Eckstrom (illus.), Walker Books, July 2018.

When small does not mean insignificant. When honesty must not be ignored. When puns should never be misconstrued. Duck! A story of a farmyard disaster in the name of ego…and a bruised one at that!

Masterful duo Meg McKinlay and Nathaniel Eckstrom bring this double entendre to light in their hilarious tale of mindless, obnoxious beasts and a noble Duck. A small green and brown duck heeds a hefty warning to his larger fellow farm mates – with a bold shout, “Duck!” Totally oblivious to his intentions, and the oncoming disaster flying through the air (a clever ploy to get readers joining in on the action!), the animals believe they are being named ‘Duck’, but of course they think they’re better than that. ‘“Duck?” The cow frowned. Dont’ be ridiculous! You are a duck and he is a horse and I am a cow. You see – you have funny webbed feet and I have these fine cloven hooves…”’ Becoming increasingly frustrated at their inability to understand, plus their constant insults, Duck has one final crack but to no avail. And when everyone finally realises their mistake, including Duck, well, it’s too late.

Duck! is a perfect example of the importance of communication, of how easily a simple word can be misunderstood, but also of the impact of character judgement and narcissism. McKinlay’s narrative is lively, haughty and amusing – aptly supported by Eckstrom’s earthy colour palette and smug-looking characters.

A brilliant read aloud for engaging preschool children with plenty of learning and discussion opportunities. This book will definitely get their attention!

Square, Mac Barnett (author), Jon Klassen (illus.), Walker Books, May 2018.

You know you’re in for a treat when it comes to this infallible author – illustrator duo. Plus, with the success of the first in the trilogy, Triangle, there’s no doubt that Square will be equally enticing.

Barnett and Klassen once again hit the nail on the head with their keen eyes of observation for human blunders. Imagine the surprise Square faced when told by Circle that he was a genius! A complicated communication mess of assumption, on Circle’s part, and Square’s withholding of the truth lands him in his own mess of a job trying to perfect a block sculpture of Circle. But he simply pushes blocks, not shapes them. He is not a genius. The universe must work in mysterious ways because somehow, Square pulls it off. Perhaps he might withhold the truth for a little while longer!

This tale of an accidental genius is just genius! The combination of expressive language, slick sepia-toned palette and simplicity of shapes, with the added bonus of thought-provoking humour works so brilliantly to give a reading experience that appeals to all ages. The books in this series are collector’s items that will shape a young generation into well-rounded, level-headed human beings.

The Colours of Jane Godwin – Picture Book Reviews

Jane Godwin is one of Australia’s much-loved authors with over twenty books for children, many being awarded prestigious acclamations. Absolute favourites include Starting School, Little Cat and the Big Red Bus, The Silver Sea (reviewed recently), What Do You Wish For? and Our Australian Girl series. To say she has a colourful list of titles under her belt is an understatement! Today I’ll be sharing two of her latest colour-inspired picture books, Red House Blue House Green House Tree House! and Go Go and the Silver Shoes.

A perfect explosion of fun and colour can be found in this first book for young readers to follow a tiny mouse across a vast array of places, objects and animals. That’s if they can spot it! Red House Blue House Green House Tree House presents its audience with a jolly rhyming lilt about colours whilst also sneakily integrating a range of concepts in counting, sorting, sizes, and science. Godwin cleverly portrays a world that is both new and familiar, exciting readers along the way with her invitations for interaction. The illustrations by Jane Reiseger are brilliantly vibrant, fluid and oh-so child friendly with their wash and loose line technique and cheeky little scuttering mouse! From a number of coloured petals in the garden bed to floppy rabbit ears, a plate of fruit, tiny darting silver fish and one gigantic whale.

So many questions to ponder and giggles to be had, leaving a lasting impression and so many reasons to revisit Red House Blue House Green House Tree House over and over again. Rich, energetic fun and stimulation to engage emotional connections for children from age two.

Affirm Press, April 2018.

Another gorgeous collaboration between Jane Godwin and Anna Walker, this time in Go Go and the Silver Shoes. As her name suggests, Go Go is always on the go-go as an active and independent young girl. Destined to be a trail blaizer of the fashion world, Go Go is creative when it comes to re-fashioning her bigger brothers’ hand-me-downs. And it doesn’t matter what anyone, aka Annabelle, thinks! But one day she is allowed to choose the most beautiful silver, sparkly shoes. Naturally, they go-go everywhere on family adventures, until, one of them is swiftly gone-gone. Godwin masterfully tinkers with Go Go’s approaches to her lost-shoe conundrum as she deals with different pieces of advice and opinions. Go Go has both a mature and self confident side to her personality whilst also just being a kid, as perfectly rendered in Anna Walker’s illustrations. The beautifully subdued colour-palette with pops of red, in Walker’s characteristically phenomenal paint, cut and collage style, aptly portrays the sensible, independent yet playful lead character. And those silver, sparkly shoes! Certainly putting a gleam in every little girl’s eye! There is also this clever parallel storyline interwoven between the pages, adding yet another dimension of interest as to the outcome of the missing shoe. Brilliant!

Go Go and the Silver Shoes is a story that is meant to be! The universe may work in mysteriously wonderful ways, but it would certainly be expected that any child from age four will just fall in love with this one.

Penguin, February 2018.

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A ‘Hole’ Lot of Curiosity – Picture Book Reviews

Sometimes curiosity can land you in trouble. But it is the being brave part that will ultimately lead to triumph. These few picture books show children that exploration is a healthy thing to help overcome fear or uncertainty. And they are a ‘hole’ lot of fun, too!
Be sure to also check out Dimity’s great list of Picture Books that Celebrate Overcoming Doubts.

The Hole, Kerry Brown (author), Lucia Masciullo (illus.), ABC Books, April 2018.

Squirrel starts the line up of dangling animals overly curious about a long-drop hole that lies in the middle of the track. Teetering on the edge of total panic about the presumed formidable, black-holed monster within, Squirrel cries out for help, only to drag Ostrich and three chattering monkeys into the lightly-suspended quandary. A brave and clever field mouse makes the call, ensuing a deep suspension of baited breath amongst characters and readers alike. Luckily, the ‘monster’ isn’t interested in animals for tea.

Brown’s delightful rhyming couplets come with a sensory feast of emotive and visual language to fill you with empathy, wonder, and even a few giggles. The illustrations by Lucia Masciullo are whimsical and witty in the face of perceived danger. The Hole is beautifully alluring, brilliantly enlightening and wonderfully heartwarming for children from age three.

The Hole Story, Kelly Canby (author, illus.), Fremantle Press, February 2018.

I love the play on reality and literal meanings behind this story of rehoming a lost hole. Charlie doesn’t realise that picking up a hole and putting it in his pocket, and backpack, are the worst places to have a hole. So he boldly sets off to find it a new owner. Young readers will already be amused at the thought, ‘you can’t pick up a hole!’, and now they are left to wonder who would want it and how it could possibly be useful. Well, Charlie greets a whole lot of people who are clearly NOT interested in the hole, such as the arachnid and reptile store owner, the boat builder, the seamstress, gardener, and doughnut maker. So, who is?

Canby’s energetic, sharp and unconventional narrative paired with her cartoonish, fluid illustrations complete the story that allow children to open their minds to the absurd, and also assess some very real and practical concepts. The Hole Story makes for great discussion and learning opportunities, as well as a fun and wacky adventure of finding a place to belong.

Scaredy Cat, Heather Gallagher (author), Anil Tortop (illus.), New Frontier Publishing, May 2018.

Curiosity did not get the cat, in this case, because Scaredy Cat, as the name suggests, is too scared to face even the meekest of things. A little girl’s four-legged friend shies away from sight in every scene, only to reveal its white, fluffy paws and tail in a terrified, obscure stupor. Gallagher’s delectable repetitive rhyme cajoles us along chasing poor Scaredy Cat through bees, towering trees and Granny’s super-duper sneeze. Hoses, wandering noses and costumed kids, striking poses. Each verse beginning with, ‘Have you seen my Scaredy Cat? He’s afraid of this and afraid of that!’, eventually leads us to the climax where a proud, flexing little girl claims her gallantry and saves the day. Now the girl has revealed her true and brave identity, will Scaredy Cat?

With Tortop’s ever-gorgeous, enticing and infectious artwork charging with colour and energy, it would be no surprise if Scaredy Cat is chosen to play his hiding game over and over again. Preschoolers will adore this romping tale of friendship, bravery, pets and love.

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Beautiful Books for the Beauties in Your Life

Mums, Grandmas, Sisters, Aunties or any other special person in your life, all deserve a show of gratitude and love. Mother’s Day is a day to reinforce those bonds, to share memorable moments, or simply just to connect with those who make a difference. Dimity has already covered some ‘marvellous’ picture books here, so I’ll reinforce these beauties, and add more of my own treasures to the list.

The Dream Bird is an absolutely exquisite visual and imaginative treat that takes its readers on a fanciful flight from a state of playful awakening to the cosy slumber of dreamland. Such a memorable and warming story by picture book expert, Aleesah Darlison, mesmerisingly illustrated by talented newcomer, Emma Middleton. I love that it is Gran who, despite the other family members’ efforts, is the comforting soul of this story that helps young George to fall asleep. And the soft shading and infused deep reds and maroons are just the perfect choice to represent a mature and tender sophistication. When Gran begins her tale of the graceful Dream Bird, a snowy scene transports us to a wondrous land of majestic snow leopards, kingdoms made of lollies and treasures hidden amongst magical mermaids. Then a peaceful George conjures his own favourite dream as a loving Gran sings and leaves him with a gentle kiss. The Dream Bird is an idyllic symbol of beauty, warmth, whimsy and unconditional affection that children from age three will need as part of their daily bedtime routine.

Wombat Books, April 2018.

A gorgeous book for wonderful mums is Marvellous Mummy, written and illustrated for the first time together by husband and wife team, Katie and Giuseppe Poli. In this tender and playful story, mummy elephant takes on many personas and behaviours that are highly relatable for young children to recognise with their own mums. From sneaky and quiet to noisy and loud, friendly to grumpy, skilful and brave, caring, snuggly and most importantly, perfect (in her sometimes unperfect way). A joyful book shared between mother and daughter of many adventures and everyday routines, with bright and airy, energetic and gentle illustrations. At the same time, Katie’s short phrasing and regular use of absorbing verbs compel interaction and repeat reads. Marvellous Mummy is a marvellous reminder of just how strong, special and versatile our mummies really are.

New Frontier Publishing, May 2018.

Another absolutely glorious collaborative creation is The Silver Sea by the young people at The Royal Children’s Hospital, their teachers and the masterful and much-loved Alison Lester and Jane Godwin. This book is such a treasure filled with glimmering magic amidst a palette of silky words and images in a sea of spectacularness. The team, together with the unwell children, have created a marvel of colourful ocean pictures with creatures that make the pages come alive. The poetic narrative leads us with two characters – a mother-like figure and her child – into a shimmering world of waves, splashing with dolphins and seals, flying with sharks and leafy sea dragons, further into the deep with a whole underwater aquarium until they reach the pale morning sky. The Silver Sea, curious, imaginative and enriching, developed out of such inspirational foresight, and with profits returning to the RCH it is a must-have to cherish in any home, school or hospital.

Affirm Press, February 2018.

This one’s to share with the wild, spirited granny in your life! You’ll never have to have another ordinary day after you’ve read Grandma Z. Debut picture book author-illustrator Daniel Gray-Barnett brings life to town when Grandma Z rolls in on her motorbike. Albert is celebrating his birthday, except it’s not much of a celebration with his ordinary, boring parents living a life of ho-hum and melancholy blandness. But when his grander-than-life grandmother in her bold, blue coat enters the scene, the pair enjoy a day of adventurous, curious, daring, imaginative and exotic goodness, conjuring up all of Albert’s favourite things. The narrative suitably ties in with the plot with its quirky and unpredictable phrasing. Equally, with a Scribble-flavouring in an Allison Colpoys style, the illustrations make a bold statement with their neon blue and orange and black line tri-colour palette and retro look drawings. Grandma Z encourages a thrilling realisation that life is what you make of it, not only on your birthday, or Mother’s Day, but every day.

Scribble, February 2018.

Another special lady in your life may be your sister. Perhaps you’d like to send her affirmations of appreciation and love for all the things she does for you. In this adorable picture book by Joanna Young, My Sister represents laughter, teamwork, care and the ultimate friendship. Sisters from age two will adore the sweet, heartwarming illustrations in calming watercolour tones and tidy visual appeal dedicating one image to each question of ‘Who…’ ‘Who is the one who sits next to you… grows up with you… and is always on your side?’ The sisters in the story show a story of their own with their cute, amusing and oh-so-sweet little antics. My Sister is a book of pure joy and love, that surely mums with daughters would delight in sharing together this Mother’s Day.

New Frontier Publishing, February 2018.

Happy Mother’s Day!

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In Harmony with Maura Pierlot

Author and playwright Maura Pierlot is no stranger to success with her most recent awards boosting her literary status beyond expectations. Last year she received high accolations, being announced Winner of the Charlotte Waring Barton Award and the CBCA Aspiring Writers Mentorship Program 2017 with HarperCollins. Maura went on to complete her winning Fellowship for two weeks in March at the Katharine Susannah Prichard Writers’ Centre in WA to develop her script, Leaving into a full length play. And most recently, her debut picture book, The Trouble in Tune Town, (illustrated by Sophie Norsa) received Joint Winner for Best Children’s Illustrated E-Book in the Independent Publishers Awards (IPPY). How thrilling! So today, Maura is here to discuss her writing life and the launch of The Trouble in Tune Town.

What do you enjoy about writing for children as opposed to your young adult and playwright work?

On some level, I find it more challenging to write for children than I do for young adults or for the stage. I have a tendency to overthink things – probably all those years of philosophy training – and writing for children forces me to tell a story simply – just an idea stripped back, pure, presented in a way that engages and excites … preferably in less than 500 words. I think that’s very difficult to do well.

Your picture book, The Trouble in Tune Town, is a lively, colourful and encouraging story with some impulsive music notes and a young girl practising persistence and self-belief whilst practising her instruments. What do you hope for readers to gain from their literary experience with Meg and her musical notes?

​I hope young readers appreciate the magic and wonder of music, seeing it as a source of joy, not one of stress or obligation. I hope they accept the challenge of learning new songs in a balanced way – doing the best they can, knowing that it’s not a race, and remembering to have fun along the way. I hope they learn to dig deep and persevere because sometimes in life it’s just too easy to give up. Rather than strive for perfection, I hope kids are never afraid to try new things, or to make mistakes, and learn to pick themselves back up when things don’t go to plan. That’s where the real growth comes from.

What has the response been like so far from the audience of The Trouble in Tune Town? What kind of public appearances have you made to share your book?

​The response to the book has been overwhelmingly positive. Readers of all ages seem to identify with the story and the message, which is heartening. It’s been a big hit in families with music-playing children, also with grandmothers and aunties who seem to think it’s the perfect gift.

Until now, due to other commitments, I’ve only been able to do a few school visits. The book took a while to produce, particularly the early sketches, because we all saw the potential of the book and wanted to work hard to make sure we did it justice. Unfortunately, when the book was finally released, I had to head overseas for a family illness and, by the time I returned, it was too late to schedule a launch before the Christmas holidays. I have always had my heart set on a launch at the National Library of Australia but there was no availability for several months, hence the 6 May launch date, somewhat ironically during the Canberra International Music Festival.

I’ve sold quite a few books at local markets. And two local businesses have purchased large quantities to include in gift hampers for their clients, so there’s been a nice follow-on effect from that. The book is available for sale online, but I haven’t done a lot of publicity to drive traffic to my websites. I’m a late starter to social media – I think I was Amish in another life – so I need to learn how to use those tools effectively to spread the word.

Last year you were named the winner of the CBCA Aspiring Writers Mentorship Program. Congratulations! What was your process in applying for this and how has the win affected your writing life?

​I’ve been working on my young adult novel, Freefalling, on and off for about four to five years. On the strength of an early draft, I was selected for HARDCOPY, the inaugural (fiction) professional development program run by the ACT Writers’ Centre. The next year I was shortlisted for a Varuna Publisher Introduction Program, then in late 2016 I was named Runner Up for the NSW Writers’ Centre Varuna Fellowship (both for Freefalling). I was pleased with the attention the manuscript was receiving, but slightly frustrated that I hadn’t found an agent or publisher. I did get quite a few ‘nice’ rejection letters. One agent told me she loved the story 95%, but in today’s harsh commercial climate she really had to love it 100%. Virtually all last year, I went on a hunt for the missing 5% and one day, the answer came to me so clearly that I was amazed I hadn’t stumbled upon it sooner.

I was in the process of reworking the manuscript when applications opened for the CBCA Aspiring Writers Mentorship Program so I submitted my current version, which has subsequently undergone further revision. I was thrilled to be named the winner of the AWMP 2017. The award told me I was on the right track, and that message couldn’t have come at a better time. The mentorship involves spending time with HarperCollins staff (in editing, marketing and publishing). I’m currently talking to the publisher about how my mentorship will work, and I’m pleased that there is interest in customising an approach based on what my manuscript needs at this point in time. It’s too early to know the precise mentorship details, or the outcome, but I have no doubt that the process will be worthwhile, and that my manuscript will be much stronger as a result.

Looks promising! Congratulations again, and look forward to all the exciting news coming from your end!

To follow the blog tour and go in the draw to win a hard copy of The Trouble in Tune Town please visit here.

#ByAustralianBuyAustralian

Keep Calm and Embrace Challenges – Picture Book Reviews

For young children, and their parents, keeping calm is an important skill, particularly in noisy, excitable and sometimes stressful situations. Learning new exercises, growing independence and changes in family dynamics are some examples of times where patience and acceptance are absolutely essential. Here are a few picture books that demonstrate the skill in embracing challenges and remaining positive. And this goes for bubs and their mums! These books also highlight the important roles of our engaged, busy, guiding, and patient (!) mums and other special persons. Lovely books to share on Mother’s Day, and everyday to master those routines!

It doesn’t get more relaxing than a yoga session for little bodies and little friends! Yoga Babies by UK’s TV and radio presenter, Fearne Cotton, is a delectably pacifying experience that encourages strong and healthy minds and bodies for all ages. Sheena Dempsey perfectly demonstrates the art of movement, position and vitality when it comes to the illustrations. And the combination of words and pictures beautifully promotes audience participation with their variety of active role modelling guides.

We meet many yoga babies and their diverse families throughout this romping, rhythmic, straightforward text that connect to one another with a series of poses. Each spread is different with a culmination of family-friendly settings and pets, which help to demonstrate the given skill. For example, a dog accompanies Rex as he makes the ‘downward dog’, two mice appear with Tom and Sam’s dormouse pose, and Emily stands tall and straight like a tree in her garden. By having adults feature alongside the babies, the book encourages their initiation for a fun, calming family activity, as written in the forward message.

Colourful, cheeky and soothing, Yoga Babies is a refreshing and engaging delight of a book that children from age two will be pro-’posing’ become an habitual routine.

New Frontier Publishing, February 2018.

“In a little pink house on the edge of the town lived a baby who made some unusual sounds.” This is the opening line of Alison Lester’s rollicking, bumptious story, The Very Noisy Baby. A cacophony of sound effects proceed in this lively narrative with a tiny bub and her enormous voice box!

Coco the zoo keeper is looking for her escaped tiger, and when she hears a GROWL! coming from the little pink house she assumes it’s there. “No”, says the mother. “We just have a very noisy baby.” A hilarious string of animal onomatopoeia follows as more people search for their missing pets, only to discover it is in fact the very noisy baby. The layout of illustrations is perfect with vignettes of the house and the scouting people (Alison, as Frances the farmer, and her dog Bigsy, appear in there, too!) on one side, and a dedicated page to the small baby on the next. Lester then showcases her much-adored watercolour and line artwork as full spreads when all the people come together to find the lost creatures. And there they appear, just as our little noisy baby calls them out one by one.

Brimming with lyrical repetition, animal sounds, active encouragement and plenty of jovial humour, little ones from age two will be giggling throughout and getting carried away with the surprises jumping out at them. The Very Noisy Baby is the perfect read aloud that also reinforces the themes of working together, animals and families in the most eye-pleasing, positive and captivating way.

Affirm Press, November 2017.

Wittingly taken from the popular song / game, ‘Skip to My Lou’, this title is just as naughty and delightfully fun. Skip to the Loo! A Potty Book is a whimsical play on words that rhyme and a learning skill that all toddlers achieve, all in a lively game to the potty. With bouncy text by Sally Lloyd-Jones, and the iconic style of illustrations by Guess How Much I Love You’s Anita Jeram, this little board book couldn’t get much cuter.

A group of forest friends are attending a party, with Bunny in the lead to find his potty. A subsequent line-up of animal attendees join in, each one with a personable character of its own. We’ve got a lonely dodo, a smiling frog on tiptoe, a ballerina elephant, Lord and Lady Huff-Puff, a naughty big fat monster, plus more. Each line ends in a rhyme to ‘loo’, with some gorgeously inventive terms like ‘Wibbly Woo’ and ‘stinkaroo’ to add to the leisure. Their destination expels a highly amusing tone with everyone on their assortment of different shaped and sized potties (’POO! POO! POO!’), and there’s even another little encouraging surprise on the last page.

Skip to the Loo! is the ideal book for toddlers to hold, sit with and read whilst gracing the little throne in comfort and calmness, reassurance and joy. A life-saver for weary mums!

Walker Books UK, Feb 2018.

Monster Baby by Sarah Dyer captures a little piece of a young child’s thoughts and feelings when a new baby enters his or her world. All the trepidation, jealousy and sometimes disappointments that can exist when focused attention and family dynamics change. This young, orange, horned monster has plenty of questions running through his mind as he narrates the story in first person. Dyer cleverly weaves in a child’s perspective as her character attempts to grasp the concepts of Mum’s growing belly, why she rests so much, eats too healthy but doesn’t get any thinner, and can’t pick him up anymore. But there are positive aspects, too, like seeing the baby on the ultrasound and the excited anticipation of its arrival. The confusion continues when monster baby is born, like why the boy needs to be quiet when the newborn can make a lot of noise. Eventually, he adapts and grows to love his baby brother, as most older siblings do.

Dyer’s characters, whilst monsters, are nothing but gentle and friendly creatures, illustrated with uncomplicated line drawings and added textural and collage media for warmth and familiarity.

Highly relatable and witty, Monster Baby is perfect for preschoolers as an encouraging book on being open with their questions and feelings yet seeing the positive side to adapting to change. Perfect also for mums expecting bub number two!

Otter-Barry Books, April 2017.

Happy Mother’s Day!

YA Urban Fantasy: The Sentinels of Eden with Carolyn Denman

Carolyn Denman was a horse-loving child who grew up in the eastern suburbs of Melbourne, inventing all sorts of fantasy worlds in her mind. She completed a Bachelor of Science and worked in finance before realising her love of writing, which very soon became an addiction. 

Carolyn’s debut The Sentinels of Eden speculative fiction series grounds a refreshing blend of Australian and Aboriginal heart with biblical roots in a thrilling and transcendent fantasy allegory, with elements of real life compromise and sacrifice. In Book One: Songlines, the journey to Eden is marked with the discovery of secrets and supernatural powers that begin a changing fate for a cast of complex characters; navigating the prosperity and protection of two sacred, opposing worlds. Denman explores the symbolism of Eden and the realities of adolescence, identity and lust through her fictional fantasy in a sensitive, tasteful way. These engaging page-turners and nail-biter endings will leave their young adult readers wanting more.

Carolyn has generously answered some questions about the series for Boomerang Books readers. 😊

How did you come to be a writer?

Where most writers say that they’ve been writing since the day they could hold a pen, that’s not my story. I wrote one awesome short story in Year 7 that my teacher hated and that was the end of that, at least until that day a few years ago when I told my daughter I’d help her write a story. She got bored after the first couple of chapters. I got addicted. Seriously, I started pulling books from my shelf to remind me when you were supposed to do things like start the next line when writing dialogue. I’ve always been an avid reader, but never taken much notice of technique. Thank God I have some really gentle beta-readers. Some of them are even teachers, which is handy, and they’re nice teachers.

What is the significance of your series’ title; The Sentinels of Eden?

As you’ll see from the third book, the series isn’t just about Lainie. It’s about the long history of the Cherubim who have made sacrifices for Eden. This series is about the ones who stand guard over the land. Who hold it sacred and are born to serve it. Yeah, there’s a metaphor there, but I have no right to tell those stories. I can only try to honour them with my little allegory. That’s what makes the series title significant.

The star of Songlines (Book 1) and Sanguine (Book 2) is young teenager, Lainie. What can you tell us about her? How have you developed her intriguing personality and her special secrets?

Lainie has become a great friend, and I’ve really enjoyed seeing the world through her eyes. She’s really made me explore what it would be like to live in a world with no tears. Sure, paradise sounds great, but what would it really mean for someone who has grown up in our world? Throughout the course of the series, Lainie has grown up and yet in some ways has also become more child-like. The duality of her journey has been a wild ride, and one that everyone should think through. Growing up shouldn’t mean becoming boring. There should always be room for whimsy, and I wish I could be more like her.

All of the Sentinels books in the series deal with navigating adolescence and identity, loss, truth and protecting the environment. What other themes / issues underpin these books?

I feel that there is an underlying exploration of the nature of free will in each story. Some people don’t believe in the concept at all, which is fine, but whether we are the sum of our free choices or the inevitable product of our previous choices, we must still grapple with decisions. Especially when we’re faced with completely unexpected situations. If you want to delve even deeper, I could discuss the concept of shame. That ‘unsolvable problem’ that goes beyond guilt and underpins so many mental health issues (although I’m certainly not implying there’s a simplistic cause for any of those). There is no room for shame in Eden. In fact, it’s the one corruption that the Tree of Life can’t simply heal, which is why ‘tainted’ humans aren’t allowed in. Shame is a complex issue, and I’ve only brushed across the surface of it as a theme, really.

How do each of the covers reveal a snippet of the magic inside the books?

Each of the covers has an image which symbolises an important concept in that story. The Tree of Life, the eagle, the shell – all these hold meaning to the main characters and represent their journeys. The illustrator also gave the covers an opalescent feel. Opals are the perfect mix of earth and hidden fantasy, don’t you think?

You’ve written a short prequel to Songlines, called Barramundi Triangle (read more here). Can you tell us a bit about that?

Barramundi emerged from a throw-away line near the start of Songlines. Lainie mentioned that she’d always been a little bit afraid of the police sergeant, ever since ‘that incident with Noah and the ride-on mower’. I couldn’t help it. I had to find out what insane situation Noah had got them both into that involved a mower and the police.
Also, as a debut author I felt it wasn’t fair to expect people to take a risk on buying my book if they hadn’t read anything I’d written, so I wrote something for them to nibble on first.

Thanks, Carolyn!

To see more from Carolyn Denman and to celebrate her third and most recent book in The Sentinels of Eden series, Sympath, you can join her blog tour here.

Odyssey Books, 2016 – 2018.

#ByAustralianBuyAustralian

Hippity Hop – Picture Books for Easter

No, you won’t find cute, fluffy chicks or even prettily decorated eggs in these books, but you will find rabbits and some very funny antics! Rather than teaching Easter traditions, we’re going for more of an entertainment-inspired approach to play with your kids over the break. From a pencil playing hide-and-seek to a can-you-guess game of heads and tails, and a hilarious round of Chinese Whispers / Secret Message, these picture books will keep your little ones guessing til the very end.

If you want to see a bunny ‘crack it’ at Easter time then look no further than Rodney Loses It! With Michael Gerard Bauer’s rhyming narrative that enthrals, enlightens and ensnares the emotions, plus Chrissie Krebs’ boisterous cartoons, it’s no wonder this book has made the 2018 CBCA Book of the Year Shortlist for its winning qualities.

A lesson in how NOT to panic, how NOT to dramatically overreact, and certainly how NOT to lose your cool when you’ve lost something precious. This book is a prime example for children around the 4 to 6 year old mark that tantrums, tears and thumping of feet don’t always solve the problem. Rodney and his exacerbated exasperation doesn’t fail to excite and the longer he searches for his beloved pencil the more it makes us laugh. Especially because we know where it is all along!

Colourfully entertaining, full of action, frustration and utter delight, Rodney Loses It! will have its readers begging to relive this bunny’s meltdown time and time again.

Scholastic Australia, September 2017.

Starting off the hunt is the furry-eared, fluffy-tailed rabbit, on a mission to uncover the truth behind its missing other half on the following page. Heads and Tails by John Canty is a beautifully illustrated, interactive game of prior knowledge, prediction and classification that will have its young readers engaged from head to tail!

Each page delivers three colour-coded clues about a certain creature’s characteristics, accompanied by a watercoloured painting of its behind. “I have long furry ears and a small nose. I live in a burrow in the ground. I have a white fluffy tail. I am a…” Then cleverly, upon turning the page, the answer is revealed in bold black text with a more detailed, textured watercolour and black print image showing the front part of its body. Featuring a menagerie of animals, including a tiger, fish, rhinoceros, turtle, crocodile, plus more, the book continues with its repetitive, clues-and-answer format. Not to say there isn’t a little trick or two in there to keep readers on their sharp-witted toes!

Educationally fun, lively to read aloud and play, with a variety of vocabulary and animals to learn, young children will adore Heads and Tails for its spunkiness and rhythm.

Berbay Publishing, May 2017.

Everyone knows that the game Chinese Whispers or Secret Message (Broken Telephone?) usually ends up in a linguistic mess! And this one involves a highly important message about what to bring to a friend’s surprise birthday party. In What the Fluffy Bunny said to the Growly Bear, what DID the fluffy bunny actually say to the growly bear? P. Crumble and Chris Saunders send us along this whacky line of mixed-up messages that keeps us gasping for breath, and squirming with unease at the confusing, amusing calamity that unfolds.

Immediately we are drawn in with Fluffy Bunny’s valiant call for Growly Bear’s attention, and the digitally masterful prominence of the illustrations. But as soon as the characters speak the tone becomes light, and the pictures, airy and sweet, sealing the story’s playful mood and innocence. The bunny’s original instructions were to wear a hat and bring a cake for Zebra’s party. As each animal passes this on, the message becomes more and more woolly with other similar sounding words for ‘hat’ and ‘cake’, such as ‘cat’ and ‘steak’, ‘mat’ and ‘plate’, ‘acrobat’ and ‘snake’, and so on. And when the animals finally come together to deliver their surprise to Zebra, he is not the only one who is surprised…and totally confused!

The illustrations stand out with big, burly characters, just like Growly Bear, accenting a gorgeous backing softness, just like Fluffy Bunny. What the Fluffy Bunny said to the Growly Bear is a gigglicious combination of fun, rhyme, language, short-term memory awareness… and chaos, that will be ‘well-received’ by preschool-aged children these holidays.

Koala Books, Scholastic, March 2018.

Everyone Belongs – Harmony Day Picture Books

Today, Harmony Day, is a day of celebration, marking the significance of community inclusion, diversity, respect and belonging. As my kids went off to school in their orange attire and stocked with their cultural lunch, they are amongst the nation representing a position of peace, togetherness and harmony. To follow on this auspicious day, we will be reading some inspiring and poignant books, a few of which are listed here.

This hauntingly stunning picture book by Margaret Wild, with stirring illustrations by Freya Blackwood, will have readers gasping with bated breath at its tainted beauty. The Feather, a symbol of redemption and hope, floats with its message of how one object can be so powerful in bringing people together, and also how quickly that faith can be lost. But with that inner light and love, it can not only be restored but also prospered.

Wild’s poetic, visual narrative is as soft, light and silky as the regal feather it represents, conjuring deep reflection and emotion within its harrowingly dark, war-torn setting. Blackwood beautifully does the same with her expert use of light and shade, highlighting the glimmers of hope amongst the grey and ghostly village. And with the strength of two inspiring children as the central characters to help signify the sense of safety, warmth and optimism with the clean feather, overcoming its muddied, spoiled shadow of life, is a brilliant concept that this superb pairing have perfected.

The Feather is a striking reminder of the importance of community and living together in harmony to reach a common goal of peace, happiness and a fighting spirit. Meaningful, majestic and masterful for primary aged children.

Little Hare Books, February 2018.

In association with Amnesty International UK, and a special foreword note by Yoko Ono Lennon, this heart rending rendition of John Lennon’s 1971 hit song, Imagine, feels poignant and powerful, empowering and inspirational. It is a beautiful book to share with every generation every day, and particularly on a day like today’s Harmony Day.

The pigeon, or dove (symbol of peace) in the book takes its readers / listeners on a journey over the waters and across the world, welcoming a colourful and varied array of birds to join him. The lyrics relay the message of living in peace without restrictions of borders, predujices against religions and cultures, or material things. Hence the wording, “Imagine there’s no countries. It isn’t hard to do. Nothing to kill or die for, and no religion too. Imagine all the people living life in peace.”

Jean Jullien is a perfectly suited illustrator for this book with his bold black line and brightly coloured drawings; simple, charismatic and impactful. His images are joyous and energetic and heartwarmingly represent how “the world will live as one.”

Our younger generation of preschool and primary school children will hopefully carry forth this valuable mission of human rights; of equality, safety, belonging and love, in helping to Imagine and ‘make the world a better place.’

Frances Lincoln Children’s Books, September 2017.

Hello!, illustrated by Tony Flowers, is a playful and exotic blend of cultures following twelve children from different backgrounds. We meet kids from Indigenous and Torres Strait Islander communities, to Asian and European heritage. Each section introduces a child and describes some special qualities and traditions like cuisine, clothing, language, recreation and holidays. The book is complete with guides on pronunciation of terms from each language and photographs adopted from various resources.

Flowers casts a wonderful representation of diversity and energy with his detailed pencil and watercolour illustrations.

Hello! is a terrific resource to have in every early childhood and primary school setting. This book certainly acknowledges, represents and celebrates our wide mix of multiculturalism in our country to encourage the value that ‘everyone belongs’.

NLA, April 2016.

Happy Harmony Day!

Colour, Counting and Fun with Lucy Cousins

Legendary author – illustrator Lucy Cousins of the Maisy fame and the effervescent Hooray for… (Fish / Birds) series returns with some gloriously colourful newbies for little ones. Best known for her captivating learning books and ingenious simplicity over a range of age-appropriate topics for toddlers, these current titles are suitably superb. And here they are…

Splish, Splash, Ducky!, with its medley of bold, vibrant colours, intoxicating rhyme and adorably animated characters is like a toddler’s favourite play time come true in a picture book. The main character, Ducky Duckling, is the ultimate depiction of a curious, enthusiastic, and adventurous youngster up for anything that involves splashing in water, schmoozing with slimy critters and some playful activities. The book contains a scrumptious blend of small creatures one might find in the garden or around the pond on a rainy day, and the way Ducky interacts with them is just infectious. Cousins cleverly integrates the repetitive phrase, ‘Quack, quack, quack’ along with some onomatopoeia to add to the characters’ pure delight in their little games. And of course, no book for young children is complete without a bonding experience between parent and child as daddy duck provides the duckling with a sense of security, comfort, fun and love.
Two to five year olds will adore this playful story and happy-go-lucky Ducky, knowing after a busy adventure with friends there is always a soft spot awaiting them at the end of the day.

We’ve seen Lucy Cousins’ gorgeous counting books with Maisy and friends. In this ‘A Little Fish Book’ series, Count with Little Fish is yet another kinesthetically mesmerising board book for little hands. Exploring numbers from one through to ten, a progressive counting pattern of fish find their way swimming into our hearts and minds. Being able to touch and feel the embossed, decorated shiny numerals and their associated fish on the opposite page provides the young audience with a highly interactive mathematical reading experience. The language facet is also fetchingly engaging with its exuberant rhyme. “Three counting fish…one, two, three! Four flying fish, flapping wild and free.” “Seven scary fish, with sharp teeth to feed. Eight shy fish hiding in seaweed.” Cousins keeps the colour palette appropriately eye-catching with blue and green backgrounds to offset the vibrant, and often contrasting, cartoon fish.
Brilliant fun and learning, perfect as a first book for babies and as a repeat read for toddlers.

Where is Little Fish? is another new title in the ‘A Little Fish Book’ series. This time, it’s a game of seek and find with a lift-the-flap component. Little Fish, as featured in sparkling gold on the front cover, engages his friends, and us, to find him in amongst the underwater nursery of coral, shells and even a treasure chest. With the continual questioning, ‘Is Little Fish in the…’, or ‘Is Little Fish behind the…’, readers are encouraged to make predictions and experience trial and error as they open the flap to discover the actual identities. Naturally, it is only on the final page where we succeed, but not without a little surprise to enlighten all the senses. Friendly fishy faces grace the vivid pages set in simple primary-based colours and patterned accents to create the maximum impact. This perfectly sturdy and compact book makes for a terrific accompaniment to the other Lucy Cousins board books for children up to age three.

Walker Books UK, March 2018.

Cheers for Women on International Women’s Day – Picture Book Reviews

International Women’s Day is celebrated annually on March 8th to commemorate the women’s right movement. Surrounded by much controversy over the years, global marches still signify and stand for a shift in gender equality and mistreatment. So, with a strengthening power in facilitating strong girls and women, and equally credible boys and men, let’s celebrate this significant day with a couple of influential and empowering picture books for children in the early years.

Inspired by one of the largest political demonstrations in history, the Women’s March in January 2017, The Pink Hat by Andrew Joyner is a jubilant celebration of women’s rights in a subtle and playful tone. This is not a book that shoves political issues at children, but rather a quiet sentiment of coming together as a community with a sound common ground and purpose. The entirety of the book culminates with the focus on the pink hat, the symbolic object uniting the town – the women, the children, the mixture of cultures and races, and ages, and even some men. All of Joyner’s superlative illustrations present in shaded black and white line drawings, except for the pop of the fuchsia pink beanie and some pink rosy cheeks.

The hat begins with a grandma, a beautiful representation of a dignified, and very tech-savvy, woman who loves to knit. The cosy knit is then transported on its progressive journey as it is passed from the paws of her playful cat, to a ‘hard-to-reach’ place, acts as a comforter for a baby to the snatching jaws of a runaway dog, and into the hands of a young girl who enjoys its many uses. And one day the girl discovers that her beloved pink hat has begun a movement of its own, with a rally of pink hat-wearing people gesturing placards with “Women’s Rights are Human Rights”, “Girl Power”, “The Future is Feminist”, plus more.

The Pink Hat is a story that promotes awareness and discussion of the events of the social campaign, without being didactic or heavy-handed. It is rather an engaging and enlightening read that sparks the thought for cause and effect, in more ways than one.

Random House Australia, January 2018.

Now here’s a book that celebrates women! With over 70 inspirational women in history, it’s Three Cheers for Women! by Marcia Williams. This large face non-fiction title is jam-packed with fascinating information, vivacious cartoons and fun commentary by supporting characters. It is a terrific resource for the primary classroom or bookshelf at home, with so much to pore over and discover.

Beginning back in Ancient Egyptian times, the first female to feature is Cleopatra VII, Queen of Egypt c. 69 BC – 30 BC. In comic-style, illustrated text boxes and speech bubbles we learn about how Cleopatra came to rule at eighteen years old, to be overpowered by her younger brother and then regained the throne by raising a winning army until her death at age 39.

To follow in the same page formatting are fearless fighters like Boudicca; Warrior Queen of the Iceni, and Joan of Arc; the Teenage Warrior. As eras progress we meet queens such as Elizabeth 1, legendary authors like Jane Austen, pioneers in health including Florence Nightingale and Marie Curie. There are the Human Rights Activists, Eleanor Roosevelt (1884-1962), and Malala Yousafzai (1997- ) who became champions in helping underprivileged people and standing up for equal rights. Our own Cathy Freeman features, too, as Olympic hero for uniting a nation and fighting for the rights of Indigenous Australians.

The book concludes with pages identical to the classifieds section of the paper, listing more amazing women in leadership, sports, creative, pioneering and scientific roles. And a final note from the author leaves a task for the reader; many women had to be left out of the book, but who will you add to your list of inspirational women and girls?

Three Cheers for Women! is absolutely fascinating, written with a mixture of factual interest and candid anecdotes to keep readers engaged at their own pace. Never discounting the achievements or abilities of boys, this one really empowers girls with the power to do something world changing.

Walker Books U.K., November 2017.

Happy International Women’s Day!

School in Focus – Picture Book Reviews

We’re well and truly in to the school routine now, although some mornings seem to lack that ideal, perfect-world motivation and drive. But with these following picture books at the ready, your kids will be inspired to remember their purpose and excitement for the day ahead.

Time for School, Daddy is a gorgeously humorous role reversal-type situation, in the same as essence as the previous title by Dave Hackett, Time for Bed, Daddy. Most often than not it is in fact us parents struggling to get out of bed, greeted each morning with the bombardment of children eager to get the day started. And here, this is no different. The little girl wakes a dozy, grumbling Daddy so they can get ready for school. She gives him his favourite breakfast, which always ends in a mess. She washes and dresses him in his work clothes, not without a bit of chaos. She packs him a mighty fine lunch, a tad of grooming and then it’s time to walk out the door. But who’s going to school today?
Tonnes of energy emanate from both the text and the images, with an innocently grown-up voice from the girl’s perspective as she guides her father through the hectic routine. The bright and vibrant cartoon illustrations work beautifully in a simplistic, obvious focus on the actions, which are the perfect linchpin for the irony that makes this book so witty. Time for School, Daddy is adorable, motivating fun for children from age four.

University of Queensland Press, January 2018.

The school or public library may just be the best place to get inspired, excited and transported (figuratively) during a normally busy day. So for anyone who loves to read, a chance to dive into books would be plenty of motivation to leave the house in a hurry in the morning. But for one little girl, there is one book in particular that she can’t get enough of. Lucy’s Book, written by Natalie Jane Prior and illustrated by Cheryl Orsini, is one special story that follows one special story on many adventures as it is shared by Lucy to all her friends.
Lucy and her mum visit the library every Saturday. The enchanted red book, of which we speak, is recommended by Mrs Bruce and borrowed a multitude of times from the library. Lucy loves it so much, all her friends are dazzled by its charm and it makes its way into their hands too. The book is escorted on holidays to Honeycomb Bay and China, to the zoo, and even made into a banana sandwich. But what happens when the book is no longer available for borrowing? Do you believe in destiny?
Just like the premise of this story, the lively illustrations pronounce a real community feel; one of shared values, togetherness and spirit. With influences from real people (Mrs Bruce is a friend of the author and also the image of Megan the librarian at the local school), Lucy’s Book feels like a real-life fairytale where everyone gets to be involved in the swirl of magical bookishness and where fate is a reality. Dreamy for book lovers of any age.

Lothian Children’s Books, February 2017.

Ruby Lee is a highly enthusiastic student with a big imagination. But when it comes to being chosen as classroom helper, she’s not always the most efficient. Hark, it’s me, Ruby Lee! is a wild and animated tale of learning patience, working to your skillset and being yourself.
Award-winning author Lisa Shanahan, together with graphic illustrator Binny, provide a linguistic and visual treat with their eccentric blend of humour and design. Shanahan’s quirky names are just the beginning of the literary goodness, with dialogue that perks in all the right places, and a storyline that is so authentically realistic despite all the crazy and creative figments Ruby Lee imagines in her mind. And flawlessly, Binny’s fantastical, detailed illustrations with blocks of colour and line work add that extra depth and meaning to both Ruby Lee’s real and made-up worlds.
Preschool and early years children will adore being taken into Ruby Lee’s school life as messenger as she discovers not how to be like someone else, but where her own strengths lie. Hark, it’s me, Ruby Lee! plays out like a set of comical and whimsical scenes that will be requested to be delivered over and over again.

Lothian Children’s Books, July 2017.

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Birds in Flight – Picture Book Reviews

There’s something about birds in books that literally makes my heart sing, whether it be the pleasurable sense of freedom they so naturally possess, or their resourceful grit and determination, or their cheeky personalities that are just so loveable, or all of the above. Here I share some astounding picture books that soar with beguiling and triumphant goodness.

Bird to Bird, Claire Saxby (text), Wayne Harris (illus.), Black Dog Walker Books, March 2018.

The story of one bird, one seed, one tree.” We follow this enlightening path as a bird inadvertently helps to create a sapling with the drop of a seed, and that older, fallen tree thus serves many a use, finally being carved into the shape of a bird for a little boy to treasure forevermore.
A gorgeous collaboration between author and illustrator brings life to life in this tale of the journey of one tree. With an essence of Bob Graham’s perceptual and consequential nature, Claire Saxby writes her circular narrative with a similar gentle, poetic style and light repetition. Wayne Harris’ illustrations carry the story forward in a flawless sequence of artistic beauty, combining texture, movement, light and vivid colour with every page turn. Never feeling a dull moment, the story sets intrigue whilst subtly weaving important discussion themes around timber harvesting, usage and recycling, convicts, wool looms, and wood carving. It also acknowledges historical changes through time without ever losing focus on the tree and its transformations. Bird to Bird; a beautiful, thoughtful tale for primary-aged children, reflecting the value of nature, sustainability and art.

Bird Builds a Nest: A Science Storybook about Forces, Martin Jenkins (author), Richard Jones (illus.), Walker Books, March 2018.

Explaining science to preschoolers is not always easy, or fun. But here in Bird Builds a Nest, nonfiction expert Martin Jenkins (Fox in the Night and The Squirrels’ Busy Year) writes a fascinating and entertaining account of a bird experimenting with forces and the concept of pushing and pulling. The book is written with easy-to-follow dual narrative, one of Bird’s story building her nest, the other of smaller print, factual text describing each concept in simple terms.
Bird’s first mission as she awakes is to acquire her morning meal. By applying a force towards her, Bird attempts to ‘pull’ a big, strong worm from its tunnel. Her hunt for twigs is not always straightforward; she hasn’t got enough force to ‘lift’ the weight of the larger sticks. With trial and error, fetching and carrying, pushing and pulling, Bird manages to find suitable materials to successfully build her nest.
The illustrations by Richard Jones are both playful and artful with their mixed-media and mixed-technique sharp, contemporary style and modern colours. Bird Builds a Nest is a witty, clever and sweet approach to the science in nature and the everyday forces used all around us. This one will ‘pull’ little ones in, for sure!

Gary, Leila Rudge (author, illus.), Walker Books, PB, November 2017.

Originally published in 2016, Gary by Leila Rudge returns with his own paperback edition. This story, awarded Honour Book in The Children’s Book Council of the Year Awards 2017, never gets tired, no matter how many outings or roads it travels. We still love this tale of a passionate racing pigeon (with a difference) driving this adventure story home with his boundless grit and determination.
Recounts from the other pigeons’ expeditions, and his scrapbook collection of mementos, give Gary a sense of place in the world despite only knowing his own backyard. Then one day he mistakingly falls into a travel basket and is taken a long way from home. But how could Gary feel lost when he had already studied the city from back to front? How will he find his way back to the loft? Gary’s adventure concludes with a little ingenuity and a whole lot of inspiration.
Rudge’s sensitive and dynamic narrative beautifully marries with her character’s accepting yet curious personality. Her illustrations are equally as charismatic and layered with their warming tones, mixed collage and pencil drawings of maps, souvenirs and adorable racing pigeon outfits!
Gary is a sweet, charming story of passion and opportunity, challenging one’s own abilities and never giving up on one’s dreams. Children from age four will be dreaming to accompany Gary on his adventures time and time again.

Just a Little Bit of Love – Picture Book Reviews

There are a few ‘love-ly’ events about to reward us with their heartwarming presence, including Valentine’s Day, Library Lovers’ Day and International Book Giving Day. Yep, they all fall on the same day: February 14. So what better way to help your children fall, or continue to fall in love with books than to share one, buy one, borrow one or give one away. Here are a few with the themes of friendship, hope, compassion, and of course, love to make your hearts sing with an abundance of warmth and affection.

The Poesy Ring, Bob Graham (author, illus.), Walker Books, November 2017.

The perfect book to share this Valentine’s Day; a beautiful story of love, hope and the power of destiny. Graham’s poetic text alluringly ties in with his moving line and watercolour illustrations that sweep and navigate in succession across the pages. And aptly so. This is a story of the boundless journey of a symbol of love – a golden ring, inscribed with “Love never dies”, beginning its adventure with heartbreak in Ireland, 1830, and reaching its timely fate as a cherished jewel in New York City, 1967. Bound in a meadow for many a season, accompanied by many a creature and unknowing passers-by, the ring then finds its path to the bottom of the sea, only to be eventually discovered once more to where it meets its ultimate destiny. Graham’s touching account grips the heart and mind with his ponderings of one of life’s magical mysteries. The Poesy Ring is sure to win the affections of primary-aged children and rekindle fond memories for any adult who has ever been in love.

Ash Dresses Her Friends, Fu Wenzheng (author, illus.), New Frontier Publishing, February 2018.

Here is a gorgeous story of making connections; where loneliness is turned into fulfilling bonds. Author / illustrator Fu Wenzheng’s text explores the relationship between internal feelings and outwardly behaviour, with a character that reveals a change from sadness / being quiet to contentment / sharing with others. Wenzheng also showcases her talents with her multicultural and textural print and watercolour illustrations that emanate a beautiful Chinese flavour of pattern and dual-tone red and grey. The book’s theme is around sharing and helping others through generous and creative gestures. This is demonstrated by Ash, a shy, azure-winged magpie who discovers her immense satisfaction in tailoring clothes and other textiles for her new animal friends with her patterned material. And the love she receives in return is even more rewarding. Ash Dresses her Friends is a physically small book wrapped with big-hearted and indulgent goodness that will help young ones to open themselves up to loving friendships.

Fox & Moonbeam, Aleesah Darlison (author), Narelda Joy (illus.), Wombat Books, September 2017.

This sumptuously detailed picture book with its lush, digitally mastered illustrations and richly emotive text shows nothing less than a grand sense of faith and courage. Gerard Fox serves as a clock winder in the Queen’s palace. This unfulfilling job is only endured, for the moments he has time away he breathes in life through his violin-playing occasions in the park. Mademoiselle Moonbeam Lapin, famous ballerina, lives the high life of travel, glamour and lights, yet her heart is empty. The pair, upon meeting, lead us to a satisfying ending showing them both shining from the inside out. Darlison‘s narrative is thoughtful and provocative, luminously balancing with Narelda Joy’s intricate, layered collage in a traditional Victorian England setting. Fox & Moonbeam contains a wonderfully perceptive concept of entrusting in a friendship, but particularly in the self-belief and courage to be able to follow your passions and achieve your potential. Encourage your primary-aged children that it’s their ‘time to shine’!

What’s Your Favourite Colour?, Eric Carle and Friends (authors, illus.), Walker Books UK, February 2018.

What a brilliant explosion of diversity, flamboyance, life and love in this colourful book of art! If ever there was a time to appreciate all the colours of the rainbow, to accept and embrace our different preferences and what makes us happy, it’s right now. Eric Carle invites all his friends to choose, illustrate and describe their favourite colour in this glorious collection of artwork, poetry, and poignant little stories. Carle explains his love of ‘yellow’ for its challenge when mixing colours, but also for the yellow sun. The shades roll on, with Bryan Collier’s ‘blue’ awakenings opposite a collage of his little girl amidst blue balloons. Mike Curato paints a substantial picture of his favourite colour ‘mint’. ‘Purple’ reminds Anna Dewdney of her love of her old purple polyester trouser suit, and peacocks in her garden! In total, fifteen award-winning author/illustrators grace the pages with their marvellous textural, dramatic, effervescent and nostalgic pieces. One of our very own, Marc Martin vividly pops with his flock of magnificent watercolour crimson rosellas – his favourite colour is ‘crimson red’. A childhood photo and short biography of these diverse contributors complete this celebration of individuality coming together to form a colourful rainbow. What’s Your Favourite Colour? is beautiful, inspiring and mesmerising for any age.

 

A Taste of Australia – Picture Book Reviews

Summer holidays in Australia is a time to explore, discover and engage in the recreation of all the wonderful features, landscapes, flora and fauna that this country has to offer. And with Australia Day just around the corner, it is also a time to reflect on the past and show appreciation and respect for the way our nation has been shaped. The following picture books include an ode to the sacred sites and traditions of the Indigenous people, as well as some humorous and unique nuances.

Beginning with the multi award-winning title that has the nation on its feet, A is for Australia (a factastic tour) by Frané Lessac is literally a national treasure, with this current edition printed in a beautiful paperback format.
Explore this geographical wealth of gems from A to Z as you travel and learn exciting facts about sights, people and animals around Australia. Each page gloriously illustrated in vibrant, scene-appropriate colours and a perfectly naive style that makes this pictorial encyclopaedia so accessible to all its readers. The text is congruously dispersed and proportioned around the spreads for easy readability.
Amazing and studiously researched facts that will entice international newcomers and excite local citizens to race towards a most pleasurable tour and cultural education of our fascinating land, Australia.

Walker Books, January 2018.

I love the ironically oblivious know-it-all in A Walk in the Bush; an interesting yet remarkably witty bushwalk through nature whilst appreciating the ones we love.
Gwyn Perkins writes this tale with an interactive dialogue spoken by Grandad to cat Iggy that so clearly imitates a typical grandparent (or parent) lovingly and knowingly sharing an experience with his little one. Her illustrations also expressively characterise these personalities and add plenty of humour with their facial expressions and body language and funny little surprises to look out for.
Who will spot the wildlife first? Can Grandad distinguish between the songs of magpies and kookaburras? What will he teach Iggy about trees, eucalyptus leaves and scribbly marks made by a caterpillar in the bark?
A Walk in the Bush is a fun, and funny, way to encourage togetherness and appreciate the enchanting facets of the Australian outdoors.

Affirm Press, July 2017.

Colour Me by Ezekiel Kwaymullina, illustrated by Moira Court, is a beautiful representation of the amazingly colourful world we live in and what makes us diversely human. Forging a love and respect for the differences in people, creatures and scenery around us is an important message emanating from this story.
Told in a playful manner readers can also be encouraged to imagine their own creatively colourful world by brainstorming what they would be if they were a particular colour. For example, “If I was orange I’d be as wild as the flickering fire. And I’d dash through the bush with daring dingos.” These lyrically whimsical phrases continue with each hue in the shape of a rainbow, illustrated with vibrant silkscreen prints from hand cut stencils.
Tolerance and diversity are at the heart of this tale, with a wonderful Aussie flavour including some of our unique fauna and landscapes. A beautiful read for preschool-aged children.

Fremantle Press, July 2017.

Here’s a gorgeous story of a little girl with a brimful of excuses as to why she can’t go to the park, and a Grandpa with a bucket load of creative problem solving solutions. Sally Morgan expresses The Perfect Thing in the most authentic and evocative language, whilst illustrator Ambelin Kwaymullina perfectly captures this lively spirit through her bold and dynamic varied layouts.
When the dog ate her sneakers, Grandpa finds the ‘perfect thing’ for Lily girl with his thongs that can act as whale flippers. When the cat shredded her raincoat, Grandpa suggests that Lily pretend to puff up a plastic bag like a balloon and float to the park. Finally at the park, Lily contributes her own innovative resourcefulness for a ‘perfect’ day out together.
Featuring Australian animals and characteristically artistic Indigenous traits, The Perfect Thing is a refreshing and wonderfully imaginative story for early childhood readers to share with their elders.

Scholastic Australia, July 2017.

This hilarious rhyming romp sets straight any misunderstandings about the official specification of our beloved national icon; the koala. Jackie French, legendary laureate behind the Diary of a Wombat series, together with talented illustrator Matt Shanks, present this clarifying tale of Koala Bare.
There’s no denying, this koala is unapologetically dead set against being called a bear. And he’s not afraid to express his view. He is not a picnic-loving teddy, nor a bamboo-eating panda, a fish-gnawing polar bear or a honey-sucking bear from a fairy tale. He certainly doesn’t wear clothes. He is BARE, and he is an individual, and that’s the way he likes it.
Koala Bare exposes the most energetically adorable watercolour illustrations and such a headstrong attitude. It is so loveable and persuasive that its young readers will be readily spreading the message to all of their friends.

Angus & Robertson, September 2017.

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Funny Holiday Reads for Kids

Whether relaxing at home, on the road or in the air, or sitting by the side of the pool at a fancy resort, your kids will need some great reads to keep them chilled and entertained all summer. Here are a few funny books from popular series for middle graders that will have them enthralled from start to end.

Logie-award-winning television series by Danny Katz and Mitch Vane, Little Lunch is the perfect school-based comedy to read when school is out. Triple the Laughs, fourth in the illustrated book series, contains three immersing stories that will have kids snorting and chortling all the way through.
In ‘The Ya-Ya’, Atticus learns to appreciate his grandmother’s cooking after a long episode of avoiding the small, brown, smelly things in his lunchbox that look and smell like something you scrape off the bottom of your shoe.
The Dress-Up Day’ is about Battie using the alias of superhero, Stretcho, to hide the fact that he is really scared of a lot of things, including moths, crabs, knees, and especially dogs.
The third episode involves Melanie being punished and unable to eat her piece of ultra-choco-happiness cake because Tamara has put ‘The Germblock’ on her following a visit to the toilets. But did Melanie really not wash her hands? Rory seems to know the answer!
Hilarious, authentically appropriate (and sometimes perfectly inappropriate) antics that readers from age seven will relate to or simply have a good old chuckle about, Little Lunch Triple the Laughs is a winner.

Walker Books, August 2017.

Number six in this comedic Timmy Failure series by Stephan Pastis is ‘The Cat Stole My Pants’. The injudicious boy detective is back with another mission to achieve Greatness, this time on an island in Key West, Florida, apparently NOT on holiday / honeymoon with his mum and new step-dad, Doorman Dave.
The graphic novel for tweens sets sail with a pair of missing (or stolen) pants whilst touring the house of famous author, Ernest Hemingway. It then takes us through a sea of laughter as Timmy’s scepticism and hypochondria are a consistent source of his ‘failures’. His social and relationship building skills are tested via interactions with Dave, and Dave’s nephew Emilio, which of course Timmy exploits, I mean, recruits as an ‘unpaid’ intern in his detective agency. Their mission is to solve the mystery of the mysterious note-dropper and a hidden treasure somewhere in the town, leading to a gloriously unexpected and emotionally imposing resolve. All the while, Timmy’s elusively illusive polar bear agent is apparently, according to Timmy, extorting money for a book report required for his summer school homework. But someone else more reliable is there to save Timmy from his unscholarly ways.
With its sarcastic and dry wit, quirkiness, unbelievable yet somewhat uncannily familiar circumstances, and comical illustrations, The Cat Stole My Pants delivers an unputdownable read packed with action, mystery and lessons in (perhaps how to not) handle new and estranged relationships. Set to steal the attention of children from age eight.

Walker Books UK, April 2017.

Laugh Your Head Off Again and Again! is the third in the super-charged, action-packed comedy series blessed with an unbelievably talented array of popular Australian authors. Featuring stories from the Treehouse’s Andy Griffiths, R.A. Spratt, John Marsden, Tony Wilson, Meredith Costain, Alex Ratt, Tristan Bancks, Deborah Abela and Alan Brough, plus fantastically funny sketches by Andrea Innocent.
Again, another ‘brilliantly coloured’ book; literally so eye-blindingly bright you can’t miss it on a bookshelf, but also contextually vibrant in nature to keep its readers totally entranced from neon-green chapter to neon-green chapter.
Nine stories cleverly unfold within the blood-orange cover containing a mix of the unexpected, frightening, enlightening and ridiculous. From a life-threatening shower ordeal, to three greedy pigs and a wolf pie, a psychotic childhood clown come back to life, a high-flying ‘Bum’, to an abandoned girl forging a life of cake and Royalty. Each one different, each with its own voice and level of intensity.
Recommended for middle graders, however make note, this edition is not for the faint-hearted! The authors have definitely turned it up a notch compared to the prequels in terms of ‘scare factor’ and complexity. Some truly nightmarishly frightening with others making you question who you can trust. But all in all, Laugh Your Head Off Again and Again! is a ludicrously entertaining collection of stories to thrill every sense of humour.

Pan Macmillan Australia, October 2017.

Now here’s a raucously Roman romp of colossal proportions! Julius Zebra: Bundle with the Britons! by Gary Northfield is the second hysterically historical book in the series, brilliantly mixing fictional absurdity with non-fictional goodness. It is charged with a chariot-load of droll, and senseless, humour, and insanely wacky black and white illustrations neatly slotting into the storyline throughout. There is also the inclusion of authentically pertinent details of the ancient era with its Roman numeral numbered pages and facts on what the Romans brought to Britain at the closing.
This is the story of The People’s Champion, gladiator Julius Zebra, and his animal cronies on a mission for granted freedom. Emperor Hadrian, the villain in this tale, has promised this outcome on the grounds that Julius defeats the Britons, to win governance of the Roman Empire. Led by Septimus, the boss of the gladiator school, the animals are taken unwillingly to the far-off land of Britannia for a final shot at victory, only to realise their perpetuated slavery will remain unless they stand up for themselves. This does not come without a series of daft and imprudently courageous attempts to outsmart Septimus, their opponents and the Emperor.
Teamwork, friendship and loyalty are at the heart of this fast-paced scramble to freedom. Bundle with the Britons is zany, zesty and zebra-tastic, seizing its middle grade audience with every rip-roaring joke and clanging bangs of energy.

Walker Books UK, May 2017.

Nostalgic about Aussie Summer – Picture Book Reviews

There’s nothing like an Aussie Christmas than the fresh scent of Summer mixed with a fragrance of fond memories and the savour of new ones. That’s how the following picture books will entice their readers, both young and old – with peace, unity and joy as we pleasure in the warmth of the festive and summery holiday season in Australia.

Corinne Fenton and Robin Cowcher return with another stunning ‘Little Dog’ story. From the iconic Melbourne in the previous, magical Christmas tale, Little Dog and the Summer Holiday takes Jonathan, Annie and their precious Westie, with caravan in tow, on holiday to the idyllic sites of Sydney. Immediately, Fenton paints a gloriously detailed adventure full of evocative language that is sure to bring about that nostalgic cue of wonderful family trips of yesteryear. Passing legendary landmarks such as the Dog on the Tuckerbox and Sydney Harbour Bridge, paddling at Bondi Beach and rattling “down the mountainside on the steepest scenic railway in the world” all make for an exciting, memorable holiday with family, friends, and of course, beloved pets.

Cowcher’s whimsical illustrations add a pleasurable sense of romanticism that capture the beauty and evocation of holidays like this. Parents and children will equally delight in Little Dog and the Summer Holiday, either reminding of the good old days, or enthusing a predilection for future family vacations. A beautiful book.

Black Dog Books, Walker Books, November 2017.

Summer – peaceful, tranquil, cheerful and contentment. Words that describe that special feeling of rest, fun and togetherness during the sunny season. And words that describe the special feeling emanating from this book by June Factor and sublime creator Alison Lester. Thirty years in print and Summer still feels as good as a homemade steamin’ puddin’ on a balmy Christmas Day.

Factor’s simple, silky and smooth Aussie voice shines through with robust rhyming character as we are swept up in a temperamental mix of family antics, Summer nuances and changing weather during the hot festive season. Lester’s legendary scenic art and winsome characters keep us occupied throughout with all the glorious combinations of farmyard outlooks and high-spirited busyness, respectively. From flies a gatherin’ to early morning rises, kin gatherin’ and present opening, pork a cracklin’ and raising glasses, clouds gatherin’ and making a bolt for cover, and finally napping and playing ‘til the stars are gatherin’ in the night sky.

Summer is a book of leisure, affection and ambience that will remain a classic to treasure and indulge in all the year round.

Viking Penguin Random House, November 2016. First edition 1987.

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Kids Will be Rapt to Find Even More Wrapped this Christmas – Part 3

Baubles and bunting, twinkling lights, wrapping of presents and fresh pudding delights… no doubt your homes are tingling and shimmering with the scent of Christmas looming in the air. With bursting wish lists at the ready, don’t forget to add some more bookish treats under your Christmas tree. Following the joyous suggestions for kids in part 1 and part 2, here are a few more gorgeous picture books to share and spread the holiday cheer.

Marvin and Marigold: A Christmas Surprise is a friendly, thoughtful and evocative story about sharing the joy of Christmas with loved ones. Mark Carthew’s rhyming verses flow smoothly like warm egg nog over a Christmas pudding. His tale emits strong feelings of tenderness overcoming loneliness, as well as sentimental memories and bonds between family and friends. Simon Prescott’s gentle illustrations provide a sense of generosity, cosyness and pure magic that beautifully match that festive warmth.

Marvin is devastated at the thought of spending Christmas alone with no tree or presents to give. However, best friend Marigold Mouse has just received a gift, this first day in December, and she is insistent that her mate spend the coming days helping her to prepare it for the season. What follows is a gorgeous celebration of fond memories, creating new ones and sharing the Christmas, ‘decorative’ spirit with a friend. There’s plenty to treasure in A Christmas Surprise for young and old. See Dimity’s review in her Cracker List.

New Frontier Publishing, November 2017.

Adorned with sparkling red embellishments on the cover, this book is wrapped in beauty and glamour to mark the beginning of the festive season. Pick a Pine Tree is an exquisite tale of the frivolity and togetherness one tree can bring as it transforms into a marvellous creation of lights, ornaments and a central piece of love.

The rollicking rhythm by Patricia Toht, supported by the cartoonesque, mixed media illustrations by Jarvis both emanate joy, innocence, sparkle and awe. The pine tree’s journey from the lot, to being sturdily assembled and then abundantly decorated with friends is a delightfully instructive process that ends in pure happiness.

Pick a Pine Tree is a simple story for young children to appreciate the tree-selection and preparation exercise, all the while setting a tone for the importance of unity and intimacy in a most jolly and ebullient manner.

Walker Books UK, October 2017.

Everything is oversized and over-the-top in this next picture book. Is there ever such a thing as too much Christmas? There is for one 7 year old. The sound of the greeting, ‘Merry Christmas, Mary Christmas!’ is not a very festive one as all her family care about is being the biggest and brashest in the neighbourhood. As good as their Christmas-loving intentions, Mary’s family are simply an embarrassment. Too many lights, too many presents, an oversized tree and a dog with a deafening singing voice. Charity, inclusion and a big heart prevail in a joyous and bright finale that embodies just the perfect fit.

Well-considered and humorous text by Laurie Friedman and energetic and vivid illustrations by Kathryn Durst make Merry Christmas, Mary Christmas! a story of benevolence and spirit that is sure to ‘over-stimulate’ young readers this season.

Carolrhoda Books, Lerner Books, September 2017.

Kids Will be Rapt to Find More Wrapped this Christmas – Part 2

Back again with yet another wonderful collection of gift suggestions for the festive season (see Part 1 here). This time, a few picture books perfectly gorgeous for preschool children who will love the buzz, love and tingle that feels like Christmas.

Merry Everything! is an utterly joyous celebration packaged in a magical wrapping of scrumptious words and pictures to create all kinds of warm and fuzzies. Naturally! It’s by one of my favourite creative combinations; Tania McCartney and Jess Racklyeft!

A book about inclusion and togetherness at Christmas time – what better way to introduce this global jollification than with the endpapers adorned with addressed letters to different animal families around the world. The story continues with sentiments so lovingly expressed through Tania’s kind of lyrical prose about all the preparations pertained to the common link that is Christmas. Bees buzz with busy, pandas wrap surprises, monkeys hang lashings, whilst penguins string songs on the starry sky. Appropriate atmospheric and seasonal scenes and habitats are beautifully thought out in Jess’s sugary sweet watercolour illustrations. Her paintings dazzlingly feature a medley of winsome critters and creatures so busily assembling the festivities with their families. And “on Christmas Day, the world tingles with happy.” Tania’s text continues to bring joy with her mix of cheerful verbs and rhyming elements, humour and bursts of emotion, just like full tummies at the end of a jubilantly hectic day.

A universally appealing book that is brimming with love and intimacy, warmth and unconditional happiness, Merry Everything! is everything a young reader could wish for this Christmas.

Windy Hollow Books, October 2017.

That Christmas Feeling is another heartwarming tale by Lili Wilkinson and Amanda Francey that has us craving that aura of magic and excitement in the lead up to the big day.

But how do you define ‘that Christmas feeling’? Is it baking the Christmas pudding, decorating the tree as a family, singing carols or visiting ‘Santa’? Dottie, Jem and their pup Shortbread reminisce about their special moments last year as they await the arrival of Mum and Dad at their grandparents’ house. This year is not quite the same, and for some children this may be a reality where compromises and adapting to change need to be made. In a bid to find the feeling they so long for, Jem shows Dottie a tree with twinkling lights and they sing songs together. Then Mum and Dad join them with a delivery that qualifies as the most precious ‘Christmas feeling’. It will literally give you shivers!

Touching and packed with emotion, and detailed illustrations that are equally full of life, reflection and charm, That Christmas Feeling is a tribute to the significance of family love and balancing expectations in times of uncertainty or change. Preschoolers will be overcome with hearts filled with joy after sharing this gorgeous book.

Allen & Unwin, September 2017.

What a joyous story brimming with sunshine and optimism, friendship and generosity! A Very Quacky Christmas by Frances Watts is delightfully cheerful with stunning illustrations by Ann James, perfect for reflecting on the true spirit of a bright Christmas.

Samantha Duck gloriously sings, “We wish you a quacky Christmas” whilst winding tinsel around reeds, hanging baubles and stockings on branches, and writing wish lists for all her friends. In the meantime, by her side is the pessimistic tortoise, Sebastian, certain that Christmas is not for animals. But, despite his scepticism he agrees to help his friend collect precious items from animals around the farm – sharing in a Christmas for animals is a delightful idea, after all. A cart full of presents and a bumpy ride later, who else shows his support, encouragement and nobility but Sebastian himself!

A Very Quacky Christmas is an absolutely feel-good book about giving and sharing, with its provocative text and effortless, dreamy illustrations that allow the golden effervescence to wash over the pages and into your heart. Love.

ABC Books, HarperCollins, October 2017.

Here’s a gift that keeps on giving – the legendary classic, We’re Going on a Bear Hunt (Michael Rosen and Helen Oxenbury), specifically designed as a gift book with an all-encompassing snowglobe inset into the cover.

Follow your journey through the long wavy grass, deep cold river, oozy mud, dark forest, and into a swirling whirling snowstorm as you shake and swish the book to create a ‘cool’ whooshing, kinaesthetic experience. What a blast! Continue on your suspenseful way to the narrow gloomy cave, and rush back home again with bear-on-tail, right into the comfort of your bed.

A masterful gift idea from the people at Walker Books to allow us oldies to relive the drama and excitement, and for the youngsters to be inspired to engage in all the songs, actions, role plays and good old cuddles that accompany this favourite treasure. Designed to captivate our hearts with some interactive fun, We’re Going on Bear Hunt Snowglobe Gift Book will be a winner for preschoolers this Christmas.

Walker Books, October 2017.